Yamaha RX-V595RDS Руководство пользователя

RX-V595RDS

Natural Sound AV Receiver

Récepteur audiovisuel

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

B G

Printed in France ID

V296030

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

RX-V595RDS

00RX-V595RDS-cv1/4(AL) 6/23/99, 2:18 PM1

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SUPPLIED ACCESSORIES

ACCESSOIRES FOURNIS

MITGELIEFERTE ZUBEHÖRTEILE

MEDFÖLJANDE TILLBEHÖR

ACCESSORI IN DOTAZIONE

ACCESORIOS INCLUIDOS

BIJGELEVERDE ACCESSOIRES

• After unpacking, check that the following parts are included.

• Après le déballage, vérifier que les pièces suivantes sont incluses.

• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

• Kontrollera efter det apparaten packats upp att följande delar finns med.

•

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

• Indoor FM Antenna

• Antenne FM intérieure

• UKW-Innenantenne

• Inomhus-FM-antenn

• Antenna FM interna

• Antena FM interior

• FM-binnenantenne

• AM Loop Antenna

• Cadre-antenna AM

• MW-Rahmenantenne

• AM-ramantenn

• Antenna AM ad anello

• Antena de cuadro de AM

• AM-raamantenne

• 75-ohm/300-ohm antenna adapter (U.K. model only)

• Adaptateur d’antenne 75 ohms/300 ohms

(Modèle Royaume-Uni seulement)

• 75-Ohm/300-Ohm Antennenstecker

(nur Großbritannien-Modell)

• 75 ohm/300 ohm antennadapter

(gäller endast modellen för Storbritannien)

• Adattatore per antenna da 75 e 300 ohm

(Soltanto il modello per la Gran Bretagna)

• Adaptador de antena de 75-ohmios/300-ohmios

(Sólo el modelo para el Reino Unido)

• 75 ohm/300 ohm antenneadapter

(Alleen modellen voor Verenigd Koninkrijk)

• Batteries (size AA, R6, UM-3)

• Piles (taille AA, R6, UM-3)

• Batterien (Größe AA, R6, UM-3)

• Batterier (storlek AA, R6, UM-3)

• Batterie (dimensioni AA, R6, UM-3)

• Pilas (tamaño AA, R6, UM-3)

• Batterijen (maat AA, R6, UM-3)

• Remote control transmitter

• Télécommande

• Fernbedienung

• Fjärrkontroll

• Telecomando

• Transmisor de control remoto

• Afstandsbediening

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English

● 5 Speaker Configuration

Main: 65 W + 65 W (8Ω) RMS Output

Power, 0.04% THD, 20 Hz – 20 kHz

Center: 65 W (8Ω) RMS Output

Power, 0.04% THD, 20 Hz – 20 kHz

Rear: 65 W + 65 W (8Ω) RMS Output

Power, 0.04% THD, 20 Hz – 20 kHz

● Digital Sound Field Processor

● Dolby Digital Decoder

● Dolby Pro Logic Surround Decoder

● CINEMA DSP: Theater-like Sound

Experience by the Combination of Dolby

Surround and YAMAHA DSP Technology

● 6-Channel External Decoder Input for DTS

and other future formats

SUPPLIED ACCESSORIES........................................... 2

FEATURES .................................................................... 3

CAUTION ....................................................................... 4

●Introduction

FEATURES ON SOUND EFFECT.................................5

CONTROLS AND THEIR FUNCTIONS ......................... 7

●Preparation

SPEAKER SETUP ....................................................... 10

CONNECTIONS........................................................... 12

ADJUSTMENTS

BEFORE USING THIS UNIT .................................. 20

●Basic Oparation

BASIC OPERATIONS .................................................. 25

TUNING OPERATIONS ............................................... 29

RECEIVING RDS STATIONS ...................................... 34

SETTING THE SLEEP TIMER..................................... 39

●Information about DSP

USING DIGITAL SOUND FIELD

PROCESSOR (DSP) .............................................. 40

●Advanced Information

ADJUSTMENTS

IN THE “SET MENU” MODE...................................46

●Remote Control Transmitter

REMOTE CONTROL TRANSMITTER......................... 48

SETUP CODES ........................................................... 53

NOTES ABOUT THE REMOTE CONTROL

TRANSMITTER ...................................................... 54

TROUBLESHOOTING ................................................. 55

SPECIFICATIONS .......................................................57

FEATURES

CONTENTS

● Automatic Input Balance Control for

Dolby Pro Logic Surround

● Test Tone Generator for Easier Speaker

Balance Adjustment

● Speaker Output Mode Changing

Capability

● 40-Station Random Access Preset Tuning

● Automatic Preset Tuning

● Preset Station Shifting Capability

(Preset Editing)

