Yamaha PLG100 Инструкция по применению

Бренд: Yamaha

Модель: PLG100

Категория: Цифровые пианино

Тип: Инструкция по применению

Это руководство также подходит для

PLG100-VH

Yamaha PLG100 — это универсальный плагин, который расширяет возможности вашего синтезатора. С его помощью можно создавать вокальные гармонии в режиме реального времени, используя микрофон. Устройство предлагает четыре типа гармонии: Vocoder, Chordal, Detune и Chromatic. Vocoder позволяет играть до трех гармоний с помощью MIDI-клавиатуры, в то время как Chordal генерирует гармонии на основе аккордов, исполняемых на MIDI-клавиатуре или записанных в секвенсоре. Detune создает эффект хоруса, а Chromatic сдвигает высоту звука на определенный интервал.

Important Notices

The VH Effect Editor provides an easy, intuitive way to edit the Harmony effect settings of the

PLG100-VH Vocal Harmony Plug-in Board.

• Do not use any of the panel controls on an external tone generator while editing the Harmony

effect with the VH Effect Editor, since this may inadvertently change the settings of the

PLG100-VH.

• The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation.

• Copying of the software or reproduction of this manual in whole or in part by any means is

expressly forbidden without the written consent of the manufacturer.

• Copying of the commercially available music sequence data and/or digital audio ﬁles is

strictly prohibited except for your personal use.

Trade Marks and Registered Trade Marks

• The company names and product names in this Owner’s Manual are the trademarks or regis-

tered trademarks of their respective companies.

Notices

• Yamaha makes no representations or warranties with regard to the use of the software and

documentation and cannot be held responsible for the results of the use of this manual and

the software.

• The windows and illustrations in this manual are for instructional purposes only, and may

slightly different from the ones shown on your software.

About this manual

• The screens shown in this manual are almost all on Windows systems. Although some

screens may differ for Macintosh systems, the basic operations are the same.

• Keyboard shortcuts referred in this manual are effective for only Windows system.

For Windows users

When you use the VH Effect Editor, set “Font Size” to “Small Fonts” at the “Control Panel | Display | (Settings |)

Advanced” page. If “Large Fonts” is selected, messages in some dialog boxes may not be displayed properly.

VH Effect Editor

Manual

Version 1.0, 2001

YAMAHA CORPORATION

About the VH Effect Editor

The VH Effect Editor is providing an exceptionally simple and convenient way to edit and

control the PLG100-VH Vocal Harmony Plug-in Board. It also features comprehensive,

detailed control of the Harmony effect by giving you access to all of the “hidden” param-

eters of the PLG100-VH.

Setting Up

■

Microphone Setup........................................................

Connect a microphone to the A/D INPUT jack.

Select Part “A1,” then select the “Mic” preset (bank #000, program

#002).

■

MIDI Setup.....................................................................

If you wish to control the Harmony effect from a MIDI keyboard or with song data played

on a MIDI sequencer, make the following MIDI-related settings.

• MIDI is used only when the Harmony Type is set to Vocoder or Chordal. For the Detune and

Chromatic types, Harmony is unaffected by a connected MIDI device.

Set up the MIDI keyboard or sequencer.

Connect the MIDI OUT of the MIDI device to MIDI IN of the tone generator/sound

card. Set the device’s MIDI transmit channel to 1 (or to the same channel you’ll be

setting in step #2 below).

Set the Harmony Channel.

This determines the MIDI receive channel for the Harmony effect, and should be

set to the same value as set for the MIDI device in step #1 above.

Assign the Harmony effect to the desired Part (with the Part parameter).

Disable all other Parts set to the same channel as the Harmony Channel.

You'll want to make sure that the connected keyboard or sequencer doesn’t sound

any of the instrument Parts of the tone generator/sound card. If one or more Parts

are set to the same MIDI channel (as set in step #2 above), change the MIDI chan-

nel setting of the Part(s), mute them, or set the volume of each Part to 0.

Set the Harmony Type to Vocoder or Chordal.

■

Easy Setup....................................................................

You can quickly and easily make many of the above settings directly from the VH Effect

Editor, with the Easy Setup dialog box.

