Yamaha D24 Руководство пользователя

Owner’s Manual

DIGITAL MULTITRACK RECORDER

00 00 00 00

YAMAHA D24

OVER

READY

0

2

6

10 12

14 20

18 30

20

42

26 60

–dB

OVER

ABS H

LOCK

TIME DISPLAY

CAPTURE ABS/REL

REMAIN

VAR I

SPEED

UTILITY

SETUP

PROJECT

SELECT

LOC MEM

RECALL

LOC MEM

STORE

LOCATEENTERCANCEL

0/-

1

4

7

8

R

7654321

RECORD

READY

SOLO/

SELECT

MONITOR SELECT

PEAK

HOLD

AUTO

INPUT

ALL

INPUT

FORMAT CHASE

L

2

5

8

3

6

9

UNDO/

REDO

EDIT

JOG ON

JOG/DATA SHUTTLE/

CURSOR

PROJECT SEARCH

RTN TO

ZERO

REW FF

STOP PLAY REC

ROLL

BACK

LAST REC

SET

DIGITAL MULTITRACK RECORDER

REPEAT

REHE

PHONES

LEVEL

010

ON

POWER

OFF

PHONES

BA

B

A

AUTO

PUNCH

IN

OUT

INT

24

48K

MASTER

WC

BIT

FS

TC

MSF

READY

0

2

6

12

20

30

42

60

–dB

V. T R A C K

SELECT

E

Keep This Manual For Future Reference.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig

håndtering. Udskiftning må kun ske med batteri

af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd

samma batterityp eller en ekvivalent typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in

your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen

back-up.

● Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat ann het einde

van de levensduur afdankt of de volgende Yamaha Service

Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Tel. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● This apparatus contains a lithium battery for memory

back-up.

● For the removal of the battery at the moment of the

disposal at the end of the service life please consult your

retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Tel: 030-2828425

● Do not throw away the battery. Instead, hand it in as small

chemical waste.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

Laser Diode Properties

* Material : AlGaInP

* Wavelength : 675–695 nm

* Emission Duration : Continuous

* Laser Output Power : Less than 44.6 µW

Laser output is measured at a

distance of 20 cm from the object

lens on the optical pick-up head.

(Note)

• These labels are

located on the interior.

• Varningsanvisning för

laserstrålning. Placerad

i apparaten.

This unit is classified as a

Class 1 laser product.

This label is located on the

exterior.

CLASS 1 LASER PRODUCT

LUOKAN 1 LASERLAITE

KLASS 1 LASERAPPARAT

Klassmärkning för Finland.

CAUTION

USE OF CONTROLS OR ADJUSTMENTS OR

PERFORMANCE OF PROCEDURES OTHER

THAN THOSE SPECIFIED HEREIN MAY RESULT

IN HAZARDOUS RADIATION EXPOSURE.

ADVARSEL

Usynlig laserstråling ved åbning. Undgå udsaettelse

for stråling.

VAROITUS

Laitteen käyttäminen muulla kuin tässä käyttöohjeesa

mainitulla tavalla saattaa altistaa käyttäjän

turvallisuusluokan 1 ylittävälle näkymättömälle

lasersäteilylle.

VARNING

Om apparaten används på annat sätt än i denna

bruksanvisning specificerats, kan användaren utsättas

för osynlig laserstrålning, som överskrider gränsen för

laserklass 1.

DANGER

INVISIBLE LASER RADIATION WHEN OPEN.

AVOID DIRECT EXPOSURE TO BEAM.

DANGER

RADIATIONS INVISIBLES DU LASER EN CAS D' OUVERTURE.

EVITER TOUTE EXPOSITION DIRECTE AU FAISCEAU.

VORSICHT

LASERSTRAHLUNG. WENN ABDECKUNG GEÖFFNET

NICHT DEM STRAHL AUSSETZEN.

ADVARSEL

USYNLIG LASERSTRÅLING VED ÅBNING NÅR

SIKKERHEDSAFBRYDERE ER UDE AF FUNKTION.

UNDGÅ UDSAETTELSE FOR STRÅLING.

VARNING

OSYNLIG LASERSTRÅLNING NÄR

DENNA DEL ÄR ÖPPEND. STRÅLEN

ÄR FARLIG.

