1
Thank you for purchasing the Yamaha SILENT Cello™. In order to obtain the
maximum performance and enjoyment from your SILENT Cello™, we urge you
to read this Owner’s Manual thoroughly before using the instrument. Please
keep this Owner’s Manual in a safe place for later reference.
Precautions ................................................................... 3
Main Unit/Accessories ................................................ 4
Nomenclature ............................................................... 5
Set up ............................................................................ 7
■ Tuning ........................................................................................ 7
■ Attaching the Chest Support ..................................................... 8
■ Attaching the Knee Support ....................................................... 9
■ About the End Pin .................................................................... 10
Putting the Instrument into the Soft Case .................11
Changing Strings ....................................................... 12
Power Supply .............................................................. 14
■ Using Batteries ........................................................................ 14
■ Supplying AC Power ................................................................ 14
Using the Controls ..................................................... 15
The Reverb .................................................................. 15
Connecting External Devices ................................... 16
Specifications ............................................................. 18
SVC50
Owner’s Manual
Contents
English
™
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2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT!
This product, when installed as indicated in the instructions con-
tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/
or another product use only high-quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reason-
able level of assurance that your use of this product in a residential
environment will not result in harmful interference with other
electronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the user’s manual, may cause interference harmful to the operation
SPECIAL MESSAGE SECTION
92-BP
This product utilizes batteries or an external power supply (adaptor). DO
NOT connect this product to any power supply or adaptor other than one
described in the manual, on the name plate, or specifically recommended
by Yamaha.
This product should be used only with the components supplied or; a cart,
rack, or stand that is recommended by Yamaha. If a cart, etc., is used,
please observe all safety markings and instructions that accompany the
accessory product.
SPECIFICATIONS SUBJECT TO CHANGE: The information
contained in this manual is believed to be correct at the time of printing.
However, Yamaha reserves the right to change or modify any of the specifi-
cations without notice or obligation to update existing units.
Do not attempt to service this product beyond that described in the user-
maintenance instructions. All other servicing should be referred to qualified
service personnel.
This product, either alone or in combination with an amplifier and head-
phones or speaker/s, may be capable of producing sound levels that could
cause permanent hearing loss. DO NOT operate for long periods of time at
a high volume level or at a level that is uncomfortable. If you experience any
hearing loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
NOTICE: Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as designed) are
not covered by the manufacturer’s warranty, and are therefore the owner’s
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that
are both user safe and environmentally friendly. We sincerely believe that
our products and the production methods used to produce them meet these
goals. In keeping with both the letter and the spirit of the law, we want you
to be aware of the following:
Battery Notice: This product MAY contain a small non-rechargeable
battery which (if applicable) is soldered in place. The average life span of
this type of battery is approximately five years. When replacement becomes
necessary, contact a qualified service representative to perform the replace-
ment.
This product may also use “household” type batteries. Some of these may be
rechargeable. Make sure that the battery being charged is a rechargeable type
and that the charger is intended for the battery being charged.
When installing batteries, do not mix old batteries with new, or with batter-
ies of a different type. Batteries MUST be installed correctly. Mismatches or
incorrect installation may result in overheating and battery case rupture.
Warning: Do not attempt to disassemble or incinerate any battery. Keep
all batteries away from children. Dispose of used batteries promptly and as
regulated by the laws in your area. Note: Check with any retailer of house-
hold type batteries in your area for battery disposal information.
Disposal Notice: Should this product become damaged beyond repair,
or for some reason its useful life is considered to be at an end, please observe
all local, state, and federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc. If your dealer is unable to assist you,
please contact Yamaha directly.
NAMEPLATE LOCATION: The nameplate is located on the back of the
product. The model number, serial number, power requirements, etc., are
located on this plate. You should record the model number, serial number,
and the date of purchase in the spaces provided below and retain this manual
as a permanent record of your purchase.
Model Serial No.
Purchase Date
CANADA
THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET
OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.
LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX
APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIO ELECTRI QUE EDICTE
PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.
PLEASE KEEP THIS MANUAL
of other electronic devices. Compliance with FCC regulations does
not guarantee that interference will not occur in all installations. If
this product is found to be the source of interference, which can be de-
termined by turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the
interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna.
If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to
co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you cannot locate the appropriate retailer, please contact
Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
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Your SILENT Cello™ will give you years of reliable service if you follow the simple
rules given below:
■ Location
Do not expose it to the following conditions to avoid deformation, discoloration, or more serious
damage.
• Direct sunlight (e.g. near a window).
• High temperatures (e.g. near a heat source, outside, or in a car during the daytime).
• Excessive humidity.
• Excessive dust.
• Strong vibration.
■ Power Supply
• Turn the power switch OFF when not in use.
• If you use an AC power adaptor, unplug the adaptor from the AC outlet if not to be used for an
extended period of time.
• Unplug the AC power adaptor during electric storms.
• Avoid plugging the AC power adaptor into the same AC outlet as appliances with high power
consumption, such as electric heaters or ovens. Also avoid using multi-plug adaptors since these
can result in reduced sound quality and possibly damage.
■ Turn Power OFF When Making Connections
• To avoid damage to the SILENT Cello™ and other devices to which it is connected (a sound
system, for example), turn the power switches of all related devices OFF prior to connecting or
disconnecting audio cables.
■ Handling and Transport
• Never apply excessive force to the controls, connectors or other parts.
• Always unplug cables by gripping the plug firmly, not by pulling on the cable.
• Disconnect all cables before moving the unit.
• Physical shocks caused by dropping, bumping, or placing heavy objects on the unit can result in
scratches and more serious damage.
■ Cleaning
• Clean the cabinet and panel with a dry soft cloth.
• A slightly damp cloth may be used to remove stubborn grime and dirt.
• Never use cleaners such as alcohol or thinner.
• Avoid placing vinyl objects on top of the unit (vinyl can stick to and discolor the surface).
■ Electrical Interference
• This unit contains digital circuitry and may cause interference if placed too close to radio or televi-
sion receivers. If this occurs, move it further away from the affected equipment.
Yamaha is not responsible for damage caused by improper handling or operation.
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4
Main Unit/Accessories
After opening the packaging, please check that all the parts listed below are included.
• Cello x 1 • Bridge x 1 • Audio cable x 1
(For connection of AUX IN jack)
• Stereo headphones x 1• Chest support x 1
* Power Adaptor (sold separately): Yamaha PA-3C (for use in Japan),
PA-130 (for use internationally)
* To play SVC50, you will need 2 SUM-3 (AA) size batteries.
• Knee support x 1
• Soft case x 1
* The cardboard pads inside the soft case are packing materials
used for shipping. Please remove the cardboard before using
the case.
SVC50
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Nomenclature
●
Front
Fingerboard
Neck
Saddle
Tuning peg
Nut
4th string (C)
3rd string (G)
Tailpiece
Body
Bridge seat
Tail nylon
End pin
End pin stopper
Bridge
2nd string (D)
1st string (A)
Controls
→ See page 6.
Chest support
Knee support
attachment bolt
Knee
support
●
Rear
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●
Controls
VOLUME
POWER switch
REV. ON/ON/OFF
REVERB switch
RM/HL1/HL2
Lamp
Cord hook
PHONES jack
(Stereo headphones)
AUX IN jack
LINE OUT jack
AUX VOL
(AUX volume)
Battery cover
DC-IN 9-12V jack (+
–)
(Power adaptor connector)
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Set up
■ Tuning
The SILENT Cello™ is shipped from the factory with
the bridge unfitted. First, set up the bridge and then
proceed with tuning.
• The lower side of the bridge supports the 1st string (A), the
higher side supports the 4th string (C). Make sure the bridge
is placed properly, then set the bridge in the bridge seat. The
side of the bridge with the logo should face the tailpiece.
