OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Natural Sound Digital Sound Field Processing Amplifier
Amplificateur de champ sonore numérique de la série “Natural Sound”
Natural Sound Digitaler Klangfeldverstärker
Digital ljudfältsförstärkare med naturligt ljud
Amplificatore digitale a suono naturale per l’elaborazione del campo sonoro
Amplificador de procesamiento de campo de sonido digital de Sonido natural
Digitale geluidsveldprocessing-versterker met natuurlijke klank
DSP-A590
This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or
87/308/EEC.
Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.
Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG.
Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj.
Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.
Este producto está de acuerdo con los requisitos sobre interferencias de radio frecuencia fijados por el Consejo Directivo
87/308 CEE.
Dit product voldoet aan de EEG normen betreffende radio-frekwentie storingen 82/499/EEG en/of 87/308/EEG.
2
●
Remote Control Transmitter
●
Emetteur de télécommande
●
Fernbedienungsgeber
●
Fjärrkontrollsändare
●
Telecomando
●
Transmisor del control remoto
●
Afstandbediening
●
Batteries (size AA, R6, UM-3)
●
Piles (taille AA, R6, UM-3)
●
Batterien (Größe AA, R6, UM-3)
●
Batterier (storlek AA, R6, UM-3)
●
Batterie (dimensioni AA, R6, UM-3)
●
Pilas (tamaño AA, R6, UM-3)
●
Batterijen (maat AA, R6, UM-3)
SUPPLIED ACCESSORIES
●
After unpacking, check that the following parts are included.
ACCESSOIRES FOURNIS
●
Après le déballage, vérifier que les pièces suivantes sont incluses.
MITGELIEFERTE ZUBEHORTEILE
●
Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
MEDFOLJANDE TILLBEHOR
●
Kontrollera efter det apparaten packats upp att följande delar finns med.
ACCESSORI IN DOTAZIONE
●
Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
ACCESORIOS INCLUIDOS
●
Desembale el aparato y verificar que los siguientes accesorios están en la caja.
BIJGELEVERDE ACCESSOIRES
●
Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
FEATURES
CONTENTS
3
English
●
5 Speaker Configuration
Front: 70W + 70W (8Ω) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: 70W (8Ω) RMS Output Power,
0,07% THD, 20–20,000 Hz
Rear: 20W + 20W (8Ω) RMS Output
Power, 0.3% THD, 1 kHz
●
Digital Sound Field Processor
6 Programs for Digital Sound Field
Processing
2 Programs for Dolby Surround Decoding
(DOLBY PRO LOGIC and DOLBY PRO
LOGIC ENHANCED)
●
Automatic Input Balance Control for
Dolby Surround
●
Test Tone Generator for Easier Speaker
Output Balance Adjustment
●
3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
●
Video Signal Input/Output Capability
(Including S Video Connections)
●
SLEEP Timer
●
Remote Control Capability
Supplied Accessories ......................................2
Caution ............................................................4
Profile of This Unit ...........................................5
Speaker Setup for This Unit ............................6
Connections ....................................................7
Speaker Balance Adjustment ........................12
Basic Operations ...........................................15
Using Digital Sound Field Processor (DSP) ..18
Setting the SLEEP Timer ..............................22
Remote Control Transmitter ..........................23
Notes about the Remote Control Transmitter
.......................................................................24
Troubleshooting .............................................25
Specifications ................................................26
Thank you for selecting this YAMAHA digital sound field processing amplifier.
IMPORTANT
Please record the serial number of this unit in the space below.
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO
NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from windows,
heat sources, sources of excessive vibration, dust, moisture and
cold. Avoid sources of humming (transformers, motors). To
prevent fire or electrical shock, do not expose the unit to rain or
water.
3. Never open the cabinet. If something drops into the set, contact
your dealer.
4. Do not use force on switches, controls or connection wires. When
moving the unit, first disconnect the power plug and the wires
connected to other equipment. Never pull the wires themselves.
