Yamaha DSP-E200 Инструкция по применению

Бренд: Yamaha

Модель: DSP-E200

Категория: Аудиоусилители

Тип: Инструкция по применению

Yamaha DSP-E200 — ваш проводник в мир иммерсивного звука. С ним вы сможете наслаждаться объемным звучанием любимых фильмов и музыки. Устройство поддерживает программы Dolby Surround Pro Logic и Enhanced, которые создают реалистичную звуковую сцену с четким разделением каналов. Кроме того, Yamaha DSP-E200 имеет встроенный усилитель мощности для центрального и тыловых каналов, что позволяет легко подключить акустическую систему и наслаждаться качественным звуком.

Natural Sound Digital Sound Field Processor

4 Programs for Digital Sound Field Processing

2 Programs for Dolby Surround (DOLBY PRO LOGIC and ENHANCED)

Center and Rear Channel Power Amplifier

25W (8Ω) RMS Output Power, 0.08% THD, 20-20,000 Hz (Center)

25W

25W (8Ω) RMS Output Power, 0.3% THD, 1,000 Hz (Rear)

Automatic Input Balance Control for Dolby Surround

Test Tone Generator for Easier Speaker Output Balance Adjustment

3 Center Channel Modes

Remote Control Capabilit

OWNER’S MANUAL

Thank you for selecting this YAMAHA digital sound field processor.

CONTENTS

Safety Instructions....................................2

Warning ...................................................3

Supplied Accessories ..............................3

Profile of This Unit ...................................4

Speaker Configurations for This Unit ......5

Connections ............................................ 6

Identification of Controls.........................10

Adjustment Before Operation.................11

Using Digital Sound Field Processor

(DSP)......................................................13

Notes about the Remote Control

Transmitter .............................................17

Specifications .........................................17

Troubleshooting......................................18

IMPORTANT!

Please record the serial number of this

unit in the space below.

Model:

Serial No.:

The serial number is located on the rear

of the unit.

Retain this Owner’s Manual in a safe

place for future reference.

WARNING

TO REDUCE THE RISK OF FIRE OR

ELECTRIC SHOCK, DO NOT EXPOSE

THIS UNIT TO RAIN OR MOISTURE.

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK), NO USER-SERVICEABLE

PARTS INSIDE, REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead

symbol, within an equilateral triangle,

is intended to alert you to the

presence of uninsulated “dangerous

voltage” within the product’s

enclosure that may be of sufficient

magnitude to constitute a risk of

electric shock to persons.

The exclamation point within an

equilateral triangle is intended to alert

you to the presence of important

operating and maintenance

(servicing) instructions in the

literature accompanying the

appliance.

•

Explanation of Graphical Symbols

CAUTION

DSP-E200

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC, to

use the product.

2. IMPORTANT : When connecting this product to

accessories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions.

Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE : This product has been tested and found to

comply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices.

This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions

found in the users manual, may cause interference

harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that

interference will not occur in all installations. If this product

is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try

to eliminate the problem by using one of the following

measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the

appropriate retailer, please contact Yamaha Electronics

Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

FCC INFORMATION

1 Read Instructions – All the safety and operating

instructions should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen

sink, laundry tub, in a wet basement, or near a swimming

pool, etc.

6 Carts and Stands – The unit should be used only with a

cart or stand that is recommended by the manufacturer.

6A A unit and cart combination should

be moved with care.

Quick stops, excessive force,

and uneven surfaces may cause

the unit and cart combination to

overturn.

7 Wall or Ceiling Mounting – The unit should be mounted to

a wall or ceiling only as recommended by the

manufacturer.

8 Ventilation – The unit should be situated so that its

location or position does not interfere with its proper

ventilation. For example, the unit should not be situated

on a bed, sofa, rug, or similar surface, that may block the

ventilation openings; or placed in a built-in installation,

such as a bookcase or cabinet that may impede the flow

of air through the ventilation openings.

9 Heat – The unit should be situated away from heat

sources such as radiators, stoves, or other appliances that

produce heat.

10 Power Sources – The unit should be connected to a power

supply only of the type described in the operating

instructions or as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or

pinched by items placed upon or against them, paying

particular attention to cords at plugs, convenience

receptacles, and the point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long

period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the

inside of the unit.

