Yamaha R96 Инструкция по применению

DIGITAL MIXING CONSOLE

EN

Owner’s ManualOwner’s Manual

Owner’s Manual

Keep This Manual For Future Reference.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in

your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig

håndtering. Udskiftning må kun ske med batteri

af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd

samma batterityp eller en ekvivalent typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol

within an equilateral triangle is intended to

alert the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufficient magni-

tude to constitute a risk of electric shock to

persons.

The exclamation point within an equilat-

eral triangle is intended to alert the user to

the presence of important operating and

maintenance (servicing) instructions in the

literature accompanying the product.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The above warning is located on the

side of the unit.

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op het

moment dat u het apparaat ann het einde van de levensduur of gelieve

dan contact op te nemen met de vertegenwoordiging van Yamaha in

uw land.

•For the removal of the battery at the moment of the disposal at the end

of life please consult your retailer or Yamaha representative ofﬁce in

your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

(lithium disposal)

Warnings

3

02R96 Version 2—Owner’s Manual

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-

ual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

•Be sure to connect to an appropriate outlet with a protective grounding connection.

Improper grounding can result in electrical shock.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock

may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power

cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects

on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or

metal objects inside this unit are a ﬁre and electrical shock hazard.

•This unit is equipped with a dedicated ground connection to prevent electrical shock.

Before connecting the power plug to an AC outlet, be sure to ground the unit. If the power

cord has a three-pin plug, it will provide sufﬁcient grounding so long as the AC outlet is

grounded correctly.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre

and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal

inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and

unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.

Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a ﬁre and electrical

shock hazard.

•The 02R96 has four rear-panel slots for installing mini-YGDAI cards. For technical reasons,

certain card combinations are not supported. Before installing any cards, check the Yamaha

web site to if your card is compatible. Installing cards that are not endorsed by Yamaha may

cause electrical shock, ﬁre, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a

replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid

gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.

Consult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock

hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove

the power plug from the AC outlet, and contact your dealer. If you continue using the unit

without heeding this instruction, ﬁre or electrical shock may result.

Cautions

•Keep this unit away from the following locations:

—Locations exposed to oil splashes or steam, such as near cooking stoves, humidiﬁers, etc.

—Unstable surfaces, such as a wobbly table or slope.

—Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

4

Important Information

02R96 Version 2—Owner’s Manual

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A

damaged power cord is a potential ﬁre and electrical shock hazard.

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

•This unit has ventilation holes along the front underside and at the rear to prevent the inter-

nal temperature from rising too high. Do not block them. Blocked ventilation holes are a

ﬁre hazard. In particular, do not operate the unit while it’s on its side, is upside down, or

while it’s covered with a cloth or dust sheet.

•If you are using the optional MB02R96 Peak Meter Bridge, do not hold only the MB02R96

when moving the 02R96. Otherwise, the meter brackets may be damaged, the main unit

may malfunction, or you may be injured if the unit falls.

•This unit is heavy. Use two or more people to carry it.

•When you transport or move the 02R96 with the MB02R96 attached, do not permit impact

or stress on the cable connector that connects the MB02R96 to the 02R96. Otherwise, mal-

function may occur.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,

and remove all connecting cables. Damaged cables may cause ﬁre or electrical shock.

•When setting up the product, make sure that the AC outlet you are using is easily accessible.

If some trouble or malfunction occurs, immediately turn off the power switch and discon-

nect the plug from the outlet. Even when the power switch is turned off, electricity is still

ﬂowing to the product at the minimum level. When you are not using the product for a long

time, make sure to unplug the power cord from the wall AC outlet.

•If you know you will not use this unit for a long period of time, such as when going on vaca-

tion, remove the power plug from the AC outlet. Leaving it connected is a potential ﬁre haz-

ard.

•The inside of the unit should be cleaned periodically. Dust accumulation inside the unit

may cause malfunction and is a potential ﬁre hazard. Consult your dealer for information

about cleaning.

•To prevent electrical shock when cleaning the unit, remove the power plug from the AC out-

let.

•Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with

electrical contact or fader motion.

•Do not use the headphones for a long period of time at a high or uncomfortable volume

level, since this can cause permanent hearing loss. If you experience any hearing loss or ring-

ing in the ears, consult a physician.

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.