Connect a microphone to the A/D INPUT jack of the “mother” device.

Make the appropriate settings on the “mother” device — ensuring that

the signal received via the A/D INPUT jack is properly sent to the

PLG100-VH.

(For details, refer to the owner’s manual of your particular “mother”

device.)

Setting up with XG Plug-in System “mother” device

(MU series, etc.)

Setting up with Modular Synthesis Plug-in System “mother” device

(S80, MOTIF series, etc.)

Harmony Types

The Harmony effect features four separate types: Vocoder, Chordal, Detune, and Chro-

matic.

The Vocoder type produces up to three harmony notes, corresponding to the notes you

play on a connected MIDI keyboard. In other words, you can sing the melody and

“play” the harmony or harmonies from the keyboard (or from a sequencer).

The Chordal type produces up to three harmony notes that correspond to the chords

you play on a connected MIDI keyboard (or chords recorded to a sequencer). Thirty-

four different chord types are recognized in this mode.

The Detune type produces a slightly “detuned” pitch and mixes it with the input signal for

a rich chorusing effect.

The Chromatic type produces a harmony at a predetermined, ﬁxed pitch interval from

the original sound (such as an octave, or a third).

When the Type is set to Thru, no Harmony effect is applied, and the only other available

parameter is Insert Part.

About the Harmony Types

Harmony Types /

Applying Vocoder Harmony

The Vocoder type allows you to “play” up to three harmony notes from a connected MIDI

keyboard or sequencer.

Click on the Effect tab.

Set the Harmony Type to Vocoder.

Set Part to “Ad1.”

• If you are using a Modular Synthesis Plug-in-compatible tone generator or synthesizer, you’ll

need to set the Part Number from the device itself.

Click on the System tab.

Set the Harmony Channel to match the MIDI transmit channel of the

connected MIDI keyboard or sequencer.

Make sure that Harmony Mute is set to “off” and that all three Har-

mony Volume settings are set to appropriate levels (90 or greater).

• When you play the keyboard and sing into the microphone, the harmony or harmonies match

the pitch of the notes you play.

• You can create automatic harmonies for an entire song (on sequencer) by recording the

appropriate notes to one track of the song.

• The Mode parameter gives you access to a wide variety of harmonies by letting you set how

the harmonies are transposed.

Applying Vocoder Harmony

Harmony Types /

Applying Chordal Harmony

The Chordal type produces up to three harmony notes according to the chords you play

on a connected MIDI keyboard (or chords recorded to a sequencer).

Click on the Effect tab.

Set the Harmony Type to Chordal.

Set Part to “Ad1.”

• If you are using a Modular Synthesis Plug-in-compatible tone generator or synthesizer, you’ll

need to set the Part Number from the device itself.

Click on the System tab.

Set the Harmony Channel to match the MIDI transmit channel of the

connected MIDI keyboard or sequencer.

Make sure that Harmony Mute is set to “off” and that all three Har-

mony Volume settings are set to appropriate levels (90 or greater).

• When you play the keyboard and sing into the microphone, the harmonies correspond to the

chord you play.

• If you continue to hold your vocal note, the harmony notes will also continue to sound, even

after you release the keys.

• You can create automatic chordal harmonies for an entire song (on sequencer) by recording

the appropriate chords to one track of the song. The chords can also be speciﬁed and input

from the Chord tab.

• The chord data for controlling the harmonies can be recorded as system exclusive data —

eliminating the need for a keyboard or for dedicating a MIDI channel for harmony data.

• The Mode parameter gives you access to a variety of harmony styles (Duet, Trio, and Quartet)

and various voicings (above and below the original vocal note).

Applying Chordal Harmony

Harmony Types /

Applying Detune Harmony

Applying Chromatic Harmony

The Detune produces a slightly “detuned” pitch and mixes it with the input signal for a

chorus-like effect.

Click on the Effect tab.

Set the Harmony Type to Detune.

Set Part to “Ad1.”

• If you are using a Modular Synthesis Plug-in-compatible tone generator or synthesizer, you'll

need to set the Part Number from the device itself.

Click on the System tab.

