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PM1D System Software V1.4 Supplementary Manual

Contents

New functionality in system software V1.4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Digital gain for input channels / insert inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Digital gain added to 2TR IN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

BALANCE control for input channels / ST IN channels . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Temporary monaural setting for paired input channels / ST IN channels . . . . . . . . . . . . 9

Front panel operating procedure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Screen operating procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Operation when monaural is selected . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

M/S decoding. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Tracking Recall function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

New functionality in system software V1.4

Thank you for purchasing the CS1D. This booklet

explains the functionality that was added or changed in

version 1.4 of the PM1D software.

New functionality in system software V1.4

The following functionality and speciﬁcations have been

added in version 1.4 of the PM1D system software.

•

Digital gain has been added to input channels/

insert inputs

Digital gain has been added to input channels and

insert inputs, allowing you adjust the input sensitiv-

ity in the digital domain. Digital gain can be used in

input channels and insert inputs to which an AD

card, digital I/O card, 2TR IN, GEQ, or EFF are

assigned.

Digital gain has been added to the six 2TR IN inputs.

The sensitivity of the signal that is input to each 2TR

IN can be adjusted in the digital domain, indepen-

dently for L and R.

•

BALANCE has been added to PAN mode of the

input channels

The PAN parameter of an input channel can now be

switched to a BALANCE parameter.

For adjacent odd-numbered/even-numbered input

channels, you can switch the PAN parameter to a

BALANCE parameter.

•

New capability to temporarily set paired input

channels/ST IN channels to monaural

The signals from paired input channels or ST IN

channels can now be converted into monaural. As

the monaural conversion method, you can select L-

MONO (only the signal of the odd-numbered chan-

nel), R-MONO (only the signal of the even-num-

bered channel), or L,R-MONO (the signals of both

channels mixed).

•

M/S decoding functionality

“M/S decoding functionality” has been added, allow-

ing a two-channel signal input from a MS mic to be

converted into a L/R signal

•

Tr acking Recall function

The newly added “Tracking Recall” function lets you

add a previously-speciﬁed offset value to the value of

each fader when you recall a scene.

Changes

•

In the PAN/ROUTING function CH to MIX

screen, the send level knob to the MATRIX bus is

now displayed in gray to match the color of the

encoder on the CS1D. This makes it easier to dis-

tinguish the MIX send level knob from the send

level knob of the MATRIX/ST ROUTING func-

tion that sends the signal to the MATRIX bus.

•

The rotational angle of the encoder-type knobs in

the screen now matches the angle of the encoder

knobs of the CS1D front panel. The index mark-

ings have changed in conjunction with this.

•

Since V1.4 adds BALANCE to the PAN mode, the

line in the screen that indicates the encoder knob

position is now displayed in red for PAN (same as

before) and white for BALANCE, to make it eas-

ier to distinguish the setting. In the MATRIX/ST

function MATRIX/ST ROUTING screen as well,

the encoder knob positions are displayed in red

for PAN (same as before) and white for BAL-

ANCE.

Digital gain for input channels/insert inputs

Digital gain has been added to input channels or insert

inputs that are assigned to AD cards, digital I/O cards,

2TR IN, GEQ, or EFF. By using this, the input sensitivity

can be adjusted in the digital domain even for input

sources that do not have an analog head amp.

Since digital gain has been added, the input channel/

insert input displays in the IN HA/INSERT, IN CH

VIEW, INPUT UNIT, and MONITOR A/MONITOR B

screens have changed as follows.

■

If an AD card (LMY4-AD) is assigned

Digital gain

PM1D Manager for Windows Operating manual

■

If a digital I/O card (MY card) is assigned

■

If 2TR IN is assigned

■

If the output of an effect return is assigned

■

If a GEQ output is assigned

Digital gain can be used to adjust the input sensitivity in

a range of +10 dB– –20 dB (the knob will not turn any

further to the right beyond –20 dB).

Only in the case of the digital gain for an input channel,

you can also use the [GAIN] encoder of the CS1D's

INPUT block to adjust the setting. In this case as well,

the adjustable range for the input is +10 dB– –20 dB (the

knob will not turn any further to the right beyond –20

dB). Internally, the input sensitivity is adjusted in a gain

range of –10 dB to +20 dB. If you want a digital source to

be input at nominal level, set the GAIN knob in the

screen to 0 dB.

If a mic/line input card (LMY2-ML) is assigned to

an input channel/insert input, the screen will show

an analog gain knob (range: +10 dB– –68 dB), just

as in the previous software version.

If TB (talkback) is assigned to an input channel/

insert input, the input level will be adjusted by the

panel TALKBACK [LEVEL] volume, just as in the

previous software version.

Digital gain

GAIN

-68+10

GAIN

-68+10

Digital gain for input channels/insert inputs

If 2TR IN is assigned to an input channel/insert

input, the gain settings of the 2TR IN screen and

the HA/INSERT screen will be linked. These set-

tings cannot be set to different positions.

The digital gain of an input channel/insert input to

which 2TR IN is assigned will not be saved in the

scene memory.

Hint

Settings for the digital gain of an input card are saved

in the unit library. Also, if the UNIT parameters of

the corresponding channel are set to Recall Safe, the

Recall Safe setting will also apply to the digital gain of

the input card.

Settings for the digital gain of EFF/GEQ are saved in

the scene memory. If the corresponding internal

effect/GEQ is set to Recall Safe, the Recall Safe setting

will also apply to the digital gain of the correspond-

ing EFF/GEQ.