•The performance of components with moving contacts, such switches, rotary controls, fad-

ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper-

ating environment and is unavoidable. Consult your dealer about replacing defective

components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone

away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your

dealer as soon as possible about replacing the internal data backup battery. The unit will still

operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using

MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise

occurs, relocate the affected equipment.

Interference

5

02R96 Version 2—Owner’s Manual

•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector

securely. To disconnect the cable, loosen the screws completely, then remove the cable by

holding the connector part. Do not remove the plug by pulling the cable while the screws

are still attached. Otherwise, the connector may be damaged, leading to malfunction.

•When you change the wordclock settings on any device in your digital audio system, some

devices may output noise, so turn down your power amps beforehand, otherwise your

speakers may be damaged.

Interference

The 02R96 uses high-frequency digital circuits that may cause interference on radio and

television equipment located nearby. If interference is a problem, relocate the affected

equipment. Using a mobile telephone near the unit may induce noise. In this case use the

telephone away from the unit.

02R96 Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including

personal injury or any other damages caused by improper use or operation of the 02R96.

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-

istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.

Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of

Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are

registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg

Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign

and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac

are registered trademarks of Teac Corporation. Microsoft and Windows are registered

trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a

trademark of Yamaha Corporation. Nuendo and Cubse SX are trademarks of Steinberg

Media Technologies GmbH. All other trademarks are the property of their respective hold-

ers and are hereby acknowledged.

Copyright

No part of the 02R96, its software, or this

Owner’s Manual

may be reproduced or distrib-

uted in any form or by any means without the prior written authorization of Yamaha Cor-

poration.

Yamaha Web Site

Further information about the 02R96, related products, and other Yamaha professional

audio equipment is available on the Yamaha Professional Audio Web site at:

<http://www.yamahaproaudio.com/>.

Package Contents

• 02R96 Digital Mixing Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

•MB02R96 Peak Meter Bridge

• SP02R96 Wooden Side Panels

• mini YGDAI I/O cards

6

Important Information

02R96 Version 2—Owner’s Manual

About this Owner’s Manual

This

Owner’s Manual

covers the 02R96 Digital Mixing Console.

All the information you need in order to operate the 02R96 Digital Mixing Console is con-

tained in this manual. Use the table of contents to familiarize yourself with the manual’s

organization and to locate tasks and topics, and use the index to locate speciﬁc information.

Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on

page 43.

Each chapter of this manual discusses a speciﬁc section or function of the 02R96. The Input

and Output Channels are explained in the following chapters: “Input Channels,” “Bus

Outs,” “Aux Sends,” and “Stereo Out.” Where possible, these chapters have been organized

in order of signal ﬂow, from input through to output.

Functions such as EQ and Delay are common to all channels. Rather than repeat the same

information over and over, these functions are explained once in the “Common Channel

Functions” chapter, which starts on page 107. The Input Channels, Bus Outs, Aux Sends,

and Stereo Out chapters contain cross-references to the relevant sections of the “Common

Channel Functions” chapter.

Conventions Used in this Manual

The 02R96 features two types of button: physical buttons that you can press (e.g., ENTER

and DISPLAY) and buttons that appear on the display pages. References to physical buttons

are enclosed in square brackets, for example, “press the [ENTER] button.” References to dis-

play page buttons are not emphasized, for example, “press the ENTER button.”

Display pages can be selected by using the [DISPLAY] buttons or the Left Tab Scroll, Right

Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, only the

[DISPLAY] button method is mentioned in the procedures. See “Selecting Display Pages”

on page 45 for details on all the ways in which pages can be selected.

Installing the 02R96

The 02R96 should be placed on a strong and stable surface, somewhere that complies with

the warnings and cautions listed in the previous sections.

New Functions in 02R96 Version 2

The following functions have been added to the 02R96 as part of the upgrade of the ﬁrm-

ware from version 1.2 to version 2.0.

Control Surface

• Encoder mode now features an assignable function, ALT LAYER, which enables you to con-

trol the channel level for all 48 channels without switching between layers.

→

page 50

•There are now 48 assignable Encoder mode parameters.

→

page 52

Input Channels

•Surround Pan supports 6.1 Surround.

→

page 85

•You can change the bus assigned to each surround pan channel.

→

page 87

•The Fader Group Master function enables you to control the overall level of the Fader group

channels simultaneously while maintaining the relative level balance of each channel.