5. The openings on the cabinet assure proper ventilation of the unit.
If these openings are obstructed, the temperature inside the
cabinet will rise rapidly and eventually damage the circuits.
Therefore, avoid placing objects against these openings and do
not install the unit where the flow of air through the ventilation
openings could be impeded.
6. Always set the VOLUME control to “–
∞
” before starting the audio
source play. Increase the volume gradually to an appropriate level
after playback has been started.
7. Do not attempt to clean the unit with chemical solvents; this might
damage the finish. Use a clean, dry cloth.
8. Be sure to read the “TROUBLESHOOTING” section regarding
common operating errors before concluding that the unit is faulty.
9. When not planning to use this unit for long periods of time (ie.,
vacation, etc.), disconnect the AC power plug from the wall outlet.
10.To prevent lightning damage, disconnect the AC power plug and
disconnect the antenna cable when there is an electrical storm.
11.Grounding or polarization – Precautions should be taken so that
the grounding or polarization of an appliance is not defeated.
12.AC outlet
Do not connect audio equipment to the AC outlet on the rear panel
if that equipment requires more power than the outlet is rated to
provide.
13.Voltage Selector (General Model only)
The voltage selector on the rear panel of this unit must be set
for your local main voltage BEFORE plugging into the AC
main supply.
Voltages are 110/120/220/240V AC, 50/60 Hz.
For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the instructions
described below.
Note: The plug severed from the mains lead must be destroyed,
as a plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN THE MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the main lead of this apparatus may
not correspond with the coloured markings identifying the terminals
in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK. The wire
which is coloured BROWN must be connected to the terminal which
is marked with the letter L or coloured RED. Make sure that neither
core is connected to the earth terminal of the three pin plug.
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
4
The apparatus is not disconnected from the AC power
source as long as it is connected to the wall outlet, even if
the apparatus itself is turned off.
5
English
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo amplifier –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
What’s more, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several actual live performance environments, all in your own
home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets you
experience the dramatic realism and impact of Dolby Surround
movie theater sound in your own home. Dolby Pro Logic gets
its name from its professional-grade steering logic circuitry,
which provides greater effective front and rear channel
separation for a much higher degree of realism than the
“passive” Dolby Surround circuits found in less sophisticated
home audio/video equipment. Dolby Pro Logic Surround
provides a true center channel, so that there are four
independent channels, unlike passive Dolby Surround which
has in effect only three channels: left, right, and rear. This
center channel allows listeners seated in even less-than-ideal
positions to hear the dialog originating from action on the
screen while getting a stereo effect as well.
Dolby Pro Logic Surround + DSP
You can also enjoy a combination of Dolby Pro Logic Surround
and DSP in the sound field program “ PRO LOGIC
ENHANCED”.
It recreates the surround effect of a movie theater, effectively
duplicating its multiple surround loudspeaker system,
completely surrounding the listener with the sounds of the
action taking place on the screen.
6
SPEAKER SETUP FOR THIS UNIT
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The speakers to be used with this unit
will be mainly front speakers, rear speakers, and a center speaker. (You can omit the center speaker. Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the main source sound and the effect sound. They will probably be the speakers of your present
stereo speaker system. The rear speakers are used for the effect sound. And the center speaker is used for the center sound
(dialog etc.) encoded with the Dolby Surround. The rear and center speakers do not need to be equal in power to the front
speakers. However, all the speakers should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as
the rear speakers. If the digital sound field program DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected,
conversations will be output from the center speaker and the
ambience will be excellent.
●
Set the center channel mode to the “NORMAL” or “WIDE”
position. (For details, refer to page 13.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
digital sound field program DOLBY PRO LOGIC or DOLBY
PRO LOGIC ENHANCED is selected, the center sound is
output from the left and the right front speakers. However, the
sound effect of other programs can be the same as that of the
5-speaker configuration.
●
Be sure to set the center channel mode to the “PHANTOM”
position. (For details, refer to page 13.)
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically shielded
speaker.)
Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
Front R
Center
Front L
TV set
Rear R
Rear L
7
English
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other
components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
:Refer to “ABOUT THE ACCESSORY TERMINALS” on page 11.
GND
MONITOR
OUT
8 VIDEO
IN OUT
VCR 2
MONITOR
OUT
LD/TV
IN OUT
VCR 1
IN OUT
VCR 2
PHONO CD TAPE LD/TV VCR 1 VCR 2
TAPE
PB
REC
OUT
IN OUT IN OUT
A OR B:8
Ω
MIN.
/SPEAKER
A B:l6
Ω
MIN.
/SPEAKER
FRONT
C D:4
Ω
MIN./SPEAKER
SINGLE:8ΩMIN./SPEAKER
8
Ω
MIN.
/SPEAKER
REAR
CENTER
CD
DUAL
SINGLE
FRONT CENTER REAR
SWITCHED
l20W MAX. TOTAL
VIDEO SIGNAL
AUDIO SIGNAL
SPEAKERS
SPEAKERS
OUTPUT
AC OUTLETS
A
B
A
B
l0 dB 0 dB
-
FRONT
LEVEL
fc:200Hz
LOW
PASS
MAINS
OUTPUT
GND
VIDEO IN
AUDIO OUT
VIDEO OUT
VIDEO OUT
AUDIO OUT
VIDEO IN
AUDIO IN
OUTPUT
LINE OUT
LINE IN
VIDEO OUT
AUDIO OUT
AUDIO IN
VIDEO IN
TUNER
OUTPUT
(Europe model)
To AC outlet
Turntable Monitor TV
LD player,
TV tuner, etc. Video cassette recorder 2
CD player Tape deck Video cassette recorder 1
Tuner
8
CONNECTING TO S VIDEO TERMINALS
If you have a video cassette recorder and a monitor equipped with “S” (high-resolution) video terminals, those terminals can be
connected to this unit’s S VIDEO terminals. Connect the video cassette recorder’s “S” video input and output terminals to this unit’s
S VIDEO VCR 2 IN and OUT terminals respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO
MONITOR OUT terminal. Otherwise, connect the video cassette recorder’s composite video terminals to this unit’s composite video
terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal.
Note
If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective
output terminals independently.
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
MONITOR
OUT
S VIDEO
IN OUT
VCR 2
MONITOR
OUT
LD/TV
IN OUT
VCR 1
IN OUT
VCR 2
VIDEO SIGNAL
S VIDEO
IN
VIDEO
IN
S VIDEO
OUT
S VIDEO
IN
VIDEO OUT
VIDEO IN
Monitor TV
VIDEO AUX
S VIDEO VIDEO L AUDIO R
S VIDEO
L
R
VIDEO
Video cassette recorder 2
Camcorder
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
S VIDEO OUT
Note on front speaker connection:
One or two speaker systems can be connected to this unit. If
you connect only one speaker system, connect it to either the
SPEAKERS A or B terminals.
FRONT LEVEL switch
<
U.K., Europe and Australia models only
>
Normally set to “0 dB”. If desired, you can decrease the
output level at the FRONT SPEAKERS terminals by 10 dB by
setting this switch to “–10 dB”.
Note on center speaker connection:
One or two center speakers can be connected to this unit. If
you cannot place the center speaker on or under the TV, it is
recommended to use two center speakers and place them on
both sides of the TV to orient the center sound at the center
position. For connecting two center speakers, follow the
method shown below.
9
English
CONNECTING SPEAKERS
A OR B:8
Ω
MIN.
/SPEAKER
A B:l6
Ω
MIN.
/SPEAKER
FRONT
C D:4
Ω
MIN./SPEAKER
SINGLE:8ΩMIN./SPEAKER
8
Ω
MIN.
/SPEAKER
REAR
CENTER
FRONT CENTER REAR
SPEAKERS
SPEAKERS
OUTPUT
A
B
A
B
l0 dB 0 dB
-
FRONT
LEVEL
fc:200Hz
LOW
PASS
CD
DUAL
SINGLE
Connect the respective speakers to this unit as figured below.