15 Damage Requiring Service – The unit should be serviced

by qualified service personnel when:

A. The power-supply cord or the plug has been damaged;

B. Objects have fallen, or liquid has been spilled into the unit;

C. The unit has been exposed to rain; or

D. The unit does not appear to operate normally or exhibits a

marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit

beyond those means described in the operating

instructions. All other servicing should be referred to

qualified service personnel.

17 Power Lines – An outdoor antenna should be located

away from power lines.

18 Grounding or Polarization – Precautions should be taken

so that the grounding or polarization is not defeated.

SAFETY INSTRUCTIONS

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT

1 To ensure the finest performance, please read this

manual carefully. Keep it in a safe place for future

reference.

2 Install your unit in a cool, dry, clean place – away from

windows, heat sources, and too much vibration, dust,

moisture or cold. Avoid sources of hum (transformers,

motors). To prevent fire or electrical shock, do not expose

to rain and water.

3 Do not operate the unit upside-down. It may overheat,

possibly causing damage.

4 Never open the cabinet. If a foreign object drops into the

set, contact your dealer.

5 Do not place records or other objects on top of the unit;

this will block the ventilation holes, cause the internal

temperature to rise and may result in a failure.

6 Do not use force on switches, knobs or cords. When

moving the set, first turn the unit off. Then gently

disconnect the power plug and the cords connecting to

other equipment. Never pull the cord itself.

7 Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

8 Be sure to read the “Troubleshooting” section on common

operating errors before concluding that your unit is faulty.

9 Do not connect audio equipment to the AC outlets on the

rear panel if that equipment requires more power than the

outlets are rated to provide.

SUPPLIED ACCESSORIES

After unpacking, check that the following parts are contained.

Remote Control Transmitter

Batteries (size AA, LR6, AM-3)

Audio Connection Cord x 2

YAMAHA and the Electronic Industries Association’s

Consumer Electronics Group want you to get the most out of

your equipment by playing it at a safe level. One that lets the

sound come through loud and clear without annoying blaring or

distortion – and, most importantly, without affecting your

sensitive hearing. Since hearing damage from loud sounds is

often undetectable until it is too late, YAMAHA

and the Electronic Industries Association’s

Consumer Electronics Group recommend you to

avoid prolonged exposure from excessive

volume levels.

We Want You Listening For A Lifetime

PROFILE OF THIS UNIT

You are the proud owner of Yamaha DSP-E200 –an extremely sophisticated audio component. The Digital Sound Field Processor

(DSP) built in this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a

whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit

will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on. In addition,

you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.

Rather than tell you about the wonders of digital sound field processing, however, let’s get right down to the business of setting up

the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for later

reference.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but chances are you’ll still

notice something missing: the acoustic environment of the live

concert hall. Extensive research into the exact nature of the

sonic reflections that create the ambience of a large hall has

made it possible for Yamaha engineers to bring you this same

sound in your own listening room, so you’ll feel all the sound of

a live concert.

What’s more, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of actual concert hall, theater, etc. to

allow you to accurately recreate one of several actual live

performance environments, all in your own home.

Dolby Pro Logic Surround

The Dolby Pro Logic Surround Decoder program lets you

experience the dramatic realism and impact of Dolby Surround

movie theater sound in your own home. Dolby Pro Logic gets

its name from its professional-grade steering logic circuitry,

which provides greater effective channel separation for a much

higher degree of realism than the “passive” Dolby Surround

circuits found in today’s typical home audio/video equipment.

Dolby Pro Logic Surround provides a true center channel, so

that there are four independent channels, unlike passive Dolby

Surround which has in effect only three channels: left, right,

and rear. This center channel allows listeners seated in even

less-than-ideal positions to hear the dialog originating from

action on the screen while getting a stereo effect as well.

This Dolby Pro Logic Surround Decoder employs a digital

signal processing system. This system increases sound

stability at each channel and minimizes crosstalk between

channels, compared to conventional analog Dolby signal

processing.

In addition, this unit features a built-in automatic input balance

control. This circuit always presents you the best surround

conditions without performing manual adjustments.

“ENHANCED” Dolby Pro Logic Surround

This unit has a second mode of Dolby Pro Logic Surround

processing called “Enhanced Dolby Pro Logic Surround”

processing. Enhanced Dolby Pro Logic Surround processing

recreates the surround effect of a movie theater, effectively

duplicating their multiple surround loudspeaker system,

completely surrounding the listener with the sounds of the

action taking place on the screen.