Procedure

To adjust the digital gain of an input channel/insert

input, use the following procedure.

1. In the INPUT PATCH screen (IN PATCH function),

assign either an ML card or a source other than TB

to the desired input channel/insert input.

2. Access the corresponding screen of the IN HA/

INSERT function.

The following illustration shown an example of

when an AD card (LMY4-AD) is assigned to the

input channel/insert input.

3. Move the cursor to the GAIN knob in the screen,

and turn the [DATA] encoder to adjust the digital

gain.

In the case of an input channel, you can also use the

[GAIN] encoder in the INPUT block of the CS1D, or

the [GAIN] encoder in the SELECTED INPUT

CHANNEL block.

4. If you want to link the gain setting of adjacent

channels, click GAIN GANG switch to turn it on.

If the GAIN GANG button is on, adjacent odd-num-

bered/even-numbered channels will have their gain

setting linked (while maintaining the offset value).

You can also use the GAIN GANG button to link

analog gain and digital gain. However, when either

the analog gain or the digital gain reaches the limit

of its adjustment, neither channel will be adjustable

beyond this point.

PM1D Manager for Windows Operating manual

Digital gain added to 2TR IN

Digital gain has been added to the six 2TR IN inputs,

allowing you to adjust the input sensitivity in the digital

domain. The sensitivity of the signal that is input to each

2TR IN can be adjusted independently for L and R.

In conjunction with this, the display in the 2TR IN

screen (MON/CUE function) has changed as follows.

Hint

Digital gain is valid even if ANALOG is selected as

the source for 2TR IN 1 or 2TR IN 2. In this case, the

setting adjusts the sensitivity after AD conversion.

BALANCE control for input channels/ST IN channels

As necessary, you can now control the BALANCE

parameter instead of the PAN parameter for adjacent

odd-numbered/even-numbered input channels or ST IN

channels.

To do this, access the PAN/ROUTING function CH to

MIX screen, and turn on the PAN MODE section BAL-

ANCE button.

When the BALANCE button is on, the signal ﬂow from

those two channels to the various buses will change as

follows.

■

STEREO bus

The PAN parameter that sends the signal to the STEREO

bus will change to a BALANCE parameter. (A BAL knob

will be displayed instead of a PAN knob in the PAN/

ROUTING function CH to MIX screen.)

In this case, the signal of the odd-numbered input chan-

nel will be sent only to the L channel, and the signal of

the even-numbered input channel will be sent only to

the R channel. The BAL knob will adjust the volume of

the two channels in tandem.

BALANCE button

STEREO L

STEREO R

BALANCE

INPUT CHANNEL 1

INPUT CHANNEL 2

BALANCE control for input channels/ST IN channels

■

VARI type MIX bus

If a VARI type MIX bus is paired, the PAN parameter of

the MIX bus will change to a BALANCE parameter. (A

BAL knob will be displayed instead of a PAN knob in the

PAN/ROUTING function CH to MIX screen.)

In this case, the signal of the odd-numbered input chan-

nel will be sent only to the odd-numbered MIX bus, and

the signal of the even-numbered input channel will be

sent only to the even-numbered MIX bus. The BAL

knob will adjust the volume of the two signals in tan-

dem.

In addition, if the VARI PAN LINK button is on for

either of these two channels, the MIX bus BAL knob will

be linked with the STEREO bus BAL knob. If you oper-

ate either BAL knob of the STEREO bus or MIX bus, the

remaining three BAL knobs will operate in tandem.

Hint

Even if the BALANCE button is on, the signal that is

sent from those input channels to a VARI type MIX

bus will not be affected unless the MIX bus is paired.

■

FIX type MIX bus

If the FIXED MIX PAN button is on for either of the two

channels whose PAN MODE is set to BALANCE, the sig-

nal that ﬂows from the corresponding input channel

through the BALANCE parameter will be sent to the FIX

type MIX bus. At this time, the signal of the odd-num-

bered input channel will be sent only to the odd-num-

bered MIX bus, and the signal of the even-numbered

input channel will be sent only to the even-numbered

MIX bus.

BAL knob

MIX 1 (VARI)

MIX 2 (VARI)

BALANCE

INPUT CHANNEL 1

INPUT CHANNEL 2

STEREO L

STEREO R

INPUT CHANNEL 1

INPUT CHANNEL 2

BALANCE

STEREO L

STEREO R

MIX 1

MIX 2

PM1D Manager for Windows Operating manual

Hint

Even if the BALANCE button is on, the signal that is

sent from those input channels to a FIX type MIX

bus will not be affected if the FIXED MIX PAN but-

ton is turned off for both channels.

In addition, the operation will change as follows if the

PAN MODE “BALANCE” button is on.

•

Of the two channels for which the BALANCE button

is turned on, if you save one of the channels in the

channel library, the PAN MODE setting will be saved

for the other channel even if it is not paired.

•

When you recall data from the channel library, the

PAN MODE or PAN value will not be recalled if the

PAN MODE setting differs between the recall source

and recall destination. However only if the recall des-

tination is paired, the PAN MODE and PAN value

will be recalled.

•

When you copy channel data, the PAN MODE and

PAN value will not be copied if the PAN MODE set-

ting differs between the copy source and copy desti-

nation. However, the PAN MODE and PAN value

will be copied only if the copy destination is paired.