• Ensure that the tailpiece side of the bridge stands vertically. If
it leans to one side, use both hands to adjust. Make sure that
each string passes over the corresponding slits in the bridge.
• The strings are tuned to the following pitches. The 1st string
is tuned to A, the 2nd string to D, the 3rd string to G, and the
4th string to C.
Use a piano, tuning fork, tuner, etc., and adjust the pitch of
each string using the tuning pegs.
Make sure that the strings are resting in
their appropriate grooves in the bridge
when playing the instrument.
Strings may come out of their grooves when adjusting the bridge
or changing strings. Since the first (A) and fourth (C) strings
tend to come out of their grooves easily, use your fingers to
hold the strings gently in place when tuning the instrument.
Always make sure that the bridge is standing vertical-
ly, whether the instrument is being played or stored.
Even if the bridge is standing vertically before tuning, it may
tilt during the tuning process. If so, readjust the bridge so it
stands vertically.
It is very important that the bridge stands vertically. If it leans
in either direction it will impair the sound and risk damaging
the instrument.
Caution
[Bridge is placed vertically]
[Make sure that the strings do not
come out of their grooves]
Raise pitch
Lower pitch
1st string (A)
4th string (C)
2nd string (D)
3rd string (G)
Raise pitch
Lower pitch
A
D
G
C
Correct
Escutcheon
Tailpiece
Body
Bad
Bad
Vertical
A
D
G
C
1st string
4th string
[Looking from the tailpiece]
Slit
Logo
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8
• After tuning is complete, make sure that the tailpiece side of
the bridge is still properly aligned. If the bridge is leaning
in either direction, slightly loosen the strings and carefully
re-align the bridge using both hands.
Make sure that the Tail Nylon is correctly
positioned on top of the Saddle.
Caution
Tall nylon
Saddle
A
B
• Use the tension adjustment screw on the tuning machines
to adjust the amount of pressure required to turn the tuners.
* If the tuning machine turns with very slight pressure
→ Rotate the adjustment screw to the right (clock-
wise: A).
* If the tension is tight and the tuning machine is hard
to turn
→ Rotate the adjustment screw to the left (counter-
clockwise: B).
■ Attaching the Chest Support
The chest support lets you rest the cello against
your body when playing.
Insert the ends of the chest support all the way into
the holes for attaching the chest support located
on the upper end of the rear panel as shown in
the illustration.
* Pay close attention to the orientation of the support
when attaching.
Back of SILENT Cello™
Chest support
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• Do not carry the instrument by the knee supports. Always carry the instrument by the neck or body.
■
Attaching the Knee Support
The knee support lets the player hold the instrument with the knees.
Use the bolt on the knee support to attach the support to the threaded hole on the
lower end of the rear panel as shown in the illustration.
●
Caution! When attaching or removing the knee support
• Hold on to the instrument when attaching/removing the knee support.
• Before tightening the attachment bolt, place the bottom edge of the knee support’s
plate on the attachment guide plate. (See diagram 1)
• The attachment bolt should be tightened enough so that there is no looseness in the
direction shown by “A” in the diagram 2. However, the support is designed to have
some looseness shown by “B”, even when the bolt is tightened firmly.
• When attaching/removing the knee support, be careful that it does not fall off and hit
the instrument. Take special care when removing the support, as when the attach-
ment bolt is fully loosened, the knee support will rotate in the direction shown by “C”
(diagram 2) and easily drop off. To prevent this, hold on to the support.
[ Diagram 1 ]
Threaded hole
Attachment
guide plate
[ Diagram 2 ]
Knee support
Attachment bolt
B
A
C
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10
■ About the End Pin
Loosen the end pin stopper, extend the end pin to a comfortable length for playing and
firmly tighten the end pin stopper.
Make sure that the rubber foot is attached to the end of the end pin when storing the
instrument in its case, or when the instrument is not being used.
• The end pin is pointed. Please be careful when using the exposed end pin.