SPEAKER CONFIGURATIONS FOR THIS UNIT

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with 5 speaker configuration. The speakers to be used with this unit will

be mainly front speakers, rear speakers, and a center speaker. (You can delete a center speaker. Refer to the “4-Speaker

Configuration” shown below.)

The front speakers are used for the output of the main source sound and the effect sound. They will probably be your present

stereo speaker system. The rear speakers are used for the output of the effect sound. And the center speaker is used for the

output of the center sound (dialogue etc.) encoded with the Dolby Surround. The rear and center speakers do not need to be equal

with the front speakers. However, all the speakers should have high enough power handling to accept the maximum output of this

unit that will drive them.

SPEAKER CONFIGURATION

5-Speaker Configuration

This configuration is the most effective and recommended. In

this configuration, the center speaker is necessary as well as

the rear speakers. If the digital sound field program is in the

DOLBY PRO LOGIC or ENHANCED, conversations will be

output from the center speaker and the ambience will be

excellent.

Set the center mode to the “NORMAL” or “WIDE” position.

(For details, refer to the page 11.)

4-Speaker Configuration

The center speaker is not used in this configuration. If the

digital sound field program is in the DOLBY PRO LOGIC or

ENHANCED, the center sound is output from the left and the

right front speakers. However, the sound effect of other

programs can be the same as that of the 5-speaker

configuration.

Be sure to set the center mode to the “PHANTOM” position.

(For details, refer to the page 11.)

SPEAKER PLACEMENT

The recommanded speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal

stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.

Front: In normal position. (The position of your present

stereo speaker system.)

Rear: Behind your listening position, facing slightly inward.

Nearly six feet up from the floor.

Center: Precisely between the front speakers. (To avoid

interference to TV sets, use a magnetically shielded

speaker. If, however, it is not effective, keep the

speaker away from TV sets.)

Front L Center Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L

Rear R

Front L Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

Front R

Center

Front L

TV set

Rear R

Rear L

•

Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other

components to which connections are being made.

•

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L

(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this

unit.

•

Choose one of the following three ways to connect this unit to your amplifier.

A Connecting to an Integrated Amplifier or Stereo Receiver with PRE OUT

and MAIN IN terminals

CONNECTIONS

INPUT

TAPE

REC

OUT

TAPE

MAIN

OUT

CENTER

OUT

CENTER REAR

SPEAKERS

AC OUTLET

UNSWITCHED

120V 60Hz

200W MAX.

1.6A MAX.

MAIN IN

PRE OUT

Front speakers

Right

Left

Integrated amp.

(U.S.A model)

AC outlet

Center speaker

Right

Left

Rear speakers

B Connecting to an Integrated Amplifier or Stereo Receiver that does not

have PRE OUT and MAIN IN terminals

If your amplifier or receiver has the REC OUT selector which is independent of the input selector, connect this unit to the amplifier

or receiver tape REC OUT and auxiliary (AUX) input terminals. If not, connect this unit to the amplifier or receiver tape REC OUT

and TAPE PB terminals.

If your system includes a tape deck which have been displaced by connecting this unit to the tape REC OUT terminals, reconnect

your tape deck to this unit’s TAPE PB and TAPE REC OUT terminals.

INPUT

TAPE

REC

OUT

TAPE

MAIN

OUT

CENTER

OUT

CENTER REAR

SPEAKERS

AC OUTLET

UNSWITCHED

120V 60Hz

200W MAX.

1.6A MAX.

AUX

(TAPE PB)

REC OUT

LINE OUT

LINE IN

Front speakers

Left Right

Integrated amp.

Tape deck

(U.S.A model)

AC outlet

Center speaker

Right

Rear speakers

Left

C Connecting to a Control Amplifier and Power Amplifier

INPUT

TAPE

REC

OUT

TAPE

MAIN

OUT

CENTER

OUT

CENTER REAR

SPEAKERS

AC OUTLET

UNSWITCHED

120V 60Hz

200W MAX.

1.6A MAX.

INPUT

PRE OUT

Front speakers

Left

Right

Power amp.

Control amp.

(U.S.A. model)

Center speaker

Right

Rear speakers

Left

AC outlet

Connect the SPEAKERS terminals to your speakers with wire

of the proper gauge, cut to be as short as possible. If the

connections are faulty, no sound will be heard from the

speakers. Make sure that the polarity of the speaker wires is

correct, that is, + and – markings are observed. If these wires

are reversed, the sound will be unnatural and will lack bass.