•

When recalling a channel library or copying a chan-

nel, if the channel that is not being recalled or copied

is set to a PAN mode of BALANCE or if VARI PAN

LINK is turned on, the MIX “BALANCE” value will

be the same as the TO ST “BALANCE” in order to

avoid inconsistencies between the TO ST value and

MIX BALANCE value of the recalled or copied chan-

nels.

•

When recalling scene data from a scene memory, and

the PAN MODE setting of odd-numbered/even-

numbered input channels does not match because

one of the channels is set to Recall Safe, the PAN

MODE or PAN values will not be recalled.

•

For an input channel whose MIX send is set to Recall

Safe, the PAN/BALANCE of the MIX send will also

be subject to Recall Safe. For this reason if the PAN

MODE settings of the recall source and recall desti-

nation do not match, it will not be possible to recall

the PAN MODE or PAN/BALANCE values.

•

In the case of an input channel in which the PAN

MODE is BALANCE and the MIX send is set to

Recall Safe, recalling a scene in which “PAN

MODE=BALANCE, VARI PAN LINK=on” will cause

the BALANCE value of the STEREO send to be

recalled, but the BALANCE of the MIX send will be

subject to Recall Safe. In this state, it is possible that

BALANCE values of the STEREO send and MIX

send will be inconsistent, so VARI PAN LINK will

therefore be forcibly switched off. The PAN parame-

ter fade function (INPUT CH PANNING, located in

the SCENE function FADE TIME screen) can also be

used when the BALANCE button is on. However,

you must enable INPUT CH PANNING for both the

odd-numbered and even-numbered channels.

•

If the PAN MODE is switched from PAN to BAL-

ANCE (or vice versa) while the PAN parameter fade

function is being executed, the PAN parameter fade

function will be aborted for that channel.

Procedure

Here's the procedure for operating the BALANCE

parameter of input channels/ST IN channels.

1. Access the PAN/ROUTING function CH to MIX

screen.

2. In the VARI & FIX area, turn on the TO ST button

for adjacent odd-numbered/even-numbered chan-

nels or for a ST IN channel.

3. In the PAN MODE area, turn on the BALANCE but-

ton of the corresponding channels.

The PAN knobs in the screen (position indicator dis-

played in red) will change to BAL knobs (position

indicator displayed in white), and will function as

the balance parameter.

Hint

The BALANCE parameter is valid even if you do not

enable pairing between the input channels.

4. Move the cursor to one of the BAL knobs, and turn

the [DATA] encoder to adjust the value of the BAL-

ANCE parameter.

The BAL knobs of both channels will move in tan-

dem.

The BALANCE parameter can also be controlled

from the INPUT block [PAN] encoder on the CS1D's

front panel, or from the SELECTED INPUT CHAN-

NEL block [PAN] encoder. In this case, the LEDs sur-

rounding the [PAN] encoder will display as follows.

Temporary monaural setting for paired input channels/ST IN channels

The input signal from paired input channels or ST IN

channels can now be temporarily converted to monau-

ral. You can select one of the following three modes.

■

Set to L-MONO

The channels will remain paired, but the signal will tem-

porarily become a monaural signal containing only the

odd-numbered channel.

The [ON] switch of the even-numbered channel will be

forced off, and the PAN (BALANCE) of the odd-num-

bered channel will be set to the center.

■

Set to R-MONO

The channels will remain paired, but the signal will tem-

porarily become a monaural signal containing only the

even-numbered channel.

The [ON] switch of the odd-numbered channel will be

forced off, and the PAN (BALANCE) of the even-num-

bered channel will be set to the center.

■

Set to LR-MONO

The channels will remain paired, but the signal will tempo-

rarily become a monaural signal containing both channels.

The PAN (BALANCE) of both channels will be set to the

center.

PAN

Odd-numbered (L) channel Even-numbered (R) channel

Value of the BALANCE parameter

Always litAlways lit

Fixed at OFF

STEREO L

STEREO R

INPUT CHANNEL 1

INPUT CHANNEL 2

PAN=CENTER

When PAN MODE is other than BALANCE

STEREO L

STEREO R

INPUT CHANNEL 1

INPUT CHANNEL 2

BALANCE=CENTER

When PAN MODE is BALANCE

Fixed at OFF

STEREO L

STEREO R

INPUT CHANNEL 1

INPUT CHANNEL 2

PAN=CENTER

Fixed at OFF

When PAN MODE is other than BALANCE

STEREO L

STEREO R

INPUT CHANNEL 1

INPUT CHANNEL 2

BALANCE=CENTER

When PAN MODE is BALANCE

Fixed at OFF

STEREO L

STEREO R

INPUT CHANNEL 1

INPUT CHANNEL 2

PAN=CENTER

When PAN MODE is other than BALANCE

STEREO L

STEREO R

INPUT CHANNEL 1

INPUT CHANNEL 2

BALANCE=CENTER

When PAN MODE is BALANCE

PM1D Manager for Windows Operating manual

Even if L-MONO or R-MONO is selected, you can

edit the parameters of the channel that was forced

off. (However, the [ON] switch will be ﬁxed at Off

until you defeat the L-MONO or R-MONO setting,

and cannot be changed.)

A new preference setting [L,R-MONO SELECT ON

PANEL] has been added to the UTILITY function

PREFERENCE screen, allowing you to switch to the

LR-MONO setting from the front panel.

