P7000

Yamaha P7000 Руководство пользователя

  • Здравствуйте! Я изучил руководство пользователя для усилителей мощности Yamaha серии P (модели P7000S, P5000S, P3500S и P2500S). Готов ответить на ваши вопросы о технических характеристиках, подключении, настройке и эксплуатации этих устройств. В руководстве подробно описаны режимы работы, система защиты и другие важные параметры.
  • Какие режимы работы поддерживают усилители?
    Какая защита предусмотрена в усилителях?
    Какие разъемы используются для подключения?
    Есть ли возможность регулировки частоты среза?
ìëàãàíÖãú åéôçéëíà
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
RU
2
BRIDGE
11
++ --
(+)(-)
чÌÌ˚È ÁÌ‡Í Ó·ÓÁ̇˜‡ÂÚ ÓÔ‡ÒÌ˚È ÍÓÌÚ‡ÍÚ ÔÓ‰ ̇ÔflÊÂÌËÂÏ.
èÓ‰ÒÓ‰ËÌÂÌË ‚̯ÌÂ„Ó ÔÓ‚Ó‰‡ Í ˝ÚÓÏÛ ÍÓÌÚ‡ÍÚÛ ‰ÓÎÊÌÓ
‚˚ÔÓÎÌflÚ¸Òfl ÎË·Ó «ÎˈÓÏ, Ôӯ‰¯ËÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÌÒÚÛÍÚ‡Ê
ÔÓ Ó·‡˘ÂÌ˲», ÎË·Ó ÔË ÔÓÏÓ˘Ë ÔÓ‚Ó‰Ó‚ ËÎË Í‡·ÂÎfl, ÍÓÌÒÚÛ͈Ëfl
ÍÓÚÓ˚ı ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ Ë ·ÂÁ ÔÓ·ÎÂÏ ÔÓËÁ‚ÂÒÚË ÔÓ‰ÒÓ‰ËÌÂÌËÂ.
3
åÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË
— Ç ˆÂÎflı ·ÂÁÓÔ‡ÒÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË —
èêÖÑìèêÖÜÑÖçàÖ
èÓ‰Íβ˜‡ÈÚ ¯ÌÛ ÔËÚ‡ÌËfl ‰‡ÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÚÓθÍÓ Í ÓÁÂÚÍÂ
Ú‡ÍÓ„Ó ÚËÔ‡, ÍÓÚÓ˚È Û͇Á‡Ì ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl
ËÎË Ì‡ Ò‡ÏÓÏ ÛÒÚÓÈÒÚ‚Â. çÂÒӷβ‰ÂÌË ˝ÚÓÈ ÏÂ˚ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ÔÓʇÛ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ç ‰ÓÔÛÒ͇ÈÚ ÔÓÔ‡‰‡ÌËfl ‚Ó‰˚ ‚ ÛÒÚÓÈÒÚ‚Ó Ë Ì‡ Ì„Ó. Ç ÔÓÚË‚ÌÓÏ
ÒÎÛ˜‡Â ÏÓÊÂÚ ÔÓËÁÓÈÚË ÔÓʇ ËÎË ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ
ÚÓÍÓÏ.
ç ÒÚ‡‚¸Ú ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛ Ë Ì·Óθ¯Ë ÏÂÚ‡Î΢ÂÒÍËÂ
Ô‰ÏÂÚ˚ ̇ ÔÓ‚ÂıÌÓÒÚ¸ ÛÒÚÓÈÒÚ‚‡. ÜˉÍÓÒÚ¸ ËÎË ÏÂÚ‡Î΢ÂÒÍËÈ
Ó·˙ÂÍÚ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÛÒÚÓÈÒÚ‚‡ Ë ‚˚Á‚‡Ú¸ ÔÓʇ ËÎË
ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ç ÒÚ‡‚¸Ú ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, ‚Íβ˜‡fl ‰‡ÌÌÓ ÛÒÚÓÈÒÚ‚Ó, ̇
¯ÌÛ ÔËÚ‡ÌËfl. èÓ‚ÂʉÂÌË ¯ÌÛ‡ ÔËÚ‡ÌËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓʇÛ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. Ç ˜‡ÒÚÌÓÒÚË,
Òӷ≇ÈÚ ÓÒÚÓÓÊÌÓÒÚ¸ Ë Ì ÒÚ‡‚¸Ú ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ ̇
¯ÌÛ ÔËÚ‡ÌËfl, ÍÓ„‰‡ Â„Ó Ì ‚ˉÌÓ ÔÓ‰ ÍÓ‚ÓÏ.
èÓ‰Íβ˜‡ÈÚ ÛÒÚÓÈÒÚ‚Ó ÚÓθÍÓ Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÓÁÂÚÍ Ò
Á‡˘ËÚÌ˚Ï Á‡ÁÂÏÎÂÌËÂÏ. çÂÔ‡‚ËθÌÓ Á‡ÁÂÏÎÂÌË ÏÓÊÂÚ ÔË‚ÂÒÚË
Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ç ˆ‡‡Ô‡ÈÚÂ, Ì ҄˷‡ÈÚÂ, Ì ÒÍۘ˂‡ÈÚÂ, Ì ÚflÌËÚÂ Ë ÌÂ
‰ÓÔÛÒ͇ÈÚ ̇„‚‡ ¯ÌÛ‡ ÔËÚ‡ÌËfl. èÓ‚ÂʉÂÌË ¯ÌÛ‡ ÔËÚ‡ÌËfl
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓʇÛ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ç ÒÌËχÈÚ Í˚¯ÍÛ ÛÒÚÓÈÒÚ‚‡. Ç˚ ÔÓ‰‚Â„ÌÂÚ Ò·fl ËÒÍÛ
ÔÓ‡ÊÂÌËfl ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ‚ÌÛÚÂÌÌ„Ó
ÓÒÏÓÚ‡, ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ËÎË ÂÏÓÌÚ‡ Ó·‡ÚËÚÂÒ¸ Í
‚‡¯ÂÏÛ ‰ËÎÂÛ.
ç ÏÓ‰ËÙˈËÛÈÚ ÛÒÚÓÈÒÚ‚Ó. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓʇÛ ËÎË
ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
Ç ÒÎÛ˜‡Â „ÓÁ˚ Í‡Í ÏÓÊÌÓ ÒÍÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ÛÒÚÓÈÒÚ‚‡
Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl Ë ÓÚÒÓ‰ËÌËÚ ‚ËÎÍÛ ¯ÌÛ‡ ÔËÚ‡ÌËfl ÓÚ
ÓÁÂÚÍË.
ÖÒÎË ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ÂÓflÚÌÓÒÚ¸ ÔÓÔ‡‰‡ÌËfl ÏÓÎÌËË, Ì ͇҇ÈÚÂÒ¸
‚ËÎÍË ¯ÌÛ‡ ÔËÚ‡ÌËfl, ÍÓ„‰‡ Ó̇ ‚ÒÚ‡‚ÎÂ̇ ‚ ÓÁÂÚÍÛ. ùÚÓ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÖÒÎË ¯ÌÛ ÔËÚ‡ÌËfl ÔÓ‚ÂʉÂÌ (Ú.Â. ‚ˉÌ˚ ÔÓÂÁ˚ ËÎË Ó„ÓÎÂÌÌ˚È
ÔÓ‚Ó‰), Á‡ÔÓÒËÚ Á‡ÏÂÌÛ ¯ÌÛ‡ Û ‚‡¯Â„Ó ‰ËÎÂ‡. àÒÔÓθÁÓ‚‡ÌËÂ
ÛÒÚÓÈÒÚ‚‡ Ò ÔÓ‚ÂʉÂÌÌ˚Ï ¯ÌÛÓÏ ÔËÚ‡ÌËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓʇÛ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÖÒÎË ÛÒÚÓÈÒÚ‚Ó ÛÔ‡ÎÓ ËÎË ·˚Î ÔÓ‚ÂʉÂÌ ÍÓÔÛÒ, ‚˚Íβ˜ËÚÂ
ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl, ÓÚÒÓ‰ËÌËÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ
ÓÁÂÚÍË Ë Ò‚flÊËÚÂÒ¸ Ò ‰ËÎÂÓÏ. ÖÒÎË ÔÓ‰ÓÎÊËÚ¸ ËÒÔÓθÁÓ‚‡ÌËÂ
ÛÒÚÓÈÒÚ‚‡, Ì Òӷ≇fl ˝ÚÛ ÏÂÛ Ô‰ÓÒÚÓÓÊÌÓÒÚË, ÏÓÊÂÚ
‚ÓÁÌËÍÌÛÚ¸ ÔÓʇ ËÎË ÔÓËÁÓÈÚË ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
èË ÔÓfl‚ÎÂÌËË Î˛·˚ı ÓÚÍÎÓÌÂÌËÈ, ̇ÔËÏÂ ‰˚χ, Á‡Ô‡ı‡ ËÎË
¯Ûχ, ÎË·Ó ÔÓÔ‡‰‡ÌËË ÔÓÒÚÓÓÌÌÂ„Ó Ô‰ÏÂÚ‡ ËÎË ÊˉÍÓÒÚË
‚ÌÛÚ¸ ÛÒÚÓÈÒÚ‚‡ ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ „Ó. éÚÒÓ‰ËÌËÚ ¯ÌÛ
ÔËÚ‡ÌËfl ÓÚ ÓÁÂÚÍË. é·‡ÚËÚÂÒ¸ Í ‚‡¯ÂÏÛ ‰ËÎÂÛ Á‡ ÂÏÓÌÚÓÏ.