Do not let the bare speaker wires touch each other and do

not let them touch the metal parts of this unit as this could

damage this unit and/or speakers.

Use speakers with the specified impedance shown on the

rear of this unit.

How to Connect:

Red: positive (+)

Black: negative (–)

➀Press and hold the tab.

➁Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

➂Release the tab and

secure the wire.

CONNECTING SPEAKERS

ABOUT THE ACCESSORY TERMINALS

AC OUTLET (UNSWITCHED)

This unswitched AC outlet can be used for connection of the

power cord from another audio component. Note that the

power to that component is not affected by the ON or OFF

setting of the POWER switch of this unit.

Note: The maximum power (total power consumption of

components) that can be connected here is 200 watts.

CENTER OUT terminal

This terminal is for center-channel line output. There is no

connection to this terminal when you use the built-in amplifier.

However, if you drive a center speaker with an external power

amplifier, connect input terminal of the external amplifier to this

terminal.

If you use the built-in amplifier and the external power amplifier

at the same time, the sound will be output through both

speakers.

IDENTIFICATION OF CONTROLS

1POWER

Turns the power on/off.

2Display panel

Displays your selection on the DSP or

other informations.

3TAPE MONITOR

Used when you have connected the

tape deck to this unit’s TAPE terminals

to select that tape as the source. (See

page 14.)

4TEST

Used for speaker balance adjustment.

(See pages 11–12.)

5CENTER MODE

Selects center speaker mode. (See

page 11.)

6DIGITAL SOUND FIELD

PROCESSING programs

Selects a program from the digital

sound field processor. (See pages

13–15.)

7MASTER VOLUME

Turns the master volume level up/down.

8EFFECT ON/OFF

Switches on/off the digital sound field

processor. (See pages 13–15.)

9DELAY TIME

Adjusts delay time. (See page 15.)

0FRONT EFFECT LEVEL

Adjusts effect sound output level at

front speakers. (See page 16.)

ACENTER LEVEL

Adjusts center speaker sound output

level. (See page 16.)

BREAR LEVEL

Adjusts rear speaker sound output

level. (See page 16.)

CMUTING

When pressed, mutes the volume level.

To resume original volume level, press

this again.

While muting, the indicator on the

VOLUME control flashes on and off

continuously.

POWER

NATURAL SOUND DIGITAL SOUND FIELD PROCESSOR DSP–E200

TAPE

MONITOR

TEST

CENTER

MODE

PRO LOGIC

ENHANCED

CONCERT

VIDEO

MONO

MOVIE

ROCK

CONCERT

DOLBY SUR.

CONCERT

HALL

OFF

DIGITAL SOUND FIELD PROCESSING

VOLUME

–dB

ENHANCED VIDEO MOVIE CONCERT HALL

PRO LOGIC CONCERT MONO ROCK CONCERT

NORMAL

WIDE

PHANTOM

TEST

DOLBY SURROUND

PRO • LOGIC

DELAY

34 5

4 Select the center mode depending on your speaker

configuration.

(Refer to “SPEAKER CONFIGURATION” on page 5.)

On the feature of each mode, refer to the “Note” shown

below.

ADJUSTMENT BEFORE OPERATION

SPEAKER BALANCE ADJUSTMENT

Using the built-in test tone generator, this procedure lets you adjust the sound output level balance between the front, center, and

rear speakers. With this adjustment, the sound output level heard at the listening position will be the same from each speaker.

This is important for the best performance of digital sound field processor.

The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.

Otherwise, the result may not be satisfactory.

Set to the “

∞

” position.

Set on the POWER of this unit and the amplifier etc.

Note

In step 4, when you select the center mode, note the following.

For 5 speaker configuration)

NORMAL: Select this mode when you use the center speaker

smaller sized than the front speakers. In this mode,

the bass tone will be output from the front

speakers.

WIDE: Select this mode when you use the center speaker

approximately same sized as the front speakers.

For 4 speaker configuration)

PHANTOM: Select this mode when you do not use the center

speaker. The center sound will be output from the

left and the right front speakers.

2 3 1

— dB

VOLUME

POWER

PRO LOGIC

ENHANCED

CONCERT

VIDEO

MONO

MOVIE

ROCK

CONCERT

DOLBY SUR.