In previous versions of the system software, it was

always possible to switch between PAIR and

MONO from the front panel. However, a new pref-

erence setting [PROHIBIT PAIR CHANGE ON

PANEL] has been added to the UTILITY function

PREFERENCE screen, allowing you to enable/dis-

able this function from being operated from the

front panel.

Front panel operating procedure

Here's how paired input channels/ST IN channels can be

temporarily set to monaural from the front panel.

1. Access the UTILITY function PREFERENCE

screen, and turn on the L,R-MONO SELECT ON

PANEL button.

This allows the temporary change from stereo to

monaural to be made from the front panel.

2. Specify pairing for any two adjacent odd-num-

bered/even-numbered input channels.

3. Use the front panel [SEL] switches and [SHIFT]

switches to select one of the following three ways in

which the channels will be temporarily set to mon-

aural.

•While holding down the [SHIFT]

switch Press and hold the [SEL]

switch of the odd-numbered (L)

channel

......................................... select L-MONO

•While holding down the [SHIFT]

switch Press and hold the [SEL]

switch of the even-numbered (R)

channel

........................................ select R-MONO

•While holding down the [SHIFT]

switch Press and hold the [SEL]

switches of both channels

............select LR-MONO

For the [SHIFT] switch described above, you may use

any of the [SHIFT] switches in CHANNEL SELECT sec-

tion of the SELECTED INPUT CHANNEL block or

SELECTED OUT CHANNEL block, or the [SHIFT]

switch of the data entry block.

You can use the same procedure as described above to

change one temporary monaural setting to a different

temporary monaural setting.

On the panel, the INPUT [NAME] indicator will blink

alternately between the name of the channel that was set to

temporary monaural and the name of the monaural mode.

For a channel that is turned off, the INPUT [NAME] indi-

cator will dimly display the channel name. The [NAME]

indicator will also be displayed in the same way when these

channels are recalled to a DCA fader. For details on opera-

tion when a monaural setting is selected, refer to page 11.

• Name indicator

For L-MONO:

L ch: Alternately display

and the chan

nel name (the brightness depends on the

on/off status)

R ch: Alternately display and the chan

nel name (dimly)

For R-MONO:

L ch: Alternately display and the chan

nel name (dimly)

R ch: Alternately display and the chan

nel name (the brightness depends on the

on/off status)

For LR-MONO:

L ch: Alternately display

and the chan

nel name (the brightness depends on the

on/off status)

R ch: Alternately display

and the chan

nel name (the brightness depends on the

on/off status)

4. To defeat the temporary monaural setting, press

the same combination of switches as you pressed in

step 3.

L ch

R ch

L ch

R ch

L ch

R ch

Temporary monaural setting for paired input channels/ST IN channels

The temporary monaural mode will be defeated, and the

PAN (BALANCE) will return to the positions speciﬁed

for the pair.

The MIX send PAN setting (or BALANCE setting)

will be set to the same position as TO ST.

Hint

In order to prevent accidents, it is possible to pro-

hibit the operator from using the [SEL] switches to

set/cancel pairing. To prohibit this, go to the PREF-

ERENCE screen and turn the PROHIBIT PAIR

CHANGE ON PANEL button on.

Screen operating procedure

Here's how paired input channels/ST IN channels can be

temporarily set to monaural from within the screen.

1. Specify pairing for the desired adjacent odd-num-

bered/even-numbered input channels.

2. Access a screen (such as the IN HA/INSERT func-

tion) that shows the heart symbols, and for the

channels that you want to temporarily set to mon-

aural, click the pair/stereo indicator heart symbol

while you hold down the [SHIFT] switch of the data

entry block. Alternatively, move the cursor to the

heart symbol, then hold down the [SHIFT] switch

and press the [ENTER] switch.

The following popup window will appear.

Only the [SHIFT] switch of the data entry block

can be used to select the temporary monaural set-

ting from the screen.

Hint

If you click without holding down the [SHIFT]

switch, you will switch between conventional pair-

ing/monaural.

3. Move the cursor to the desired button, and press

the [ENTER] key. The setting will be made the

instant you press the [ENTER] key.

Each button has the following meaning.

...............................Specify L-MONO

...............................Specify R-MONO

...............................Specify LR-MONO

If none of the above three buttons are on, the channels

will be paired.

When you make the monaural setting, the heart symbol

will change as follows.

Hint

The same type of popup window will appear if you

hold down the [SHIFT] switch and press the

[ENTER] switch on the heart symbol of an unpaired

channel. However, it will not be possible to select L-

MONO/R-MONO/LR-MONO.

4. To cancel the temporary monaural setting, hold

down the [SHIFT] switch and click the above heart

symbol once again, press the same button as you

selected in step 3, and press OK.

The monaural setting will be cancelled, and the PAN

(BALANCE) will return to its position at the time it

was paired.

Hint

By moving the cursor to a different button and press-

ing the [ENTER] switch, you can move to a different

channel for which to make temporary monaural set-

tings.

Also, pairing can be defeated in the usual way even if

channels are temporarily set to monaural.

Operation when monaural is selected

The following points describe details of operation when

the L-MONO, R-MONO, or LR-MONO settings are

selected.

• Input channels that are temporarily set to monaural

can be changed to L-MONO, R-MONO, LR-MONO,

pairing defeated, or paired settings. However, the

input signal of a ST IN channel cannot be set to

monaural (pairing defeated).