àÒÔÓθÁÓ‚‡ÌË ÛÒÚÓÈÒÚ‚‡ ‚ Ú‡ÍÓÏ ÒÓÒÚÓflÌËË ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓʇÛ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÇçàåÄçàÖ
ç ËÒÔÓθÁÛÈÚÂ Ë Ì ı‡ÌËÚ ‰‡ÌÌÓ ÛÒÚÓÈÒÚ‚Ó ‚ ÒÎÂ‰Û˛˘Ëı ÏÂÒÚ‡ı:
ÏÂÒÚ‡ı, ÍÛ‰‡ ÔÓÔ‡‰‡˛Ú ·˚Á„Ë Ï‡Ò· ËÎË Ô‡, ̇ÔËÏÂ
‚ÓÁΠÍÛıÓÌÌ˚ı ÔÎËÚ, ۂ·ÊÌËÚÂÎÂÈ Ë Ú.‰.
‡ ÌÂÛÒÚÓȘ˂˚ı ÔÓ‚ÂıÌÓÒÚflı, ̇ÔËÏÂ ̇ ¯‡ÚÍËı ÒÚÓ·ı
ËÎË Ì‡ÍÎÓÌÌ˚ı ÔÓ‚ÂıÌÓÒÚflı.
ÏÂÒÚ‡ı ÒÓ ÒÎ˯ÍÓÏ ‚˚ÒÓÍÓÈ ÚÂÏÔÂ‡ÚÛÓÈ, ̇ÔËÏÂ ‚ÌÛÚË
‡‚ÚÓÏÓ·ËÎfl Ò Á‡Í˚Ú˚ÏË ÓÍ̇ÏË, ËÎË ‚ ÏÂÒÚ‡ı, ÍÛ‰‡ ÔÓÔ‡‰‡˛Ú
ÔflÏ˚ ÒÓÎ̘Ì˚ ÎÛ˜Ë.
ÏÂÒÚ‡ı ÒÓ ÒÎ˯ÍÓÏ ‚˚ÒÓÍÓÈ ÒÚÂÔÂ̸˛ ‚·ÊÌÓÒÚË ËÎË ‚˚ÒÓÍËÏ
ÒÓ‰ÂʇÌËÂÏ Ô˚ÎË.
ÑÂÊËÚ ¯ÌÛ ÔËÚ‡ÌËfl ̇ ‡ÒÒÚÓflÌËË ÓÚ Ó·Ó„‚‡ÚÂÎÂÈ. Ç
ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÂÚ ‡ÒÔ·‚ËÚ¸Òfl Ó·ÓÎӘ͇ Ë ÔÓËÁÓÈÚË
ÔÓʇ ËÎË ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
éÚÒÓ‰ËÌflÈÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ ÓÁÂÚÍË, ‰Âʇ Á‡ ‚ËÎÍÛ. çËÍÓ„‰‡
Ì ÚflÌËÚ Á‡ ¯ÌÛ. èÓ‚ÂʉÂÌË ¯ÌÛ‡ ÔËÚ‡ÌËfl ÏÓÊÂÚ ÔË‚ÂÒÚË
Í ÔÓʇÛ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ç ͇҇ÈÚÂÒ¸ ‚ËÎÍË ÏÓÍ˚ÏË Û͇ÏË. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÇÓ ËÁ·ÂʇÌË ÒÎ˯ÍÓÏ ‚˚ÒÓÍËı ‚ÌÛÚÂÌÌËı ÚÂÏÔÂ‡ÚÛ ÒÔÂÂ‰Ë Ë
ÒÁ‡‰Ë ‰‡ÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ ËϲÚÒfl ‚ÂÌÚËÎflˆËÓÌÌ˚ ÓÚ‚ÂÒÚËfl. çÂ
·ÎÓÍËÛÈÚ ˝ÚË ÓÚ‚ÂÒÚËfl. ÅÎÓÍËÓ‚‡ÌË ‚ÂÌÚËÎflˆËÓÌÌ˚ı ÓÚ‚ÂÒÚËÈ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓʇÛ.
Ç ˜‡ÒÚÌÓÒÚË, Á‡Ô¢‡ÂÚÒfl ‰Â·ڸ ÒÎÂ‰Û˛˘ÂÂ:
- ÔÓÏ¢‡Ú¸ ÛÒÚÓÈÒÚ‚Ó Ì‡ ·ÓÍÓ‚Û˛ ÒÚÓÓÌÛ ËÎË ‚‚Âı ‰ÌÓÏ,
- ÔÓÏ¢‡Ú¸ ÛÒÚÓÈÒÚ‚Ó ‚ ÔÎÓıÓ ÔÓ‚ÂÚË‚‡ÂÏÓ ÏÂÒÚÓ, ̇ÔËÏÂ
ÍÌËÊÌ˚È ËÎË Ó·˚˜Ì˚È ¯Í‡Ù (ÍÓÏ ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ÛÒÚÓÈÒÚ‚Ó
ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ ÒÚÓÈÍÂ),
- ̇Í˚‚‡Ú¸ ÛÒÚÓÈÒÚ‚Ó Ò͇ÚÂÚ¸˛ ËÎË ÔÓÏ¢‡Ú¸ Â„Ó Ì‡ ÍÓ‚Â
ËÎË ÍÓ‚‡Ú¸.
é·ÂÒÔ˜¸Ú ‰ÓÒÚ‡ÚÓ˜ÌÓ Ò‚Ó·Ó‰ÌÓ„Ó ÔÓÒÚ‡ÌÒÚ‚‡ ‚ÓÍÛ„ ÛÒÚÓÈÒÚ‚‡
‰Îfl ÌÓχθÌÓÈ ‚ÂÌÚËÎflˆËË. çÂÓ·ıÓ‰ËÏÓ Òӷβ‰‡Ú¸ ÒÎÂ‰Û˛˘ËÂ
‡ÒÒÚÓflÌËfl: 5 ÒÏ ÓÚ ·ÓÍÓ‚˚ı ÒÚÓÓÌ, 10 ÒÏ ÓÚ Á‡‰ÌÂÈ ˜‡ÒÚË Ë 10 ÒÏ ÓÚ
‚ÂıÌÂÈ ˜‡ÒÚË.
ÖÒÎË ÔÓÚÓ͇ ‚ÓÁ‰Ûı‡ ̉ÓÒÚ‡ÚÓ˜ÌÓ, ÛÒÚÓÈÒÚ‚Ó Ì‡„ÂÂÚÒfl Ë ÏÓÊÂÚ
ÔÓËÁÓÈÚË ÔÓʇ.
óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÌÂÒÍÓθÍÓ Ú‡ÍËı ÛÒÚÓÈÒÚ‚ ‚ Òڇ̉‡ÚÌÛ˛
ÒÚÓÈÍÛ EIA, ÒÏ. ËÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ̇ ÒÚ. 11.
óÚÓ·˚ ÔÂÂÏÂÒÚËÚ¸ ÛÒÚÓÈÒÚ‚Ó, ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛
‚˚Íβ˜‡ÚÂÎfl, ÓÚÒÓ‰ËÌËÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ ÓÁÂÚÍË, Á‡ÚÂÏ
ÓÚÒÓ‰ËÌËÚ ‚Ò ÒÓ‰ËÌËÚÂθÌ˚ ͇·ÂÎË. èÓ‚ÂʉÂÌË ͇·ÂÎÂÈ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓʇÛ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
èË ÛÒÚ‡ÌÓ‚Í ÛÒÚÓÈÒÚ‚‡ ËÒÔÓθÁÛÈڠ΄ÍÓ ‰ÓÒÚÛÔÌÛ˛ ÓÁÂÚÍÛ.
èË ‚ÓÁÌËÍÌÓ‚ÂÌËË ÔÓ·ÎÂÏ˚ ËÎË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ
‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl Ë ‚˚Ú‡˘ËÚ ‚ËÎÍÛ ËÁ
ÓÁÂÚÍË. чÊ ÍÓ„‰‡ ÔËÚ‡ÌË ‚˚Íβ˜ÂÌÓ Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl,
̇ ÛÒÚÓÈÒÚ‚Ó ‚Ò ‡‚ÌÓ ÔÓ‰‡ÂÚÒfl ÚÓÍ ÌËÁÍÓ„Ó Ì‡ÔflÊÂÌËfl. ÖÒÎË ÌÂ
Ô·ÌËÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÛÒÚÓÈÒÚ‚Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó
ÒÓ͇, Ó·flÁ‡ÚÂθÌÓ ÓÚÒÓ‰ËÌËÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ ÓÁÂÚÍË.
èÓ‰ÒÓ‰ËÌflÈÚ ‰Ë̇ÏËÍË Í ‚˚ıÓ‰‡Ï ÛÒËÎËÚÂÎfl ÚÓθÍÓ Ò ÔÓÏÓ˘¸˛
͇·ÂÎÂÈ ‰Ë̇ÏËÍÓ‚. àÒÔÓθÁÓ‚‡ÌË ͇·ÂÎÂÈ ‰Û„Ëı ÚËÔÓ‚ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ÔÓʇÛ.
Ç˚Íβ˜ËÚ ‚Ò ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚, Á‚ÛÍÓ‚Ó ӷÓÛ‰Ó‚‡ÌËÂ
Ë ‰Ë̇ÏËÍË ÔË Ëı ÔÓ‰Íβ˜ÂÌËË Í ÛÒÚÓÈÒÚ‚Û. èË ÔÓ‰Íβ˜ÂÌËË
ËÒÔÓθÁÛÈÚ Ô‡‚ËθÌ˚ ÒÓ‰ËÌËÚÂθÌ˚ ͇·ÂÎË Ë Òӷ≇ÈÚÂ
ËÌÒÚÛ͈ËË.
