Yamaha MW12C 2 Руководство пользователя

Бренд: Yamaha

Модель: MW12C 2

Категория: Аудио-микшеры

Тип: Руководство пользователя

Это руководство также подходит для

MW12

MW12 Owner's Manual

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (2 wires).

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in

your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : USB MIXING STUDIO

Model Name : MW12

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following conditions:

1)this device may not cause harmful interference, and

2)this device must accept any interference received including interference

that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions

contained in this manual, meets FCC requirements. Modiﬁca-

tions not expressly approved by Yamaha may void your

authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories

and/or another product use only high quality shielded cables.

Cable/s supplied with this product MUST be used. Follow all

installation instructions. Failure to follow instructions could

void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply

with the requirements listed in FCC Regulations, Part 15 for

Class “B” digital devices. Compliance with these requirements

provides a reasonable level of assurance that your use of this

product in a residential environment will not result in harmful

interference with other electronic devices. This equipment

generates/uses radio frequencies and, if not installed and

used according to the instructions found in the users manual,

may cause interference harmful to the operation of other elec-

tronic devices. Compliance with FCC regulations does

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which

can be determined by turning the unit “OFF” and “ON”, please

try to eliminate the problem by using one of the following mea-

sures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to distrib-

ute this type of product. If you can not locate the appropriate

retailer, please contact Yamaha Corporation of America, Elec-

tronic Service Division, 6600 Orangethorpe Ave, Buena Park,

CA90620

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

(FCC DoC)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

MW12 Owner’s Manual

English

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the device. The required voltage is

printed on the name plate of the device.

• Use only the speciﬁed AC power adaptor (PA-20 or an equivalent recommended

by Yamaha).

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• Do not open the device or attempt to disassemble the internal parts or modify

them in any way. The device contains no user-serviceable parts. If it should

appear to be malfunctioning, discontinue use immediately and have it inspected

by qualiﬁed Yamaha service personnel.

• Do not expose the device to rain, use it near water or in damp or wet conditions,

or place containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the device, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the device inspected by

qualiﬁed Yamaha service personnel.

• If this device or the AC power adaptor should be dropped or damaged,

immediately turn off the power switch, disconnect the electric plug from the

outlet, and have the device inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the device or other property. These precautions include, but are not limited to, the following:

• Remove the electric plug from the outlet when the device is not to be used for

extended periods of time, or during electrical storms.

• When removing the electric plug from the device or an outlet, always hold the

plug itself and not the cord. Pulling by the cord can damage it.

•To avoid generating unwanted noise, make sure there is 50 cm or more

between the AC power adaptor and the device.

• Do not cover or wrap the AC power adaptor with a cloth or blanket.

• Before moving the device, remove all connected cables.

•Avoid setting all equalizer controls and faders to their maximum. Depending on

the condition of the connected devices, doing so may cause feedback and may

damage the speakers.

• Do not expose the device to excessive dust or vibrations, or extreme cold or heat

(such as in direct sunlight, near a heater, or in a car during the day) to prevent

the possibility of panel disﬁguration or damage to the internal components.

• Do not place the device in an unstable position where it might accidentally fall

over.

• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile

phone, or other electric devices. Doing so may result in noise, both in the device

itself and in the TV or radio next to it.

• Before connecting the device to other devices, turn off the power for all devices.

Before turning the power on or off for all devices, set all volume levels to

minimum.

• Do not insert your ﬁngers or hands in any gaps or openings on the device.

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any

gaps or openings on the device. If this happens, turn off the power immediately

and unplug the power cord from the AC outlet. Then have the device inspected

by qualiﬁed Yamaha service personnel.

• Do not use the device or headphones for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

• Do not rest your weight on the device or place heavy objects on it, and avoid use

excessive force on the buttons, switches or connectors.

Power supply/Power cord

Do not open

Water warning

If you notice any abnormality

Power supply/Power cord

Location

Connections

Handling caution

(5)-4

MW12 Owner’s Manual

English

Always turn the power off when the device is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the device at the minimum level. When you are not using the device for a long time,

make sure you unplug the power cord from the wall AC outlet.

The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualiﬁed Yamaha service

personnel about replacing defective components.

SPECIAL NOTICES

• This owner's manual is the exclusive copyrights of Yamaha Corporation.

• The supplied software is the exclusive copyrights of Steinberg Media Technologies GmbH.

• Use of the supplied software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging.

(Please read carefully the Software Licensing Agreement at the end of this manual before installing the application.)

• Copying of the supplied software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.

•Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this

manual and the software.

• The supplied disk is a CD-ROM. Do not attempt to play the disk on an audio CD player. Doing so may result in irreparable damage to your audio CD player.

• Visit the web address below for the latest information on supplied software and operating system requirements.

<http://www.yamahasynth.com/>

• The screen displays as illustrated in this owner’s manual are for instructional purposes, and may appear somewhat different from the screens which appear on your

computer.

• The illustrations as shown in this owner's manual are for instructional purposes only, and may appear somewhat different from those on your device.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others' copyrights.

Such copyrighted materials include, without limitation, all computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized use

of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE

OR USE ILLEGAL COPIES.

This device is capable of using various types/formats of music data by optimizing them to the proper format music data for use with the device in advance. As a result, this

device may not play them back precisely as their producers or composers originally intended.

• Windows is the registered trademarks of Microsoft

Corporation.

• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.

• Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH.

• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

Speciﬁcations and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or speciﬁcations at

any time without prior notice. Since speciﬁcations, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (–).

Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the device, or data that is lost or destroyed.

Foreword

MW12 Owner’s Manual

English

Foreword

Thank you for choosing a Yamaha MW12 USB Mixing Studio. The MW12 includes an audio mixer equipped with a

USB interface for digital audio data transfer, and Cubase LE DAW (Digital Audio Workstation) software for

Windows

and Macintosh

computer operating systems. With the MW12 USB Mixing Studio and your personal

computer you have the basic elements of a high-performance computer recording system that is easy to set up

and operate.

In order to take full advantage of the many features and capabilities provided by the MW12, we urge you to read

this owner’s manual thoroughly before using your MW12 system, and keep the manual in a safe, accessible

location for future reference.

Features

Connect To Your Computer via a Single

USB Cable (page 7)

The MW12 mixer connects to your computer via the

supplied USB cable. Stereo audio data is transferred

in both directions—from the mixer to the computer,

and vice-versa—via the USB connection (44.1 kHz or

48 kHz sampling frequency).

No Driver Installation Required (page 7)

The MW12 system uses the standard drivers included

in your computer’s operating system, so there’s no

need to install any extra driver software.

Cubase LE DAW Software Supplied

(page 7)

Cubase LE software, included in the MW12 package,

offers versatile, high-performance hard-disk recording

capability.

3-Band EQ On Each Channel (page 15)

Each channel of the MW12 mixer features full 3-band

equalization, providing broad, musical

response-shaping capability.

Mixer Functions (page 19)

The MW12 mixer can handle up to 12 simultaneous

inputs, mixing them to stereo or group outputs. You

could connect four microphones and four stereo

sources, or six microphones and two stereo sources,

for example. AUX SEND connectors are provided for

convenient connection to external signal processors or

other equipment.

48V Phantom Power (page 18)

A PHANTOM switch supplies +48V phantom power to

the mixer’s microphone inputs, so you can use

high-quality phantom-powered condenser

microphones for superior recording quality.

Contents

Foreword ................................................... 5

Features ............................................................... 5

Contents .............................................................. 5

Before Turning on the Mixer ................................. 6

Turning the Power On/OFF .................................. 6

Computer System Requirements ........................ 6

Cubase LE System Requirements ...................... 6

Quick Guide ............................................... 7

1. Installing Cubase LE...................................... 7

2. Connections................................................... 7

3. Powering Up the System................................ 8

4. Adjusting Level and Equalization................... 9

5. Recording with Cubase LE........................... 10

6. Mixing with Cubase LE................................. 13

Front & Rear Panels ............................... 15

Channel Control Section .................................... 15

Master Control Section ...................................... 17

Rear Input/Output Section ................................. 19

Setting Up ................................................ 21

Setup Procedure ................................................ 21

Setup Examples ................................................ 21

Rack Mounting ................................................... 22

Troubleshooting ...................................... 23

Appendix ................................................. 25

Speciﬁcations .................................................... 25

Dimensional Diagrams ...................................... 27

Block Diagram and Level Diagram .................... 28

SOFTWARE LICENSE AGREEMENT ..... 29

Foreword

MW12 Owner’s Manual

English

Before Turning on the Mixer

1 Be sure that the mixer’s power switch is in

the STANDBY position.

Use only the PA-20 adaptor included with this

mixer. Use of a different adaptor may result in

equipment damage, overheating, or ﬁre.

2 Connect the power adaptor to the AC

ADAPTOR IN connector (

) on the rear of

the mixer, and then turn the fastening ring

clockwise (

) to secure the connection.

3 Plug the power adaptor into a standard

household power outlet.

• Be sure to unplug the adaptor from the outlet

when not using the mixer, or when there are

lightning storms in the area.

•To avoid generating unwanted noise, make

sure there is 50 cm or more between the

power adaptor and the mixer.

Turning the Power On/OFF

Press the mixer’s power switch to the ON position.

When you are ready to turn the power off, press the

power switch to the STANDBY position.

Note that trace current continues to ﬂow while

the switch is in the STANDBY position. If you do

not plan to use the mixer again for a long while,

please be sure to unplug the adaptor from the

wall outlet.

n To prevent loud pops and noises, turn on the

power to your sound gear starting with the

sources (instruments, CD players, etc.) and

ending with the power ampliﬁer or powered

speakers.

Example: Instruments, microphones, and CD

players ﬁrst, then the mixer, and ﬁnally the

power ampliﬁer or powered speakers.

When turning off the power to the system,

reverse the order described above.

Computer System Requirements

Windows

Macintosh

Cubase LE System Requirements

Windows

Macintosh

Computer Windows-based computer with built-in USB

interface

OS Windows XP

CPU 750MHz or higher Intel Pentium/Celeron processor

Memory More than 96MB (128MB or more recommended)

Computer Macintosh computer with built-in USB interface

OS MacOS X 10.3.3 or higher

CPU Macintosh G3 processor 300MHz or higher

Memory More than 128MB

OS Windows XP

CPU 500 MHz or higher Pentium III or AMD K7

(1GHz or more recommended Pentium III/Athlon)

Memory

More than 256MB (512MB or more recommended)

Hard Disk 1GB or more

OS MacOS X 10.3.3 or higher

CPU Macintosh G4 processor 450MHz or higher

Memory

More than 256MB (512MB or more recommended)

Hard Disk 1GB or more

Quick Guide

MW12 Owner’s Manual

English

Quick Guide

This quick setup and operation guide covers everything from installing the Cubase LE software to using Cubase LE

for recording and mixdown. While going through this section you might ﬁnd it useful to also refer to the “Front and

Rear Panels” section on page 15, as well as the pdf manual supplied with the Cubase LE software.