CONCERT

HALL

OFF

DIGITAL SOUND FIELD PROCESSING

NORMAL

WIDE

PHANTOM

CENTER

MODE

TEST

ENHANCED VIDEO MOVIE CONCERT HALL

PRO LOGIC CONCERT MONO ROCK CONCERTPRO LOGIC CONCERT MONO ROCK CONCERT

NORMAL

TEST

F C

DELAY

Flashes on and off continuously.

6 Turn up the volume by using the remote control

transmitter. You will hear a test tone (like pink noise)

from the left front speaker, then the center speaker,

then the right front speaker, then the rear speakers, for

about two seconds each. The display illumination

changes as shown below.

The test tone from the left rear speaker and the right rear

speaker will be heard at the same time.

7 Make the sound output level of the center speaker the

same as that of the front speakers.

8 Make the sound output level of the rear speakers the

same as that of the front speakers.

Notes

●

Once you have completed these adjustments, use only this

unit’s VOLUME control to adjust listening volume. Do not

change any other volume settings in this unit.

●

If the connecting way of your components is B or C

shown on pages 7–8, also adjust the volume control(s) on

the integrated amplifier or power amplifier to achieve proper

balance.

●

In step 7, if the center mode is in the “PHANTOM”, the

sound output level of the center speaker can not be

adjusted. Because in this mode, the center sound is

automatically output from the left and right front speakers.

ENHANCED VIDEO MOVIE CONCERT HALLENHANCED VIDEO MOVIE CONCERT HALL

PRO LOGIC CONCERT MONO ROCK CONCERT

NORMAL

WIDE

PHANTOM

TEST

F C

DELAY

CENTER LEVEL

ENHANCED VIDEO MOVIE CONCERT HALL

PRO LOGIC CONCERT MONO ROCK CONCERT

NORMAL

TEST

F C

DELAY

Illuminates.

Adjustable.

Front (L)

Center

Rear

(L and R)

Front (R)

REAR LEVEL

ENHANCED VIDEO MOVIE CONCERT HALLENHANCED VIDEO MOVIE CONCERT HALL

PRO LOGIC CONCERT MONO ROCK CONCERTPRO LOGIC CONCERT MONO ROCK CONCERT

NORMAL

WIDE

PHANTOM

TEST

F C

DELAY

TEST

ENHANCED VIDEO MOVIE CONCERT HALLENHANCED VIDEO MOVIE CONCERT HALL

PRO LOGIC CONCERT MONO ROCK CONCERTPRO LOGIC CONCERT MONO ROCK CONCERT

NORMAL

WIDE

PHANTOM

TEST

F C

DELAY

Stop flashing and disappears.

Illuminates.

Adjustable.

Description of Dolby Pro logic Surround

DOLBY PRO LOGIC SURROUND: This unit employs

the Dolby Pro Logic Surround system. This system is similar to

professional Dolby Stereo decoders used in movie theaters.

The Dolby Pro Logic Surround system, by employing a four-

channel system, divides the input signals into four levels: the

left and right main channels, the center channel (to characterize

dialogue), and the rear surround-sound channels (to

characterize sound effects, background noise and other ambient

noise).

Dolby Surround is encoded on the sound track of commercially

available video cassettes and video discs as well. When you

play a source encoded with Dolby Surround on your home video

system, the Dolby Pro Logic Surround mode on this unit

decodes the signal and feeds the surround-sound effects.

The Dolby Pro Logic Surround mode may not be always

effective on video sources not encoded with Dolby Surround.

Manufactured under license from Dolby Laboratories Licensing

Corporation. Additionally licensed under one or more of the

following patents: U.S. numbers 3,632,886, 3,746,792, and

3,959,590; canadian numbers 1,004,603 and 1,037,877.

“Dolby” and the double-D symbol are trademarks of Dolby

Laboratories Licensing Corporation.

DESCRIPTION OF EACH SOUND FIELD PROGRAM

PROGRAM

FEATURE

This program is effective on the play of the sources encoded with the Dolby Surround.

PRO LOGIC

The employment of the digital signal processing system improves crosstalk and transfers the sound

source more smoothly and precisely,comparing with the conventional type. A stable movie sound field is recreated.

This program is effective on the play of the sources encoded with the Dolby Surround.

ENHANCED

Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker

systems of the 35 mm film theater, so widening the surrounded-sound field with greater presence.

CONCERT VIDEO

This program is effective on music videos and excellent in depth and clarity for vocals. For opera, the

orchestra and stage are ideally recreated, so letting you feel as if you were in an actual concert hall.