Make sure that Harmony Mute is set to “off” and that all three Har-

mony Volume settings are set to appropriate levels (90 or greater).

• When you sing into the microphone, a rich, natural chorus effect is produced.

• The Mode parameter lets you change the amount of detuning, letting you set how subtle or

dramatic the effect is.

• The gender of the harmony note cannot be changed in Detune.

The Chromatic type produces a harmony at a speciﬁc pitch interval from the original

sound.

Click on the Effect tab.

Set the Harmony Type to Chromatic.

Set Part to “Ad1.”

• If you are using a Modular Synthesis Plug-in-compatible tone generator or synthesizer, you'll

need to set the Part Number from the device itself.

Click on the System tab.

Make sure that Harmony Mute is set to “off” and that all three Har-

mony Volume settings are set to appropriate levels (90 or greater).

• When you sing into the microphone, the Harmony effect produces a single harmony note — at

a speciﬁed interval from the original vocal note.

• The Mode parameter lets you change the amount of pitch shift, or the interval from the origi-

nal note.

Applying Detune Harmony

Applying Chromatic Harmony

Parameters

The VH Effect Editor parameters are contained in the three tabs: Effect, System, and

Chord.

The toolbar gives you quick access to some important functions and controls. These

buttons let you easily execute the desired function without having to select a menu or

leave the VH Effect Editor window.

• This function pertains only to Windows system.

Open VH Effect Editor File

This is the same as the corresponding command in the File menu. It lets you select

and open an existing VH Effect Editor File. (See File Menus, Open VH Effect Editor

File.)

Save VH Effect Editor File

This is the same as the corresponding command in the File menu. It lets you save the

current VH Effect EditorEditor settings as a parameter ﬁle for future recall. (See File

Menus, Save VH Effect Editor File.)

Insert VH Effect Editor Parameter (Plug-in Editor only)

This is the same as the corresponding command in the Edit menu. It lets you insert the

current VH Effect Editor settings to a speciﬁed track/position in the XGworks song.

(See Edit Menus, Insert VH Effect Editor Parameter.)

Copying Chord Events To the Master Track (Plug-in Editor only)

This is the same as the corresponding command in the Edit menu. It lets you select

and copy chord events to the the Master Track. (See Edit Menus, Copying Chord

Events To the Master Track.)

Copying Chord Events From the Master Track (Plug-in Editor only)

This is the same as the corresponding command in the Edit menu. It lets you select

and copy chord events from the the Master Track. (See Edit Menus, Copying Chord

Events From the Master Track.)

VH Effect Editor Setup

This is the same as the corresponding command in the Setup menu. It lets you make

various important settings for conﬁguring the VH Effect Editor with the PLG100-VH.

(See Setup Menus, VH Effect Editor Setup.)

Easy Setup

This is the same as the corresponding command in the Setup menu. It lets you make

easy settings for conﬁguring the VH Effect Editor with the PLG100-VH. (See Setup

Menus, Easy Setup.)

Manual

This is the same as the corresponding command in the Help menu. It lets you open the

VH Effect Editor manual.

Toolbar

Parameters /

Setting and Changing Parameter Values

Click on the desired tab: Effect, System, or Chord.

For combo boxes, click the down arrow to expand the box, then highlight the desired set-

ting.

For parameter sliders, click and hold the slider, then drag as desired. Alternately, click

and hold any position along the slider path; the slider automatically snaps to the new

position.

Most parameters can also be set by typing the value directly in the box. Click on the

box, then type the desired value.

Setting and Changing Parameter Values

Parameters /

Effect Parameters

■

Thru...............................................................................

When the Type is set to Thru, no Harmony effect is applied, and the only other available

parameter is Insert Part.

■

Vocoder Harmony Parameters....................................

The Vocoder type produces up to three harmony notes whose pitches correspond to the

notes you play on a connected MIDI keyboard. This lets you sing the melody and “play”

the harmony or harmonies from the keyboard (or from a sequencer). The Harmony

sound can also be transposed (see the Mode parameter).

• When more than four MIDI notes are received, priority is given ﬁrst to the most recently

played notes, then the highest notes. (In other words, the harmonies of lower notes and ear-

lier notes are cut off.)