1 Turn the computer on.

2 Insert the supplied CD-ROM into the computer’s CD-ROM drive.

3 Follow the on-screen instructions to install the Cubase LE software.

The serial number is printed on the sheet located inside the CD-ROM envelope.

n • Please install Cubase LE while connected to the internet.

• Please enter all required items during installation.

• For Macintosh computers double-click the “Cubase LE.pkg” icon.

1 Connect the MW12 to the Computer.

Connect the MW12 mixer to your computer using the

supplied USB cable.

When connecting or disconnecting the USB cable

be sure to turn the 2TR IN/USB control all the way

down.

n Disconnect the USB cable before you use the

computer without the MW12.

2 Connecting Microphones and/or

Instruments.

For details on making connections refer to the “Rear

Input/Output” section on page 19, and the “Setting Up”

section on page 21.

Step

Installing Cubase LE

Step

Connections

USB Connection Precautions

Be sure to observe the following points when connecting to the

computer’s USB interface. Failure to observe these rules can

result in computer freezes/hang-ups and possibly data loss or

corruption.

If the computer or MW12 does stop operating properly, turn

the power off and then on again, and restart the computer.

• Be sure to wake the computer from

sleep/suspended/standby mode before making a

connection to the computer’s USB connector.

• Connect the MW12 to the computer before turning the

MW12 power on.

• Always quit all applications running on the computer

before turning the MW12 power on or off, or connecting

or disconnecting the USB cable.

• Wait at least 6 seconds between turning the MW12 on or

off, and between connecting or disconnecting the USB

cable.

Be sure turn the MW12

PHANTOM switch on when

using phantom-powered

condenser microphones.

Although electric guitars and

basses can be connected

directly to the mixer’s inputs,

the sound is likely to be thin

and possibly noisy. For best

results with these types of

instruments use a DI box

(direct box), guitar/bass

preampliﬁer, or amp simulator

between the instrument and

the mixer.

USB Cable

MW12 Owner’s Manual

Quick Guide

English

1 Turn the power to all gear that is to be

connected to the MW12 off/standby

(except the computer), and set the

channel faders, ST master fader, and

GROUP 1-2 fader to their minimum

settings.

2 To prevent loud pops and noises, turn on

the power to your sound gear starting

with the sources (instruments, CD

players, etc.) and ending with the power

ampliﬁer or powered speakers.

Example: Instruments, microphones, and CD players

first, then the mixer, and finally the power amplifier or

powered speakers.

n The ﬁrst time you connect to the computer’s USB

connector, or change the connection to a different

USB port, a driver installation display may appear. If

this occurs, wait until the installation is complete

before proceeding.

Balanced Cables and Unbalanced Cables

Two types of cables can be used to connect microphones,

electronic instruments, and other audio sources to the

mixer’s inputs, as well as to connect the mixer’s outputs to

a power amplifier or related gear: balanced or

unbalanced. Balanced cables are highly resistant to noise,

and are the best choice for low-level signals such as the

output from microphones, as well as for long cable runs.

Unbalanced cables are generally used for short runs from

line-level sources such as synthesizers.

Cable Guidelines

Microphone cable: Balanced is best.

Short line-level cables: Unbalanced cable is fine in a

relatively noise-free environment.

Long line-level cables: Balanced is best.

Connector Types

XLR Connectors

This 3-pin connector is

resistant to externally

induced noise, and is used

primarily for balanced

connections. With properly

designed receiving circuitry

cables with this type of connector can also be used for

unbalanced signals. XLR type connectors are the standard

for microphone connections as well as most professional

audio gear.

Phone Connectors

Phone connectors are

available in mono and

stereo versions. Stereo

types are also known as

“TRS” connectors

(Tip-Ring-Sleeve), and are

used for stereo headphone jacks, insert jacks, and also to

carry balanced signals in many cases. Unbalanced types

are used for mono signals —guitar cables are a common

example.

RCA Pin Connectors

This type of unbalanced

connector is most

commonly found on home

audio and video equipment.

RCA type pin jacks are

often color coded: white for

left audio channel and red for right audio channel, for

example.

Step

Powering Up the System

Observe the following precautions when turning on

phantom power.

• Make sure that the PHANTOM switch is off when phantom

power is not needed.

• Make sure that no equipment other than phantom-powered

microphones is connected to the XLR type inputs when turning

phantom power on. Applying phantom power to equipment

other than phantom-powered microphones can damage the

equipment. The exception to this rule is balanced dynamic

microphones, which can safely be left connected while phantom

power is applied to the XLR inputs.

• To minimize the possibility of speaker damage, turn phantom

power on ONLY while your power amplifier or powered speakers

are switched off. It’s also a good idea to turn the mixers output

controls—the ST and GROUP 1-2 faders—all the way down

when turning phantom power on.

Channel Fader

GROUP 1-2 Fader

ST Master Fader

Quick Guide

MW12 Owner’s Manual

English

Level Adjustment

1 The ﬁrst step in adjusting levels is to set

the level controls on all instruments and

other sources appropriately.

2 Adjust the channel GAIN controls so that

the corresponding peak indicators ﬂash

brieﬂy on the highest peak levels (GAIN

controls are not provided on the stereo

channels—9/10 and 11/12).