Rear speakers
Center speaker
FRONT LEVEL
switch
(U.K., Europe and
Australia models)
Front speakers B
Left
Right
Left
Right
Center speaker Center speaker
Front speakers A
Left
Right
l0 dB 0 dB
FRONT
LEVEL
l
REAR
CENTER
CD
DUAL
SINGLE
10
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire
of the proper gauge, cut as short as possible. If the
connections are faulty, no sound will be heard from the
speakers. Make sure that the polarity of the speaker wires is
correct, that is, + and – markings are observed. If these wires
are reversed, the sound will be unnatural and will lack bass.
Do not let the bare speaker wires touch each other and do
not let them touch the metal parts of this unit as this could
damage this unit and/or speakers.
Note
Use speakers with the specified impedance shown on the rear
of this unit.
For connecting to the FRONT SPEAKERS terminals
Red: positive (+)
Black: negative (–)
➀
Unscrew the knob.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
➂
Tighten the knob and
secure the wire.
*
<
General model only
>
Banana Plug connections are also possible. Simply insert
the Banana Plug connector into the corresponding terminal.
For connecting to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–)
➀
Press up the tab.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
➂
Release the tab and
secure the wire.
➁
➂
➀
1
2
3
11
English
Subwoofer system
ABOUT THE ACCESSORY TERMINALS
AC OUTLET(S) (SWITCHED)
(Europe and General models) .......... 2 SWITCHED OUTLETS
(U.K. and Australia models) ................ 1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLET(S) is 120 watts.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will
normally minimize hum, but in some cases better results may
be obtained with the ground wire disconnected.
LOW PASS terminal
This terminal is for output to a monaural amplifier driving a
subwoofer. Only frequencies below 200 Hz from the front and
center channels are output.
ADDING A SUBWOOFER
You may wish to add a subwoofer to reinforce the bass
frequencies.
Connect the LOW PASS terminal to the INPUT terminal of
the subwoofer amplifier, and connect the speaker terminals
of the subwoofer amplifier to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.
FRONT OUTPUT terminals
These terminals are for front channel line output. There is no
connection to these terminals when you use the built-in
amplifier.
However, if you drive front speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of a power amplifier or an
integrated amplifier) to these terminals.
REAR OUTPUT terminals
These terminals are for rear channel line output. There is no
connection to these terminals when you use the built-in
amplifier.
However, if you drive rear speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of a power amplifier or an
integrated amplifier) to these terminals.
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect the input terminal of the external amplifier to
this terminal.
FRONT CENTER REAR
OUTPUT
fc:200Hz
LOW
PASS
12
1
Set to the “
∞
” position.
2 Select the front speakers to be used.
* If you use two front speaker systems, press both the A
and B switches.
3
Set to the “0” position.
4
5 Select the PRO LOGIC or PRO LOGIC
ENHANCED mode, so that the corresponding name is
illuminated on the display.
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test
tone generator. With this adjustment, the sound output level heard at the listening position will be the same from each speaker.
This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
Otherwise, the result may not be satisfactory.
5
1
4
2
3
SPEAKERS
A
B
ON
OFF
ON
OFF
BASS
55
4
3
2
l
0
l
2
3
4
TREBLE
55
4
3
2
l
0
l
2
3
4
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
POWER
TAPE MON
DIR BPLAYDIR A
REC PAUSE
LD/TVSTOPTEST
VCR 1
CNCT VIDEOENHANCED
PRO LOGIC
VCR 2DISCO
STADIUM
MONO MOVIE
CENTER
LEVEL
V AUX
EFFECT
ON/OFF
HALLROCK
VOLUME
REAR
LEVEL
SUR.
DELAY TIME
5
DISCO
ROCK
CONCERT
CONCERT
HALL
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
EFFECT
13
English
6 Select the center channel output mode according to your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 6.)
On the feature of each mode, refer to the “Note” shown
below.