MONO MOVIE

This program is designed specifically to enhance mono source programs. Compared to a strictly mono

setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an

immediacy to the overall sound. It is particularly effective when used with old mono movies, news

broadcasts and dialogue.

ROCK CONCERT This program will suit to rock music. A big, powerful sound is reproduced lively and dynamically.

CONCERT HALL

In this program, the center seems even more deeply behind the front speaker pair, creating an expansive,

large hall ambience.

OFF switch: When any program is not used with the selected source, press this switch. The sound is output only from the

front speakers.

USING DIGITAL SOUND FIELD PROCESSOR (DSP)

This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio

sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.

This digital sound field processor has 6 programs; 4 programs for digital sound field processing and 2 programs for the Dolby Pro

Logic Surround sound system (DOLBY PRO LOGIC and ENHANCED). You can create excellent audio sound field by selecting

the suitable program and adding desired adjustments. In addition, when the digital sound field program is in the DOLBY PRO

LOGIC or ENHANCED, the built-in automatic input balance control functions. This presents you the best surround condition

without adjusting it manually.

TO PLAY SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR

Set to the “

∞

” position.

Select a source using the input selector on the

integrated amplifier etc.

* To select a tape deck connected to this unit’s TAPE

terminals, set the TAPE MONITOR switch to on.

(Otherwise, set this switch to off.)

Note

If this unit is connected to the TAPE REC OUT terminals of

the integrated amplifier etc., the following operations should

be done.

• If your amplifier has the REC OUT selector which is

independent of the input selector;

1. Set the input selector to the AUX position.

2. Select the source to be input to this unit using the REC

OUT selector.

• If your amplifier does not have the REC OUT selector

which is independent of the input selector;

1. Set the TAPE monitor switch on the amplifier to on.

2. Select the source to be input to this unit using the input

selector.

Play the source.

Select a desired program suitable for the source.

The corresponding indicator will illuminate.

Adjust to the desired output level.

7 If desired, adjust the delay time and the output level of

each speaker. (For details, refer to the corresponding

descriptions on the next pages.)

2 1,6

— dB

VOLUME

POWER

TAPE

MONITOR

TEST

CENTER

MODE

PRO LOGIC

ENHANCED

CONCERT

VIDEO

MONO

MOVIE

ROCK

CONCERT

DOLBY SUR.

CONCERT

HALL

OFF

DIGITAL SOUND FIELD PROCESSING

PRO LOGIC

— dB

VOLUME

Adjustment of DELAY TIME

You can adjust the time difference between the beginning of

the source sound and the beginning of the effect sound with

the DELAY TIME keys.

The DELAY TIME keys are effective with all programs.

By applying more or less delay, sound effects, background

noise, and ambient noise coming at you from the rear speakers

can be enhanced or subdued for extra effect.

1 PRO LOGIC: from 15 to 30 milliseconds

(Preset value: 20 milliseconds)

2 ENHANCED: from 15 to 30 milliseconds

(Preset value: 20 milliseconds)

3 CONCERT VIDEO: from 1 to 100 milliseconds

(Preset value: 25 milliseconds)

4 MONO MOVIE: from 1 to 100 milliseconds

(Preset value: 25 milliseconds)

5 ROCK CONCERT: from 1 to 100 milliseconds

(Preset value: 15 milliseconds)

6 CONCERT HALL: from 1 to 100 milliseconds

(Preset value: 30 milliseconds)

By continuously pressing “+” or “–” of the DELAY TIME keys,

the value changes continuously.

However, the value stops changing momentarily at the preset

point.

Note

Adding too much delay will cause an unnatural effect with

some sources. Experiment with the DELAY TIME keys to

create an effect that you find most suitable.

To obtain the best performance of this unit:

If the connecting way of your components is A or C shown

on pages 6–8, set the volume control on the integrated

amplifier or control amplifier to about the halfway position

between the min. and max.

Notes

●

If you prefer to cancel the selected program, press the OFF

switch. The sound will be the normal 2-channel stereo

without surround sound effect.

●

In the CONCERT VIDEO, MONO MOVIE, ROCK

CONCERT and CONCERT HALL, no sound is heard from

the center speaker.

●

When the monaural sound source is played in the DOLBY

PRO LOGIC or ENHANCED, no sound is heard from the

front speakers and the rear speakers. Sound is heard only

from the center speaker. However, if the center mode is in

the PHANTOM, the front speakers output the sound of the

center speaker.