• Make sure the end pin stopper is secured firmly to prevent the instrument from falling while you play.
• Do not lift up or swing the instrument when the end pin stopper is loose. The end pin can slip out of
the instrument which can be very dangerous.
Rubber Foot
End Pin
End Pin Stopper
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• Make sure you put the bow in its hard case before putting it into the bow pocket of the soft case.
• The soft case is used to transport the instrument. However, it is not designed to protect the instru-
ment from impact. So, make sure the instrument is not bumped or any unnecessary force is placed
on it during transport or storage.
• When storing the instrument in its soft case, always remove the knee support and chest support,
attach the rubber foot to the end pin, and fully retract the end pin.
The supplied soft case is specially designed for this instrument.
It is designed to store and transport the instrument with its bridge attached.
Putting the Instrument into the Soft Case
SILENT Cello™
Chest Support
(with cloth bag)
Knee support
Bow Pocket
Stereo Headphones,
Audio Cables, etc.
Supplied Soft Case
SILENT Cello™
Chest Support (with cloth bag)
Knee support
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Winding the Strings
1
From above the tailpiece, insert the ball end of the string into the hole on the tailpiece then pull on the
string so the ball end fits securely in the slot on the backside of the tailpiece.
2
Extend the opposite end of the string up to the tuning peg and use a wire cutter, etc., to cut the end of
the string off about 10cm past the tuning peg*.
* Three to five wraps around the post with the string should be adequate. Adjust the number of wraps
according to the type of strings you use. Make sure that the string is wound at least three times but
be careful that the string is not wound too many times and becomes heavy.
As the strings get old, sound quality will gradually decrease, and it will become
difficult to tune the instrument. Change the strings as soon as you think they are
getting old.
Always change the strings one at a time, even if all strings must be changed.
• The end of the strings are sharp and can cut fingers. Use caution when changing strings.
• When changing or adjusting strings, do not put your face close to the instrument. The string may
suddenly break resulting in eye or other unexpected injuries.
Changing Strings
Tailpiece
String
Ballend
Ballend
1st string (A)
2nd string (D)
4th string (C)
3rd string (G)
post
Three to five
wraps
[Looking from the underside of the tailpiece]
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13
• When the instrument is not going to be used for an extended period of time, loosen the strings until
the pitch drops a whole tone.
• Before using the instrument, make sure that the bridge is positioned vertically. Damage to the bridge
and poor sound quality may result if the bridge is not properly positioned.
4
Use a piano, tuning fork, tuner, etc., and adjust the pitch of each string using the tuning pegs.
* Refer to the “Tuning” section (page 7).
3
Insert the cut end of the string all of the way into the hole in the tuning peg’s post and bend it 90°.
While pulling the string toward the bridge to maintain string tension, turn the tuner machine to wind
the string around the tuning post. The illustration below shows the direction in which the strings should
be wound onto the posts and the direction the pegs should be turned. Make sure the string is wound
toward the base of the post as shown in the illustration below.
At this time the strings may cause the bridge to lean make sure the bridge is vertical. Also, make sure
each of the strings are positioned in their corresponding slits.
* Make sure the tailpiece side of the bridge stands vertically in relation to the body.
Correct
Bridge seat
Tailpiece
Body
Bad
Bad
Vertical
Insert the string’s end
into this hole
[Looking from the front]
Three to five
wraps
[Direction the pegs should be turned and
the direction the strings should be wound]
1st string (A)
2nd string (D)
4th string (C)
3rd string (G)
3rd string
4th string
2nd string
1st string
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14
• Battery power is automatically disconnected when the AC adaptor is connected.
• When the AC adaptor is used, the batteries may leak. To prevent leakage we recommend that you
remove the batteries from the instrument. When the AC adapter is used.
•
When using an AC adaptor, make sure you use only the appointed compatible adaptor. The use of an
incompatible adaptor may result in damage to the instrument or cause fire, etc. Please use with caution.