ÇÒ„‰‡ ÛÒڇ̇‚ÎË‚‡ÈÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÔÂ‰
‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ÛÒÚÓÈÒÚ‚‡. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÂÁÍËÈ Á‚ÛÍ
ËÁ ‰Ë̇ÏËÍÓ‚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ Ó„‡ÌÓ‚ ÒÎÛı‡.
ç ËÒÔÓθÁÛÈÚ ˝ÚÓÚ ÛÒËÎËÚÂθ ÌË ‚ ͇ÍËı ‰Û„Ëı ˆÂÎflı, ÍÓÏÂ
ÛÒËÎÂÌËfl Á‚Û͇ ‰Îfl ‰Ë̇ÏËÍÓ‚.
ÖÒÎË Ì Ô·ÌËÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‰‡ÌÌÓ ÛÒÚÓÈÒÚ‚Ó ‚ Ú˜ÂÌËÂ
‰ÎËÚÂθÌÓ„Ó ÒÓ͇, ̇ÔËÏÂ ÍÓ„‰‡ ‚˚ ·Û‰ÂÚ ‚ ÓÚÔÛÒÍÂ, ‚˚Ú‡˘ËÚÂ
‚ËÎÍÛ ¯ÌÛ‡ ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË. ÖÒÎË ÓÒÚ‡‚ËÚ¸  ‚ ÓÁÂÚÍÂ, ÏÓÊÂÚ
‚ÓÁÌËÍÌÛÚ¸ ÔÓʇ.
ìÒÚ‡Ìӂ͇
ùÍÒÔÎÛ‡Ú‡ˆËfl
éÚÍÎÓÌÂÌËfl ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË
ìÒÚ‡Ìӂ͇
ùÍÒÔÎÛ‡Ú‡ˆËfl
4
— Ç ˆÂÎflı Ô‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË —
ê‡Á˙ÂÏ˚ ÚËÔ‡ XLR ËÏÂ˛Ú ÒÎÂ‰Û˛˘Û˛ ÒıÂÏÛ ÒÓ‰ËÌÂÌËfl:
äÓÌÚ‡ÍÚ 1: Á‡ÁÂÏÎÂÌËÂ; ÍÓÌÚ‡ÍÚ 2: ÔÎ˛Ò (+); ÍÓÌÚ‡ÍÚ 3: ÏËÌÛÒ (–).
èË ËÒÔÓθÁÓ‚‡ÌËË ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚·ÎËÁË ‰‡ÌÌÓ„Ó
ÛÒÚÓÈÒÚ‚‡ ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ ÔÓÏÂıË. èË ‚ÓÁÌËÍÌÓ‚ÂÌËË ÔÓÏÂı
ÓÚÓȉËÚÂ Ò ÚÂÎÂÙÓÌÓÏ ÓÚ ÛÒÚÓÈÒÚ‚‡.
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌËÂ, ÍÓ„‰‡ ÛÒËÎËÚÂθ Ì ËÒÔÓθÁÛÂÚÒfl.
êËÒÛÌÍË ÔË‚Ó‰flÚÒfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ‚ ˆÂÎflı ‡Á˙flÒÌÂÌËfl ËÌÒÚÛ͈ËÈ, Ë ÓÌË ÏÓ„ÛÚ Ì ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‚‡¯ÂÏÛ ÛÒÚÓÈÒÚ‚Û.
ç‡Á‚‡ÌËfl ÍÓÏÔ‡ÌËÈ Ë Ì‡ËÏÂÌÓ‚‡ÌËfl ÔÓ‰ÛÍÚÓ‚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl fl‚Îfl˛ÚÒfl ÚÓ„Ó‚˚ÏË Á͇̇ÏË ËÎË Á‡„ËÒÚËÓ‚‡ÌÌ˚ÏË ÚÓ„Ó‚˚ÏË Á͇̇ÏË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
* ùÚÓ ÓÚÌÓÒËÚÒfl ÚÓθÍÓ Í ÛÒÚÓÈÒÚ‚‡Ï (P7000S, P5000S), ‡ÒÔÓÒÚ‡ÌflÂÏ˚Ï ÍÓÏÔ‡ÌËÂÈ YAMAHA CORPORATION OF AMERICA.
ê‡ÒÔ‰ÂÎÂÌË ÍÓÌÚ‡ÍÚÓ‚ ‚ ‡Á˙ÂÏÂ
èÓÏÂıË ÓÚ ÒÓÚÓ‚˚ı ÚÂÎÂÙÓÌÓ‚
1. ÇÄÜçéÖ èêàåÖóÄçàÖ: çÖ àáåÖç¸âíÖ ÑÄççéÖ ìëíêéâëíÇé!
чÌÌÓ ÛÒÚÓÈÒÚ‚Ó ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ú·ӂ‡ÌËflÏ îäë, ÂÒÎË ÓÌÓ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÌÒÚÛ͈ËflÏË, ËÁÎÓÊÂÌÌ˚ÏË ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â.
àÁÏÂÌÂÌËfl, Ì ӉӷÂÌÌ˚ ‚ fl‚ÌÓÈ ÙÓÏ ÍÓÏÔ‡ÌËÂÈ Yamaha, ÏÓ„ÛÚ ÔË‚ÂÒÚË Í ÓÚÏÂÌ Ô‡‚‡, Ô‰ÓÒÚ‡‚ÎÂÌÌÓ„Ó îäë, ̇ ËÒÔÓθÁÓ‚‡ÌË ‰‡ÌÌÓ„Ó
ÛÒÚÓÈÒÚ‚‡.
2. ÇÄÜçé: ÔË ÔÓ‰ÒÓ‰ËÌÂÌËË ‰‡ÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ Í ÔË̇‰ÎÂÊÌÓÒÚflÏ Ë/ËÎË ‰Û„ÓÏÛ ÛÒÚÓÈÒÚ‚Û ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚Â
˝Í‡ÌËÓ‚‡ÌÌ˚ ͇·ÂÎË. ÑéãÜçõ ËÒÔÓθÁÓ‚‡Ú¸Òfl ͇·ÂÎË, ÔË·„‡ÂÏ˚Â Í ‰‡ÌÌÓÏÛ ÛÒÚÓÈÒÚ‚Û. ëΉÛÈÚ ‚ÒÂÏ ËÌÒÚÛ͈ËflÏ ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ.
çÂÒӷβ‰ÂÌË ËÌÒÚÛ͈ËÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÓÚÏÂÌ Ô‡‚‡, Ô‰ÓÒÚ‡‚ÎÂÌÌÓ„Ó îäë, ̇ ËÒÔÓθÁÓ‚‡ÌË ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ‚ ëòÄ.
àçîéêåÄñภéí îäë (ëòÄ)
5
ǂ‰ÂÌËÂ
Å·„Ó‰‡ËÏ Á‡ ÔËÓ·ÂÚÂÌË ÛÒËÎËÚÂÎfl ÏÓ˘ÌÓÒÚË YAMAHA P7000S, P5000S, P3500S ËÎË P2500S. ùÚË
ÛÒËÎËÚÂÎË ÒÂËË P ÒÓ‚Ï¢‡˛Ú ‚ ÍÓÏÔ‡ÍÚÌÓÏ ÍÓÔÛÒ ‡ÁÏÂÓÏ 2U ËÁ‚ÂÒÚÌ˚ ÚÂıÌÓÎӄ˘ÂÒÍËÂ
‰ÓÒÚËÊÂÌËfl ÍÓÏÔ‡ÌËË Yamaha Ò ‚˚ÒÓÍÓÈ Ì‡‰ÂÊÌÓÒÚ¸˛, Ô‚ÓÒıÓ‰ÌÓÈ ÒÚ‡·ËθÌÓÒÚ¸˛ Ë ÓÚ΢Ì˚ÏË
‡ÍÛÒÚ˘ÂÒÍËÏË ı‡‡ÍÚÂËÒÚË͇ÏË.
îÛÌ͈ËË
Å·„Ó‰‡fl ‚ıÓ‰Ì˚Ï „ÌÂÁ‰‡Ï ‰‚Ûı ÚËÔÓ‚ (·‡Î‡ÌÒÌ˚ „ÌÂÁ‰‡ ÚËÔ‡ XLR Ë ·‡Î‡ÌÒÌ˚ „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚)
Ë ‚˚ıÓ‰Ì˚Ï „ÌÂÁ‰‡Ï ÚÂı ÚËÔÓ‚ („ÌÂÁ‰‡ Speakon, „ÌÂÁ‰‡ Ò Á‡ÊËÏÓÏ Ë „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚), ÛÒËÎËÚÂÎË
ÒÂËË P ÔÓ‰ıÓ‰flÚ ‰Îfl Ò‡Ï˚ı ‡ÁÌ˚ı ӷ·ÒÚÂÈ ÔËÏÂÌÂÌËfl Ë ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÒËÒÚÂÏ.
•Ç ÛÒÚÓÈÒÚ‚Â Ô‰ÛÒÏÓÚÂÌÓ ÚË ‡·Ó˜Ëı ÂÊËχ: STEREO (ÍÓ„‰‡ ͇̇Î˚ A Ë B ‡·ÓÚ‡˛Ú ÌÂÁ‡‚ËÒËÏÓ),
PARALLEL (ÍÓ„‰‡ ÛÒÚÓÈÒÚ‚Ó ‚˚‚Ó‰ËÚ ÏÓÌÓÁ‚ÛÍ ˜ÂÂÁ Ò‰‚ÓÂÌÌ˚ ÛÒËÎËÚÂÎË) Ë BRIDGE (ÍÓ„‰‡
ÛÒÚÓÈÒÚ‚Ó ‡·ÓÚ‡ÂÚ Í‡Í Ó‰ËÌ ÏÓ˘Ì˚È ÛÒËÎËÚÂθ).