●

If the connected external amplifier has a built-in surround

sound or ambience circuitry, be sure that the surround or

ambience circuitry on that amplifier is off while you are using

this unit’s Dolby Pro Logic Surround decoding function.

●

When this unit is in the Dolby Pro Logic Surround mode, if

the main-source sound is considerably altered by

overadjustment of the BASS or TREBLE controls on the

integrated amplifier etc., the relationship with the center and

rear channels may produce an unnatural effect.

DELAY

TIME

ENHANCED VIDEO MOVIE CONCERT

PRO LOGIC CONCERT MONO ROCK C

PHP

TEST

F C

DELAY

Adjustable.

Adjustment of the CENTER LEVEL

Adjustment of the REAR LEVEL

Adjustment of the FRONT EFFECT LEVEL

If desired, you can adjust the effect sound output level of the

front speakers with these keys. The output level is preset to be

80. However, you can adjust the level between 1 and 100.

●

If the digital sound field program is in the DOLBY PRO

LOGIC, the FRONT EFFECT LEVEL keys do not function.

●

Once the output level is adjusted, the level value will be

common among all the digital sound field programs except

the DOLBY PRO LOGIC .

●

If any digital sound field program is not used, the FRONT

EFFECT LEVEL keys do not function.

If desired, you can adjust the sound output level of the center

speaker with these keys even if the output level is already set

in “SPEAKER BALANCE ADJUSTMENT” on page 12.

●

By continuously pressing “+” or “–” of the CENTER LEVEL

keys, the level value changes continuously. However, the

value stops changing momentarily at the point which was

once set in the TEST mode.

●

If the digital sound field program is in the CONCERT

VIDEO, MONO MOVIE, ROCK CONCERT or CONCERT

HALL, the CENTER LEVEL keys can not function.

●

Once the output level is adjusted, the level value will be

common among the DOLBY PRO LOGIC and ENHANCED.

●

If any digital sound field program is not used, the CENTER

LEVEL keys do not function.

If desired, you can adjust the sound output level of the rear

speakers with these keys even if the output level is already set

in “SPEAKER BALANCE ADJUSTMENT” on page 12.

●

By continuously pressing “+” or “–” of the REAR LEVEL

keys, the level value changes continuously. However, the

value stops changing momentarily at the point which was

once set in the TEST mode.

●

Once the output level is adjusted, the level value will be

common among all the digital sound field programs.

●

If any digital sound field program is not used, the REAR

LEVEL keys do not function.

Note

The values of the DELAY TIME, the FRONT EFFECT LEVEL,

CENTER LEVEL, and REAR LEVEL you set the last time will

remain memorized even when the power of this unit is off.

However, if the power plug cord is disconnected for more than

two weeks, these values will revert to factory-preset levels.

DELAY

TIME

FRONT EFFECT LEVEL

ENHANCED VIDEO MOVIE CONCERTENHANCED VIDEO MOVIE CONCERT

PRO LOGIC CONCERT MONO ROCK PRO LOGIC CONCERT MONO ROCK

TEST

F C

DELAY

TIME

CENTER LEVEL

ENHANCED VIDEO MOVIE CONCERT

PRO LOGIC CONCERT MONO ROCK CO

TEST

F C

DELAY

TIME

REAR LEVEL

ENHANCED VIDEO MOVIE CONCERT ENHANCED VIDEO MOVIE CONCERT

PRO LOGIC CONCERT MONO ROCK CPRO LOGIC CONCERT MONO ROCK C

TEST

F C

DELAY

Adjustable.

Illuminates.

Adjustable.

Illuminates.

Adjustable.

Illuminates.

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

Battery installation

Battery replacement

If you find that the remote control transmitter must be used

closer to the main unit, the batteries are weak. Replace both

batteries with new ones.

Notes

●

Use only AA, R6, UM-3 batteries for replacement.

●

Be sure the polarities are correct. (See the illustration inside

the battery compartment.)

●

Remove the batteries if the remote control transmitter will

not be used for an extended period of time.

●

If batteries leak, dispose of them immediately. Avoid

touching the leaked material or letting it come in contact with

clothing, etc. Clean the battery compartment thoroughly

before installing new batteries.

Remote-control transmitter operation range

Notes

●

There should be no large obstacles between the remote

control transmitter and the main unit.