● Video Signal Input/Output Capability

(Including S Video Connections)

● SLEEP Timer

● Universal Remote Control

Transmitter with Preset Manufacturer

Codes

LIST OF MANUFACTURER’S CODES...................... 397

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CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,

dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull the

wires themselves.

5. The openings on the unit cover assure proper ventilation of

the unit. If these openings are obstructed, the temperature

inside the unit will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in a

well-ventilated area to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind, 20 cm

on the both sides and 30 cm above the top panel of the unit

to prevent fire and damage.

6. The voltage used must be the same as that specified on

this unit. Using this unit with a higher voltage than speci-

fied is dangerous and may result in fire or other accidents.

YAMAHA will not be held responsible for any damage

resulting from use of this unit with a voltage other than

specified.

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers or TVs. Move

this unit farther away from such equipment if interference is

observed.

8. Always set the VOLUME control to “∞” before starting the

audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

11. When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the

wall outlet.

12. To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an

electrical storm.

13. Grounding or polarization – Precautions should be taken so

that the grounding or polarization of an appliance is not

defeated.

14. AC outlet

Do not connect audio equipment to the AC outlet on the

rear panel if that equipment requires more power than the

outlet is rated to provide.

For U.K. customers

If the socket outlets in the home are not suitable for the plug

supplied with this appliance, it should be cut off and an appro-

priate 3 pin plug fitted. For details, refer to the instructions

described below.

Note: The plug severed from the mains lead must be de-

stroyed, as a plug with bared flexible cord is hazardous if

engaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN THE MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the main lead of this apparatus

may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured

BLACK. The wire which is coloured BROWN must be

connected to the terminal which is marked with the letter L or

coloured RED. Make sure that neither core is connected to

the earth terminal of the three pin plug.

This unit is not disconnected from the AC power source as

long as it is connected to the wall outlet, even if this unit

itself is turned off. This state is called the standby mode. In

this state, this unit is designed to consume a very small

quantity of power.

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English

FEATURES ON SOUND EFFECT

This unit incorporates a sophisticated, multi-program digital

sound field processor. The processor allows you to electroni-

cally expand and change the shape of the audio sound field

from both audio and video sources, creating a theater-like

experience in your listening room. This unit has a total of 8

digital sound field processor (DSP) modes. You can create an

excellent audio sound field by selecting a suitable sound field

(this will, of course, depend on what you will be listening to),

and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround

decoder and Dolby Digital decoder for multi-channel sound

reproduction of Dolby Surround encoded video sources. The

operation of the Dolby Pro Logic Surround or Dolby Digital

decoder can be controlled by selecting a corresponding DSP

program including combined operations of the YAMAHA DSP

and the Dolby Pro Logic Surround or Dolby Digital decoder.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but chances are you’ll still

notice something missing, the acoustic environment of the live

concert hall. Extensive research into the exact nature of the

sonic reflections that create the ambience of a large hall has

made it possible for YAMAHA engineers to bring you this same

sound in your listening room, so you’ll feel all the sound of a

live concert.

Furthermore, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of actual concert halls, theaters, etc.

from around the world, to allow you to accurately re-create any

one of these live performance environments, all in your home.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar

to professional Dolby Stereo decoders used in many movie

theaters. By using the Dolby Pro Logic Surround decoder, you

can experience the dramatic realism and impact of Dolby

Surround movie theater sound in your own home. Dolby Pro

Logic employs a four channel five speaker system. The Pro

Logic Surround system divides the input signal into four levels:

the left and right main channels, the center channel (used for

dialog), and the rear surround sound channels (used for sound

effects, background noise, and other ambient noises). The

center channel allows listeners seated in even less-than-ideal

positions to hear the dialog originating from the action on the

screen while experiencing good stereo imaging.