3 Turn the ST switches for channels you

want to record ON.

4 Make sure that the PFL switch is off, and

that the ST/GROUP switch is set to ST.

5 Raise the master fader to the “0” position.

6 Set the channel faders to create the

desired initial balance while monitoring

via headphones or monitor speakers. The

overall headphone level is adjusted by the

C-R/PHONES control.

EQ Adjustment

The MW12 mixer’s 3-band equalizers with independent

HIGH, MID, and LOW bands make it easy to shape the tone

of independent channels to achieve the best possible mix.

Step

Adjusting Level and Equalization

Channel Fader

ST Master

Fader

C-R/PHONES

Control

ST/GROUP

Switch

GAIN Control

PEAK Indicator

ST Switch

PFL Switch

Use the High-pass Filter for Microphone Input

As the name implies, a “high-pass filter” allows only

signals above a certain frequency to pass. Conversely,

signals below that “cutoff frequency” are attenuated. When

an MW12 high-pass filter is turned on, signals below 80 Hz

are attenuated. This can be useful for minimizing

low-frequency breath noise from a vocalist, as well as

handling noise, or rumble transmitted via the microphone

stand. It is generally a good idea to turn the high-pass filter

on for microphone channels.

Equalizer Tips

The best advice that can be given regarding equalization

while recording is simply to use as little equalization as

possible. If you want a little more presence you can turn

the HIGH end up a bit. Or you can boost the bass a little if

you feel the low end is lacking. During recording it’s better

to use EQ sparingly for compensation only.

MW12 Owner’s Manual

Quick Guide

English

This section describes the procedure for recording via the

MW12 mixer to the Cubase LE software we installed earlier.

n For details on operation of the Cubase LE software refer to

the pdf-format manual provided with the software.

Cubase LE Setup

1 To prevent the playback sound from

Cubase LE from being directly

re-recorded, press the MW12 2TR IN/USB

(ST/TO C-R) switch so that it’s in the on

(TO C-R) position.

With the setting the playback sound can be monitored

via the C-R OUT connectors as well as the PHONES

jack.

2 Launch Cubase LE.

Windows:

Click [Start] → [All Programs] → [Steinberg Cubase

LE] → [Cubase LE] to launch the program. If the ASIO

Multimedia dialog window appears, click [Yes].

Macintosh:

Double click the [Cubase LE] icon in your

“Applications” folder, or single-click the [Cubase LE]

icon in the dock if it has been placed there.

n • If you speciﬁed a ﬁle destination when installing

the Cubase LE software, launch the application

from that location.

•Create a Cubase LE shortcut or Alias on your

desktop so you can easily launch the program

when required.

3 Select [Device Setup] from the [Devices]

menu to open the Device Setup window.

Windows:

Select [VST Multitrack] in the [Devices] field on the left

side of the window. Select [ASIO Multimedia Driver] in

the [ASIO Driver] field on the right side of the window,

and click [Apply] or [OK].

Macintosh:

Select [VST Multitrack] in the [Device] field on the left

side of the window. Select [USB Audio CODEC (2)] in

the [ASIO Driver] field on the right side of the window,

and click [OK]. Skip ahead to step 7, below.

n Under Mac OS X you can select either [USB Audio

CODEC (1)] or [USB Audio CODEC (2)] in the [ASIO

Driver] driver ﬁeld. Normally you should select or

[USB Audio CODEC (2)], but if you will only be

playing back and mixing previously recorded data

you can select [USB Audio CODEC (1)] to lighten

the load on the computer’s CPU.

4 On a Windows computer click [Control

Panel] in the Device Setup window. The

ASIO Multimedia Setup dialog window will

appear. Click [Advanced Options].

Step

Recording with Cubase LE

Quick Guide

MW12 Owner’s Manual

English

5 The ASIO Multimedia Setup – Advanced

Options window will appear. Check only

the input port and output port [USB Audio

CODEC] checkbox.

6 Click [OK] in the ASIO Multimedia Setup –

Advanced Options, ASIO Multimedia

Setup, and Device Setup dialog windows

to close the windows.

7 Select [VST Inputs] in the [Devices] menu.

The VST Inputs window will open. Engage

the Port [USB Audio CODEC] Active

button ( ), and close the VST Inputs

window.

8 Select [New project] from the [File] menu

to create a new project ﬁle.

The New Project dialog window will open. For this

example select [24 Track Audio Recorder] and click

[OK].

n Recorded Cubase LE data is stored as a “project

ﬁle” for each song.

9 When the directory selection dialog

window appears, select the folder to

which the project and audio ﬁles for the

project are to be stored, and click [OK].

An empty 24-audio-track project window will appear.

Preparing to Record

1 Click in the track list (the area in which the

track names are displayed) to select a

track to record on.

For this example select [Audio 01]. The various

settings for the selected track are available in the

Inspector on the left side of the display.

n If the Inspector is not showing, click the [Show

Inspector] button ( ) in the upper left area of the

project window.

[Show Inspector] button

Inspector

[Stereo Switch] button

MW12 Owner’s Manual

Quick Guide

English

2 Use the [Stereo Switch] buttons in the

Inspector to select stereo or monaural

operation for the track: ( ) for stereo

operation and ( ) for monaural.

For the example select the stereo mode.

You will normally use a monaural track when recording

vocals or guitar, and a stereo track when recording

synthesizers with stereo outputs, for example. You

might want to use a stereo track to record a guitar

processed through a preamplifier or amp simulator

with stereo outputs.