7
8 Turn up the volume.
You will hear a test tone (like pink noise) from the left front
speaker, then the center speaker, then the right front
speaker, and then the rear speakers, for about two
seconds each. The display changes as shown below.
* The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
Note
In step 6, when you select the center channel output mode,
note the following.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker
that is smaller than the front speakers. In this
mode, the bass tone will be output from the front
speakers.
WIDE: Select this mode when you use the center speaker
approximately same sized as the front speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right front speakers.
Flashes continuously.
VOLUME
CENTER
MODE
TEST
ER
TEST
NORMAL
WIDE
PHANTOM
TEST
Front (L) Center
Rear
(L and R)
Front (R)
TAPE MON
DIR BPLAYDIR A
REC PAUSE
LD/TVSTOPTEST
VCR 1
CNCT VIDEOENHANCED
PRO LOGIC
VCR 2DISCO
STADIUM
MONO MOVIE
CENTER
LEVEL
V AUX
EFFECT
ON/OFF
HALLROCK
VOLUME
REAR
LEVEL
SUR.
DELAY TIME
7
8
8
6
CONTINUED
14
9 Adjust the BALANCE control so that the effect sound
output level of the left front speaker and the right front
speaker are the same.
10 Adjust the sound output level of the center speaker to
be at the same level as that of the front speakers with
the CENTER LEVEL keys.
11 Adjust the sound output level of the rear speakers to
be at the same level as that of the front speakers with
the REAR LEVEL keys.
12 Cancel the test tone.
Stops flashing and disappears
Notes
●
Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the VOLUME keys on the remote
control transmitter).
●
If you use external power amplifiers, their volume controls
may also be adjusted to achieve proper balance.
●
In step 10, if the center channel mode is in the
“PHANTOM” position, the sound output level of the center
speaker cannot be adjusted. This is because in this mode,
the center sound is automatically output from the left and
right front speakers.
●
<
U.K., Europe and Australia models only
>
If there is insufficient sound output from the center and
rear speakers, you may decrease the front speaker output
level by setting the FRONT LEVEL switch on the rear
panel to “–10 dB”.
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
9
12
10
11
CENTER
LEVEL
00
CENTER
TEST
REAR
LEVEL
0
REAR
TEST
TEST
R
TEST
Lights up.
Adjustable
TAPE MON
DIR BPLAYDIR A
REC PAUSE
LD/TVSTOPTEST
VCR 1
CNCT VIDEOENHANCED
PRO LOGIC
VCR 2DISCO
STADIUM
MONO MOVIE
CENTER
LEVEL
V AUX
EFFECT
ON/OFF
HALLROCK
VOLUME
REAR
LEVEL
SUR.
DELAY TIME
Lights up.
Adjustable
1
Set to the “
∞
” position.
2
3 Select the desired input source by using the input
selector buttons.
(For video sources, turn the TV/monitor ON.)
* The name of the selected input source will appear in
the display.
4 Select the front speakers to be used.
* If you use two front speaker systems, press both the A and
B switches.
5 Play the source.
6
Adjust to the desired output level.
7 If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 17) and use the digital
sound field processor. (Refer to page 20.)
Notes on using the input selector buttons
●
Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.
* To select the source connected to the VIDEO AUX
terminals on the front panel, press VIDEO AUX.
●
The selection of TAPE MONITOR cannot be canceled by
pressing another input selector button. To cancel it, press
TAPE MONITOR again.
When you select a button other than TAPE MONITOR,
make sure that TAPE MONITOR is not also selected.
●
If you select the input selector button for a video source
without canceling the selection of TAPE MONITOR, the
playback result will be the video image from the video
source and the sound from the audio tape.
●
Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.
To turn off the power
Press the POWER switch again.
15
English
BASIC OPERATIONS
TO PLAY A SOURCE
SPEAKERS
A
B
ON
OFF
ON
OFF
VIDEO AUX VCR 2 VCR 1 LD/TV
TAPE
MONITOR
TUNER CD PHONO
3
1, 6
2
4
7
7
POWER
16
1 Select the source to be recorded.
2
Play the source and then turn the VOLUME control
up to confirm the input source.