→

page 80

•The Mute Group Master function enables you to mute all channels in a Mute group simul-

taneously.

→

page 79

•The on/off status of the Follow Pan button is reﬂected in the pan and Surround Pan settings.

→

page 82

New Functions in 02R96 Version 2

7

02R96 Version 2—Owner’s Manual

Aux Sends

•You can exclude channels from Aux Sends (Mix Minus).

→

page 104

•You can copy the channel fader positions to Aux Sends.

→

page 104

•You can set all Send levels to nominal simultaneously.

→

page 99

•If an Aux Send is set to pre-fader, you can set the Pre point before or after the [ON] button.

→

page 99

Common Channel Functions

•Input and Output Channel Meter pages indicate the gain reduction being applied by the

Gate and Compressor.

→

page 108

•You can select whether the Input Channel’s Pan setting is used when the Input Channel Solo

signal is set to Pre Fader.

→

page 121

•Raising the channel faders for soloed Channels from –

∞

can unsolo the Channels.

→

page 121

•The AUX SELECT [AUX 1]–[AUX 8] buttons enable you to solo or unsolo Aux Sends.

→

page 121

•The Fader Group Master function enables you to control the overall level of the Fader group

channels simultaneously while maintaining the relative level balance of each channel.

→

page 127

•The Mute Group Master function enables you to mute all channels in a Mute group simul-

taneously.

→

page 129

Monitor

•The level of the Surround Monitor can be reset to 85dB SPL.

→

page 138

•A new parameter has been added to Base Management on the Surround Monitor Setup

page.

→

page 140

•Surround Monitor is also available when Surround mode is set to Stereo.

•You can simultaneously select BUS and SLOT on the Surround Monitor page.

•You can select from Slot Channel 9 through Channel 16 as Surround Monitor signal sources.

•You can simultaneously select 2TRD, D2, D3, A1, or A2, and STEREO, ASSIGN1, or

ASSIGN2 as Control Monitor signal sources.

•You can select the Talkback mic signal as the Studio Monitor source.

→

page 142

Internal Effects and Plug-ins

•You can add optional Add-On Effects to the preset effects.

→

page 157

Scene Memory

•You can globally apply the Fade Time setting to all scenes.

→

page 166

•You can globally apply the Recall Safe setting to all scenes.

→

page 167

•Any channel or parameter settings in the current scene can be copied and pasted into other

scenes.

→

page 168

•You can select more parameters for the Recall Safe function.

→

page 167

Automix

•You can insert the current mix parameters in a region speciﬁed in the Automix data.

→

page 180

•Touching the faders can punch parameter values in and out if the corresponding OVER-

WRITE button is set to on.

→

page 171

•A parameter related to timecode synchronization has been added.

→

page 234

8

Important Information

02R96 Version 2—Owner’s Manual

Remote Control

•The Joystick or the controls in the SELECTED CHANNEL section enable you to control Pro

To ols Surround Pan settings.

•The USER DEFINED KEYS enable you to switch windows in the included Studio Manager

application software.

Other Functions

•A user-assignable layer enables you to assign Channels to Remote layer targets.

→

page 228

•You can also select General DAW (for DAW software that supports the Pro Tools protocol)

or Cubase SX as the target for a Remote layer.

→

page 219

•Yamaha’s proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and

General DAW. This enables you to control these devices using the 02R96’s SELECTED

CHANNEL section. (Controllable functions vary depending on the DAW software and ver-

sion you are using.)

•You can now assign any of 174 functions to the USER DEFINED KEYS.

→

page 238

•You can assign the selected channels to a Fader or Mute group using the USER DEFINED

KEYS.

→

page 238

•An Operation Lock function prevents unintentional edits and uses a password to restrict

access to panel operation.

→

page 235

•The Oscillator can output sine wave signals with different frequencies to the L and R chan-

nels and odd and even buses.

→

page 234

•You can set the Auto Direct Out On check box so that if you change a channel’s Direct Out

destination, the channel Direct Out will automatically be enabled.

→

page 231

•You can set the Routing ST Pair Link check box so that the routing from paired Channels to

the Stereo Bus is linked.