APL

i

D24—Owner’s Manual

Important Information

Read the Following Before Operating the D24

Warnings

• Do not subject the D24 to extreme temperatures, humidity, direct sunlight, or dust,

which could be a potential ﬁre or electrical shock hazard.

• Connect the D24 power cord to an AC outlet of the type stated in this

Owner’s Manual

or as indicated on the D24. Failure to do so is a ﬁre and electrical shock hazard.

• Do not plug several devices into the same AC outlet. This may overload the AC outlet,

and could be a ﬁre or electrical shock hazard. It may also affect the performance of some

devices.

• Do not place heavy objects on the power cord. A damaged power cord is a potential ﬁre

and electrical shock hazard.

• If the power cord is damaged (e.g., cut or a bare wire is exposed), ask your dealer for a

replacement. Using the D24 with a damaged power cord is a ﬁre and shock hazard.

• Hold the power cord plug when disconnecting from an AC outlet. Never pull the cord.

A power cord damaged through pulling is a potential ﬁre and electrical shock hazard.

• Do not place small metal objects on top of the D24. Metal objects falling inside the D24

is a ﬁre and electrical shock hazard.

• Do not block the D24 ventilation slots. The D24 has ventilation slots at the side and a

cooling fan at the rear to keep the internal components cool. Blocking the ventilation

slots or obstructing the fan’s airﬂow is a potential ﬁre hazard.

• Do not attempt to modify the D24. This is a potential ﬁre and electrical shock hazard.

• The D24 operating temperature is between 5˚C and 35˚C (41˚F and 95˚F).

Cautions

• Allow enough free space around the unit for normal ventilation. This should be: 10 cm

behind and 20 cm above.

These distances should also be adopted when rack-mounting the unit. For normal ven-

tilation during use, remove the rear of the rack or open a ventilation hole.

If the airﬂow is not adequate, the unit will heat up inside and may cause a ﬁre.

• Turn off audio devices when connecting them to the D24, and use only the cables spec-

iﬁed in the relevant owner’s manuals.

• If you notice any abnormality—such as smoke, odor, or noise—turn off the D24 imme-

diately. Remove the power cord from the AC outlet. Conﬁrm that the abnormality is no

longer present. Using the D24 in this condition is a potential ﬁre and shock hazard.

Consult your dealer for repair.

• If a foreign object or water gets inside the D24, turn it off immediately. Remove the

power cord from the AC outlet. Using the D24 in this condition is a potential ﬁre and

electrical shock hazard. Consult your dealer for repair.

• If you plan not to use the D24 for a long period of time, remove the power cord from

the AC outlet. Leaving the D24 connected is a potential ﬁre hazard.

• Do not use benzene, thinner, cleaning detergent, or a chemical cloth to clean the D24.

Use only a soft, dry cloth.

ii

D24—Owner’s Manual

MO Disks

• Use only MO disks of the type speciﬁed in this manual.

• Store MO disks in a place free from extreme temperatures, humidity, dust, and dirt.

• Do not slide open the MO disk shutter, and never touch the actual disk.

• If an MO disk is stored in a cold place (e.g., overnight in a car), and then moved to a

warmer environment, condensation may form on the disk. In this case, the disk should

be left to acclimatize for about 30 minutes before use.

Interference

The D24 uses high-frequency digital circuits that may cause interference on radio and

television equipment located nearby. If interference is a problem, relocate the affected

equipment.

D24 Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages includ-

ing personal injury or any other damages caused by improper use or operation of the

D24.

Package Contents

The D24 package should contain the following items. Contact your Yamaha dealer if

you are missing an item.

• D24 Digital Multitrack Recorder

• This manual

•Power cord

• MO disk

• Disk eject tool

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are

registered trademarks of Alesis Corporation. Apple and Macintosh are registered trade-

marks of Apple Computer, Inc. Digidesign and OMF are registered trademarks and

Sound Designer II is a trademark of Avid Technology, Inc. Tascam Digital Interface is a

trademark and Tascam and Teac are registered trademarks of Teac Corporation.

MS-DOS is a registered trademark and Windows is a trademark of Microsoft Corpora-

tion. Yamaha is a trademark of Yamaha Corporation. All other trademarks are the prop-

erty of their respective holders and are hereby acknowledged.