ä‡Ê‰˚È Í‡Ì‡Î ÓÒ̇˘ÂÌ ÌÂÁ‡‚ËÒËÏ˚Ï ÔÂÂÍβ˜‡ÚÂÎÂÏ OFF/LOW CUT/SUBWOOFER, ‚ ÍÓÚÓÓÏ
ÔÓÎÓÊÂÌË LOW CUT Óڂ˜‡ÂÚ Á‡ ‚Íβ˜ÂÌË ÙËθÚ‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ, ‡ ÔÓÎÓÊÂÌË SUBWOOFER —
ÙËθÚ‡ ÌËÁÍËı ˜‡ÒÚÓÚ. ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË LOW CUT ËÎË SUBWOOFER, ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸
˜‡ÒÚÓÚÛ ÓÚÒ˜ÍË ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 25 ‰Ó 150 Ɉ.
ç‡ Í‡Ê‰ÓÏ Í‡Ì‡Î ËϲÚÒfl ÒÓ·ÒÚ‚ÂÌÌ˚ Ë̉Ë͇ÚÓ˚ SIGNAL Ë CLIP.
à̉Ë͇ÚÓ PROTECTION Á‡„Ó‡ÂÚÒfl (Ë ‚˚‚Ó‰ËÏ˚È Á‚ÛÍ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl), ÍÓ„‰‡
Ò‡·‡Ú˚‚‡ÂÚ Á‡˘ËÚ̇fl ÒıÂχ ÛÒÚÓÈÒÚ‚‡. à̉Ë͇ÚÓ TEMP Á‡„Ó‡ÂÚÒfl, ÍÓ„‰‡ ÛÒÚÓÈÒÚ‚Ó ÒËθÌÓ
̇„‚‡ÂÚÒfl.
ÇÂÌÚËÎflÚÓ˚ Ò ÔÂÂÏÂÌÌÓÈ ÒÍÓÓÒÚ¸˛ ‚‡˘ÂÌËfl Ë ÌËÁÍËÏ ÛÓ‚ÌÂÏ ¯Ûχ Ó·ÂÒÔ˜˂‡˛Ú ‚˚ÒÓÍÛ˛
̇‰ÂÊÌÓÒÚ¸.
чÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÓÚÌÓÒËÚÒfl Í ˜ÂÚ˚ÂÏ ÏÓ‰ÂÎflÏ ÛÒËÎËÚÂÎfl ÏÓ˘ÌÓÒÚË: P7000S, P5000S,
P3500S Ë P2500S. èÂ‰ ̇˜‡ÎÓÏ ËÒÔÓθÁÓ‚‡ÌËfl ÛÒËÎËÚÂÎfl ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰‡ÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó.
ùÚÓ ÔÓÁ‚ÓÎËÚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ÓÁÏÓÊÌÓÒÚË Ë Ì‡Ò·ʉ‡Ú¸Òfl ·ÂÁÓÚ͇ÁÌÓÈ ‡·ÓÚÓÈ ‚ Ú˜ÂÌËÂ
ÏÌÓ„Ëı ÎÂÚ. èÓÒΠÔÓ˜ÚÂÌËfl ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓÏÂÒÚËÚÂ Â„Ó Ì‡ ı‡ÌÂÌË ‚ ·ÂÁÓÔ‡ÒÌÓ ÏÂÒÚÓ.
ëÓ‰ÂʇÌËÂ
ê„ÛÎflÚÓ˚ Ë ÙÛÌ͈ËË ......................................................6
èÂ‰Ìflfl Ô‡ÌÂθ .................................................................6
ᇉÌflfl Ô‡ÌÂθ ......................................................................7
èÓ‰Íβ˜ÂÌË ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ ................................9
ëÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚ .................................................9
ùÎÂÍÚÓÔӂӉ͇ ...............................................................10
ìÒÚ‡Ìӂ͇ ‚ ÒÚÓÈÍÛ .........................................................11
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË .........................................12
鷢ˠı‡‡ÍÚÂËÒÚËÍË .....................................................12
ÅÎÓÍ-ÒıÂχ .........................................................................13
ê‡ÁÏÂ˚ ..............................................................................14
äË‚˚ ÔÓËÁ‚Ó‰ËÚÂθÌÓÒÚË ............................................14
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ ............................15
6
ê„ÛÎflÚÓ˚ Ë ÙÛÌ͈ËË
èÂ‰Ìflfl Ô‡ÌÂθ
1
èÂÂÍβ˜‡ÚÂθ Ë Ë̉Ë͇ÚÓ POWER
ç‡ÊÏËÚÂ, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ. à̉Ë͇ÚÓ
POWER Á‡„Ó‡ÂÚÒfl ÁÂÎÂÌ˚Ï ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl.
2
à̉Ë͇ÚÓ TEMP
ᇄÓ‡ÂÚÒfl Í‡ÒÌ˚Ï, ÍÓ„‰‡ ÚÂÔÎÓÓÚ‚Ó‰ ̇„‚‡ÂÚÒfl ‰Ó
ÚÂÏÔÂ‡ÚÛ˚ ‚˚¯Â 85°C (185°F).
3
à̉Ë͇ÚÓ PROTECTION
ᇄÓ‡ÂÚÒfl Í‡ÒÌ˚Ï, ÍÓ„‰‡ Ò‡·‡Ú˚‚‡ÂÚ ÒËÒÚÂχ Á‡˘ËÚ˚. Ç
˜‡ÒÚÌÓÒÚË, Á‡„Ó‡ÂÚÒfl ÔË ÔÂ„‚ ÚÂÔÎÓÓÚ‚Ó‰‡ ËÎË
ӷ̇ÛÊÂÌËË ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ̇ ‚˚ıÓ‰‡ı ÛÒËÎËÚÂÎfl. ùÚÓÚ
Ë̉Ë͇ÚÓ Ú‡ÍÊ Á‡„Ó‡ÂÚÒfl ÔËÏÂÌÓ Ì‡ ÚË ÒÂÍÛ̉˚ ÔË
‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl, ÍÓ„‰‡ ÛÒËÎËÚÂθ „ÓÚÓ‚ËÚÒfl Í ‡·ÓÚÂ. Ç
ˆÂÎflı Á‡˘ËÚ˚ ÛÒÚÓÈÒÚ‚Ó Ì ‚˚‚Ó‰ËÚ Á‚ÛÍ ˜ÂÂÁ ‰Ë̇ÏËÍË,
ÍÓ„‰‡ „ÓËÚ ˝ÚÓÚ Ë̉Ë͇ÚÓ. èÓÒΠÔÓ‰„ÓÚÓ‚ÍË ÛÒÚÓÈÒÚ‚‡ Í
‡·ÓÚ ËÎË ÛÒÚ‡ÌÂÌËfl ÔÓ·ÎÂÏ˚ Ë̉Ë͇ÚÓ ÔÓÚÛı‡ÂÚ, Ë
ÛÒÚÓÈÒÚ‚Ó ÔÓ‰ÓÎʇÂÚ ‡·ÓÚ‡Ú¸ ‚ ÌÓχθÌÓÏ ÂÊËÏÂ.
4
à̉Ë͇ÚÓ CLIP
ᇄÓ‡ÂÚÒfl, ÍÓ„‰‡ ËÒ͇ÊÂÌË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ̇
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î Ô‚˚¯‡ÂÚ 1%, ÓÁ̇˜‡fl, ˜ÚÓ ËÁ Á‡
ÒÎ˯ÍÓÏ ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl Ò˄̇· ÔÓËÁӯ· «ÓÚÒ˜͇».
5
à̉Ë͇ÚÓ SIGNAL
ᇄÓ‡ÂÚÒfl ÁÂÎÂÌ˚Ï, ÍÓ„‰‡ ÛÓ‚Â̸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ̇
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î Ô‚˚¯‡ÂÚ 2 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍËı
‚Óθڇ (‡‚ÌÓ 1/2 ÇÚ ÔË Ì‡„ÛÁÍ 8 éÏ ËÎË 1 ÇÚ ÔË Ì‡„ÛÁÍÂ
4 éÏ).
6
ê„ÛÎflÚÓ˚ „ÓÏÍÓÒÚË
ä‡Ê‰˚È „ÛÎflÚÓ ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚ‡Ë‚‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚Û͇ ̇
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î ‚ Ô‰Â·ı 31 ¯‡„‡ — ÓÚ ‰Å ‰Ó 0 ‰Å.
èêàåÖóÄçàÖ:
ÖÒÎË Ú·ÛÂÚÒfl Á‡ÙËÍÒËÓ‚‡Ú¸ „ÛÎflÚÓ, ÏÓÊÌÓ ÔËÍÂÔËÚ¸
ÔË·„‡ÂÏÛ˛ Á‡˘ËÚÌÛ˛ Í˚¯ÍÛ Í „ÛÎflÚÓ‡Ï, ˜ÚÓ·˚ ÌËÍÚÓ ÌÂ
ÒÏÓ„ ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ.
ì
ÒÚ‡Ìӂ͇ Á‡˘ËÚÌÓÈ Í˚¯ÍË
(1) ë ÔÓÏÓ˘¸˛ ÔË·„‡ÂÏÓ„Ó ¯ÂÒÚË„‡ÌÌÓ„Ó „‡Â˜ÌÓ„Ó Íβ˜‡
ËÁ‚ÎÂÍËÚ ˜ÂÚ˚ ÍÂÔÂÊÌ˚ı ‚ËÌÚ‡ ËÁ ÛÒËÎËÚÂÎfl.
(2) ê‡ÒÔÓÎÓÊËÚ Á‡˘ËÚÌÛ˛ Í˚¯ÍÛ Ú‡Í, ˜ÚÓ·˚ ÒÓ‚Ô‡ÎË ÓÚ‚ÂÒÚËfl
‰Îfl ‚ËÌÚÓ‚. á‡ÍÂÔËÚ ÂÂ Ò ÔÓÏÓ˘¸˛ ÚÂı Ê ‚ËÌÚÓ‚.