●

If the remote control sensor is directly illuminated by strong

lighting (especially an inverter type of fluorescent lamp etc.),

it might cause the remote control transmitter not to work

correctly. In this case, reposition the main unit to avoid

direct lighting.

SPECIFICATIONS

Minimum RMS Output Power per Channel

Center (8 ohms, 20 Hz – 20 kHz, 0.08% THD)

..........................................................................................25W

Rear L, R (8 ohms, 1 kHz, 0.3% THD) ...................25W+25W

Input Sensitivity/Impedance

INPUT.........................................................150 mV/47 k-ohms

Output Level/Impedance

MAIN OUT/CENTER OUT....................................1V/1 k-ohms

Frequency Response (20 Hz to 20 kHz)

INPUT to MAIN OUT..................................................0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)

INPUT to MAIN OUT (1 V) .............................................0.01%

Signal-to-Noise Ratio (IHF-A Network)

MAIN OUT (Input Shorted)..............................................95 dB

Residual Noise (IHF-A Network)

MAIN OUT.........................................................................5 µV

Channel Separation

(Input 5.1 k-ohms Shorted 1 kHz/10 kHz)...............65 dB/50 dB

Power Supply

[U.S.A. and Canada models].......................AC 120 V, 60 Hz

[Australia and U.K. models].........................AC 240 V, 50 Hz

[Europe model]............................................AC 230 V, 50 Hz

[General model]..................AC 110/120/220/240V, 50/60 Hz

Power Consumption............................................................90W

AC Outlet

1 UNSWITCHED OUTLET...........................200W max. total

Dimensions (W x H x D).......................435 x 151.3 x 296.7 mm

(17-1/8” x 5-15/16” x 11-11/16”)

Weight......................................................7.7 kg (16 lbs. 15 oz.)

Accessories......................................Remote control transmitter

Batteries

Audio connection cord x 2

Specifications subject to change without notice.

30°

Remote-control

sensor

Within approximately

7 m (23 feet)

SYMPTOM

The unit fails to turn on when the POWER

switch is pressed.

No sound.

The sound suddenly goes off.

Only one side speaker outputs the sound.

Sound “hums”.

No sound from the rear speakers.

No sound from the center speaker.

The remote control transmitter does not

work.

The distance or range within which the

remote control transmitter can be used

decreases.

The sound is degraded when monitoring

is performed by using the headphones

connected to the compact disc player or

cassette deck which are connected with

this unit.

CAUSE

Power cord is not plugged in or is not

completely inserted.

Incorrect output cord connections.

The MUTING switch is ON.

The protection circuit has activated because

of short circuit etc.

Incorrect cord connections.

The rear effect sound output level is set to 0.

The monaural sound source is played in the

DOLBY PRO LOGIC or ENHANCED.

The center sound output level is set to 0.

The center mode is in the PHANTOM.

Incorrect sound field program selection.

No sound field program is selected.

Direct sunlight or lighting (of an inverter type

of flourescent lamp etc.) is striking the

remote control sensor of the main unit.

The batteries of this remote control

transmitter are too weak.

Power cord of this unit is not plugged.

REMEDY

Firmly plug in the power cord.

Connect the cords properly. If the problem

persists, the cords may be defective.

First, turn the volume control to the full left.

Then, turn the MUTING switch off with the

remote control transmitter and adjust the

volume.

Turning the unit off and then on will reset the

protection circuit.

Connect the cords properly. If the problem

persists, the cords may be defective.

Firmly connect the audio plugs. If the

problem persists, the cords may be

defective.

Turn up the sound output level with the

REAR LEVEL keys.

Select another program suitable for the

monaural sound source.

Turn up the sound output level with the

CENTER LEVEL keys.

Select the NORMAL or WIDE.

Select an appropriate program.

Change position of the main unit.

Replace the batteries with new ones.

Plug in the power cord.

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and

contact your authorized YAMAHA dealer or service center for help.

TROUBLESHOOTING

YAMAHA ELECTRONICS CORPORATION, USA6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD.135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H.SIEMENSSTR. 22-34, D-25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A.RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD.YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B.J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD.17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Yamaha DSP-E200 Инструкция по применению

Бренд: Yamaha

Модель: DSP-E200

Категория: Аудиоусилители

Тип: Инструкция по применению

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English: Yamaha DSP-E200 Owner's manual
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