Copyright

No part of the D24 software or this

Owner’s Manual

may be reproduced or distributed

in any form or by any means without the prior written authorization of Yamaha Cor-

poration.

Contents

iii

D24—Owner’s Manual

Contents

1 Welcome to the D24 . . . . . . . . . . . . . . . . . . . . . . . . 1

Welcome to the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

About this Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Installing the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

D24 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Choosing MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

2 Touring the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Transport Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Power Switch & Phones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Jog/Data & Shuttle/Cursor Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Function Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Peak, Monitor, Format & Chase Buttons . . . . . . . . . . . . . . . . . . . . . . . 17

Keypad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Track Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

3 The Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Turning On & Off the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Write Protecting Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Inserting & Ejecting Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Formatting MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Transport Operation Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Indicator Status Tables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

4 Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

About Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Preparing to Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Setting the Recording Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Conserving Disk Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Undoing a Recording or Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Rehearsing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Extending the Top of a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Checking the Time Remaining . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Using Normal & Fine Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Using Peak Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

5 General Operation . . . . . . . . . . . . . . . . . . . . . . . . . 45

Using Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Using Fast Forward & Rewind . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

A–B Repeat Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

iv

Contents

D24—Owner’s Manual

Soloing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Selecting the Solo Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Using Absolute & Relative Zero . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Using Roll-back . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Setting the Roll-back Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Using Virtual Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Shuttling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Nudging the Current Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Setting the Nudge Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Using Varispeed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

6 Quick Locate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Searching for Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Project Search Confirmation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Selecting Projects Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Returning to Zero . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using the A & B Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Locating the LAST REC IN & OUT Points . . . . . . . . . . . . . . . . . . . . . . 62

Locating Positions Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Storing Locate Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Storing Locate Points Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Recalling Locate Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

7 Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . 67

About Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Manual Punch In/Out Rehearsal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Manual Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Setting the LAST REC IN & OUT Points . . . . . . . . . . . . . . . . . . . . . . . . 71

Auto Punch In/Out Rehearsal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Auto Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Setting the Pre-roll Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Setting the Post-roll Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

8 Editing Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Copying Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Erasing Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Deleting Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Titling Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Protecting Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Modifying a Project’s Start Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

9 Editing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Copying Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Moving Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Erasing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Swapping Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Slipping Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

10 Editing Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Copying Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Moving Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Contents

v

D24—Owner’s Manual

Deleting Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Erasing Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Inserting Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Insert Copying Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Time Compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Pitch Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

11 Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Wordclocks & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Wordclock Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Dual AES/EBU Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Selecting a Wordclock Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Wordclock System Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Terminating BNC Wordclock Distribution . . . . . . . . . . . . . . . . . . . . . 131

12 Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Timecode & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Timecode Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Selecting a Timecode Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Setting the Timecode Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Setting a Timecode Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Chasing External Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Setting the Chase Speed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Transmitting MTC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Timecode Hookup Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

13 Multiple D24s & Video Sync . . . . . . . . . . . . . . . . . 143

Multiple D24s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Expanding the Number of Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Extending the Recording Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Setting the Serial Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Using Video Sync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Terminating BNC Video Sync Distribution . . . . . . . . . . . . . . . . . . . . . 150

Connecting a Video Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Video Hookup Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

14 SCSI & External Disk Drives . . . . . . . . . . . . . . . . . . 153

SCSI & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Using External Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Certified Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Available Recording Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Connecting Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Assigning SCSI IDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Terminating the SCSI Bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Formatting External Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Selecting the Work Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Duplicating MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Copying Projects Between Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . 164

Mounting D24 Disks on a Personal Computer . . . . . . . . . . . . . . . . . . . 165

Connecting the D24 to a Personal Computer . . . . . . . . . . . . . . . . . . . . 166

vi

Contents

D24—Owner’s Manual

15 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Setting the Peak Hold Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Setting the Fade In/Out Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Setting the Display Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Setting the Remote ID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Recovering Disk Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Physical Formatting for MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Ejecting Troublesome Disks (emergency use) . . . . . . . . . . . . . . . . . . . 174

Initializing the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Checking the Version Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Updating the System Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

16 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

MIDI & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

MIDI Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Using MMC (MIDI Machine Control) . . . . . . . . . . . . . . . . . . . . . . . . . 178

17 Digital Audio I/O . . . . . . . . . . . . . . . . . . . . . . . . . 181

About mini YGDAI Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Card Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Choosing Digital I/O Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Choosing D24 Slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Selecting Slot Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Installing Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Using Dual AES/EBU Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Using the Coaxial Digital Input & Output . . . . . . . . . . . . . . . . . . . . . . 187

Assigning the Coaxial Input & Output . . . . . . . . . . . . . . . . . . . . . . . . . 188

Emphasis & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

SCMS & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Digital I/O & Wordlength . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Setting the SCSI ID of the Internal MO Drive . . . . . . . . . . . . . . . . . . . 193

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

D24 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . 211

Welcome to the D24

1

D24—Owner’s Manual

Welcome to the D24

1

In this chapter...