7
à̉Ë͇ÚÓ
ÉÓËÚ ÊÂÎÚ˚Ï, ÍÓ„‰‡ ÔÂÂÍβ˜‡ÚÂθ YS PROCESSING ̇ Á‡‰ÌÂÈ
Ô‡ÌÂÎË ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON. (ëÏ. ÒÚ. 7).
8
ÇÓÁ‰ÛıÓÁ‡·ÓÌËÍË
ìÒËÎËÚÂθ Ó·ÓÛ‰Ó‚‡Ì ÒËÒÚÂÏÓÈ ÔËÌÛ‰ËÚÂθÌÓ„Ó ‚ÓÁ‰Û¯ÌÓ„Ó
Óı·ʉÂÌËfl. éı·ʉ‡˛˘Ë ‚ÂÌÚËÎflÚÓ˚ Á‡·Ë‡˛Ú ‚ÓÁ‰Ûı
ÒÔÂÂ‰Ë Ë ‚˚ÔÛÒ͇˛Ú Â„Ó ÒÁ‡‰Ë. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ÓÁ‰ÛıÓÁ‡·ÓÌËÍË
Ë ‚˚ÚflÊÌ˚ ÓÚ‚ÂÒÚËfl Ì Á‡·ÎÓÍËÓ‚‡Ì˚.
èêàåÖóÄçàÖ:
ÇÂÌÚËÎflÚÓ˚ Ì ̇˜Ë̇˛Ú ‡·ÓÚ‡Ú¸ ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl
ÛÒÚÓÈÒÚ‚‡, ‡ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒ͇˛ÚÒfl, ÍÓ„‰‡ ÚÂÏÔÂ‡ÚÛ‡
ÚÂÔÎÓÓÚ‚Ó‰‡ Ô‚˚¯‡ÂÚ 50°C (122°F). ëÍÓÓÒÚ¸ ‚ÂÌÚËÎflÚÓÓ‚
·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ËÁÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÂÏÔÂ‡ÚÛ˚.
2 4
7361 58 8
7
ᇉÌflfl Ô‡ÌÂθ
1
èÂÂÍβ˜‡ÚÂθ FILTER Ë „ÛÎflÚÓ FREQUENCY (ÔÓ
Ó‰ÌÓÈ Ô‡ ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡)
ë ÔÓÏÓ˘¸˛ ˝ÚËı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ÏÓÊÌÓ ‚˚·‡Ú¸ ÚËÔ
ÙËθÚ‡ Ë Ì‡ÒÚÓËÚ¸ ˜‡ÒÚÓÚÛ ÓÚÒ˜ÍË Ì‡ ͇ʉÓÏ Í‡Ì‡Î (A Ë B).
èÂÂÍβ˜‡ÚÂθ FILTER ËÏÂÂÚ ÒÎÂ‰Û˛˘Ë ÔÓÎÓÊÂÌËfl.
OFF..........................îËθÚ Ì ËÒÔÓθÁÛÂÚÒfl.
SUBWOOFER..........àÒÔÓθÁÛÂÚÒfl ÙËθÚ ÌËÁÍËı ˜‡ÒÚÓÚ. óÂÂÁ
ÛÒËÎËÚÂθ ‚˚‚Ó‰flÚÒfl ˜‡ÒÚÓÚ˚ ÌËÊ Á̇˜ÂÌËfl
ÓÚÒ˜ÍË, ÛÒÚ‡ÌÓ‚ÎÂÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ „ÛÎfl-
ÚÓ‡ FREQUENCY.
LOW CUT ................àÒÔÓθÁÛÂÚÒfl ÙËθÚ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ. ùÚÛ
̇ÒÚÓÈÍÛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÒÚ‡-
ÌÂÌËfl ÌÂÊ·ÚÂθÌ˚ı ÌËÁÍËı ËÎË ËÌÙ‡Á‚Û-
ÍÓ‚˚ı ˜‡ÒÚÓÚ.
ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË SUBWOOFER ËÎË
LOW CUT, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ „ÛÎflÚÓ FREQUENCY ‰Îfl
̇ÒÚÓÈÍË ˜‡ÒÚÓÚ˚ ÓÚÒ˜ÍË. ÑˇԇÁÓÌ „ÛÎËÓ‚ÍË ÒÓÒÚ‡‚ÎflÂÚ
ÓÚ 25 Ɉ ‰Ó 150 Ɉ.
èêàåÖóÄçàÖ:
ÖÒÎË ÛÒËÎËÚÂθ ‡·ÓÚ‡ÂÚ ‚ ÂÊËÏ BRIDGE, ‰ÓÒÚÛÔÌ˚ ÚÓθÍÓ
ÔÂÂÍβ˜‡ÚÂθ Ë „ÛÎflÚÓ ‰Îfl ͇̇· A. (ê„ÛÎflÚÓ˚ ˜‡ÒÚÓÚ˚
͇̇· B ÓÚÍβ˜ÂÌ˚).
2
èÂÂÍβ˜‡ÚÂθ ON/OFF
ÖÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ‚ ÔÓÎÓÊÂÌË ON,
ÛÒËÎËÚÂθ ‚˚ÔÓÎÌflÂÚ ÌËÁÍÓ˜‡ÒÚÓÚÌÛ˛ ÍÓÂÍˆË˛ ‰Îfl ÛÎÛ˜¯ÂÌËfl
Á‚Û͇, ÍÓÚÓ˚È ‚˚‚Ó‰ËÚÒfl ˜ÂÂÁ ‰Ë̇ÏËÍË. êÂÁÛθڇÚ˚
(‡θÌÓ ËÁÏÂÌÂÌË ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó ·‡Î‡ÌÒ‡) ·Û‰ÛÚ ‡ÁÌ˚ÏË ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ ‰Ë̇ÏËÍÓ‚. é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ
˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ‡·ÓÚ‡ÂÚ, ÚÓθÍÓ ÂÒÎË ÔÂÂÍβ˜‡ÚÂθ
FILTER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË OFF.
èêàåÖóÄçàÖ:
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÛÎÛ˜¯ËÚ¸ ˜‡ÒÚÓÚÌÛ˛ ı‡‡ÍÚÂËÒÚËÍÛ Ì‡
Ú‡ÍËı ‰Ë̇ÏË͇ı, Í‡Í YAMAHA S112 Ë S115.
3
ÉÌÂÁ‰‡ INPUT (͇̇Î˚ A, B)
ÑÎfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ Ô‰ÛÒÏÓÚÂÌ˚ „ÌÂÁ‰‡ ‰‚Ûı ÚËÔÓ‚.
é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ‚ ÂÊËÏ BRIDGE ËÎË PARALLEL
‡·ÓÚ‡˛Ú ÚÓθÍÓ „ÌÂÁ‰‡ ͇̇· A.
•ÉÌÂÁ‰Ó XLR-3-31
ÇıÓ‰Ì˚ „ÌÂÁ‰‡ XLR-3-31 ËÏÂ˛Ú ÒÎÂ‰Û˛˘Û˛ ÒıÂÏÛ ÒÓ‰ËÌÂÌËfl.
•òÚÂÍÂÌÓ „ÌÂÁ‰Ó
ÉÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚ ËÏÂ˛Ú ÒÎÂ‰Û˛˘Û˛ ÒıÂÏÛ ÒÓ‰ËÌÂÌËfl.
SUB
WOOFER
LOW CUT
ON
STEREO BRIDGE
PAR ALLEL
INPUT
SPEAKERS
BRIDGE
OFF
OFF
1
1
+
-
+
-
+
-
+
-
2
2
1
1
+
-
+
-
SUB
WOOFER
LOW CUT
OFF
FREQUENCY
Hz
25 150
90
50
125
FREQUENCY
11
2332
L
O
C
K
L
O
C
K
++ --
(+)(-)
Hz
25 150
90
50
125
1 5
4 6
2
3
SUB
WOOFER
LOW CUT
OFF
25 Hz-150 Hz
ó‡ÒÚÓÚ‡ ÓÚÒ˜ÍË
éÚ 25 ‰Ó 150 Ɉ
1
2
3
ÔβÒ
Á‡ÁÂÏÎÂÌËÂ
ÏËÌÛÒ
ÍÓθˆÓ (ÏËÌÛÒ)
̇ÍÓ̘ÌËÍ (ÔβÒ)„ËθÁ‡
(Á‡ÁÂÏÎÂÌËÂ)
8
4
èÂÂÍβ˜‡ÚÂθ STEREO/PARALLEL/BRIDGE
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ÏÓÊÌÓ ‚˚·‡Ú¸ ‡·Ó˜ËÈ
ÂÊËÏ.
•êÂÊËÏ STEREO
ä‡Ì‡Î˚ A Ë B ‡·ÓÚ‡˛Ú ÌÂÁ‡‚ËÒËÏÓ (Í‡Í ‚ Ó·˚˜ÌÓÏ
ÒÚÂÂÓÛÒËÎËÚÂÎÂ). ÇıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ä ÔÓÒ˚·ÂÚÒfl ̇
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ ͇̇· Ä, ‡ ‚ıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ç — ̇
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ ͇̇· Ç.
•êÂÊËÏ PARALLEL
ÇıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ä ‚˚‚Ó‰ËÚÒfl ˜ÂÂÁ ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡
͇̇ÎÓ‚ Ä Ë Ç. ÇıÓ‰Ì˚ „ÌÂÁ‰‡ ͇̇· B ÔË ˝ÚÓÏ Ì ‡·ÓÚ‡˛Ú.
ìÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ͇̇ÎÓ‚ Ä Ë Ç ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸
ÌÂÁ‡‚ËÒËÏÓ.