→

page 231

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (mercury)

This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material

may be regulated due to environmental considerations. For disposal information in the United States, refer to

the Electronic Industries Alliance web site: www.eiae.org

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : Digital Mixing Console

Model Name : 02R96

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference

that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

(FCC DoC)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (Perchlorate)

This product contains a battery that contains perchlorate material.

Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

Contents

9

02R96 Version 2—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . 19

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Turning On & Off the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Display Parameter Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Parameter Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Confirmation Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Title Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Assigning Parameters to the ENCODER MODE Assign Buttons . . . . . . . . . . . . . 51

4 Analog I/O & the AD Input Section . . . . . . . . . . . 53

AD Input Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Control Room Monitor Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Studio Monitor Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

2TR Analog INs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

5 Digital I/O & Cascading . . . . . . . . . . . . . . . . . . . . 55

Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

2TR Digital Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

2TR Digital Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

2TR In Sampling Rate Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Slot I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

6 Input & Output Patching . . . . . . . . . . . . . . . . . . . 66

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Naming Input & Output Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Patch Select Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Patching with the Encoders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

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7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Patching Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Reversing the Signal Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Gating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Attenuating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

EQ’ing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Grouping Input Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Input Channel Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Compressing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Grouping Input Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Delaying Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Muting Input Channels (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Grouping Input Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Input Channel Mute Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Setting Input Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Grouping Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Group Master for Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Panning Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Assigning Surround Channels to Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Sending Input Channels to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Soloing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Viewing Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Using the MS Stereo Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Stereo Out Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Patching the Stereo Out to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Routing Input Channels to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Metering the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Monitoring the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Attenuating the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

EQ’ing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Stereo Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Compressing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Muting the Stereo Out (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Setting the Stereo Out Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Balancing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Delaying the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Viewing Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Naming the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Contents

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9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Patching Bus Outs to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Routing Input Channels to Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Attenuating Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

EQ’ing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Bus Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Compressing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Muting Bus Outs (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Setting Bus Out Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Delaying Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Soloing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Pairing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Viewing Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Naming Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Patching Aux Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Setting the Aux Send Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Pre-Fader or Post-Fader Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Aux Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Viewing Aux Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Excluding Certain Channels from Aux Sends (Mix Minus) . . . . . . . . . . . . . . . . . 104

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Metering Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Monitoring Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Attenuating Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

EQ’ing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Aux Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Compressing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Muting Aux Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Settings Aux Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Delaying Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Soloing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Pairing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Viewing Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Naming Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

12

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11 Common Channel Functions . . . . . . . . . . . . . . . . 107

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Attenuating Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Using EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Grouping Output Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Using Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Compressing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Grouping Output Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Delaying Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Grouping Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Group Master for the Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Grouping Output Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Output Channel Mute Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Viewing Channel Parameter Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Viewing Channel Fader Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Naming Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

12 Monitoring & Talkback . . . . . . . . . . . . . . . . . . . . . 136

Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Studio Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Using Talkback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

13 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Channel Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Input Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Output Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Effects Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Bus to Stereo Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Gate Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Comp Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Automix Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Surround Monitor Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

14 Internal Effects & Plug-Ins . . . . . . . . . . . . . . . . . . 153

About the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Patching Effects Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Preset Effects & Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Adding Optional Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Configuring Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Editing Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Contents

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15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 162

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Storing & Recalling Scenes with the SCENE MEMORY Buttons . . . . . . . . . . . . . 164

Using the Scene Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

What’s Recorded in an Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Channel Strip [AUTO] Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Fader Edit Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Selecting the Timecode Source & Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Creating a Time Signature Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179

Inserting Mix Parameters into Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Rerecording Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Parameter Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Punching In & Out Individual Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Event Edit Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

17 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

MIDI & the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

MIDI I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

MIDI Channel Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Assigning Scenes to Program Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Assigning Parameters to Control Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . . 194

Using Bulk Dump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

14

Contents

02R96 Version 2—Owner’s Manual

18 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 196

Configuring Windows Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Configuring Macintosh Computers (MacOS 8.6 to 9.2.2) . . . . . . . . . . . . . . . . . . 196

Configuring Macintosh Computer (MacOS X) . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Configuring the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

Configuring Pro Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

Control Surface Operation with the Pro Tools Remote Layer . . . . . . . . . . . . . . . 199

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Setting Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Muting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Panning Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Viewing Send Destinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Configuring Sends as Pre or Post . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Setting Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Muting Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Panning Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Flip Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Assigning Inserts/Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Editing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Bypassing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Resetting Faders, Sends, & Panpots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Navigating the Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Making Fine Adjustments to the Selected Region . . . . . . . . . . . . . . . . . . . . . . . . . 215

Scrub & Shuttle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Panner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