Vocoder Type is best suited when:

• You want to determine the precise harmony notes yourself, including their octave register and

whether they are above or below the original melody note.

• You want to use harmony notes and voicings that fall outside the standard chords available in

the Chordal type.

• You can play the harmony part on the keyboard, or have it played on a sequencer.

• You want to precisely control how the harmony note or notes change pitch around a ﬁxed

melody pitch.

Vocoder Harmony Parameter Descriptions

1. Mode

1: No Transpose (default)

No transposition. The harmony notes correspond exactly to the pitch of the incoming

MIDI notes.

2: Auto Transpose

Automatic transposition. This keeps the harmony notes close (±600 cents) in interval

to the input signal, no matter which octave the MIDI notes are played.

3: -3 Octave Transpose ... 8: +3 Octave Transpose

Octave transposition. This ﬁxes the octave transposition of the harmony notes, select-

able in octaves from 3 octaves below (-) to 3 octaves above (+).

Effect Parameters

Parameters /

Effect Parameters

2. Harmony Gender Type

Settings: Off, Auto

Default: Off

This automatically determines the gender of the harmony notes (relative to the actual

gender of the singer).

Off

This turns off the gender change effect for the harmony notes.

Auto

For this setting, the PLG100-VH “listens” to the pitch of your voice to determine your gen-

der, and automatically selects the opposite gender for the harmony notes. Keep in mind

that the gender change effect may vary according to the quality, character and pitch of

the actual voice.

When “Auto” is set, the operation of the gender change effect is affected by these param-

eters: Auto Upper Gender Threshold, Auto Lower Gender Threshold, Upper Gender

Depth, and Lower Gender Depth.

3. Lead Gender Type

Settings: Off, Unison, Male, Female

Default: Off

These settings determine whether the gender of the lead voice can be changed or not. It

also lets you set the gender. When this is set to “Off,” the gender of the lead voice cannot

be changed. When this is set to “Unison,” the lead voice is reproduced at the same pitch

as the voice; however, the gender can be changed by using the Lead Gender Depth

parameter. The “Male” and “Female” settings reproduce the voice with the respective

male or female vocal qualities. (To ﬁnely adjust the quality of the lead voice, use the

Lead Gender Depth parameter.)

• When Lead Gender Type is set to “Unison,” “Male,” or “Female,” the amount of harmony notes

is reduced from three to two.

About the Lead and Harmony Voices

The PLG100-VH also produces a “lead” voice sound that can be mixed with the automat-

ically produced harmony voices.

The PLG100-VH in effect “copies” your actual voice to create the lead voice. The lead

voice then can be altered both in pitch and gender, just as with the harmony voices.

Parameters /

Effect Parameters

Using the Lead Voice

To properly use the lead voice, make sure to set the following parameters:

Lead Gender Type............“Unison,” “Male,” or “Female”

Lead Gender Depth..........Set to desired/appropriate value.

Lead/Harmony Balance....Set to appropriate value. (For values at or near the maxi-

mum of “L<H63,” lead may not sound.)

You can control the pitch of the lead voice separately from the harmonies. One useful

application would be to have melody and harmony data on different tracks/MIDI channels

of sequencer song data — the melody track would control the pitch of the lead voice,

while the harmony track would control the harmonies. This would ensure that all vocal

parts stay in tune with each other and with the song — even if your actual singing is

slightly off pitch!

To control the pitch of the lead voice from a connected MIDI keyboard or sequencer (sep-

arate from the harmonies), make the following settings:

Pitch Correction................“On”

Melody Channel ...............Set to same channel as the MIDI device.(Match this to the

melody track of the song data.)

Harmony Channel ............Set to different value from Melody Channel. (Match this to

the harmony track of the song data.)

4. Lead Gender Depth

Range: -64 ... +63

Default: 0

This determines the quality or character of the lead voice, and depends on the setting

made in Lead Gender Type. (This parameter has no effect when Lead Gender Type is

set to “Off.”) Extreme negative or positive values result in pronounced distortion of the

voice quality.