•êÂÊËÏ BRIDGE
ÇıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ä ‚˚‚Ó‰ËÚÒfl ˜ÂÂÁ ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡
BRIDGE. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÚÓθÍÓ Ò ÔÓÏÓ˘¸˛
„ÛÎflÚÓ‡ „ÓÏÍÓÒÚË Í‡Ì‡Î‡ Ä.
5
ÉÌÂÁ‰‡ SPEAKER
Ç˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ Neutrik NL4FC Speakon,
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ Ò Á‡ÊËÏÓÏ,
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚.
åËÌËχθÌ˚ Á̇˜ÂÌËfl ÒÓÔÓÚË‚ÎÂÌËfl ‰Îfl ‰Ë̇ÏËÍÓ‚ ÒÏ. ̇
ÒÚ. 9.
6
äÓÌÚ‡ÍÚ GND
ùÚÓ Á‡ÁÂÏÎfl˛˘ËÈ ‚ËÌÚÓ‚ÓÈ ‚˚‚Ó‰. èË ‚ÓÁÌËÍÌÓ‚ÂÌËË „Û· ËÎË
¯Ûχ ÔÓ‰ÒÓ‰ËÌËÚ ÛÒÚÓÈÒÚ‚Ó Í Á‡ÁÂÏÎÂÌ˲ Ò ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó
‚˚‚Ó‰‡ ËÎË Í ÍÓÔÛÒÛ ÏËͯÂ‡, Ô‰ÛÒËÎËÚÂÎfl ËÎË ‰Û„Ó„Ó
ÛÒÚÓÈÒÚ‚‡ ‚ ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏÂ.
9
èÓ‰Íβ˜ÂÌË ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ
ëÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚
ÑË̇ÏËÍË ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í ÛÒËÎËÚÂβ ÒÔÓÒÓ·ÓÏ, ÔÓ͇Á‡ÌÌ˚Ï ÌËÊÂ. é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ÒÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚ ËÁÏÂÌflÂÚÒfl ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒıÂÏ˚ ÔÓ‰Íβ˜ÂÌËfl Ë ÍÓ΢ÂÒÚ‚‡ ‰Ë̇ÏËÍÓ‚. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÒÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚ Ì ÌËÊ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
ÏËÌËχθÌÓ„Ó Á̇˜ÂÌËfl, Û͇Á‡ÌÌÓ„Ó ÌËÊÂ.
ëıÂÏ˚ ÔÓ‰Íβ˜ÂÌËfl ‰Îfl ÂÊËÏÓ‚ STEREO Ë
PARALLEL
èË ËÒÔÓθÁÓ‚‡ÌËË ‚˚ıÓ‰Ì˚ı „ÌÂÁ‰ Ò Á‡ÊËÏÓÏ
èË ËÒÔÓθÁÓ‚‡ÌËË ‡Á˙Âχ Speakon
èË ËÒÔÓθÁÓ‚‡ÌËË „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚
ëıÂÏ˚ ÔÓ‰Íβ˜ÂÌËfl ‰Îfl ÂÊËχ BRIDGE
èË ËÒÔÓθÁÓ‚‡ÌËË ‚˚ıÓ‰Ì˚ı „ÌÂÁ‰ Ò Á‡ÊËÏÓÏ
èË ËÒÔÓθÁÓ‚‡ÌËË ‡Á˙Âχ Speakon
BRIDGE
11
++ --
(+)(-)
STEREO BRIDGE
PARALLEL
STEREO BRIDGE
PARALLEL
ËÎË
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
4
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
4
SPEAKERS
1
1
+
-
+
-
+
-
+
-
2
2
1
1
+
-
+
-
2332
L
O
C
K
L
O
C
K
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
4
SPEAKERS
1
1
+
-
+
-
+
-
+
-
2
2
1
1
+
-
+
-
2332
L
O
C
K
L
O
C
K
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
4
BRIDGE
11
++ --
(+)(-)
STEREO BRIDGE
PARALLEL
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
8
SPEAKERS
1
1
+
-
+
-
+
-
+
-
2
2
1
1
+
-
+
-
2332
L
O
C
K
L
O
C
K
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
8
10
ùÎÂÍÚÓÔӂӉ͇
á‡ÊËÏ
(1) Ç˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl POWER.
(2) àÁ‚ÎÂÍËÚ ÍÂÔÂÊÌ˚ ‚ËÌÚ˚ ËÁ Á‡˘ËÚÌÓÈ Í˚¯ÍË Ë
ÒÌËÏËÚ ÂÂ Ò ÍÓÌÚ‡ÍÚÓ‚ ‰Ë̇ÏË͇.
(3) 쉇ÎËÚ ÓÚÂÁÓÍ ËÁÓÎflˆËË ‰ÎËÌÓÈ ÔËÏÂÌÓ 15 ÏÏ Ò ÍÓ̈‡
Í‡Ê‰Ó„Ó Í‡·ÂÎfl ‰Ë̇ÏË͇ Ë ÔÓ‰Â̸Ú ӄÓÎÂÌÌ˚È ÔÓ‚Ó‰
˜ÂÂÁ ÓÚ‚ÂÒÚËfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÓÌÚ‡ÍÚ‡ı ‰Ë̇ÏË͇.
á‡ÚflÌËÚ ÍÓÌÚ‡ÍÚ˚, ˜ÚÓ·˚ Á‡ÍÂÔËÚ¸ ÔÓ‚Ó‰‡. èÓÎflÌÓÒÚ¸
‰Ë̇ÏËÍÓ‚ ÒÏ. ̇ ÒÚ. 9.
èËϘ‡ÌË ‰Îfl ÔÓθÁÓ‚‡ÚÂÎÂÈ ‚ ëòÄ:
àÒÔÓθÁÛÈÚ ÔÓ‚Ó‰ Í·ÒÒ‡ 3. (P7000S, P5000S)
àÒÔÓθÁÛÈÚ ÔÓ‚Ó‰ Í·ÒÒ‡ 2. (P3500S, P2500S)
èÓÒΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ó„ÓÎÂÌÌ˚ ÍÓ̈˚ ÔÓ‚Ó‰‡
Ì ‚˚ÒÚÛÔ‡ÎË ËÁ ÍÓÌÚ‡ÍÚÓ‚ Ë Ì ͇҇ÎËÒ¸ ÍÓÔÛÒ‡. ç‡
ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍ ÔÓ͇Á‡ÌÓ, Í‡Í ‰ÓÎÊÂÌ ‚˚„Îfl‰ÂÚ¸
Ô‡‚ËθÌÓ ÔÓ‰ÒÓ‰ËÌÂÌÌ˚È Í‡·Âθ.
(4) ìÒÚ‡ÌÓ‚ËÚ Á‡˘ËÚÌÛ˛ Í˚¯ÍÛ Ó·‡ÚÌÓ Ì‡ ÍÓÌÚ‡ÍÚ˚
‰Ë̇ÏËÍÓ‚.
ê‡Á˙ÂÏ Speakon
(1) Ç˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl POWER.
(2) ÇÒÚ‡‚¸Ú ¯ÚÂÍÂ Neutrik NL4FC ‚ ‡Á˙ÂÏ Speakon ̇ Á‡‰ÌÂÈ
Ô‡ÌÂÎË ÛÒËÎËÚÂÎfl Ë ÔÓ‚ÂÌËÚÂ Â„Ó ÔÓ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍÂ,
˜ÚÓ·˚ Á‡ÍÂÔËÚ¸.
òÚÂÍÂ Neutrik NL4FC
òÚÂÍÂÌÓ „ÌÂÁ‰Ó
(1) Ç˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl POWER.
(2) ÇÒÚ‡‚¸Ú ¯ÚÂÍÂ ‰Îfl ̇ۯÌËÍÓ‚ ‚ „ÌÂÁ‰Ó ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË
ÛÒËÎËÚÂÎfl.
ÇËÌÚ
15mm
* ê‡θÌ˚È ‡ÁÏÂ
*
䇷Âθ ‰Ë̇ÏË͇
äÓÔÛÒ
é„ÓÎÂÌÌ˚È ÔÓ‚Ó‰
äÄçÄã
STEREO ËÎË PARALLEL
BRIDGE
1+ A+ 1+ +
1– A– 1–
2+ B+ 2+
2– B– 2–
òÚÂÍÂ Neutrik NL4FC
äÄçÄã
1+ B+
1– B–
A
B
11
ìÒÚ‡Ìӂ͇ ‚ ÒÚÓÈÍÛ
ìÒÚ‡Ìӂ͇ ‚ Òڇ̉‡ÚÌÛ˛ ÒÚÓÈÍÛ EIA
èË ÛÒÚ‡ÌÓ‚Í ‚ ÒÚÓÈÍÛ ÌÂÒÍÓθÍËı ÛÒËÎËÚÂÎÂÈ ÏÓ˘ÌÓÒÚË Ó·flÁ‡ÚÂθÌÓ Ú‡ÍÊ ÛÒÚ‡ÌÓ‚ËÚ ‚ÂÌÚËÎflˆËÓÌÌ˚ ԇÌÂÎË, Í‡Í ˝ÚÓ ÔÓ͇Á‡ÌÓ ÌËÊÂ.
é·flÁ‡ÚÂθÌÓ Á‡ÍÂÔËÚ ÏÂÚ‡Î΢ÂÒÍË ÍÓ̯ÚÂÈÌ˚ (ÔÓ Ó‰ÌÓÏÛ Ò Í‡Ê‰ÓÈ ÒÚÓÓÌ˚) ‰Îfl ÔÓ‰‰ÂʇÌËfl Á‡‰ÌÂÈ ˜‡ÒÚË Í‡Ê‰Ó„Ó ÛÒËÎËÚÂÎfl.