19 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . 219

About the Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

About Machine Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

20 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Using the User Assignable Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Initializing the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Initializing the Password . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Contents 15

02R96 Version 2—Owner’s Manual

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . 238

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Initial Input Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Initial Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Initial Input Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Initial Output Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

GPI Trigger Source & Target List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 255

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Preset Gate Parameters

(fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 291

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298

I/O Slot Spec (1–4) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299

Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299

Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Format Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . 335

MB02R96 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335

SP02R96 Wooden Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

16 Chapter 1—Welcome

02R96 Version 2—Owner’s Manual

1 Welcome

Thank you for choosing the Yamaha 02R96 Digital Mixing Console.

The 02R96 Digital Mixing Console offers 24-bit/96 kHz digital audio processing without

compromise, comprehensive surround mixing and monitoring, including bass manage-

ment, and hands-on control of popular DAW (Digital Audio Workstation) systems.

Sonic Spec

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate

• 105 dB typical dynamic range (AD Input to Stereo Out)

• 32-bit internal signal processing (58-bit accumulator)

Channel Architecture

• 56 Input Channels, with Direct Outs

•8 Bus Outs, with to Stereo Out routing for subgrouping

•8 Aux Sends

•Stereo Out

•Channels can be named for easy identiﬁcation

•Channel library with 127 user memories

I/O Architecture

• 16 analog mic inputs on balanced XLRs (plus 48 V phantom) 24 analog line inputs on bal-

anced phone jacks

• 16 analog inserts

• 32 inputs, 32 outputs via four mini-YGDAI slots and optional I/O cards, which

offer a vari-

ety of analog and digital I/O options, with support for all the popular digital audio

interconnect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN.

•8 assignable Omni outputs

•1 AES/EBU, 2 Coaxial 2-track digital input, with sampling rate converters for connecting

44.1/48 kHz legacy digital audio equipment

•1 AES/EBU, 2 Coaxial 2-track digital output

•2 analog 2-track inputs

• XLR and phono connector stereo outputs

•Control room monitor outputs

•Dedicated studio monitor outputs

•Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders

•Cascade ports for cascading up to four 02R96s (i.e., 224 Input Channels)

Welcome 17

02R96 Version 2—Owner’s Manual

I/O Patching

•Any available input port can be patched to the Input Channels, Insert Ins, or Effects inputs

•Direct Outs, Insert Outs, Bus Outs, Aux Sends, and the Stereo Out can be patched to any

output port

•Input and output ports can be named for easy identiﬁcation

•Patches can be stored in the Input and Output Patch libraries

EQ

•4-band parametric EQ on all Input and Output Channels

• EQ library with 40 presets, 160 user memories

Groups & Pairs

•Horizontal and vertical pairing of Input Channels

•Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan

•8 Input Channel, 4 Output Channel Fader groups

•8 Input Channel, 4 Output Channel Mute groups

•4 Input Channel, 4 Output Channel EQ groups

•4 Input Channel, 4 Output Channel Compressor groups

Effects

•4 internal effects processors

• Effects library with 61 presets, 67 user memories (presets 53–61 are used for optional

Add-On Effects.)

•Optional Add-On Effect package includes effects that featuring new algorithms.

•Multichannel effects for surround sound processing

•Joystick control of early reﬂections and reverb with the Reverb 5.1 effect

•Optional Waves 56K effects plug-in cards

•User deﬁned plug-ins for external effects control via MIDI, with Learn function

Dynamics

• Gates on all 56 Input Channels

• Gate library with 4 presets, 124 user memories

•Compressors on all Input Channels and Out Channels (74 in total)

•Compressor library with 36 presets, 92 user memories

Automation

•Dynamic automation of virtually all mix parameters, with 1/4-frame accuracy

•Automix library with 16 memories

•Snapshot style automation with 99 Scene memories, recallable via MIDI or Automix

•Individual fade time settings for all Input and Output faders

•Scene and library recalls

•Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters

• Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes

• Ofﬂine event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert

18 Chapter 1—Welcome

02R96 Version 2—Owner’s Manual

Surround Sound

•3-1, 5.1 and 6.1 Surround modes

•Joystick control

•Bass management

•Monitor matrix

•Surround monitor speaker alignment functions

•Surround monitor library with 32 user memories

Remote Control

•Control and manage your 02R96 from your Mac or PC by using the bundled Studio Man-

ager software

•Remote Layers for external equipment control, including predeﬁned targets for controlling