Welcome to the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

About this Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Installing the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

D24 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Choosing MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

2

Chapter 1—Welcome to the D24

D24—Owner’s Manual

Welcome to the D24

Thank you for choosing the Yamaha D24 Digital Multitrack Recorder.

The D24 uses standard 3.5-inch removable MO (Magneto Optical) disks for digital

audio recording and playback. By employing a removable media, backup downtime in

between sessions is eliminated. When one session is complete, simply insert a new disk

and begin recording right away. Random access capability provides instant access to up

to 99 projects per disk, 99 locate memories per project, all without unproductive

rewinding and fast forwarding. Audio data is not compressed, and superb sonic perfor-

mance is achieved using 16-, 20-, or 24-bit recording resolutions and 44.1 kHz, 48 kHz,

88.2 kHz, or 96 kHz sampling rates, all of which can be set on a project-by-project basis.

Overwrite-type 640 MB MO disks offer 8-track simultaneous recording, with a 24-bit

recording resolution and 44.1 kHz or 48 kHz sampling rates, and 4-track simultaneous

recording at the higher sampling rates of 88.2 kHz or 96 kHz. A single 640 MB MO disk

provides a total recording time of 120 track minutes, or 30 minutes for 4 tracks, 15 min-

utes for 8 tracks. In addition to the eight main tracks, each track features up to eight vir-

tual tracks, for a grand total of 64 tracks. Auto punch in/out recording, with multiple

take capability, allows you to choose the best from up to 99 takes. Both manual and auto

punch in/out recording can be rehearsed with automatic playback and input monitor

switching.

Video machine-like shuttle playback makes it easy to locate material, and the current

position can be nudged in sub-frame steps while listening to a small section of the sur-

rounding material. Tracks can be soloed for individual track monitoring. Other fea-

tures include ±6% varispeed, A-B repeat playback, and fast forward or rewind at 8x or

16x normal playback speed.

In addition to the 99 locate memories, the A, B, Last Rec In, and Last Rec Out points

offer additional ways locate speciﬁc positions quickly, repeatedly, and accurately. Other

quick locate functions include Project Search, Return to Zero, and Roll Back. Location

points can be speciﬁed with sub-frame accuracy.

Additional recording space can be made available, and projects backed up by connect-

ing optional, external hard disk drives or removable media disk drives to the D24’s SCSI

port. The number of tracks available for simultaneous recording and playback can be

expanded in multiples of eight by combining up to eight D24s. The total continuous

recording time can be extended by using two D24s in Serial mode. The D24’s 3U rack

size makes it a drop-in alternative to modular digital multitrack recorders.

Optional mini YGDAI (Yamaha General Digital Audio Interface) cards offer a variety

of analog and digital I/O conﬁgurations, with support for all the popular digital audio

interconnect formats: AES/EBU, ADAT, and Tascam TDIF-1. S/PDIF Coaxial I/O

allows digital stereo transfer between 2-channel digital audio equipment, CD players,

DAT decks, and mastering equipment. A front panel phones jack provides convenient

monitoring.

Once recorded, projects, tracks, and parts can be edited using non-destructive editing

functions, such as 50% to 200% time compression and expansion, ideal for

audio-ﬁt-video applications, and pitch change without speed change. Project editing

functions include Copy, Delete, Erase, Title, Protect, and Timecode Modify. Track edit-

ing functions include Copy, Move, Erase, Swap, and Slip. Part editing functions include

Copy, Move, Erase, Insert Space, Insert Copy, and Delete, with single-step undo and

redo. Edit points can be speciﬁed with sub-frame accuracy.