èËϘ‡ÌËÂ. EIA ÓÁ̇˜‡ÂÚ Electronic Industries Alliance, ÄÒÒӈˇˆËfl ˝ÎÂÍÚÓÌÌÓÈ ÔÓÏ˚¯ÎÂÌÌÓÒÚË.
ÇÂÌÚËÎflˆËÓÌ̇fl Ô‡ÌÂθ
àÒÔÓθÁÛÈÚ „ÎÛıË ԇÌÂÎË ‡ÁÏÂÓÏ 1U.
èË ÛÒÚ‡ÌÓ‚Í ‰Ó ˜ÂÚ˚Âı ÛÒËÎËÚÂÎÂÈ ‚
ÒÚÓÈÍ ·ÂÁ Á‡‰ÌÂÈ ÒÚÂÌÍË
ìÒÚ‡ÌÓ‚ËÚ ‚ÂÌÚËÎflˆËÓÌÌÛ˛ Ô‡ÌÂθ, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ.
èË ÛÒÚ‡ÌÓ‚Í ÔflÚË ËÎË ·Óθ¯Â
ÛÒËÎËÚÂÎÂÈ ‚ ÒÚÓÈÍ ·ÂÁ Á‡‰ÌÂÈ ÒÚÂÌÍË
ÎË·Ó ÔË ÛÒÚ‡ÌÓ‚Í β·Ó„Ó ÍÓ΢ÂÒÚ‚‡
ÛÒËÎËÚÂÎÂÈ ‚ ÒÚÓÈÍÂ Ò Á‡‰ÌÂÈ ÒÚÂÌÍÓÈ.
ìÒÚ‡ÌÓ‚ËÚ ‚ÂÌÚËÎflˆËÓÌÌ˚ ԇÌÂÎË Ò‚ÂıÛ Ë ÒÌËÁÛ Í‡Ê‰Ó„Ó
ÛÒËÎËÚÂÎfl, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ.
480
44
Ö‰. ËÁÏÂ.: ÏÏ
ÇÂÌÚËÎflˆËÓÌ̇fl
Ô‡ÌÂθ (ÔËÍÂÔËÚÂ
ÒÔÂÂ‰Ë ËÎË ÒÁ‡‰Ë
ÒÚÓÈÍË).
12
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
鷢ˠı‡‡ÍÚÂËÒÚËÍË
0 ‰ÅÌ=0,775 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍÓ„Ó ‚Óθڇ, ÔÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸=1/2 ÛÓ‚Ìfl ‚˚ıÓ‰ÌÓÈ ÏÓ˘ÌÓÒÚË (ÌÓÏË̇θ̇fl ÏÓ˘ÌÓÒÚ¸)
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ‡ÁÏÂ˚ ÔË‚Ó‰flÚÒfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ËÒÍβ˜ËÚÂθÌÓ ‚ ÒÔ‡‚Ó˜Ì˚ı ˆÂÎflı. äÓÔÓ‡ˆËfl Yamaha Corp. ÓÒÚ‡‚ÎflÂÚ
Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ ËÎË ÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ ËÎË ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ‚ β·Ó ‚ÂÏfl ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. í‡Í Í‡Í ÚÂıÌ˘ÂÒÍËÂ
ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë ÍÓÏÔÓÌÂÌÚ˚ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ ‡ÁÌ˚ı ÒÚ‡Ì‡ı, Ó·‡ÚËÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í Ò‚ÓÂÏÛ ‰ËÎÂÛ Yamaha.
Ö‚ÓÔÂÈÒÍË ÏÓ‰ÂÎË
àÌÙÓχˆËfl Ó ÔÓÍÛÔ‡ÚÂÎÂ/ÔÓθÁÓ‚‡ÚÂΠÒÓ‰ÂÊËÚÒfl ‚ EN55103-1 Ë EN55103-2.
èÛÒÍÓ‚ÓÈ ÚÓÍ: 32 Ä (P7000S, P5000S)/65 Ä (P3500S)/55 Ä (P2500S)
ëÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Òڇ̉‡Ú‡Ï: E1, E2, E3 Ë E4
P7000S P5000S P3500S P2500S
ìÓ‚Â̸ ‚˚ıÓ‰ÌÓÈ ÏÓ˘ÌÓÒÚË (ÌÓÏË̇θ̇fl
ÏÓ˘ÌÓÒÚ¸)
8 éÏ/STEREO 750 ÇÚ
2 525 ÇÚ 2 390 ÇÚ 2 275 ÇÚ 2
1 ÍɈ 4 éÏ/STEREO 1100 ÇÚ 2 750 ÇÚ 2 590 ÇÚ 2 390 ÇÚ 2
éçà + N = 1% 8 éÏ/BRIDGE 2200 ÇÚ 1 1500 ÇÚ 1 1180 ÇÚ 1 780 ÇÚ 1
8 éÏ/STEREO
700 ÇÚ 2
650 ÇÚ 2 (‚ÓÔÂÈÒ͇fl
ÏÓ‰Âθ)
500 ÇÚ 2 350 ÇÚ 2 250 ÇÚ 2
20 Ɉ -20 ÍɈ 4 éÏ/STEREO 950 ÇÚ 2 700 ÇÚ 2 450 ÇÚ 2 310 ÇÚ 2
éçà + N = 0,1% 8 éÏ/BRIDGE 1900 ÇÚ 1 1400 ÇÚ 1 900 ÇÚ 1 620 ÇÚ 1
1 ÍɈ 2 éÏ/STEREO 1600 ÇÚ 2 1300 ÇÚ 2 1000 ÇÚ 2 650 ÇÚ 2
20 ÏÒ ·ÂÁ ÓÚÒ˜ÍË 4 éÏ/BRIDGE 3200 ÇÚ 1 2600 ÇÚ 1 2000 ÇÚ 1 1300 ÇÚ 1
òËË̇ ÔÓÎÓÒ˚ ˜‡ÒÚÓÚ Ì‡ ÛÓ‚Ì ÔÓÎÌÓÈ
ÏÓ˘ÌÓÒÚË
èÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ 10 Ɉ – 40 ÍɈ (éçà + N = 0,5 %)
鷢ˠÌÂÎËÌÂÈÌ˚ ËÒ͇ÊÂÌËfl (éçà + N) 4 éÏ – 8 éÏ/STEREO
0,1 %
20 Ɉ – 20 ÍɈ, ÔÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ 8 éÏ/BRIDGE
ó‡ÒÚÓÚ̇fl ı‡‡ÍÚÂËÒÚË͇ RL = 8 éÏ, Po = 1 ÇÚ 0 ‰Å, +0,5 ‰Å, –1 ‰Å f = 20 Ɉ – 50 ÍɈ
àÌÚÂÏÓ‰ÛÎflˆËÓÌÌÓ ËÒ͇ÊÂÌË (IMD) 4 éÏ – 8 éÏ/STEREO
0,1 %
60 Ɉ:7 ÍɈ, 4:1, ÔÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ 8 éÏ/BRIDGE
ê‡Á‰ÂÎÂÌË ͇̇ÎÓ‚ èÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ RL = 8 éÏ 1 ÍɈ
70 ‰Å
å‡ÍÒ. „ÓÏÍÓÒÚ¸ ¯ÛÌÚ 600 éÏ ‰Îfl ‚ıÓ‰ÌÓ„Ó Ò˄̇·
éÒÚ‡ÚÓ˜Ì˚È ¯ÛÏ åËÌ. „ÓÏÍÓÒÚ¸ 20 Ɉ – 20 ÍɈ (DIN AUDIO)
-70 ‰ÅÌ
éÚÌÓ¯ÂÌË Ò˄̇Î-¯ÛÏ 20 Ɉ – 20 ÍɈ (DIN AUDIO) 104 ‰Å 103 ‰Å 102 ‰Å 100 ‰Å
äÓ˝ÙÙˈËÂÌÚ ‰ÂÏÔÙËÓ‚‡ÌËfl RL = 8 éÏ, 1 ÍɈ
350 200
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ (χÍÒ. „ÓÏÍÓÒÚ¸), ÌÓÏË̇θ̇fl ÏÓ˘ÌÓÒÚ¸, 8 éÏ +8 ‰ÅÌ +6 ‰ÅÌ +4 ‰ÅÌ +3 ‰ÅÌ
ìÒËÎÂÌË ÔÓ Ì‡ÔflÊÂÌ˲ (χÍÒ. „ÓÏÍÓÒÚ¸) 32,1 ‰Å
ÇıÓ‰ÌÓ ÒÓÔÓÚË‚ÎÂÌË 30 kéÏ/Ò·‡Î‡ÌÒËÓ‚‡ÌÌÓÂ, 15 kéÏ/ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌÓÂ
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ãˈ‚‡fl Ô‡ÌÂθ èÂÂÍβ˜‡ÚÂθ POWER (ÍÌÓÔ͇ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl)
Ñ‚‡ „ÛÎflÚÓ‡ „ÓÏÍÓÒÚË, ‡ÒÒ˜ËÚ‡ÌÌ˚ ̇ 31 ÛÓ‚Â̸ „ÓÏÍÓÒÚË (ÔÓ
Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
ᇉÌflfl Ô‡ÌÂθ èÂÂÍβ˜‡ÚÂθ MODE (STEREO/PARALLEL/BRIDGE)
Ñ‚‡ ÔÂÂÍβ˜‡ÚÂÎfl FILTER (SUBWOOFER/LOW CUT/OFF)
Ñ‚‡ „ÛÎflÚÓ‡ ˜‡ÒÚÓÚ˚ (ÓÚ 25 ‰Ó 150 Ɉ, 12 ‰Å/ÓÍÚ‡‚‡)
èÂÂÍβ˜‡ÚÂθ YS Processing (ON/OFF)
ê‡Á˙ÂÏ˚ ÇïéÑ ÉÌÂÁ‰‡ XLR-3-31 (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
ÉÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚ TRS, 1/4 ‰˛Èχ (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
ÇõïéÑ ÉÌÂÁ‰‡ Speakon (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
á‡ÊËÏ˚
ÉÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚, 1/4 ‰˛Èχ (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
à̉Ë͇ÚÓ˚ POWER × 1 (ÁÂÎÂÌ˚È)
PROTECTION × 1 (Í‡ÒÌ˚È)