Dolby Surround is encoded on the sound track of pre-recorded

video tapes, laser discs, and some TV/cable broadcasts. When

you play a source encoded with Dolby Surround on this unit,

the Dolby Pro Logic Surround decoder decodes the signal and

distributes the surround-sound effects.

This Dolby Pro Logic Surround decoder employs a digital signal

processing system. This system improves the stability of sound

at each channel and crosstalk between channels, so that

positioning of sounds around the room is more accurate

compared with conventional analog signal processing systems.

In addition, this unit features a built-in automatic input balance

control. This always assures you the best performance without

manual adjustment.

Dolby Digital

The built-in Dolby Digital decoder leads you into a totally new

sound experiences.

Dolby Digital is a new generation of multi-channel digital audio

technology, or the newest spatial sound processing format

developed for 35 mm film-movies by employing a new kind of

low bit-rate audio coding.

Dolby Digital is a digital surround sound system that provides

completely independent multi-channel audio to consumers. In

multi-channel form, Dolby Digital provides five full range

channels in what is sometimes referred to as a “3/2” configura-

tion: three front channels (left, center and right), plus two

surround channels. A sixth bass-only effect channel is also

provided for output of LFE (low frequency effect), or low bass

effects that are independent of other channels. This channel is

counted as 0.1, thus giving rise to the term 5.1 channels in

total.

Compared to Dolby Pro Logic that is referred to a “3/1” system

(left front, center, right front and just one surround channel),

Dolby Digital features two surround channels, called stereo or

split surrounds, each offering the same full range fidelity as the

three front channels.

Sound of wide dynamic range reproduced by the five full range

channels presents listeners much excitement that has never

been experienced before. Precise sound orientation by the

discrete digital sound processing expands realism that the

original movie possesses.

LD and DVD are home audio formats that could benefit from

Dolby Digital. In the near future, Dolby Digital will also be

applied to DBS, CATV and HDTV. The ongoing release of

Dolby Stereo Digital theatrical films now underway will provide

an immediate source of Dolby Digital encoded video software.

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Manufactured under license from Dolby Laboratories Licensing

Corporation. “Dolby”, “Pro Logic”, and the double-D symbol are

trademarks of Dolby Laboratories Licensing Corporation.

The following original functions make the surround-sound effect

of Dolby Digital become the most suitable for your audio

system and the listening conditions.

• Dynamic range (sound scale) of source can be changed

so that it will be suitable for the listening conditions.

• Output of low bass from any channel can be assigned to

either the MAIN SPEAKERS terminals or SUBWOOFER

terminal to maximize system performance.

• Output of LFE can be assigned to either the MAIN

SPEAKERS terminals or SUBWOOFER terminal to

maximize system performance.

Dolby Surround + DSP (CINEMA DSP)

Dolby Surround sound system shows its full ability in a large

movie theater, because movie sounds are originally designed to

be reproduced in a large movie theater using many speakers.

It is difficult to create a sound environment similar to that of a

movie theater in your listening room, because the room size,

materials of inside walls, the number of speakers, etc. of your

listening room is much different from those of a movie theater.

YAMAHA DSP technology made it possible to present you with

nearly the same sound experience as that of a large movie

theater in your listening room by compensating for lack of

presence and dynamics in your listening room with its original

digital sound fields combined with Dolby Surround sound field.

CINEMA DSP

The YAMAHA “CINEMA DSP” logo indicates those programs

are created by the combination of Dolby Surround and

YAMAHA DSP technology.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the

rear surround side of the Dolby Pro Logic Surround-decoded

sound field respectively. They create a wide acoustic

environment and emphasize surround-effect in the room,

letting you feel much presence as if you are watching a

movie in a popular Dolby Stereo theater.

This combination is available when the sound field program

DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER or TV SPORTS is selected, and the input signal of

source is analog, PCM audio or encoded with the Dolby

Digital in 2-channel.

Dolby Digital + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the

independent left and right surround sides of the Dolby Digital-

decoded sound field respectively. They create a wide

acoustic environment and much surround effect in the room

without losing high channel separation. With wide dynamic

range of Dolby Digital sound, this sound field combination lets

you feel as if you are watching a movie in the newest Dolby

Stereo Digital theater. This will be the most ideal home

theater sound at the present time.