About this Manual

3

D24—Owner’s Manual

Tape recorder-like transport controls, and the Large vacuum ﬂuorescent display, with

large, easy to read counter, make operation a breeze. Visual level monitoring is provided

by eight 16-segment track level meters. Selectable normal and ﬁne scales make it easy

to set precise levels when recording reference tones. Also, projects can be titled for easy

identiﬁcation.

The D24 can generate, or synchronize to either SMPTE/EBU or MTC (MIDI Time-

code) timecode. Timecode synchronization is to 1/10-frame accuracy, and an offset can

be set relative to an external timecode source.

Remote control is possible using MMC (MIDI Machine Control), or video editing

equipment that supports 9-pin protocols.

Other features include Absolute (ABS) and Relative (REL) counter modes, disk dupli-

cation with two D24s, and the ability to mount D24 MO disks on personal computers.

See “D24 Features” on page 4 for a concise rundown of D24 features.

About this Manual

This

Owner’s Manual

contains all the information you need in order to operate your

D24 Digital Multitrack Recorder. Use the table of contents to familiarize yourself with

the organization of this manual and locate topics, and use the index to locate speciﬁc

information. A glossary of D24-related jargon is provided on page 201.

The following format is used throughout this

Owner’s Manual

for display messages:

“FORMAT DISK—ARE YOU SURE”. The message before the dash appears on the 1st

line of the display, and the message after the dash appears on the 2nd line.

Installing the D24

The D24 can be used freestanding on a stable surface, somewhere that complies with

the important information at the beginning of this manual, or mounted in a rack.

When mounting the D24 in a rack, remove the D24’s feet and leave adequate ventilation

space around the D24 (at least 10 cm of free space behind). If the D24 is mounted in a

portable rack case, keep the rear of the case open when using the D24, so as not to

obstruct the ﬂow of air from the cooling fan. Do not mount the D24 next to equipment

that produces a lot of heat, such as a power ampliﬁer.

4

Chapter 1—Welcome to the D24

D24—Owner’s Manual

D24 Features

Recording Media

• Standard 3.5-inch MO (Magneto Optical) disks.

• Convenient removable media for quick access to recorded material and sound libraries.

• No backup downtime, loading, or winding.

• Up to 99 projects per disk.

Sonic Performance

• 16/20/24-bit linear recording for superb sonic quality.

• 44.1/48/88.2/96 kHz sampling rates.

• Sampling rate and recording resolution can be set on a project-by-project basis.

Recording

• 8-track simultaneous recording on 640 MB Overwrite-type MO disks, with a 24-bit

recording resolution and 44.1 kHz or 48 kHz sampling rate.

• 4-track simultaneous recording on 640 MB Overwrite-type MO disks, with a 24-bit

recording resolution and 88.2 kHz or 96 kHz sampling rate.

• 120 track minutes (15 minutes for 8 tracks) using 640 MB MO disks (16-bit, 44.1 kHz).

• 8 virtual tracks per main track, for a total of 64 tracks.

• Auto punch in/out recording with multiple take capability—record and choose the best

from up to 99 takes.

• Manual and auto punch in/out recording, with rehearsal.

Playback

• Video machine-like shuttle playback.

• Position nudge, with audio listen.

• Solo function for individual track monitoring.

• ±6% varispeed.

• A-B repeat playback.

Quick Locate

• Up to 99 locate points per project, plus A, B, Last Rec In, and Last Rec Out points.

• Project Search, Return to Zero, and Roll Back functions.

• Location points can be speciﬁed with sub-frame accuracy.

• Fast forward or rewind at 8x or 16x normal playback speed.

System Expansion

• SCSI port for connecting external disk drives (hard disks, removable media drives, etc).

• Tracks can be expanded by combining up to eight D24s, for a total of 64-tracks.

• Continuous recording time can be extended by using two D24s in Serial mode.

• 3U rack size for drop-in alternative to tape-based modular digital multitrack recorders.

D24 Features

5

D24—Owner’s Manual

Flexible I/O

• Optional mini YGDAI (Yamaha General Digital Audio Interface) cards offer a variety

of analog and digital I/O conﬁgurations, with support for all the popular digital audio

interconnect formats: AES/EBU, ADAT, and Tascam TDIF-1.

• S/PDIF Coaxial I/O.

• Phones.

Editing

• Project editing functions include Copy, Delete, Erase, Title, Protect, and Timecode

Modify.