TEMP
× 1 (Í‡ÒÌ˚È) (ÚÂÏÔÂ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡ 85°C)
CLIP × 2 (Í‡ÒÌ˚È)
SIGNAL × 2 (ÁÂÎÂÌ˚È)
YS Processing × 1 (ÊÂÎÚ˚È)
ᇢËÚ‡ ÓÚ ÔÂ„ÛÁÍË èÂÂÍβ˜‡ÚÂθ POWER ON/OFF, ‚˚Íβ˜ÂÌË Á‚Û͇
éÚÍβ˜ÂÌË ‚ ÒÎÛ˜‡Â Ò·Ófl
˝ÎÂÍÚÓÔËÚ‡ÌËfl
é·Ì‡ÛÊÂÌË ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇
ᇢËÚ‡ ÛÒËÎËÚÂÎfl
é·Ì‡ÛÊÂÌË ÚÂÏÔÂ‡ÚÛ˚ (ÚÂÏÔÂ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡ 90°C),
Ó„‡Ì˘ËÚÂθ ÚÓ͇ (RL 1 )
é„‡Ì˘ËÚÂθ
äÓÏÔÂÒÒËfl: éçà 0,5 %
éı·ʉÂÌË т‡ ‚ÂÌÚËÎflÚÓ‡ Ò ÔÂÂÏÂÌÌÓÈ
ÒÍÓÓÒÚ¸˛ ‚‡˘ÂÌËfl
é‰ËÌ ‚ÂÌÚËÎflÚÓ Ò ÔÂÂÏÂÌÌÓÈ
ÒÍÓÓÒÚ¸˛ ‚‡˘ÂÌËfl
í·ӂ‡ÌËfl ÔÓ ÔËÚ‡Ì˲ ëÓ‰ËÌÂÌÌ˚ òÚ‡Ú˚ Ë ä‡Ì‡‰‡ 120 Ç, 60 Ɉ
Ö‚ÓÔ‡ 230 Ç, 50 Ɉ
Ä‚ÒÚ‡ÎËfl 240 Ç, 50 Ɉ
ùÌÂ„ÓÔÓÚ·ÎÂÌË ç‡ÍÚË‚ÌÓ ÒÓÒÚÓflÌË 35 ÇÚ 35 ÇÚ 30 ÇÚ 25 ÇÚ
Ç˚ıӉ̇fl ÏÓ˘ÌÓÒÚ¸, 4 éÏ 650 ÇÚ 500 ÇÚ 450 ÇÚ 320 ÇÚ
ê‡ÁÏÂ˚ (ò × Ç × É) 480 × 88 × 456 ÏÏ
ÇÂÒ 12 Í„ 12 Í„ 15 Í„ 14 Í„
èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË á‡˘ËÚ̇fl Í˚¯Í‡ (Ò ¯ÂÒÚË„‡ÌÌ˚Ï Íβ˜ÓÏ), ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
13
ÅÎÓÍ-ÒıÂχ
P7000S, P5000S
P3500S, P2500S
CHANNEL A
[BRIDGE]
[PARALLEL]
INPUT
CHANNEL B
BA
State variable
Active filter
ON
OFF
YAMAHA
SPEAKER
PROCESSING
State variable
Active filter
BA
HPF
LPF
CHANNEL A
ATT
OFF
Limiter
Limiter
INV
Tem perature
Sensor
(Heat Sink)
Protection
Circuit
CLIP
CLIP
Ach Power Amp
Bch Power Amp
SIGNAL
PROTECTION
TEMP
SPEAKERS
CHANNEL A
3
3
1
1
2
2
1+
1+
1-
1-
2-
2-
2+
2+
A+B BRIDGE
CHANNEL B
SIGNAL
YAMAHA
SPEAKER
PROCESSING
CHANNEL B
ATT
PARALLEL
BRIDGE
STEREO
HPF
Frequency
[25 Hz-150 Hz]
POWER
FAN
+B
E
-B
+24
-24
E
POWER CIRCUIT
Frequency
[25 Hz-150 Hz]
OFF
LPF
POWER SW
14
ê‡ÁÏÂ˚
äË‚˚ ÔÓËÁ‚Ó‰ËÚÂθÌÓÒÚË
P7000S
P3500S
P5000S
P2500S
Ö‰. ËÁÏÂ.: ÏÏ
Mode:STEREO
Both ch Driven
RL=4 , f=1 kHz
Power Consumption [W]
Output Power [W]
1
10
100
10000
1000
110100 1000 10000
Mode:STEREO
Both ch Driven
RL=4 , f=1 kHz
Power Consumption [W]
Output Power [W]
1
10
100
10000
1000
110100 1000
Mode:STEREO
Both ch Driven
RL=4 , f=1 kHz
Power Consumption [W]
Output Power [W]
1
10
100
10000
1000
110100 1000
Mode:STEREO
Both ch Driven
RL=4 , f=1 kHz
Power Consumption [W]
Output Power [W]
1
10
100
10000
1000
110100 1000
15
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ
Ç ÒÎÂ‰Û˛˘ÂÈ Ú‡·Îˈ ÔÂ˜ËÒÎÂÌ˚ ÓÒÌÓ‚Ì˚ Ô˘ËÌ˚ ÌÂÌÓχθÌÓÈ ‡·ÓÚ˚ Ë ÌÂÓ·ıÓ‰ËÏ˚ ÏÂ˚ ÔÓ ÛÒÚ‡ÌÂÌ˲ ÔÓ·ÎÂÏ, ‡ Ú‡ÍÊ ÓÔËÒ‡ÌËÂ
‡·ÓÚ˚ Á‡˘ËÚÌÓÈ ÒıÂÏ˚ ‚ ͇ʉÓÏ ÒÎÛ˜‡Â.
P3500S, P2500S
P7000S, P5000S
à̉Ë͇ÚÓ˚ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ åÂ˚ ÔÓ ÛÒÚ‡ÌÂÌ˲ ᇢËÚ̇fl ÒıÂχ
ᇄÓ‡ÂÚÒfl Ë̉Ë͇ÚÓ CLIP.
Ç ÍÓÌÚ‡ÍÚ ‰Ë̇ÏË͇, ÍÓÌÚ‡ÍÚÂ
ÛÒËÎËÚÂÎfl ËÎË ÔӂӉ ÔÓËÁÓ¯ÎÓ
ÍÓÓÚÍÓ Á‡Ï˚͇ÌËÂ.
éÔ‰ÂÎËÚ ÏÂÒÚÓÔÓÎÓÊÂÌË Ë
ÛÒÚ‡ÌËÚ Ô˘ËÌÛ ÍÓÓÚÍÓ„Ó
Á‡Ï˚͇ÌËfl.
é„‡Ì˘ËÚÂθ ÒıÂÏ˚ Á‡˘ËÚ˚
‡·ÓÚ‡ÂÚ Ì‡ Á‡˘ËÚÛ ÏÓ˘Ì˚ı
Ú‡ÌÁËÒÚÓÓ‚.
èÓËÁӯ· ÔÂ„ÛÁ͇ ÛÒËÎËÚÂÎfl.
àÒÔÓθÁÛÈÚ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ÒËÒÚÂÏÛ
Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ ıÓÚfl ·˚ 4 éÏ
(ÂÊËÏ STEREO/PARALLEL) ËÎË
8 éÏ (ÂÊËÏ BRIDGE).
ᇄÓ‡ÂÚÒfl Ë̉Ë͇ÚÓ TEMP.
íÂÏÔÂ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡
Ô‚˚ÒË· 85°C (185°F).
èÓ‚Â¸Ú ‚ÂÌÚËÎflˆËÓÌÌ˚Â
ÓÚ‚ÂÒÚËfl Ë Ó·ÂÒÔ˜¸Ú ·ÓÎÂÂ
˝ÙÙÂÍÚË‚ÌÛ˛ ‚ÂÌÚËÎflˆË˛
ÛÒËÎËÚÂÎfl.
à̉Ë͇ÚÓ TEMP Á‡„Ó‡ÂÚÒfl,
˜ÚÓ·˚ Ô‰ÛÔ‰ËÚ¸ Ó ÒÎ˯ÍÓÈ
‚˚ÒÓÍÓÈ ÚÂÏÔÂ‡ÚÛÂ.
ᇄÓ‡ÂÚÒfl Ë̉Ë͇ÚÓ PROTECTION.
íÂÏÔÂ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡
Ô‚˚ÒË· 95°C (203°F).
èÓ‚Â¸Ú ÛÒÎÓ‚Ëfl ‚ÂÌÚËÎflˆËË
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одробную информацию о продуктах можно получить у ближайших представителей компании Yamaha или авторизованного
дистрибьютора, список которых приведен ниже.
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Olga Cossettini 1553, Piso 4 Norte
Madero Este-C1107CEK
Buenos Aires, Argentina
Tel: 011-4119-7000
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
THE UNITED KINGDOM
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70
RUSSIA
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2313
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
4, 6, 15 and 16
th
floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2317
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2313
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2441
PA2 1
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2003 Yamaha Corporation
WQ45010 807CRZC1.3-01C0
Printed in Indonesia
Yamaha Pro Audio global web site
http://www.yamahaproaudio.com/
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
/