This combination is available when the sound field program

DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER or TV SPORTS is selected, and the input signal of

source is encoded with the Dolby Digital (except in 2-chan-

nel).

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English

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

1 STANDBY/ON

Press this switch to turn the power of this unit on. Press it

again to turn this unit into the standby mode.

Standby mode

In this state, this unit consumes a very small quantity of

power to receive infrared-signals from the remote control

transmitter.

2 Remote control sensor

Receives signals from the remote control transmitter.

3 Display

Shows various information. (For details, refer to page 9.)

4 MEMORY (MAN’L/AUTO FM)

Press this button to store the broadcasting stations.

When this button is pressed and held for more than three

seconds, the automatic preset tuning begins.

5 EDIT

This button is used to exchange the places of two preset

stations with each other.

6 TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode to automatic or

manual. To select the automatic tuning mode, press this button

so that the “AUTO TUNING” indicator lights up on the display.

To select the manual tuning mode, press this button so that the

“AUTO TUNING” indicator goes off.

7 FM/AM

Press this button to switch the reception band to FM or AM.

8 TUNING UP/DOWN

This button is used for tuning. Press the UP side to tune in to

higher frequencies, and press the DOWN side to tune in to

lower frequencies.

9 TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD

MON” indicator lights up on the display.

When you press the button next, the “TAPE/MD MON” indicator

goes off and “EXT. DECDR” appears on the display and you

can play the signal connected to the EXTERNAL DECODER

INPUT terminals.

0 INPUT

Turn this selector to select the program source (VCR, VIDEO

AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) to listen to or

watch.

The name of the selected program source appears on the

display.

STANDBY/ON

TAPE/MD MON

/EXT. DECODER

–dB

0

2

4

8

12

18

20

22

40

80

1

0

2

3

4

55

4

3

2

1

2

3

4

3

2

1

BALANCETREBLEBASS

VIDEO AUX

PHONES

SPEAKERS

A

B

ON OFF

EON

START

PROGRAM

INPUT

VCR • V

–

AUX • TV

/

DBS • DVD

/

LD • CD • TUNER • PHONO

VOLUME

L

NATURAL SOUND AV RECEIVER

CINEMA DSP

8 VIDEO VIDEO

AUDIO R

A

/

B

/

C

/

D

/

E1 2

3

4

5

678

TUNING

MODE

MEMORY EDIT

FM/AM

DOWN

TUNING

UP

INPUT MODE

0

1

0

2

3

4

5 RL 5

4

3

2

1

RDS

MODE

TIME/

LEVEL

SET

MENU

EFFECT

PTY SEEK

MODE

55

MAN’L

/

AUTO FM AUTO

/

MAN’L MONO

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q INPUT MODE

Switches the DVD/LD and TV/DBS input signal mode (AUTO/

ANALOG).

w VOLUME

This control is used to raise or lower the volume level.

e PHONES jack

When you use headphones, connect the headphones to the

PHONES jack. You can listen to the sound to be output from

the main speakers through headphones.

When using headphones only, set both SPEAKERS A and B to

the OFF position and switch off the digital sound field processor

(so that no DSP program name appears on the display) by

pressing EFFECT.

PHONES

r SPEAKERS

Set A or B (or both A and B) to the ON position for the main

speaker system (connected to this unit) you will use. Set it (or

them) for the main speaker system you will not use to the OFF

position.

t A/B/C/D/E

Press this button to select a group (A to E) of preset stations.

y Preset station number selector

Select a preset station number (1 to 8).

u Tone controls

These controls are effective only for the sound from the main

speakers.

BASS

Used to increase or decrease the low frequency response. The

“0” position produces flat response.

TREBLE

Used to increase or decrease the high frequency response.

The “0” position produces flat response.

i BALANCE

This control is effective only for the sound from the main

speakers.