Slide the POWER switch to the ON position, the lamp will light green. Slide the switch to the
REV. ON position, the lamp will light red. When battery power is low, the lamp’s color changes
to orange, the sound becomes distorted, the Reverb does not properly function, and noise
becomes audible. When one of these symptoms appears, take note of the following cautions
and replace the batteries.
Caution
•
Always follow the +/– signs when inserting the batteries. Improper insertion may result in fire.
• Always replace worn batteries with a complete set of new batteries. Never mix new and old batteries.
Do not mix different types of batteries (alkaline and manganese, or batteries from different manu-
facturers, or different types by the same manufacturer). Doing so may result in fire.
• To prevent possible damage to the unit due to battery leakage and unnecessary power drain, remove
the batteries from the unit when it is not going to be used for an extended period of time.
Power Supply
The SILENT Cello™ can be operated with either battery or AC power. Always
turn the power switch (OFF/ON/REV.ON) on the rear panel OFF before making
AC power connections or replacing batteries.
■ Using Batteries
■ Supplying AC Power
Power Adaptor (sold separately): Yamaha PA-3C (for use in Japan), PA-130 (for use internationally)
1
Plug the adaptor’s DC output cable into the SILENT Cello™ DC IN 9-12V jack located on the back
of the instrument, making sure the plug is firmly inserted into the jack.
2
Plug the AC adaptor into a convenient wall AC power socket.
1
Open the battery compartment situated on the
back of the SILENT Cello™.
2
Insert the two batteries (SUM-3 (AA) size). Take
careful note of the polarity markings as shown
in the illustration above, and insert the batteries.
3
Replace the battery compartment cover.
Bij dit produkt zijn batterijen geleverd.
Wanneer deze leeg zijn, moet u ze niet
weggooien maar inleveren als KCA.
SUM-3 (AA) size
battery x 2
Battery
compartment
cover
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15
Using the Controls
1
Slide the POWER switch, located on the rear of the
instrument, to its ON position. The lamp will light
green.
2
Connect a pair of stereo headphones to the PHONES
jack on the rear of the instrument. Make sure that
the L&R sides of the headphones are positioned on
the correct ears.
3
Rotate the VOLUME dial to the desired playing
level.
The Reverb
The SILENT Cello™ incorporates Yamaha’s
DSP reverb technology. Play while trying out
the three types of reverb.
1
Slide the POWER switch to the REV. ON position,
the lamp will light red, and reverb will be applied
to the SILENT Cello™ sound.
2
Slide the REVERB switch to select one of the three
reverb modes.
• RM (ROOM) mode ......... this reverb simulates the natural reverberation found in a room.
• HL1 (HALL 1) mode ....... this reverb simulates the natural reverberation found in a hall.
• HL2 (HALL 2) mode ...... the same reverb simulation as HL1 but with a longer decay time.
• When using the headphones, do not operate at high
volume levels or long periods of time. Doing so can lead
to irreparable damage to your hearing.
Lights green
Lights red
WG80460_SVC50_Body_R5.indb 15 15/01/20 18:13
16
When connecting the instrument to external audio equipment, check the jack size and make sure to
use a plug size that corresponds to the jack being used, and properly connect the cable to the jack.
Connecting External Devices
SILENT Cello™
Stereo Headphones
* Supplied headphones or any other type
SUM-3 (AA) size
battery x 2
or
Power Adaptor
(sold separately):
PA-3C
(for use in Japan),
PA-130
(for use internationally)
Electric
Outlet
Cord Hook
DC-IN 9-12V
CD Player
Electronic Tuner
PHONES
LINE OUT
AUX IN
*Power rating of 50W or more
P.A. Mixer, Recording Device
• Using the cord hook
Wrap the Power Adaptor’s cord around
the cord hook (prevents cord from being
unplugged).
Power
Adaptor Cord
DC-IN
9-12V
Cassette Player
Electronic Metronome
(with audio output jack)
From the LINE
OUT jack, etc.