• When you return to a paired state after selecting tem-

porary monaural, the PAN setting and PAN mode

will return to the PAN/BALANCE position that had

been in effect when pairing was speciﬁed.

• When the signal of an input channel is sent to a MIX

bus, any temporary monaural mode L-MONO, R-

MONO, or LR-MONO will operate in the same way

as normal monaural (pairing defeated) mode.

L-MONO LR-MONOR-MONO

Conventional

PAIR

PM1D Manager for Windows Operating manual

However, CUE on/off and Recall Safe that are not set

independently for L and R in a ST IN channel will be

linked or non-linked as a pair, even if LR-MONO is

selected.

For a ST IN channel, these parameters will always be

linked regardless of the temporary monaural setting.

• If the STEREO bus send PAN mode is set to BAL-

ANCE for an input channel, the MIX bus is paired,

and the MIX bus type is VARI, the MIX bus PAN

mode will also be BALANCE.

(The BALANCE value can be set individually.)

However if the channel is changed from a temporary

monaural setting to Pair, the MIX bus PAN position

will return to the same position as the STEREO bus

PAN/BALANCE that was in effect when the channel

was paired.

•

In the front panel SELECTED INPUT CHANNEL

block, the CHANNEL SELECT indicators MONO and

PAIR will both light if any of the temporary monaural

modes L-MONO/R-MONO/LR-MONO are selected.

Other displays are the same as in software version 1.3.

• Copying between paired channels that are tempo-

rarily set to monaural can be performed between

paired channels. Copying to channels that are tem-

porarily set to monaural can be performed only from

a L-MONO/R-MONO/LR-MONO/PAIR channel. It

is not possible to copy from a temporarily monaural

channel to a monaural channel.

• For a temporarily monaural channel, the display in

the CH VIEW screen that is accessed by the front

panel LCD FUNCTION ACCESS [CH VIEW] switch

will be the same as the MONO display.

• Channel libraries can be stored or recalled in monau-

ral if paired channels are set to any temporary mon-

aural setting L-MONO, R-MONO, or LR-MONO.

Libraries cannot be recalled or stored as a pair.

•

CUE will function according to the pairing on/off set-

ting, and will not be affected by this temporary mon-

aural setting. Just as in software version 1.3, CUE will

operate in the same way as CUE for paired channels,

regardless of this temporary monaural setting. CUE

on/off is linked for L/R channels, and in the case of

PFL, the L channel signal will be sent to the L side of

the CUE bus, and the R channel signal to the R side of

the CUE bus (i.e., CUE in stereo). In the case of AFL,

operation will be the same as CUE for paired channels.

If the L-MONO or R-MONO temporary monaural

setting is selected, turning off either channel will cause

that channel to no longer be sent to the CUE bus.

• Recall Safe will operate according to the pair on/off

setting, regardless of the temporary monaural set-

ting. If Recall Safe is speciﬁed for only one of the two

channels, and you recall a scene for channels that are

set to monaural, a warning message will be displayed

to inform you that monaural will be cancelled even if

the channel contains Recall Safe parameters. Then

pairing will be cancelled. Only the channel that is not

set to Recall Safe will be recalled. In the case of L-

MONO, recalling the R channel will cause that chan-

nel to be recalled in an Off state. In the case of L-

MONO, recalling the L channel will cause that chan-

nel to be recalled in an Off state.

• If you recall channel library no.00, these temporary

monaural settings will be the same as for unpaired

channels. In other words, the PAN mode will remain

as it was, and the PAN/BALANCE will be set to the

center. For paired channels, the PAN mode will be

forced to INDIVIDUAL, and operation will be the

same as in software version 1.30.

• The fade time will operate according to the pair on/

off setting, without being affected by this temporary

monaural setting. When paired, the fade time of the

two channels will be linked.

• Insert on/off, insert point, and direct point can now

be set separately for L/R even if one of the temporary

monaural modes L-MONO/R-MONO/LR-MONO

are selected. (This setting is stored in the scene mem-

ory.)

• If a channel library is recalled to the channel that is

forced off by a L-MONO or R-MONO setting (i.e.,

the R channel in the case of L-MONO, or the L chan-

nel in the case of R-MONO), the recalled channel

will be forced off.

• The KEY IN link for GATE or COMP will not be

changed by any of these temporary monaural set-

tings. LINK will be turned on only if monaural is

changed to pair. LINK will not be turned off when

the setting is changed from pair to link.

Temporary monaural setting for paired input channels/ST IN channels

If PAN is changed:

*1: PAN refers to any of the pan modes INDIVIDUAL PAN, GANG PAN, or INVERTED GANG PAN.

*2: This is the operation that occurs when the PAN MODE is changed in the screen. If it is changed by a scene recall, it will follow the stored PAN/BALANCE setting.

If PAIR is changed:

*1: PAN refers to any of the pan modes INDIVIDUAL PAN, GANG PAN, or INVERTED GANG PAN.

*2: This is the operation that will occur when pairing settings are changed in the screen or panel. If pairing settings were changed as a result of a scene recall, the stored

PAN/BALANCE status will be followed.

*3: “Parameters” refers to parameters that are linked when channels are paired.

*1: PAN refers to any of the pan modes INDIVIDUAL PAN, GANG PAN, or INVERTED GANG PAN.

*2: This is the operation that will occur when pairing settings are changed in the screen or panel. If pairing settings were changed as a result of a scene recall, the stored

PAN/BALANCE status will be followed.

*3: “Parameters” refers to parameters that are linked when channels are paired.