Adjusts the balance of the output volume to the left and right

speakers to compensate for sound imbalance caused by

speaker location or listening room conditions.

o RDS MODE

When an RDS station is received, pressing this button changes

the display mode into the PS mode, PTY mode, RT mode and/

or CT mode (if the station employs those RDS data services) in

turn.

p PTY SEEK MODE

When this button is pressed, the unit turns into the PTY SEEK

mode.

a PTY SEEK START

Press this button to begin searching for a station after the

desired program type is selected in the PTY SEEK mode.

s EON

Press this button to select a desired program type (NEWS,

INFO, AFFAIRS, SPORT) when you want to call a radio

program of that program type automatically.

d TIME/LEVEL

Press this button to select the setting of delay time or speaker

output levels in the TIME/LEVEL mode.

f +/–

These buttons are used to adjust settings of the SET MENU

mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,

press + to increase delay time or speaker output levels. Press

– to decrease delay time or speaker output levels.

g SET MENU

Press this button to select functions in the SET MENU mode.

h PROGRAM selector

Press

or to select the DSP program.

The name of the selected program appears on the display.

j EFFECT

Switches on and off the output from the center and rear

speakers so that the sound becomes normal 2-channel.

* Even if the output from the center and rear speakers is off,

when the Dolby Digital is decoded, the signals at all channels

are distributed to the main channels and output from the main

speakers.

k VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a

camcorder to these terminals. If the connected video unit has a

S video output terminal, connect it to the S VIDEO terminal to

obtain a high resolution picture. The source connected to these

terminals can be selected by INPUT.

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English

1 Multi-information display

Displays various information, for example station frequency,

preset station number and name of selected input source.

2 MEMORY indicator

When MEMORY is pressed, this indicator flashes for about five

seconds. During this period, the displayed station can be

stored to the memory.

3 AUTO TUNING indicator

Lights up when this unit is in the automatic tuning mode.

4 TAPE/MD MON indicator

Lights up when the tape deck (or MD recorder etc.) is selected as

the input source by pressing TAPE/MD MON / EXT. DECODER

on the front panel or TAPE/MD on the remote control transmitter.

5 STEREO indicator

Lights up when an FM stereo broadcast with sufficient signal

strength is received.

6 Signal-level meter

Indicates the signal level of the received station.

If multipath interference is detected, the indication decreases.

7 RDS mode indicators

The name(s) of RDS mode(s) employed by the currently

received RDS station light(s) up. Illumination of the indicator on

the head of a name shows that the corresponding RDS mode is

now selected.

DISPLAY PANEL

8

, and indicators

“

” lights up when the built-in Dolby Digital decoder is

on and the signals of selected source encoded with the Dolby

Digital is not in 2-channel. “ ” lights up when the built-in

digital sound field processor is on, and “

” lights up

when the built-in Dolby Pro Logic Surround decoder is on.

Depending on the selected DSP program, both “ ” and

“ ”, or both “ ” and “ ” will light up.

9 PTY HOLD indicator

Lights up while the search is performed in the PTY SEEK

mode.

0 EON indicator

Lights up when an RDS station that employs the EON data

service is received.

q Program type name indicators

The name selected in the EON mode lights up.

w SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

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SPEAKER SETUP

This unit is designed to provide the best sound-field quality with

a 5-speaker configuration, using main speakers, rear speakers

and a center speaker.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it is

not practical to use a center speaker, you can do without it.

Best results, however, are obtained with the full system.

The main speakers should be high performance models and

have enough power handling capacity to accept the maximum

output of your audio system.

Other speakers do not have to be equal to the main speakers.

For precise sound localization, however, it is ideal to use high

performance models that can reproduce sounds in the full

range for the center speaker and the rear speakers.

5-Speaker Configuration

This configuration is the most effective and recommended one.

When playing back a source using the DSP program,

DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC

ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE

THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV

SPORTS, or when playing back a source which contains

center-channel signals (dialog, vocals, etc.) using any DSP

program with the Dolby Digital decoded, conversations will be

output from the center speaker and the ambience will be

excellent.

Note: Set the CNTR (CENTER SPEAKER) mode to the

“LARGE” or “SMALL” position. (For details, see

page 20.)

SPEAKER CONFIGURATION

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the

addition of a subwoofer and amplifier. The use of a subwoofer

is effective not only for reinforcing bass frequencies from any or

all channels, but also for reproducing the LFE (low frequency

effect) sound with high fidelity when playing back a source with

the Dolby Digital decoded. You may wish to choose the

convenience of a YAMAHA Active Servo Processing Subwoofer

System, which has its own built-in power amplifier.