5. Lead Pitch Correction

Settings: Off, On

Default: Off

This determines whether the pitch of the lead voice is controlled by MIDI note data or not.

When this parameter and Lead Gender Type are set to “On,” the pitch of the lead voice is

“corrected” to the pitch of the received MIDI note. (This has no effect when Lead Gender

Type is set to “Off.”)

• The Pitch Correction parameter is not available when Harmony Type is set to Detune. Also,

this parameter has no effect when Lead Gender Type is set to “off.”

Parameters /

Effect Parameters

6. Auto Upper Gender Threshold

Range: 0 ... 12 (semitones)

Default: 0

This determines which harmony notes above the melody will be gender-transformed

when Harmony Gender Type is set to “Auto.” More speciﬁcally, it sets the range or inter-

val of unchanged harmonies. When set to “0,” the gender of all harmony notes above the

melody will be changed. When set to another value, any harmonies within the interval

speciﬁed will not be changed.

For example, when this is set to 7 semitones, any harmonies a perfect ﬁfth or lower will

remain at the same gender as the original vocal.

Used with Auto Lower Gender Threshold, this gives you ﬂexible control over the gender

of the harmony notes, both above and below the melody.

• This parameter has no effect when Harmony Gender Type is set to “off.”

7. Auto Lower Gender Threshold

Range: 0 ... 12 (semitones)

Default: 0

This determines which harmony notes below the melody will be gender-transformed

when Harmony Gender Type is set to “Auto.” More speciﬁcally, it sets the range or inter-

val of unchanged harmonies. When set to “0,” the gender of all harmony notes below the

melody will be changed. When set to another value, any harmonies within the interval

speciﬁed will not be changed. For example, when this is set to 5 semitones, any harmo-

nies higher than a fourth below remain at the same gender as the original vocal.

Used with Auto Upper Gender Threshold, this gives you ﬂexible control over the gender

of the harmony notes, both above and below the melody.

• This parameter has no effect when Harmony Gender Type is set to “off.”

Parameters /

Effect Parameters

8. Upper Gender Depth

Range: -64 ... +63

Default: 20

This determines the quality or character of the harmony notes above the melody that are

set to automatically change gender — according to the Harmony Gender Type and Auto

Upper Gender Threshold settings.

Extreme negative or positive values result in pronounced distortion of the voice quality.

Also, the effect may vary according to the quality, character and pitch of the actual voice.

Experiment with this to ﬁnd values that sound most natural (or unnatural, if you prefer).

• This parameter has no effect when Harmony Gender Type is set to “off.”

9. Lower Gender Depth

Range: -64 ... +63

Default: -20

This determines the quality or character of the harmony notes below the melody that are

set to automatically change gender — according to the Harmony Gender Type and Auto

Lower Gender Threshold settings.

Extreme negative or positive values result in pronounced distortion of the voice quality.

Also, the effect may vary according to the quality, character and pitch of the actual voice.

Experiment with this to ﬁnd values that sound most natural (or unnatural, if you prefer).

• This parameter has no effect when Harmony Gender Type is set to “off.”

10. Lead/Harmony Balance (Lead/Harm)

Range: L63>H (maximum lead level) ... L=H (equal level) ...

L<H63 (maximum harmony level)

Default: L=H

This determines the relative balance of the lead and harmony voices. For most conven-

tional applications, this should be set to “L=H” or a slightly higher lead level (such as

“L10>H” or more).

11. Vibrato Depth

Range: 0 ... 127

Default: 39

This determines the depth of the Vibrato effect on the harmony notes and the lead note.

(The lead note is not affected when Lead Gender Type is set to “Off.”) Higher values

result in a stronger, more pronounced vibrato sound.

Parameters /

Effect Parameters

12. Vibrato Rate

Range: 0 ... 127

Default: 47

This determines the speed of the Vibrato effect on the harmony notes and the lead note.

(The lead note is not affected when Lead Gender Type is set to “Off.”) Higher values

result in a faster vibrato sound.

13. Vibrato Delay

Range: 0 ... 127

Default: 0

This determines the amount of delay in the onset of the Vibrato effect on the harmony

notes and the lead note. (The lead note is not affected when Lead Gender Type is set to

“Off.”) Singers often employ a delayed vibrato as they hold notes; this parameter is

designed to reproduce that effect, and helps to create a more natural, lifelike sound.