To the LINE IN jack,
etc.
MDP5
Mobile Data Player
Powered Speaker
(AS60-112T, etc.)
WG80460_SVC50_Body_R5.indb 16 15/01/20 18:13
17
Caution
• Before connecting the SILENT Cello™ to any external devices, make sure that the power of
all related devices is turned OFF. Set the volume level of any external audio sources to the
minimum level before connecting anything. High volume settings could cause damage to the
equipment and your hearing.
• If a connection cord is unplugged while the power is ON, it may result in damage to the equip-
ment. The sudden shock to your ears may be great, so please use with care.
• Be careful not to step on the cord. The cord may break, equipment may be damaged, and this
may cause a substantial shock to your ears.
• The signal from the SILENT Cello™ output jacks must NEVER be returned to the AUX IN jack,
either directly or through external equipment. Doing so will result in feedback which may
cause damage to the internal electronics.
■ AUX IN jack
• The AUX IN jack, located on the rear of the
instrument, can be used to connect an external
stereo signal source to the SILENT Cello™.
Connecting the audio output of a CD player,
cassette player, etc. to the instrument allows you
to play along with the external audio source.
• The AUX IN jack’s signal level can be con-
trolled with the AUX. VOL control.
■ LINE OUT jack
• The LINE OUT jack, located on the rear of
the instrument, delivers the stereo signal of the
SILENT Cello™ to external audio equipment.
Using an optional stereo phone plug cable (or
monaural phone plug cable) to connect the
instrument to the audio input jack of external
Powered speakers, mixing console, etc. to listen
from external audio equipment or recording.
You can also connect this jack to the INPUT
jack on an electronic tuner and tune the
SILENT Cello™ like an electronic instrument
using the instrument’s output signal.
• The LINE OUT jack’s signal level can be con-
trolled with the VOLUME control.
• When a powered speaker is connect to the LINE OUT jack, speakers with inadequate power ratings
may distort due to the low frequencies produced by the instrument. For sufficient headroom, used
powered speakers with a power rating of 50 watts or more.
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18
Specifications
Neck Maple
Body Alder
Fingerboard Ebony
Bridge Maple
Chest Support Aluminum
Knee Supports Beech, Aluminum
Tuning Pegs Worm Gear Type
Tail Piece Ebony
Strings Ball-end type cello strings
Sensor Piezo pickup mounted underneath the bridge
Connectors/Controls • POWER Switch (OFF/ON/REV. ON)
• REVERB Switch (RM/HL1/HL2)
• VOLUME
• AUX VOLUME
• LINE OUT
• PHONES
• AUX IN
Power AA size batteries (R6/LR6) x 2 or power adaptor
Power Consumption 2.5 W (with the PA-3C),
1.0 W (with the PA-130, PA-130A, B)
Battery Life (Operating time under normal continuous use conditions)
Using Manganese batteries
• Without Reverb (POWER Switch “ON”)
approximately 15 hours
• With Reverb (POWER Switch “REV. ON”)
approximately 2.5 hours
Using Alkaline batteries
• Without Reverb (POWER Switch “ON”)
approximately 35 hours
• With Reverb (POWER Switch “REV. ON”)
approximately 10 hours
String Length 690 mm (27-3/8”)
Dimensions (with the knee support attached, and the end pin fully retracted)
1,235 (L) x 432 (W) x 240 (H) mm
49” (L) x 17-5/16” (W) x 9-1/2” (H)
Weight (with batteries, chest and knee supports)
Approx. 3.5kg (7 lbs. 11 oz.)
* Design and specifications are subject to change without notice.
WG80460_SVC50_Body_R5.indb 18 15/01/20 18:13
SVC50
™
WB11390 1502 R5 Printed in Japan
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取扱説明書
Owner’s Manual
Bedienungsanleitung
Mode d’emploi
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WG80460_SVC50_Cover_R5.indd 4-1 15/01/21 18:29
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