4-Speaker Configuration

The center speaker is not used in this configuration. When

playing back a source using the DSP program, DOLBY PRO

LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/

DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/

DIGITAL MOVIE THEATER, MONO MOVIE or TV SPORTS, or

when playing back a source which contains center-channel

signals (dialog, vocals, etc.) using any DSP program with the

Dolby Digital decoded, the center sound is output from the left

and the right main speakers. However, the sound effect of

other programs will be the same as that of the 5-speaker

configuration.

Note: Be sure to set the CNTR (CENTER SPEAKER) mode to

the “NONE” position. (For details, see page 20.)

Main L Center Main R

Surround sound

Dialog

Surround sound

Rear L

Rear R

Main L Main R

Surround sound

Dialog

Surround sound

Rear L Rear R

SPEAKERS TO BE USED

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SPEAKER PLACEMENT

When you place the speakers, refer to the following diagram:

Main: The position of your present stereo speaker

system.

Rear: Behind your listening position, facing slightly

inward. Nearly 1.8 m (approx. 6 feet) up from the

floor.

Center: Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically

shielded speaker.)

Subwoofer: The position of the subwoofer is not so critical

because low bass tones are not highly directional.

Main speaker

Center speaker Rear speaker

Subwoofer

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CONNECTIONS

Never plug in this unit and other components until all connections are completed.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L

(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure

to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

, : See the next page.

Turntable Monitor TV DVD player, LD player, etc.

CD player Tape deck,

MD recorder, etc.

TV/DBS tuner VCR

(Video cassette recorder)

To AC outlet

(Europe model)

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R

L

R

L

SWITCHED AC OUTLET(S)

(Europe model) .................................. 2 SWITCHED OUTLETS

(U.K. model) ..........................................1 SWITCHED OUTLET

Use these to connect the power cords from your components to

this unit.

The power to the SWITCHED outlets is controlled by this unit’s

STANDBY/ON or the provided remote control transmitter’s

POWER and STANDBY. These outlets will supply power to

any component whenever this unit is turned on.

The maximum power (total power consumption of components)

that can be connected to the SWITCHED AC OUTLET(S) is

100 watts.

GND terminal (For turntable use)

Connecting the ground wire of the turntable to the GND

terminal will normally minimize hum, but in some cases better

results may be obtained with the ground wire disconnected.

CONNECTING TO AN EXTERNAL DECODER

When using the DTS or other decoder with 6-channel discrete outputs, connect the 6CH DISCRETE OUTPUT terminals of the

decoder to the EXTERNAL DECODER INPUT terminals of this unit.

DTS or other decoder with 6-channel

discrete outputs

DVD player, LD player or other

unit with digital outputs

(Europe model)

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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with

coaxial or optical digital audio signal output terminals, they can

be connected to this unit’s COAXIAL and/or OPTICAL digital

signal input terminals.

To make a connection between optical digital audio signal

terminals, remove the cover from each terminal, and then

connect them by using a commercially available optical fiber

cable that conforms to EIAJ standards. Other cables might not

function correctly.

Even if you connect an audio/video unit to the COAXIAL (or

OPTICAL) terminal of this unit, you must keep the unit con-

nected with the same named analog audio signal terminals of

this unit, because digital signal cannot be recorded by a tape

deck or VCR connected to this unit. You can switch the

selection of input signals between “digital” and “analog” easily.

(See page 27 for details.)

Notes

• When connecting an audio/video unit to both of the digital

and analog terminals of this unit, make sure to connect to

both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals

are not being used, in order to protect the terminals from

dust.

• The input signal from the DVD/LD input terminals is selected

in the following order of priority.

(input mode: AUTO position)

1 COAXIAL terminal

2 OPTICAL terminal

3 ANALOG terminal

• All digital audio signal input terminals are applicable to the

sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.

DVD or LD player TV/DBS tuner

R

L

(Europe model)

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CONNECTING TO S VIDEO TERMINALS

If you have a VCR and a monitor equipped with “S” (high-

resolution) video terminals, those terminals can be connected

to this unit’s S VIDEO terminals. Connect the VCR’s “S” video

input and output terminals to this unit’s S VIDEO VCR OUT and

IN terminals respectively, and connect the monitor’s “S” video

input terminal to this unit’s S VIDEO MONITOR OUT terminal.