• Track editing functions include Copy, Move, Erase, Swap, and Slip.

• Part editing functions include Copy, Move, Erase, Insert Space, Insert Copy, and Delete.

• Edit Undo/Redo function.

• Edit points can be speciﬁed with sub-frame accuracy.

• 50% to 200% time compression and expansion, for audio-ﬁt-video applications.

• Pitch Change function provides pitch change without speed change.

Easy Operation

• Tape recorder-like transport controls.

• Large vacuum ﬂuorescent display, with large, easy to read counter.

• 16-segment track level meters, with selectable normal and ﬁne scales.

• Projects can be titled for easy identiﬁcation.

Synchronization

• SMPTE/EBU or MTC (MIDI Timecode) synchronization, with timecode offset.

• Timecode synchronization to 1/10-frame accuracy.

• Wordclock I/O for master/slave operation.

Remote Control

• MMC (MIDI Machine Control).

• 9-pin video editor protocols with video sync.

• Optional RC-D24 Remote Controller.

Others

• Absolute (ABS) and Relative (REL) counter modes.

• Project backup.

• Disk duplication with two D24s.

• Mount D24 MO disks on personal computers.

6

Chapter 1—Welcome to the D24

D24—Owner’s Manual

Choosing MO Disks

The D24’s internal MO disk drive uses removable 3.5-inch MO (Magneto Optical)

disks for recording and playback. Normal or Overwrite-type MO disks in a variety of

sizes can be used, but only 640 MB Overwrite-type disks support 8-track simultaneous

recording with a 24-bit recording resolution. The number of tracks available for simul-

taneous recording depends on the type of MO disk used, its capacity, the selected

recording resolution, and sampling rate. See the following section for more informa-

tion.

Both normal and Overwrite-type MO disks support 8-track simultaneous playback at

sampling rates of 44.1 kHz and 48 kHz, and 4-track simultaneous playback at 88.2 kHz

and 96 kHz.

Overwrite-type disks feature the Overwrite logo shown here.

Tracks Available for Simultaneous Recording

The following table lists the number of tracks available for simultaneous recording with

a variety of normal and Overwrite-type MO disks at each recording resolution and

sampling rate.

For performance reasons, it’s recommended that you do not use 128 MB MO disks.

When tracks that have already been recorded are playing back, depending on the num-

ber and performance of those tracks (i.e., how heavily they’ve been edited), the number

of tracks available for simultaneous recording is reduced. Use the Optimize function to

arrange the recorded sound ﬁles for optimum performance. See “Recovering Disk

Space” on page 172 for more information.

Recording Time

The total recording time depends on the disk capacity, recording resolution, and sam-

pling rate. A 640 MB Overwrite-type MO disk, for example, offers a total recording

time of 120 track minutes with a 16-bit recording resolution and 44.1 kHz sampling

rate.

The following table lists the approximate recording times offered by a variety of MO

disk capacities, with a 16-bit recording resolution and 44.1 kHz sampling rate.

Disk Type

44.1, 48 kHz 88.2, 96 kHz

16-bit 20-bit 24-bit 16-bit 20-bit 24-bit

Overwrite

640 MB

888444

230 MB

866433

Normal

640 MB

866433

230 MB

532211

Disk Capacity

Recording Time (16-bit, 44.1 kHz)

Track minutes

(mono)

2 tracks 4 tracks 8 tracks

640 MB

120 min 60 min 30 min 15 min

230 MB

43 min 21 min 10 min 5 min

Choosing MO Disks

7

D24—Owner’s Manual

The following table lists the approximate recording times available using 640 MB MO

disks at a variety of recording resolutions and sampling rates.

Higher recording resolutions and sampling rates offer higher quality, but produce more

data, which reduces the total available recording time. Use the Remain function to

check the available recording time. See “Checking the Time Remaining” on page 38 for

more information.

The number of tracks available for simultaneous recording can be expanded using mul-

tiple D24s. See “Multiple D24s” on page 144 for more information.

The D24’s internal MO disk drive supports 230 MB, 540 MB, and 640 MB MO disks.

See the Yamaha Professional Audio Web site at the address below for up-to-date news

on MO disks.