3 Set the tape deck or VCR to the recording mode.
4 If the tape deck is used for recording, you can monitor
the sounds being recorded by pressing TAPE
MONITOR.
Note
DSP, VOLUME, BASS, TREBLE and BALANCE control
settings have no effect on the material being recorded.
TO RECORD A SOURCE TO TAPE
(OR DUB FROM TAPE TO TAPE)
VIDEO AUX VCR 2 VCR 1 LD/TV
TAPE
MONITOR
TUNER CD PHONO
VIDEO AUX VCR 2 VCR 1 LD/TV
TAPE
MONITOR
TUNER CD PHONO
1, 4
2
17
English
Because one or two speaker systems (as front speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Note
This control is effective only for the sound from the front
speakers.
BASS : Turn this clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Note
These controls are effective only for the sound from the front
speakers.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen
to the sound to be output from the front speakers through
headphones.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
off the digital sound field processor (so that no DSP program
name is illuminated on the display) by pressing the EFFECT
switch.
Selecting the SPEAKER system
Adjusting the BASS and TREBLE
controls
Adjusting the BALANCE control
PHONES
SPEAKERS
A
B
ON
OFF
ON
OFF
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
TREBLE
55
4
3
2
l
0
l
2
3
4
BASS
55
4
3
2
l
0
l
2
3
4
18
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio
sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.
This digital sound field processor has 8 programs; 6 programs for digital sound field processing and 2 programs for the Dolby Pro
Logic Surround sound system (DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED). You can create an excellent audio
sound field by selecting the suitable program and adding desired adjustments. In addition, when the DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED program is selected, the built-in automatic input balance control functions. This presents you the
best surround condition without manual adjustment.
POWER SLEEP PHONO
CDPLAY
PAUSE/STOP
SKIP
DISC
SKIP
TUNER
A/B/C/D/E
PRESET
DECK A/B
TAPE MON
DIR BPLAYDIR A
REC PAUSE
LD/TVSTOPTEST
VCR 1
CNCT VIDEOENHANCED
PRO LOGIC
VCR 2DISCO
STADIUM
MONO MOVIE
CENTER
LEVEL
V AUX
EFFECT
ON/OFF
HALLROCK
VOLUME
REAR
LEVEL
SUR.
DELAY TIME
Front Panel
Remote Control Transmitter
Displays your selection on the
DSP or other informations.
Switches on/off the digital
sound field processor (DSP)
Selects a digital
sound field program.
Used for speaker balance adjustment
(For details, refer to page 12, 13 and 14.)
Adjusts sound output
level at each speaker.
(For details, refer to
page 20 and 21.)
Adjusts sound output
level at each speaker.
(For details, refer to
page 20 and 21.)
Selects the center channel
output mode. (For details,
refer to page 13.)
Adjusts the delay time.
(For details, refer to
page 21.)
Adjusts the delay time.
(For details, refer to
page 21.)
Selects a digital sound
field program.
Switches on/off the
digital sound field
processor (DSP).
DELAY TIME CENTER LEVEL REAR LEVEL
CENTER
MODE
DISCO
ROCK
CONCERT
CONCERT
HALL
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
EFFECT
SLEEP
TAPE MONITOR
DELAY
CENTER
REAR
TEST
ms
NORMAL WIDEPHANTOM
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
19
English
Description of Each Sound Field Program
The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for them was recorded at the locations described
using sophisticated sound field measurement equipment.
Note
The channel level balance between the left rear effect speaker and the right rear effect speaker may vary depending on the
sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic
environments.
PROGRAM FEATURE
This program is effective for playback of sources encoded with Dolby Surround.
PRO LOGIC
The employment of the digital signal processing system improves crosstalk and transfers the sound source
more smoothly and precisely, compared to the conventional type. A stable movie sound field is recreated.