Otherwise, connect the VCR’s composite video terminals to this

unit’s composite VIDEO terminals, and connect the monitor’s

composite video input terminal to this unit’s composite

MONITOR OUT terminal.

Note

If video signals are sent to both S VIDEO input and com-

posite input terminals, the signals will be sent to their

respective output terminals.

Monitor TV

VCR

Camcorder

CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)

These terminals are used to connect any video input source, such as a camcorder, to this unit.

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Note

Use speakers with the specified impedance shown on the

rear panel of this unit.

Note on main speaker connections:

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either the

SPEAKERS A or B terminals.

Note on a subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel.

If you have a subwoofer with built-in amplifier, including the

YAMAHA Active Servo Processing Subwoofer System, connect

the SUBWOOFER OUTPUT terminal of this unit to the input

terminal of the subwoofer system.

If you have an amplifier and a subwoofer, connect the

SUBWOOFER OUTPUT terminal of this unit to the input

terminal of the subwoofer amplifier, and then connect the

speaker terminals of the subwoofer amplifier to the subwoofer.

Note on center speaker connection:

Center speaker can be connected to this unit. Place it on or

under the TV.

CONNECTING SPEAKERS

Rear speakers

Subwoofer system

Center speaker

Right

Left

Main speakers A Main speakers B

Right

Left

Right Left

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OUTPUT TERMINALS (FOR DRIVING SPEAKERS WITH EXTERNAL AMPLIFIERS)

MAIN OUTPUT terminals

These terminals are for the main channel line output. There is

no connection to these terminals when you use the built-in

amplifier.

However, if you drive the main speakers with an external stereo

power amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of a power amplifier or an

integrated amplifier) to these terminals.

* Output signals from the MAIN OUTPUT terminals are

affected by the use of BASS, TREBLE, and BALANCE.

CENTER OUTPUT terminals

These terminals are for the center channel line output. There is

no connection to these terminals when you use the built-in

amplifier.

How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –

markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage this unit and/or speakers.

For connecting to the MAIN SPEAKERS

terminals

Red: positive (+)

Black: negative (–)

1 Unscrew the knob.

2 Insert the bare wire.

[Remove approx. 5 mm

(1/4”) insulation from the

speaker wires.]

3 Tighten the knob and

secure the wire.

1 Press the tab.

2 Insert the bare wire.

[Remove approx. 5 mm

(1/4”) insulation from

the speaker wires.]

3 Release the tab and

secure the wire.

However, if you drive a center speaker with an external power

amplifier, connect the input terminal of the external amplifier to

this terminal.

If you are placing two center speakers on each side of the TV,

use two amplifiers and connect each amplifier to one of the two

CENTER OUTPUT terminals. Then connect the center

speakers to the amplifiers.

REAR (SURROUND) OUTPUT terminals

These terminals are for the rear channel line output. There is

no connection to these terminals when you use the built-in

amplifier.

However, if you drive the rear speakers with an external stereo

power amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of a power amplifier or an

integrated amplifier) to these terminals.

SUBWOOFER OUTPUT terminal

This terminal is for connecting to the input terminal of an

amplifier for driving a subwoofer.

When the input signals to this unit are in normal 2-channel

stereo, this terminal outputs only frequencies below 90 Hz from

the main and center channels. When discrete signals are input

to this unit and are selected as the input source, this terminal

outputs signals from the subwoofer channel.

Note

Output levels of signals from all of these terminals are

adjusted by the use of VOLUME on the front panel or

VOLUME (

) on the remote control transmitter.

1

2

3

2

3

1

For connecting to the REAR and CENTER

SPEAKERS terminals

Red: positive (+)

Black: negative (–)

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IMPEDANCE SELECTOR SWITCH

Select the position whose requirements your speaker system

meets.

(Upper position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 4Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8Ω or higher.

Center: The impedance of the speaker must be 6Ω or higher.

Rear: The impedance of each speaker must be 6Ω or higher.

(Lower position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 8Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 16Ω or higher.

Center: The impedance of the speaker must be 8Ω or higher.

Rear: The impedance of each speaker must be 8Ω or higher.

WARNING

Do not change the IMPEDANCE SELECTOR switch setting

while the power of this unit is on, otherwise this unit may be

damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/

ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR

switch may not be fully set to either end. If so, set the switch

to either end fully.