PAN*

→ BALANCE BALANCE → PAN .*

MONO mode

• BALANCE will be CENTER.*

• The PAN that is sent to a MIX bus that is both

paired and VARI-type will change to BALANCE,

and set to CENTER.

• The L channel PAN will be set to far left, and the

R channel PAN will be set to far right.*

• The BALANCE that is sent to a paired VARI-type

MIX bus will change to PAN, and panned to left

and right as above.

PAIR mode

PAIR

L-MONO

R-MONO

Cancel pairing → Specify pairing

Paired

Pairing defeated

•PAN setting remains as is.

Paired

→

L-MONO

→

Paired

• The PAN value of the L/R channels and the PAN

MODE setting will be temporarily preserved.

• The L/R channel PAN will be CENTER.*

•PAN to a paired VARI-type MIX bus will also be

set to CENTER.

• The R channel ON/OFF will be turned OFF, and

cannot be turned ON.

• The PAN/BALANCE value of the L/R channels

and the PAN MODE will return to the settings

that were in effect when the channels were

paired.*

•PAN to a paired VARI-type MIX bus will change

to PAN or BALANCE, and will be set to the same

value as the temporarily preserved PAN value

for TO ST.

• R-channel parameters other than PAN will be

set identically to the L channel.*

• The BALANCE value of the L/R channels and

the PAN MODE setting will be temporarily pre-

served.

• The L/R channel PAN will be CENTER.*

• BALANCE to a paired VARI-type MIX bus will

change to PAN, and set to CENTER.

• The R channel ON/OFF will be turned OFF.

(Cannot be turned ON.)

•PAN MODE will be set to INDIVIDUAL PAN.

Paired

→

R-MONO R-MONO

→

Paired

• The PAN value of the L/R channels and the PAN

MODE setting will be temporarily preserved.

• The L/R channel PAN will be CENTER.*

•PAN to a paired VARI-type MIX bus will also be

set to CENTER.

• The L channel ON/OFF will be turned OFF, and

cannot be turned ON.

• The PAN/BALANCE value of the L/R channels

and the PAN MODE will return to the settings

that were in effect when the channels were

paired.*

•PAN to a paired VARI-type MIX bus will change

to PAN or BALANCE, and will be set to the same

value as the temporarily preserved PAN value

for TO ST.

• L-channel parameters other than PAN will be set

identically to the R channel.*

• The BALANCE value of the L/R channels and

the PAN MODE setting will be temporarily pre-

served.

• The L/R channel PAN will be CENTER.*

• BALANCE to a paired VARI-type MIX bus will

change to PAN, and set to CENTER.

• The L channel ON/OFF will be turned OFF.

(Cannot be turned ON.)

•PAN MODE will be set to INDIVIDUAL PAN.

PM1D Manager for Windows Operating manual

*1: PAN refers to any of the pan modes INDIVIDUAL PAN, GANG PAN, or INVERTED GANG PAN.

*2: This is the operation that will occur when pairing settings are changed in the screen or panel. If pairing settings were changed as a result of a scene recall, the stored

PAN/BALANCE status will be followed.

*3: “Parameters” refers to parameters that are linked when channels are paired.

*1: PAN refers to any of the pan modes INDIVIDUAL PAN, GANG PAN, or INVERTED GANG PAN.

Paired

→

LR-MONO LR-MONO

→

Paired

• The PAN value of the L/R channels and the PAN

MODE setting will be temporarily preserved.

• The L/R channel PAN will be CENTER.*

•PAN to a paired VARI-type MIX bus will also be

set to CENTER.

• The PAN/BALANCE value of the L/R channels

and the PAN MODE will return to the settings

that were in effect when the channels were

paired.*

•PAN to a paired VARI-type MIX bus will change

to PAN or BALANCE, and will be set to the same

value as the temporarily preserved PAN value

for TO ST.

• R-channel parameters other than PAN will be

set identically to the L channel.*

• The BALANCE value of the L/R channels and

the PAN MODE setting will be temporarily pre-

served.

• The L/R channel PAN will be CENTER.*

• BALANCE to a paired VARI-type MIX bus will

change to PAN, and set to CENTER.

•PAN MODE will be set to INDIVIDUAL PAN.

L-MONO

→

Pairing defeated

R-MONO

→

Pairing defeated

LR-MONO

→

Pairing defeated

→

L-MONO

Pairing defeated

→

R-MONO

Pairing defeated

→

LR-MONO

• The L/R channel PAN setting and PAN MODE

will not change.

•PAN to a paired VARI-type MIX bus will not

change.

• These operations are invalid.

• The BALANCE setting of the L/R channels and

the PAN MODE setting will not change.

• The PAN setting to a paired VARI-type MIX bus

will not change.

L-MONO

→

R-MONO R-MONO

→

L-MONO

• The PAN value of the L/R channels and the PAN

MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The R channel ON/OFF will be set to the same

setting as the L channel, and the L channel ON/

OFF setting will be turned OFF.

• The PAN value of the L/R channels and the PAN

MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The L channel ON/OFF will be set to the same

setting as the R channel, and the R channel ON/

OFF setting will be turned OFF.

• The BALANCE value of the L/R channels and

the PAN MODE setting will not change.

• BALANCE to a paired VARI-type MIX bus will

also remain unchanged.

• The R channel ON/OFF will be set to the same

setting as the L channel, and the L channel ON/

OFF setting will be turned OFF.