3 Select [Mixer] from the [Devices] menu to

open the mixer window.

Click the arrow in the upper left corner of the mixer

window and select [Wide] to increase the width of the

mixer’s channel strips. Leave the mixer window open

until you have finished recording for easy access.

4 Make sure that the [Record Enable] button

() on the left side of the channel strip is

on.

If the [Record Enable] button is off ( ), click it to turn

it on. The input signal level will be displayed on the

channel strip level meter while the [Record Enable]

button is on.

5 Play the instrument to be recorded and,

while watching the mixer window level

meter, adjust the MW12 GAIN control and

channel fader so that the meter never

goes above 0.0 dB.

n • The MW12 ST master fader does not affect the

output level sent to the computer.

• The Cubase LE channel strip fader only affects the

playback output level from Cubase LE.

The maximum level encountered is displayed

numerically in the peak level display at the top of the

channel strip.

6 Specify the point at which you want to

start recording via the ruler at the top of

the project window.

Click the black area of the ruler to move the project

cursor (the vertical black line) to that position.

7 Open the [Transport] menu and turn [Start

Record at Left Locator] off.

Recording and Playback

1 Click the Transport panel [Record] button

to begin recording.

When recording is started the project cursor will begin

moving to the right and a box that displays the

recording results will be created.

Transport panel

2 Play the part.

3 When you have ﬁnished recording the

track, click the Transport panel [Stop]

button.

Channel strip

[Record Enable]

button

Peak level display

Rewind

Forward

Stop

Record

Play

Recording results

Quick Guide

MW12 Owner’s Manual

English

4 To hear playback of the track you have

just recorded, use either the Transport

panel [Rewind] button or the ruler to

rewind to the beginning of the recorded

section, then click the Transport panel

[Play] button.

The playback level will be displayed via the master

section level meter on the right side of the Mixer

window. The channel strip level meters will become

active when you turn the channel strip [Record Enable]

button off.

n When a pair of headphones are plugged into the

MW12 PHONES jack, you can adjust the headphone

listening level via the MW12 C-R/PHONES control

and the 2TR IN/USB control.

5 To save the project ﬁle select [Save] from

the [File] menu and enter a ﬁle name

before actually saving the ﬁle.

Save your project frequently to insure against losing

large amounts of data if a problem occurs.

6 Repeat steps 1 through 5 to record further

material on the same track.

7 To record additional material on a

different track, select a new track and

repeat the same record procedure.

In this section we’ll try mixing down multiple recorded audio

tracks to stereo, and creating a wave file. Mixes can be

stored as WAV or AIFF files, which can then be recorded to

audio CDs.

1 Launch Cubase LE and open a project ﬁle.

2 Select [Mixer] from the [Devices] menu to

open the mixer window.

3 Turn the [Record Enable] buttons for all

recorded tracks off in order to display the

corresponding levels via the channel-strip

levels meters.

4 Click the Transport panel [Play] button.

5 Drag the channel strip faders up and

down while listening to playback to adjust

the mix as required.

The master gain fader on the right side of the window

can also be used to adjust the overall level.

6 Drag the Pan controls on the left side of

the channel strips left and right to set the

stereo position of each track.

Step

Mixing with Cubase LE

Start with the Featured Part

You can start working on a mix from almost any part, but it

makes the most sense to start with the main instrument or

vocal. Set up an initial level for the main part, and then build

the rest of the mix around it.

For example, if you’re mixing a piano trio with a vocalist, begin

by setting the level of the vocal track at around the nominal

level, and then gradually add the other instruments. Your

choices will also be influenced by the type of music you are

working on. If the song is a ballad you might want to add the

piano to the mix after the vocal, and then add the bass and

drums. If it’s a more rhythmically oriented piece you could add

the bass and drums first, and then the piano. Whatever best

serves the music is right.

MW12 Owner’s Manual

Quick Guide

English

7 At this point you can begin to use EQ to

reﬁne your mix, and add effects.

As an example let’s try adding reverb. Click the [Edit

VST channel] button ( ) on the left side of the

channel strip to open the VST Channel Settings

window. Click No Effect → Reverb → Reverb B.

n For further details refer to the pdf manual provided

with the Cubase LE software.

It’s a good idea to lower the channel fader a bit

before adding an effect, since the effect can cause

an increase in the overall channel level.

8 When the ﬁnal adjustments have been

made to the mix, go to the [File] menu and

select [Export] ➞ [Audio Mixdown].

9 Enter a ﬁle name and select a ﬁle type.

If you intend to use the file to create an audio CD,

select the WAV file type (AIFF on a Macintosh), Stereo

Interleaved, 16 bit, and 44.1 kHz.

Click [Save].

Progress of the mixdown operation will be shown in a

progress window. When the progress window closes

the mixdown is complete.

n Wave ﬁles created by mixdown can be directly

playback back using the Windows Media Player or

iTunes on a Macintosh computer.

Pan Effectively

“Panning” creates the illusion of stereo space by changing the

relative levels of each track’s signal sent to the left and right

speakers. If a signal is sent only to the left speaker, the sound

will appear to come from the far left side of the stereo sound

field. If it sent with equal level to both left and right speakers

our ears tell us the sound is located in the center of the stage.

Judicious panning can also help to create cleaner-sounding

mixes by spreading the instruments out across the sound

stage so that they don’t “get in each other’s way.” There are no

hard and fast rules, but the bass and kick drum are usually

placed in the center of the mix, as is the lead instrument or

vocal. Other instruments should be evenly balanced

throughout the sound stage in a well-balanced manner.