IMPEDANCE SELECTOR

(Europe model)

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Connecting the AM loop antenna

* The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.

* The AM loop antenna always should be connected, even if an outdoor AM antenna is connected to this unit.

PHONO

75

Ω

UNBAL.

FM

ANT

GND

AM

ANT

GND

1

3

2

ANTENNA CONNECTIONS

Each antenna should be correctly connected to the designated terminals, referring to the following diagram.

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal

strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor

reception quality, an outdoor antenna may result in improvement.

GND TERMINAL

For maximum safety and minimum interference, connect the

GND terminal to a good earth ground. A good earth ground is a

metal stake driven into moist earth.

Notes

• When connecting the indoor FM

antenna, insert its connector into

the FM ANT terminal firmly.

• If you need an outdoor FM antenna

to improve FM reception quality,

either 300-ohm feeder or coaxial

cable may be used. In locations

troubled by electrical interference, coaxial cable is preferable.

Orient so that the best

reception is obtained.

12 3

Outdoor FM antenna

75-ohm/300-ohm

antenna adapter

75-ohm coaxial cable

75-ohm/300-ohm

antenna adapter

300-ohm feeder

Ground

AM loop

antenna

(included)

Outdoor AM antenna

Indoor FM

antenna

(included)

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ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you the following five functions to determine the method of distributing output signals to speakers suitable for

your audio system. When speaker connections are all completed, select a proper position on each function to make the best use of

your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 46.)

1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKER) 3. MAIN (MAIN SPEAKER)

4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)

DESCRIPTION OF EACH FUNCTION

1. CNTR (CENTER SPEAKER)

Choices: LARGE/SMALL/NONE

Preset position: LARGE

LARGE: Select this position when your center speaker is

approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker

that is smaller than the main speakers.

In this position, low bass signals (below 90 Hz) at the

center channel are output from the main speakers (or

the SUBWOOFER OUTPUT terminal if the SMALL

position is selected on “3. MAIN” and the SW position

is selected on “4. BASS”).

NONE: Select this position when you do not have a center

speaker. The center channel sound will be output

from the left and right main speakers.

2. REAR (REAR SPEAKER)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your rear speakers have a high

ability for bass reproduction, or a subwoofer is

connected to the rear speaker in parallel.

In this position, full range signals are output from the

rear speakers.

SMALL: Select this position if your rear speakers do not have

a high ability for bass reproduction.

In this position, low bass signals (below 90 Hz) at the

rear channels are output from the SUBWOOFER

OUTPUT terminal (or the main speakers if the MAIN

position is selected on “4. BASS”).

3. MAIN (MAIN SPEAKER)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your main speakers have a

high ability for bass reproduction.

In this position, full range signals present at the main

channels are output from the main speakers.

SMALL: Select this position if your main speakers do not

have a high ability for bass reproduction. However, if

your system does not include a subwoofer, do not

select this position.

In this position, low bass signals (below 90 Hz) at the

main channels are output from the SUBWOOFER

OUTPUT terminal if the SW or BOTH position is

selected on “4. BASS”.

4. BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH

Preset position: SW

MAIN: Select this position if your system does not include a

subwoofer.

In this position, full range signals present at the main

channels, signals from the LFE channel and other

low bass signals that are selected on “1. CNTR” to

“3. MAIN” to be distributed from other channels are

output from the main speakers.

SW/BOTH:

Select either the SW or BOTH position if your

system includes a subwoofer.

In either position, signals at LFE channel and other

low bass signals that are selected on “1. CNTR” to

“3. MAIN” to be distributed from other channels are

output from the SUBWOOFER OUTPUT terminal.

When the LARGE position is selected on “3. MAIN”,

in the SW position, no signal is distributed from the

main channels to the SUBWOOFER OUTPUT

terminal, however in the BOTH position, low bass

signals from the main channels are output to both of

the main speakers and the SUBWOOFER OUTPUT

terminal.

5. M.LVL (MAIN LEVEL)

Choices: NORMAL (NRML)/–10 dB

Preset position: NORMAL (NRML)

NORMAL (NRML):

Normally select this position.

–10 dB: Select this position if the sound output from the main

speakers is too loud and cannot be balanced with

the sound output from the center and rear speakers.

In this position, the sound output from the main

speakers is attenuated.

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