This program is effective for playback of sources encoded with Dolby Surround.
PRO LOGIC
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
ENHANCED
systems of a 35 mm film theater, thus widening the surrounded-sound field with greater presence.
CONCERT VIDEO
This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the
orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.
MONO MOVIE
This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialog.
STADIUM
This program gives you long delays between direct sounds and effect sounds, and extraordinarily
spacious feel of a large stadium.
DISCO
This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The
sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.
ROCK CONCERT This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically.
CONCERT HALL
In this program, the center seems deep behind the front speaker pair, creating an expansive, large hall
ambience.
Description of Dolby Pro Logic Surround
DOLBY PRO LOGIC SURROUND: This unit employs
the Dolby Pro Logic Surround system. This system is similar to
professional Dolby Stereo decoders used in movie theaters.
By employing a four-channel system, the Dolby Pro Logic
Surround system divides the input signals into four levels: the
left and right main channels, the center channel (to
characterize dialog), and the rear surround-sound channels (to
characterize sound effects, background noise and other
ambient noise).
Dolby Surround is encoded on the sound track of commercially
available video cassettes and video discs as well. When you
play a source encoded with Dolby Surround on your home
video system, the Dolby Pro Logic Surround system in this unit
decodes the signal and feeds the surround-sound effects.
The Dolby Pro Logic Surround mode may not be always
effective on video sources not encoded with Dolby Surround.
Manufactured under license from Dolby Laboratories Licensing
Corporation. Additionally licensed under Canadian patent
number 1,037,877. “Dolby”, “Pro Logic”, and the double-D
symbol are trademarks of Dolby Laboratories Licensing
Corporation.
If desired, you can adjust the sound output level of the center
speaker even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 14.
By continuously pressing “+” or “–” on the CENTER LEVEL
control, the level value changes continuously. However, the
value stops changing momentarily at the preset point (80).
●
If the digital sound field program CONCERT VIDEO, MONO
MOVIE, STADIUM, DISCO, ROCK CONCERT or
CONCERT HALL is selected, the CENTER LEVEL control
cannot function.
●
Once the output level is adjusted, the level value will be the
same in the DOLBY PRO LOGIC and DOLBY PRO LOGIC
ENHANCED programs.
●
If a digital sound field program is not used, the CENTER
LEVEL control will not function.
CENTER
Lights up.
Adjustable
20
1 Follow steps 1 – 6 shown in “BASIC OPERATIONS” on
page 15.
2 Select the desired program that is suitable for the
source.
The selected program name is shown on the display.
3 If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on this page and the next page.)
Notes
●
If you prefer to cancel the DSP, press the EFFECT switch.
The sound will be the normal 2-channel stereo without
surround sound effect.
●
When CONCERT VIDEO, MONO MOVIE, STADIUM,
DISCO, ROCK CONCERT or CONCERT HALL is
selected, no sound is heard from the center speaker.
●
When a monaural sound source is played with DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no
sound is heard from the front speakers and the rear
speakers. Sound is heard only from the center speaker.
However, if the center channel mode is in PHANTOM, the
front speakers output the sound of the center channel.
●
When this unit’s Dolby Pro Logic Surround system is used,
if the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE controls, the
relationship between the center and rear channels may
produce an unnatural effect.
To play a source with the digital sound field processor
DISCO
ROCK
CONCERT
CONCERT
HALL
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
EFFECT
PRO LOGIC
* The following adjustments can be done on the remote control transmitter as well as on the front panel.
Adjustment of the CENTER LEVEL
2
3
TAPE MON
DIR BPLAYDIR A
REC PAUSE
LD/TVSTOPTEST
VCR 1
CNCT VIDEOENHANCED
PRO LOGIC
VCR 2DISCO
STADIUM
MONO MOVIE
CENTER
LEVEL
V AUX
EFFECT
ON/OFF
HALLROCK
VOLUME
REAR
LEVEL
SUR.
DELAY TIME
3
2
CENTER LEVEL
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