Front & Rear Panels

MW12 Owner’s Manual

English

Front & Rear Panels

Channel Control Section

1 GAIN Control

Adjusts the input signal level.

To get the best balance between the S/N ratio and the

dynamic range, adjust the level so that the PEAK

indicator (2) comes on only at about maximum input

level.

The –60 to –16 scale indicates the MIC input adjustment

level. The –34 to +10 scale indicates the LINE input

adjustment level.

2 PEAK Indicator

Detects the peak level of the post-EQ signal, and lights

up red when the level reaches 3 dB below the clipping

level. For XLR-equipped stereo input channels (5/6 and

7/8), detects both post-EQ and post-mic-amp peak

levels, and lights red if either of these levels reaches 3

dB below the clipping level.

n When the level of an input signal exceeds the level that

can be handled by the mixer’s head amp or equalizer,

distortion and noise will result. The PEAK indicators are

used to visually check the signal level to ensure no

overload occurs.

3 Switch (High Pass Filter)

This switch toggles the HPF on or off. To turn the HPF on,

press the switch in ( ). The HPF cuts frequencies

below 80 Hz. (But note that regardless of the switch

setting, the mixer does not apply this HPF to the line

inputs of stereo input channels.)

4 Equalizer (HIGH, MID, and LOW)

This three-band equalizer adjusts the channel’s high,

mid, and low frequency bands. Setting the knob to the

position produces a ﬂat frequency response. Turning the

knob to the right boosts the corresponding frequency

band, while turning to the left attenuates the band. The

following table shows the EQ type, base frequency, and

maximum cut/boost for each of the three bands.

n The equalizer can be used to boost or cut speciﬁc

frequency bands, allowing the tone of the sound to be

shaped as required by the mix.

)

23 3

Channels

1 to 4

(Monaural)

Channels

5/6 and 7/8

(Stereo)

Channels

9/10 and 11/12

(Stereo)

Band Type

Base

Frequency

Maximum

Cut/Boost

HIGH Shelving 10 kHz

±15 dBMID Peaking 2.5 kHz

LOW Shelving 100 Hz

Front & Rear Panels

MW12 Owner’s Manual

English

5 AUX1 and AUX2 Controls

Sends the channel signal to the AUX 1 or AUX 2 bus. The

AUX buses are normally used to feed external signal

processing gear or a monitor system. The knob should

generally be set close to the position.

If you are using stereo channels, the signals from the L

(odd) and R (even) channels are mixed and sent to the

AUX1 and AUX2 buses.

n Allows you to output the signal to the buses regardless

of the setting of the ST switch (8).

6 PRE Switch

Selects whether the pre-fader or the post-fader signal is

fed to the AUX1 bus. If you set the switch on ( ), the

mixer sends the pre-fader signal (the signal prior to

passage through channel fader !) to the AUX1 bus, so

that AUX1 output is not affected by the fader. If you set

the switch off ( ) the mixer sends the post-fader signal

to the AUX1 bus.

Note that this switch applies to AUX1 only. The signal to

the AUX2 bus always passes through the channel fader

ﬁrst.

7 PAN Control (1 to 4)

PAN/BAL Control (5/6 and 7/8)

BAL Control (9/10 and 11/12)

The PAN control determines the positioning of the

channel’s signal on the Group 1 and 2 buses or on the

Stereo L and R buses.

The BAL control knob sets the balance between left and

right channels. Signals into to the L input (odd channel)

feed to the Group 1 bus or to the Stereo L bus; signals

into the R input (even channel) feed to the Group 2 bus

or the Stereo R bus.

n On channels where this knob provides both PAN and

BAL controls (5/6 and 7/8), the knob operates as a PAN

control if you are inputting through the MIC jack or into

the L (MONO) input only, and operates as a BAL control

if you are inputting into both L and R inputs.

8 ST Switch

This switch sends the signal from the corresponding

channel to the mixer’s stereo L-R bus. When this switch is

on the signal is sent both to the stereo L-R bus and the

computer via the USB interface. The switch glows orange

when it is turned on.

9 PFL (Pre-Fader Listen) Switch

This switch lets you monitor the channel’s pre-fader

signal. To set the switch on, press it in ( ) so that it

lights up. When the switch is on, the mixer outputs the

channel’s pre-fader signal to the PHONES and C-R OUT

jacks, for monitoring.

) GROUP Switch

Use this switch to assign the channel’s signal to the

Group output. Press the switch in ( ) to output the

signal to the Group 1 and 2 buses.

n Allows you to output the signal to the buses regardless

of the setting of the ST switch 8.

! Channel Fader

Adjust the level of the signal output from the

corresponding input channel. The channel faders are

mainly used for setting up the desired level balance

between channels. The channel faders also adjust the

level of the signals sent to the computer via the USB

interface.

n To reduce noise, set the fader sliders for unused

channels all the way down.

Front & Rear Panels

MW12 Owner’s Manual

English

Master Control Section

1 ST Master Fader

Adjusts the signal level to the ST OUT jacks.

n The stereo master fader has no effect on the signal

being sent to the computer via the USB interface.

2 GROUP 1-2 Fader

Adjusts the signal level to the GROUP OUT 1 and

GROUP OUT 2 jacks.

3 TO ST Switch

If this switch is on ( ), the mixer sends the signals

processed by the GROUP 1-2 fader (2) onto the Stereo

bus. The Group 1 signal goes to Stereo L and the Group

2 signal goes to Stereo R.