• The BALANCE value of the L/R channels and

the PAN MODE setting will not change.

• BALANCE to a paired VARI-type MIX bus will

also remain unchanged.

• The L channel ON/OFF will be set to the same

setting as the R channel, and the R channel ON/

OFF setting will be turned OFF.

L-MONO

→

LR-MONO R-MONO

→

LR-MONO

• The PAN value of the L/R channels and the PAN

MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The R channel ON/OFF will be set to the same

setting as the L channel, and the L channel ON/

OFF setting will not change.

• The PAN value of the L/R channels and the PAN

MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The L channel ON/OFF will be set to the same

setting as the R channel, and the R channel ON/

OFF setting will not change.

• The PAN (BALANCE) value of the L/R channels

and the PAN MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The R channel ON/OFF will be set to the same

setting as the L channel, and the L channel ON/

OFF setting will not change.

• The PAN (BALANCE) value of the L/R channels

and the PAN MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The L channel ON/OFF will be set to the same

setting as the R channel, and the R channel ON/

OFF setting will not change.

M/S decoding

*1: PAN refers to any of the pan modes INDIVIDUAL PAN, GANG PAN, or INVERTED GANG PAN.

M/S decoding

M/S decoding functionality is now provided, allowing a two-channel signal input from a MS mic through adjacent odd-

numbered/even-numbered input channels to be converted into L/R signals.

M/S DECODE ON/OFF button

This switches the M/S decoding function on/off, in

groups of two adjacent odd-numbered/even-num-

bered channels (or a stereo input channel). The M/S

decode function can be turned on even for channels

that are not speciﬁed as a stereo pair.

S-GAIN knob

This sets the level difference of the S mic, relative to

the level of the M mic. The current value is shown in

the numerical box at the right.

At the MONO position, the S mic level will be -inﬁn-

ity. At the EXP.ST position, the S mic level will be

+10 dB.

At the STEREO position, the levels of the M mic and

S mic will be the same.

Unit type/ID number/channel number

These indicate the type of input assigned to the cor-

responding channel, the ID number, and the channel

number of the input jack.

Channel/Pair settings

These indicate the number of the currently displayed

input channel and the pairing status. You can also

click the heart symbol in this screen to set or defeat

pairing.

Procedure

Here's how to decode an MS mic input signal.

1. Connect the MS mics to two channels of an input

unit, and assign them to two adjacent odd-num-

bered/even-numbered channels.

Assign the M mic to the odd-numbered (L) channel,

and the S mic to the even-numbered (R) channel.

2. If necessary, specify the above two channels as a

pair.

MS decoding can be used even if the input channels

are not paired.

LR-MONO

→

L-MONO LR-MONO

→

R-MONO

• The PAN value of the L/R channels and the PAN

MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The R channel ON/OFF will be turned OFF, and

the L channel ON/OFF setting will not change.

• The PAN value of the L/R channels and the PAN

MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The L channel ON/OFF will be turned OFF, and

the R channel ON/OFF setting will not change.

• The PAN (BALANCE) value of the L/R channels

and the PAN MODE setting will not change.

•PAN to a paired VARI-type MIX bus will also

remain unchanged.

• The R channel ON/OFF will be turned OFF, and

the L channel ON/OFF setting will not change.

• The PAN (BALANCE) value of the L/R channels

and the PAN MODE setting will not change.

• BALANCE to a paired VARI-type MIX bus will

also remain unchanged.

• The L channel ON/OFF will be turned OFF, and

the R channel ON/OFF setting will not change.

PM1D Manager for Windows Operating manual

3. Access the PAN/ROUTING function M/S screen.

4. Click the M/S DECODE ON/OFF button for the

corresponding two channels, to turn the button on.

With this setting, the odd-numbered (L) channel will

input the (M+S) signal, and the even-numbered (R)

channel will input the (M–S) signal (the M signal

summed with the inverted-phase S signal).

Even if only one signal (the M signal or S signal)

is patched to an input channel, turning M/S

DECODE on will send the signal to both chan-

nels.

5. Move the cursor to the S-GAIN knob, and turn the

[DATA] encoder to adjust the level of the S mic rela-

tive to the M mic.

At the MONO position, S = –inﬁnity. At the STE-

REO position, M = S. At the EXP.ST position, S =

+10 dB.

M/S decoding is performed immediately after DE-

EMPHASIS and immediately before ATT. (attenua-

tor).

For this reason, please note that when M/S decod-

ing is on, the following meters will show the signal

level before M/S decoding.

•

The input unit meter displayed in the HA/INSERT

function screen

•

The screen/panel meters when the METER function

METERING POINT setting is set to PRE ATT.

•

The input unit meter displayed in the INPUT UNIT

screen (SYS/W.CLOCK function)

A headroom margin of approximately 18 dB is

maintained before M/S decoding. If the signal clips

while you are using M/S decoding, you can use the

attenuator to lower the level and input an

unclipped signal if the clipping is below the head-

room margin.

Since M/S decoding is a special function, it cannot

be copied between channels or saved in a channel

library. Also, the RESET BOTH button in the

CHANNEL PAIRING popup window will not be

valid.

UNIT

PATCH

PEAK

METER

(PRE ATT.)

DE-

EMPHASIS

M/S DECODE ATT.

Tracking Recall function

A “Tracking Recall” function has been added, which lets

you add a pre-speciﬁed offset value to the value of each

fader when a scene is recalled.