DAW systems, and user deﬁned targets for controlling MIDI equipment, with Learn func-

tion

•Comprehensive machine control via MMC, including transport, track arming, jog/shuttle,

and built-in locator with eight Locate memories

•Assignable GPI (General Purpose Interface) port for external control and “Recording” light

MIDI

• Standard MIDI ports, USB TO HOST port, or SERIAL TO HOST port

• USB, and SERIAL offer multiport operation

•Scene recall, mix parameter control, Bulk Dump, MTC and MIDI Clock for Automix syn-

chronization, MMC for external machine control

Control Surface

• 25 touch-sensitive 100-mm motorized faders (touch sense used to select channels or punch

faders in/out during Automix recording)

•Use the faders to set channel levels or Aux Send levels

•Use the 24 Encoders to control Pan, Aux Send levels, or user assigned parameters

•Channels arranged into two Input Layers, Master Layer, and Remote Layer

• 320 x 240 dot LCD display with ﬂuorescent backlight

•Complete hands-on control of all channel functions via the SELECTED CHANNEL section

•2-digit Scene memory display

•4 EQ displays for frequency, gain, and Q

• 16 user-deﬁnable buttons make light work of repetitive tasks

Control Surface & Rear Panel 19

02R96 Version 2—Owner’s Manual

2 Control Surface & Rear Panel

Control Surface

25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48

49 50 51 52 53 54 55 56

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

PHONES

LEVEL

010

TALKBACK LEVEL

STUDIO

LEVEL

PHONES

23

24

21

22

GAIN

34

10

+

GAIN

34

10

+

GAIN

34

10

+

GAIN

34

10

+

GAIN

34

10

+

GAIN

34

10

+

GAIN

34

10

+

GAIN

34

10

+

20

19

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

19101112 13 14 15 16

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

2

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

3

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

4

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

5

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

6

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

7

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

8

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

DISPLAY

STUDIO

AUX7 AUX8

SOLO

CONTROL

ROOM

STEREO

BUS

SLOT

CONTROL ROOM

2TR D1 2TR A1

2TR D2 2TR A2

2TR D3 STEREO

ASSIGN

1 ASSIGN2

SURROUND

CLEAR

DIMMER

CONTROL ROOM LEVEL

100

TALKBACK

SURROUND MONITOR LEVEL

EQUALIZER

EQ ON

LOW

Q

FREQUENCY

Q

FREQUENCY

Q

FREQUENCY

Q

FREQUENCY

DISPLAY

GAIN

LOW MID

GAIN

HIGH MID

GAIN

HIGH

GAIN

GATE ON COMP ON

GATE

COMP

RANGE

RATIO

ATT ACK

ATT ACKTHRESHOLD

THRESHOLD

DYNA MICS

DISPLAY

GATE / COMP

DECAY

RELEASE

HOLD

GAIN

SELECTED CHANNEL

LINK GRAB EFFECT

L

EVEN

R

LR

PAN/SURROUND

DISPLAY

ODD

DISPLAY ACCESS

PHASE /

INSERT

DELAY

12

3

4

56

78

STEREOFOLLOW PAN DIRECT

DISPLAY

ROUTING

SCENE MEMORY

DISPLAY

STORE RECALL

USER DEFINED KEYS

12345678

910111213141516

DISPLAY

REC

REW FF

STOP PLAY

SET

DISPLAY

MACHINE CONTROL

LOCATE MEMORY

1234

5678

INCDEC

ENTER

SHUTTLE

SCRUB

ON

SEL

AUTO

70

60

50

40

30

20

15

10

5

0

STEREO

12345678 910111213 14 15 16 17 18 19 20 21 22 23 24

ON

SOLO

SEL

AUTO

AUTOMIX DI O SETUP UTILITY

MIDI REMOTE METER VIEW

PAI R GROUP INPUT

PATCH

OUTPUT

PATC H

DISPLAY ACCESS

AUX 2AUX 1 AUX 3 AUX 4

AUX 6AUX 5 AUX 7 AUX 8

AUX SELECT

DISPLAY

AUXPAN

ASSIGN 2ASSIGN 1

ENCODER MODE

DISPLAY

AUXFADER

FADER MODE

EFFECTS / PLUG INS

INTERNAL

EFFECTS

CHANNEL

INSERTS

PLUG INS

1234

DISPLAY

dB

Hz

kHz

dB

Hz

kHz

dB

Hz

kHz

dB

Hz

kHz

STEREO

12345678 910111213141516 1718192021222324

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

5

17 18

18

17

19 2 0 21 22 23 24

MONITOR

DIGITAL MIXING CONSOLE

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

PAD

125 1.00 4.00 10.0

MASTER25 48

REMOTE1 24

LAYER

00

A

D Input Section (p. 20)