4 Master SEND

• Master AUX 1/2 Control

Adjusts the signal level, respectively. These are the

signals that are output to the AUX1 and AUX2 SEND

jacks.

5 RETURN

•AUX 1/2 Control

Adjust the level of the mixed L/R signal sent from the

RETURN jacks (L (MONO) and R) to the AUX1 and

AUX2 buses.

• ST Control

Adjust the level of the signal sent from the RETURN

jacks (L (MONO) and R) to the Stereo bus.

n If you supply a signal to the RETURN L (MONO) jack

only, the mixer outputs the identical signal to both the L

and R Stereo buses.

6 2TR IN/USB Control

Adjusts the level of signals received via 2TR IN, as well

as the level of signals received by the MW12 from the

computer via the USB interface.

)

Front & Rear Panels

MW12 Owner’s Manual

English

7 PHANTOM +48 V Switch

This switch toggles phantom power on and off. If you set

the switch on, the mixer supplies power to all channels

that provide XLR mic input jacks (CHs 1–4, 5/6, 7/8). Set

this switch on when using one or more condenser

microphones.

n When this switch is on, the mixer supplies DC +48 V

power to pins 2 and 3 of all XLR-type MIC INPUT jacks.

• Be sure to leave this switch off ( ) if you do not

need phantom power.

• When tuning the switch on ( ), be sure that only

condenser mics are connected to the XLR input

jacks (CHs: 1 to 7/8). Devices other than con-

denser mics may be damaged if connected to the

phantom power supply. Note, however, that the

switch may be left on without problem when con-

necting to balanced dynamic microphones.

•To avoid damage to speakers, be sure to turn off

ampliﬁers (or powered speakers) before turning

this switch on or off. We also recommend that you

turn all output controls (ST master fader, GROUP

1-2 fader, etc.) to minimum settings before operat-

ing the switch, to avoid risk of loud noises that

could cause hearing loss or device damage.

8 2TR IN/USB Switch (TO ST/TO C-R)

Determines whether the stereo signal received via the

2TR IN connectors and USB interface is sent to the

stereo bus or the C-R OUT connectors and PHONES jack

(level meter). When the 2TR IN/USB switch is set to TO

C-R, the signal is sent to the C-R OUT connectors and

the PHONES jack.

9 ST/GROUP Switch

Determines whether the stereo bus or group bus signal is

sent to the C-R OUT connectors and PHONES jack (level

meter).

) C-R/PHONES Control

Controls the level of the signal output to the PHONES

jack and the C-R OUT L and R jacks.

! Level Meter

This LED meter displays the level of the signal selected

by the PFL, ST/GROUP, and 2TR IN/USB switches. The

“0” LED corresponds to nominal level. The PEAK LED will

ﬂash red when the signal level approaches clipping level.

@ POWER Indicator

This indicator lights up when the mixer’s power is ON.

# PHONES Jack

Connector for headphones. This is a stereo phone-type

output jack. The PHONES jack outputs the same signal

that is output via the C-R OUT connectors.

n The signal monitored by these jacks is selected by the

settings of the ST-GROUP toggle switch, the 2TR

IN/USB switch, and the PFL switches on the input

channels.

Switch combinations and the resulting signals

sent to the C-R OUT connector and PHONES

connector (level meter)

*1 The PFL signal takes priority when a PFL switch is on.

*2 The signal is a mix of the signals received via the 2TR

IN/USB connector and the group or stereo bus.

2TR IN

/USB

PFL

ST/

GROUP

PFLbus

2TR IN/USB connectors input

signal, GROUP1/2 buses

GROUP1/2 buses

Stereo bus

(2TR IN/USB connectors → stereo)

OFF

TO C-R

TO ST

C-R OUT and

PHONES/Level Meter

Switch

OFF

TO C-R

GROUP

2TR IN/USB connectors input

signal, Stereo bus

TO ST

Switch Switch

Front & Rear Panels

MW12 Owner’s Manual

English

Rear Input/Output Section

1 Channel Input Jacks

• MIC jacks (CHs 1 to 4, 5/6, 7/8)

These are balanced XLR-type microphone input jacks

(1:Ground; 2:Hot; 3:Cold).

• LINE jacks (CHs 1 to 4)

These are balanced TRS phone-type line input jacks

(T:Hot; R:Cold; S:Ground).

You can connect either balanced or unbalanced phone

plugs to these jacks.

n Where an input channel provides both a MIC INPUT jack

and a LINE INPUT jack, you may use either one of these

jacks but you may not use both at the same time. Please

connect to only one of these jacks on each channel.

2 INSERT I/O Jacks

Each of these jacks is positioned between the equalizer

and fader of the corresponding input channel (CHs 1 to

4). These jacks can be used to independently connect

these channels to devices such as graphic equalizers,

compressors, and noise ﬁlters. These are TRS (tip, ring,

sleeve) phone jacks that support bidirectional operation.

n Connection to an INSERT I/O jack requires a special

separately-sold insertion cable such as illustrated

below.

n The signal output from the INSERT I/O jacks is

reverse-phased. This will not be a problem if connecting

the jack to an effector. If using the jack to output to an

external device, however, please be aware of possible

phase conﬂicts with other signals.

3 Channel Input Jacks

These are unbalanced stereo line input jacks. Two jack

types are provided: phone type (CHs 5/6 to 11/12) and

RCA pin type (CHs 9/10, 11/12).

n Where a channel provides both phone jacks and RCA

pin jacks, you may use either one of these jacks but you

may not use both at the same time. Please connect to

only of these jacks on each channel.