Higher values result in a longer delay time.

14. Part

Settings: Off, Part1 ... 64, Ad1 ... Ad63

Default: Off

This determines the Part to which the Harmony effect is applied. For example, to apply

Harmony to a microphone input connected to the A/D INPUT, set this to “Ad01.” When

set to “Off,” the Harmony effect is cancelled.

• If you are using a Modular Synthesis Plug-in-compatible tone generator, you'll need to set the

Part Number from the device itself.

• The number of selectable Parts in this parameter exceeds the actual amount available on the

tone generator/sound card. The parameter has these values to accommodate the expanded

capacity of future tone generators and boards.

Parameters /

Effect Parameters

■ Chordal Harmony Parameters.....................................

The Chordal type produces up to three harmony notes that correspond to the chords

you play on a connected MIDI keyboard (or chords recorded to a sequencer). For

example, if you play a C major triad on the keyboard (with Chordal Mode set to “trio”)

and sing a C note, the resulting harmonies will be C, E, and G. Thirty-four different

chord types are recognized in this mode (see Chords Recognized in Chordal Type), giv-

ing you an amazingly full and ﬂexible palette of harmonies, suitable for nearly any music

style. The number of harmonies produced and their position above or below the melody

is set in the Mode parameter.

• When more than four MIDI notes are received, priority is given ﬁrst to the most recently

played notes, then the highest notes. (In other words, the harmonies of lower notes and ear-

lier notes are cut off.)

In general, the Chordal Type is best suited when you want to simply play the chords and

have the Harmony effect automatically sort out the suitable notes.

• Chords Recognized in Chordal Type

C Maj min(9) 7(13)

C# Maj6 min7(9) 7(b9)

D Maj7 min7(11) 7(b13)

D# Maj7(#11) minMaj7 7(#9)

E Maj(9) minMaj7(9) Maj7aug

F Maj7(9) dim 7aug

F# Maj6(9) dim7 1+8

G aug 7th 1+5

G# min 7sus4 sus4

A min6 7b5 1+2+5

A# min7 7(9)

B min7b57(#11)

Chordal Harmony Parameter Descriptions

1. Mode

1: Duet Above (default)

Produces one harmony note, in a pitch above the lead note.

2: Duet Below

Produces one harmony note, in a pitch below the lead note.

3: Duet Above + Bass

Produces two harmony notes — one in a pitch above the lead note, and one an octave

below the other harmony. (The “+ Bass” in the type name stands for “added bass

note.”)

Parameters / Effect Parameters

4: Trio Above

Produces two harmony notes, in pitches above the lead note.

5: Trio Above&Below

Produces two harmony notes — one in a pitch above the lead note, and one below.

6: Trio Below

Produces two harmony notes, in pitches below the lead note.

7: Trio Above&Below + Bass

Produces three harmony notes — one in a pitch above the lead note, and two below —

one of them an octave below the higher harmony. (The “+ Bass” in the type name

stands for “added bass note.”)

8: Quartet Above

Produces three harmony notes, in pitches above the lead note.

9: Quartet Above&Below

Produces three harmony notes — two in pitches above the lead note, and one below.

10: Quartet Below

Produces three harmony notes, in pitches below the lead note.

Other Parameters

The remaining parameters for the Chordal Type are the same as those for the Vocoder

Type.

• If you are using a Modular Synthesis Plug-in-compatible tone generator, you'll need to set the

Part Number (14. Part) from the device itself.

Parameters /

Effect Parameters

■ Detune Harmony Parameters......................................

The Detune type produces a slightly “detuned” pitch and mixes it with the input signal for

a rich chorusing effect. The amount of the detuning is set in the Mode parameter. MIDI

note data from a keyboard or sequencer has no effect in this type.

Detune Harmony Parameter Descriptions

1. Mode

1: Low Detune (default)

Detunes the pitch by ±7 cents (least amount of detuning).

2: Medium-Low Detune

Detunes the pitch by ±11 cents.