<http://www.yamaha.co.jp/product/proaudio/homeenglish/>

Preformatted MO Disks

MO disks preformatted for use with PC or Macintosh computers can be used with the

D24, but require formatting before use. See “Formatting MO Disks” on page 26 for

more information.

Calculating the approximate Recording Time

You can calculate the approximate recording time for a given recording resolution,

sampling rate, and disk capacity as follows. First multiple the recording resolution by

the sampling rate to get the number of bits produced per second (e.g., 16

×

44100 =

705,600 bits per second). Then divide that by eight to get the number of bytes per sec-

ond (e.g., 705,600

÷

8 = 88,200 bytes per second). Multiply that by 60 to get the number

of bytes required per minute (e.g., 88,200

×

60 = 5,292,000 bytes per minute, or 5.292

MB/min). Now you know the number of megabytes required to store one minute of

audio data, simply divide the capacity of the disk by that number to get the approximate

number of track minutes (e.g., 640,000,000

÷ 5,292,000 = 120 minutes). Finally, divide

the number of track minutes by two, four, or eight to get the approximate recording

time available for several tracks (e.g., 120 ÷ 8 = 15 minutes for 8-track simultaneous

recording).

Bit

Sampling

Rate

Track minutes

(mono)

2 tracks 4 tracks 8 tracks

16

44.1 kHz

120 min 60 min 30 min 15 min

48 kHz

111 min 55 min 27 min 13 min

88.2 kHz

60 min 30 min 15 min —

96 kHz

55 min 27 min 13 min —

20

44.1 kHz

96 min 48 min 24 min 12 min

48 kHz

88 min 44 min 22 min 11 min

88.2 kHz

48 min 24 min 12 min —

96 kHz

44 min 22 min 11 min —

24

44.1 kHz

80 min 40 min 20 min 10 min

48 kHz

74 min 37 min 18 min 9 min

88.2 kHz

40 min 20 min 10 min —

96 kHz

37 min 18 min 9 min —

Touring the D24 9

D24—Owner’s Manual

Touring the D24

2

In this chapter...

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Transport Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Power Switch & Phones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Jog/Data & Shuttle/Cursor Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Function Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Peak, Monitor, Format & Chase Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Keypad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Track Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

10 Chapter 2—Touring the D24

D24—Owner’s Manual

Front Panel

The D24 front panel is explained in the following sections.

Display

A Level meters

These 16-segment track meters, with Peak Hold function, show playback and input sig-

nal levels from –60 dB to 0 dB. In Fine mode, they display levels from –26 dB to 0 dB.

The OVER indicator lights up when several consecutive audio samples exceed the dig-

ital saturation point. See “Metering” on page 39 for more information.

When the Shuttle, Nudge, Time Compression, or Pitch Change function is used, track

meters 7 and 8 function as stereo meters, and meters 1 through 6 are turned off.

B ABS/REL indicators

These indicators show whether the counter is displaying absolute (ABS) time or relative

(REL) time. See “Using Absolute & Relative Zero” on page 49 for more information.

00 00 00 00

YAMAHA D24

OVER

READY

0

2

6

10 12

14 20

18 30

20

42

26 60

–dB

OVER

ABS H

LOCK

TIME DISPLAY

CAPTURE ABS/REL

REMAIN

VARI

SPEED

UTILITY

SETUP

PROJECT

SELECT

LOC MEM

RECALL

LOC MEM

STORE

LOCATEENTERCANCEL

0/-

1

4

7

8

R

7654321

RECORD

READY

SOLO/

SELECT

MONITOR SELECT

PEAK

HOLD

AUTO

INPUT

ALL

INPUT

FORMAT CHASE

L

2

5

8

3

6

9

UNDO/

REDO

EDIT

JOG ON

JOG/DATA SHUTTLE/

CURSOR

PROJECT SEARCH

RTN TO

ZERO

REW FF

STOP PLAY REC

ROLL

BACK

LAST REC

SET

DIGITAL MULTITRACK RECORDER

REPEAT

REHE

PHONES

LEVEL

010

ON

POWER

OFF

PHONES

BA

B

A

AUTO

PUNCH

IN

OUT

INT

24

48K

MASTER

WC

BIT

FS

TC

MSF

READY

0

2

6

12

20

30

42

60

–dB

V. T R A C K

SELECT

1 2 3

4 9865 J7 K

00 00 00 00

OVER

READY 12345678

0

2

6

10 12

14 20

18 30

20

42

26 60

–dB

OVER

ABS

REL

H

LOCK

R

L

INT EXT

16 20 24

44.1K48K96KVARI

MASTER SLAVE

WC

BIT

FS

TC

CHASE

MSF

READY

0

2

6

12

20

30

42

60

–dB

000000000000

Display 11

D24—Owner’s Manual

C Counter

The main counter shows the current position in

hours, minutes, seconds, and frames,

(00:00:00.00), and can display the absolute

(ABS) time or relative (REL) time. See “Using

Absolute & Relative Zero” on page 49 for more

information.