4 GROUP OUT (1, 2) Jacks

These are impedance-balanced phone-type output jacks

that output the Group 1-2 signals. Use these jacks to

connect to the input jacks of an MTR, external mixer, or

other such device.

5 ST OUT (L, R) Jacks

These jacks deliver stereo output of the mixed signal. You

use these jacks, for example, to connect to the power

ampliﬁer driving your main speakers. You also use these

jacks when you wish to record the signal utilizing the

level control applied by the ST Master fader in the Master

Control section.

• XLR jacks

XLR-type balanced output jacks.

• LINE jacks

TRS phone-type balanced output jacks.

6 C-R OUT (L, R) Jacks

These are impedance-balanced phone-type output

jacks. You use these jacks, for example, to connect to the

monitor system.

n The signal monitored by these jacks is selected by the

settings of the ST-GROUP toggle switch, the 2TR IN

/USB switch, and the PFL switches on the input

channels.

6@3

278

To the INSERT I/O jack

To the input jack of the external processor

To the output jack of the external processor

Ring: In

Sleeve (Ground)

Tip: Out

Tip: In

Front & Rear Panels

MW12 Owner’s Manual

English

7 SEND Jacks

•AUX1 and AUX2 jacks

These are impedance balanced phone-type output

jacks.

These jacks output the signals from the AUX1 and

AUX2 buses, respectively. Use these jacks to output

these signals to an effector or to a cue box or other

such monitoring system.

8 RETURN L (MONO), R Jacks

These are unbalanced phone-type line input jacks. The

signal received by these jacks is sent to the Stereo bus

and the AUX1 and AUX2 buses. These jacks are typically

used to receive a return signal from an external effector

(reverb, delay, etc.).

n These jacks can also be used as an auxiliary stereo

input. If you connect to the L (MONO) jack only, the

mixer will recognize the signal as monaural and will

propagate the identical signal on both L and R jacks.

9 REC OUT (L, R) Jacks

By connecting these jacks to an external DAT recorder or

cassette recorder, you can record the same signal that is

being output from the ST OUT jacks.

n • The mixer’s ST Master Fader has no affect on the

signal output from these jacks. Be sure to make

appropriate level adjustments at the recording device

side.

• These connectors output the same signal that sent to

the computer via the USB interface.

) 2TR IN Jacks

These RCA pin jacks input a stereo sound source. Use

these jacks when you want to connect a CD or DAT

directly to the mixer for monitoring.

n • Level is controlled via the master section 2TR IN/USB

control.

• When a signal is being received both via the 2TR IN

connectors and the USB interface, the received

signals are mixed.

! USB Connector

Connects to the computer via the supplied USB cable.

When connecting or disconnecting the USB cable

be sure to turn the 2TR IN/USB control all the way

down.

@ POWER Switch

Use this switch to set mixer power to ON or STANDBY.

Note that trace current continues to ﬂow while the

switch is in the STANDBY position. If you do not

plan to use the mixer again for a long while, be

sure to unplug the adaptor from the wall outlet.

# AC ADAPTOR IN Connector

Connects to the included PA-20 power adaptor (see

page 6).

Use only the PA-20 adaptor included with this

mixer. Use of a different adaptor may result in ﬁre

or electric shock.

Connector Polarities

*These jacks will also accept connection to monaural phone plugs. If you use monaural plugs, the connection will be unbalanced.

MIC INPUT, ST OUT

Pin 1: Ground

Pin 2: Hot (+)

Pin 3: Cold (–)

LINE INPUT (monaural channels),

GROUP OUT, ST OUT, C-R OUT

AUX1, AUX2*

Tip: Hot (+)

Ring: Cold (–)

Sleeve: Ground

INSERT I/O

Tip: Output

Ring: Input

Sleeve: Ground

PHONES

Tip: L

Ring: R

Sleeve: Ground

RETURN

LINE INPUT (stereo channels)

Tip: Hot

Sleeve: Ground

INPUT OUTPUT

Sleeve Tip

Ring

Sleeve Tip

Страница загружается ...

Yamaha MW12C 2 Руководство пользователя

Бренд: Yamaha

Модель: MW12C 2

Категория: Аудио-микшеры

Тип: Руководство пользователя

Это руководство также подходит для

MW12

Скачать PDF

сообщить о нарушении

на других языках

English: Yamaha MW12C 2 User manual
français: Yamaha MW12C 2 Manuel utilisateur
italiano: Yamaha MW12C 2 Manuale utente
español: Yamaha MW12C 2 Manual de usuario
Deutsch: Yamaha MW12C 2 Benutzerhandbuch
Nederlands: Yamaha MW12C 2 Handleiding
português: Yamaha MW12C 2 Manual do usuário
dansk: Yamaha MW12C 2 Brugermanual
polski: Yamaha MW12C 2 Instrukcja obsługi
čeština: Yamaha MW12C 2 Uživatelský manuál
svenska: Yamaha MW12C 2 Användarmanual
Türkçe: Yamaha MW12C 2 Kullanım kılavuzu
suomi: Yamaha MW12C 2 Ohjekirja
română: Yamaha MW12C 2 Manual de utilizare

Yamaha MW12C 2 Руководство пользователя

Это руководство также подходит для

Yamaha MW12C 2 Руководство пользователя

на других языках

Похожие модели бренда

Модели других брендов