3: Medium-High Detune

Detunes the pitch by ±15 cents.

4: High Detune

Detunes the pitch by ±20 cents (most amount of detuning).

• When Detune is selected, the following parameters are not available:

2. Harmony Gender Type

5. Lead Pitch Correction

6. Auto Upper Gender Threshold

7. Auto Lower Gender Threshold

8. Upper Gender Depth

9. Lower Gender Depth

Other Parameters

The remaining parameters for the Detune Type are the same as those for the Vocoder

Type.

• If you are using a Modular Synthesis Plug-in-compatible tone generator, you'll need to set the

Part Number (14. Part) from the device itself.

Parameters / Effect Parameters

■ Chromatic Harmony Parameters ................................

The Chromatic type produces a harmony at a ﬁxed pitch interval from the original sound

(such as an octave, or a third). The amount and direction of the pitch shift is set in the

Mode parameter. MIDI note data from a keyboard or sequencer has no effect in this

type.

Chromatic Harmony Parameter Descriptions

1. Mode

1: Octave Below (default)

Produces a harmony note an octave below the input note.

2: 3rd Below

Produces a major third harmony note in the octave below the input note. (Harmony is

transposed eight semitones down.)

3: 5th Below

Produces a perfect ﬁfth harmony note in the octave below the input note. (Harmony is

transposed ﬁve semitones down.)

4: Unison

Produces a “harmony” note at the same pitch as the input note. (This can be clearly

distinguished from the original signal by changing the Harmony Gender Type.)

5: 3rd Above

Produces a major third harmony note in the same octave as the input note. (Harmony

is transposed four semitones up.)

6: 5th Above

Produces a perfect ﬁfth harmony note in the same octave as the input note. (Harmony

is transposed seven semitones up.)

7: Octave Above

Produces a harmony note an octave above the input note.

Other Parameters

The remaining parameters for the Chromatic Type are the same as those for the Vocoder

Type.

• If you are using a Modular Synthesis Plug-in-compatible tone generator, you'll need to set the

Part Number (14. Part) from the device itself.

Parameters /

System Parameters

Harmony Channel (Harmony Ch)

Settings: 1 ... 16, Off

Default: Off

This determines the MIDI channel over which the Harmony effect is controlled. For

example, when this is set to the same value as the MIDI transmit channel of a connected

MIDI keyboard or sequencer, you can use that device to “play” harmonies.

Harmony Mute

Settings: Off, On

Default: Off

This determines whether the harmony notes are muted or not. For the harmony notes to

be heard, this should be set to “Off.” To mute the harmony notes, set this to “On.” This

parameter is intended primarily for sequencer applications, letting you effectively turn the

harmonies on and off as needed within a song.

Melody Channel (Melody Ch)

Settings: 1 ... 16, Off

Default: Off

This determines the MIDI channel over which the lead sound of the Harmony effect is

controlled. For example, when this is set to the same value as the MIDI transmit channel

of a connected MIDI keyboard or sequencer, you can use that device to control the pitch

of the lead sound. (See “Using the Lead Voice.”)

System Parameters

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Yamaha PLG100 Инструкция по применению

Бренд: Yamaha

Модель: PLG100

Категория: Цифровые пианино

Тип: Инструкция по применению

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PLG100-VH

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English: Yamaha PLG100 Owner's manual
français: Yamaha PLG100 Le manuel du propriétaire
italiano: Yamaha PLG100 Manuale del proprietario
español: Yamaha PLG100 El manual del propietario
Deutsch: Yamaha PLG100 Bedienungsanleitung
Nederlands: Yamaha PLG100 de handleiding
português: Yamaha PLG100 Manual do proprietário
dansk: Yamaha PLG100 Brugervejledning
polski: Yamaha PLG100 Instrukcja obsługi
čeština: Yamaha PLG100 Návod k obsluze
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Türkçe: Yamaha PLG100 El kitabı
suomi: Yamaha PLG100 Omistajan opas
română: Yamaha PLG100 Manualul proprietarului

Yamaha PLG100 Инструкция по применению

Это руководство также подходит для

Yamaha PLG100 Инструкция по применению

на других языках

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