Channel strips (p. 20)

MACHINE CONTROL (p. 32)

A

UX SELECT (p. 21)

FADER MODE (p. 22)

ENCODER MODE (p. 22)

DISPLAY ACCESS (p. 23)

EFFECTS/PLUG-INS (p. 24)

Display Section (p. 25)

SELECTED CHANNEL Section (p. 26)

LAYER (p. 30) STEREO (p. 30)

Data Entry & Transport

(p. 33)

Monitor, Phones & Talkback

Section (p. 34)

MONITOR Section (p. 34)

SCENE MEMORY (p. 31)

USER DEFINED KEYS (p. 31)

20 Chapter 2—Control Surface & Rear Panel

02R96 Version 2—Owner’s Manual

AD Input Section

AD Input #1 is shown at the top; AD Inputs #17 and #18 below.

A +48V ON/OFF switches (AD 1–16)

These switches turn on and off the +48 V phantom power feed to each INPUT A

(XLR-type connector). Phantom power is typically used to power condenser-type

microphones or direct boxes. See “Phantom Power (AD 1–16)” on page 53 for

more information.

B PAD switches (AD 1–16)

These switches turn on and off the 26 dB pad (attenuator) for each AD Input. See

“Pad (AD 1–16)” on page 53 for more information.

C GAIN controls

These controls adjust the gain of the AD Input Head Amps. They have an input

sensitivity of –16 dB to –60 dB or +10 dB to –34 dB when Pad is on. AD Inputs 17

to 24 have an input sensitivity of +10 dB to –34 dB. See “Gain” on page 53 for

more information.

D PEAK indicators

These indicators light up when the input signal level is 3 dB below clipping. See

“PEAK & SIGNAL Indicators” on page 53 for more information.

E SIGNAL indicators

These indicators light up when the input signal level is 20 dB below nominal. See

“PEAK & SIGNAL Indicators” on page 53 for more information.

F INSERT ON/OFF switches (AD 1–16)

These switches are for turning on and off the AD Input inserts. See “AD Inserts

(AD 1–16)” on page 54 for more information.

Channel strips

Channel strip #1 is shown here.

The function of each channel strip depends on the currently selected Layer. See

“Selecting Layers” on page 47 for more information.

A Encoders

These controls are used to edit Input and Output Channel parameters. Their exact

operation depends on the currently selected Encoder mode and Layer. There are

two preset Encoder modes, Pan and Aux, and two assignable modes, with over 40

parameters to choose from. See “Selecting Encoder Modes” on page 50 for more

information.

The Encoders feature push switches that are used to punch the parameter cur-

rently assigned to the Encoders in and out during Automix recording. See

“Punching In & Out Individual Parameters” on page 183 for more information.

B AUTO buttons

These buttons are used to set Automix recording and playback for each channel.

Their exact operation depends on the currently selected Layer. Their indicators

light up orange in Record-Ready mode, red while recording, and green during

playback. See “Channel Strip [AUTO] Buttons” on page 174 for more information.

C SEL buttons

These buttons are used to select Input and Output Channels for editing with the

SELECTED CHANNEL section. Their exact operation depends on the currently

selected Layer. The [SEL] button indicator of the currently selected channel lights

up. See “Selecting Channels” on page 48 for more information. The [SEL] buttons

can also be used to pair channels, and to add and remove channels to and from the

EQ, Comp, Fader, and Mute groups.

1

2

3

4

5

6

1

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

PAD

3

4

5

GAIN

34

10

+

GAIN

34

10

+

PEAK

SIGNAL

17 18

18

17

25

49

1

50

40

30

20

15

10

5

0

5

ON

SOLO

SEL

AUTO

1

2

3

4

5

6

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Yamaha R96 Инструкция по применению

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