You can use this Tracking Recall function when (for exam-

ple) you want to make ﬁne adjustments to the faders of

speciﬁc channels, so that the speciﬁed offset value will

automatically be added each time a scene is recalled.

TRACKING RECALL button

This button switches Tracking Recall on/off. Track-

ing Recall is on when ENABLE is displayed (the but-

ton will turn green).

MODE buttons

These buttons select the group of channels (input

channels 1–48, input channels 49–96, MIX channels,

MATRIX channels) for which you will make Tracking

Recall settings. The channels displayed in the screen

will change according to the button you select. (How-

ever, STEREO A/B and DCA will always be displayed

regardless of the MODE button that is selected.)

SET ALL button

When this button is turned on, the ON buttons (6)

of all channels (including channels that are not cur-

rently displayed in the screen) will be turned on, and

tracking will be speciﬁed for all channels.

CLEAR ALL button

When this button is turned on, the ON buttons (6)

of all channels (including channels that are not cur-

rently displayed in the screen) will be turned off, and

tracking will be defeated for all channels.

OFFSET LOCK button

When this button is turned on, the sliders of all chan-

nels (including channels that are not currently dis-

played in the screen) will be displayed in gray, and it

will not be possible to change the offset value further.

ON buttons

These buttons enable/defeat tracking for each chan-

nel.

If the TRACKING RECALL button is set to ENABLE,

tracking will be enabled for channels for which this

button is displayed as ON.

Faders

These faders specify an offset value in the range of +/

–15 dB that will be applied to each channel when

tracking is enabled.

Offset values

These indicate the offset value for each channel.

1 2 5

PM1D Manager for Windows Operating manual

Procedure

Here's how to use the Tracking Recall function.

1. Access the SCENE function TRACKING RECALL

screen.

In the TRACKING RECALL screen, tracking can be

turned on/off for each channel, and you can specify

the offset value that will be applied to each channel

for which Tracking Recall is on.

2. Press a MODE button (INPUT 1-48, INPUT 49-96,

MIX, MATRIX) so that the desired channels appear

in the screen.

3. Click the ON button of the channels for which you

want to use tracking.

At this point, the fader position of a channel that you

have turned on by clicking will be memorized as the

reference position. Thus, the offset value will be set

to 0.

Hint

By clicking the SET ALL or CLEAR ALL buttons in

the upper right of the screen, you can enable/defeat

tracking for all channels (including channels that are

not currently displayed in the screen).

4. Raise or lower the faders of channels for which

tracking is turned on, to specify their offset value.

Move the front panel faders from the reference posi-

tions that were memorized in step 3. The distance of

this movement will be set as the offset value. The off-

set value can also be speciﬁed by moving the sliders

in the screen. However if you use the sliders in the

screen to specify the offset, the front panel faders will

not change position.

The offset value can be speciﬁed in a range of –15–0–

+15 dB. After you have speciﬁed the desired offset

values, you can turn on the OFFSET LOCK button in

the screen to make the sliders turn gray, disabling any

further change in the offset values.

If you move the front panel faders while OFFSET

LOCK is on, the offset value will not be re-set even

if you then defeat OFFSET LOCK. This is because

you may wish to defeat OFFSET LOCK in order to

make manual changes in the screen. If you move

the faders after defeating OFFSET LOCK, the offset

will be calculated from the reference position of

step 3 before tracking is recalled (an offset value of

0 dB), and set accordingly.

5. In the upper left of the screen, click the TRACKING

RECALL button to switch it to ENABLE.

In this example, the Tracking function was enabled

in step 5. However, the TRACKING RECALL button

can be operated at any time.

6. Recall the desired scene.

The offset values you speciﬁed in step 4 will be added

to the value of each fader in the recalled scene.

The faders of channels that are set to Recall Safe will

not change even if Tracking Recall is turned on. Nor

will the offset value change.

If the ENABLE button of the TRACKING RECALL

area is off, the speciﬁed offset value will not be

added to the recalled faders. The offset value will

return to zero when recall occurs unless the OFF-

SET LOCK button is on. If you want to set a speciﬁc

scene to the reference position (offset 0), you

should turn off the ENABLE button of the TRACK-

ING RECALL area and also turn off the OFFSET

LOCK button before recalling the scene.

If the ENABLE button of the TRACKING RECALL

area is on, and you recall a scene not set to Recall

Safe, the fader values that were stored in the scene

will be offset by the speciﬁed value for each channel

for which the Tracking function is on, and the fad-

ers will move to the closest possible location for the

calculated value.

In the case of channels that are newly paired due to

a recall, offset will be considered to be off unless the

ON buttons of those two channels are both turned

on, and the offset value will not be added. If the ON

buttons of both channels are on, then the offset

value will be the average of the two values.

•

If the OFFSET LOCK button is off for a channel that

is recalled from the channel library, the offset value

will be 0.

Tracking Recall function

•

If the OFFSET LOCK button is off for a channel that

is channel-copied, the offset value will also be copied.

When the power of the CS1D is turned off, and

then on once again, the ENABLE button of the

TRACKING RECALL area will be turned off for the

sake of safety, disabling the Tracking Recall func-

tion.

YAMAHA CORPORATION

IP 20 Pro Audio & Digital Musical Instrument Division

P.O. Box 3, Hamamatsu, 430-8651, Japan

Printed in Japan

Yamaha PM1D, V1 Руководство пользователя

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