The 2nd line of the message area displays time

information in hours, minutes, seconds, frames,

and sub-frames (00:00:00.00.0). Each sub-frame

is one tenth of a frame, making 10 sub-frames

per frame.

The 2nd line is also used to display the remaining recording time. See “Checking the

Time Remaining” on page 38 for more information.

D READY indicators

These indicators show which tracks are selected for recording. When a track is selected

for recording, the corresponding READY indicator ﬂashes. During recording or

rehearsal, the corresponding indicator lights up continuously. See “Recording” on page

33 for more information.

E Message area

The message area consists of two lines that can each display up to 12 characters, which

typically show the status and operating mode of the D24, function and parameter

names and values, project titles and numbers, locate memory numbers, editing infor-

mation, time values, and so on.

F LOCK indicator

This indicator shows whether or not the D24 is locked to the selected wordclock source.

See “Selecting a Wordclock Source” on page 124 for more information.

G CHASE indicator

This indicator shows whether or not the D24 is synchronized to the external timecode

source. It ﬂashes when the D24 is chasing, and lights up continuously when it’s fully

synchronized. See “Chasing External Timecode” on page 138 for more information.

H WC window

This window shows the selected wordclock source: internal (INT) or external (EXT).

See “Selecting a Wordclock Source” on page 124 for more information.

I BIT window

This window shows the selected recording resolution: 16, 20, or 24. See “Setting the

Recording Resolution” on page 32 for more information.

J FS window

This window shows the selected sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz.

When 88.2 kHz is selected, both the 44.1 kHz and 96 kHz indicators light up. See

“Selecting a Wordclock Source” on page 124 for more information.

The “VARI” indicator lights up when the Varispeed function is turned on. See “Using

Varispeed” on page 55 for more information.

K TC window

This window shows the selected timecode source: master or slave. When set to master,

the D24 uses internal timecode, and when set to slave, an external timecode source. See

“Selecting a Timecode Source” on page 135 for more information.

HMSF

STOP

000000000

00 00 00 00

Hour Min Sec fr sub-fr

Hour Min Sec fr

12 Chapter 2—Touring the D24

D24—Owner’s Manual

Transport Controls

The “Transport Operation Table” on page 27 and the “Indicator Status Tables” on

page 28 list how the transport buttons and indicators function in each transport mode.

A A & B buttons & indicators

These buttons are used to set and locate the A and B points. The A and B indicators light

up when the respective A or B point is set. See “Using the A & B Points” on page 61 for

more information.

B ROLL BACK button

This button is used to roll back from the current position in steps of between 1 and 30

seconds, the default being 5 seconds. See “Using Roll-back” on page 50 for more infor-

mation.

C RTN TO ZERO button

This button is used to locate the zero position. See “Returning to Zero” on page 60 for

more information.

D LAST REC IN & OUT buttons & indicators

These buttons are used to set and locate the LAST REC IN and LAST REC OUT points.

The IN and OUT indicators light up when the respective IN or OUT point is set. See

“Setting the LAST REC IN & OUT Points” on page 71 and “Locating the LAST REC IN

& OUT Points” on page 62 for more information.

E PROJECT SEARCH buttons

These buttons are used to search for projects. Pressing the [ ] button selects the top

of the current project. Pressing the [ ] button selects the top of the next project. See

“Searching for Projects” on page 58 for more information.

PROJECT SEARCH

RTN TO

ZERO

REW FF

STOP PLAY REC

ROLL

BACK

LAST REC

REHE

B

A

AUTO

PUNCH

IN

OUT

6 7

3

1

K

L

9

J

8

M N O P Q

4

2

5

REPEAT

BA

SET

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