Yamaha P-95 Инструкция по применению

ENGLISHDEUTSCH FRANÇAISESPAÑOL

Owner’s Manual

Mode d'emploi

Bedienungsanleitung

Manual de instrucciones

P-95B/P-95S

DIGITAL PIANO

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO

NOT connect this product to any power supply or adapter other than one

described in the manual, on the name plate, or speciﬁcally recom-

mended by Yamaha.

WARNING: Do not place this product in a position where anyone could

walk on, trip over, or roll anything over power or connecting cords of any

kind. The use of an extension cord is not recommended! If you must use

an extension cord, the minimum wire size for a 25’ cord (or less) is 18

AWG. NOTE: The smaller the AWG number, the larger the current han-

dling capacity. For longer extension cords, consult a local electrician.

This product should be used only with the components supplied or; a

cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is

used, please observe all safety markings and instructions that accom-

pany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the

time of printing. However, Yamaha reserves the right to change or modify

any of the speciﬁcations without notice or obligation to update existing

units.

This product, either alone or in combination with an ampliﬁer and head-

phones or speaker/s, may be capable of producing sound levels that

could cause permanent hearing loss. DO NOT operate for long periods

of time at a high volume level or at a level that is uncomfortable. If you

experience any hearing loss or ringing in the ears, you should consult an

audiologist.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

Some Yamaha products may have benches and / or accessory mounting

ﬁxtures that are either supplied with the product or as optional accesso-

ries. Some of these items are designed to be dealer assembled or

installed. Please make sure that benches are stable and any optional ﬁx-

tures (where applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No other

uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a

function or effect works (when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and consult your dealer

before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environ-

mentally friendly. We sincerely believe that our products and the produc-

tion methods used to produce them, meet these goals. In keeping with

both the letter and the spirit of the law, we want you to be aware of the

following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of bat-

tery is approximately ﬁve years. When replacement becomes necessary,

contact a qualiﬁed service representative to perform the replacement.

This product may also use “household” type batteries. Some of these

may be rechargeable. Make sure that the battery being charged is a

rechargeable type and that the charger is intended for the battery being

charged.

When installing batteries, never mix old batteries with new ones, and

never mix different types of batteries. Batteries MUST be installed cor-

rectly. Mismatches or incorrect installation may result in overheating and

battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batter-

ies away from children. Dispose of used batteries promptly and as regu-

lated by the laws in your area. Note: Check with any retailer of

household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason

its useful life is considered to be at an end, please observe all local,

state, and federal regulations that relate to the disposal of products that

contain lead, batteries, plastics, etc. If your dealer is unable to assist

you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model num-

ber, serial number, power requirements, etc., are located on this plate.

You should record the model number, serial number, and the date of pur-

chase in the spaces provided below and retain this manual as a perma-

nent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP (bottom)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accor-

dance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus

may not correspond with the coloured makings identifying the ter-

minals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the ter-

minal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal

of the three pin plug.

• This applies only to products distributed by Yamaha-Kemble

Music (U.K.) Ltd.

(2 wires)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modiﬁcations not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please contact

Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den

ar ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspændingen til dette apparat er IKKE afbrudt,

sålæenge netledningen siddr i en stikkontakt, som er t endt — også

selvom der or slukket på apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko

laitetta verkosta.

(standby)

P-95 Owner’s Manual

ENGLISH

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or

radiators, and do not excessively bend or otherwise damage the

cord, place heavy objects on it, or place it in a position where

anyone could walk on, trip over, or roll anything over it.

• Only use the voltage speciﬁed as correct for the instrument. The

required voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (page 31) only. Using the wrong adaptor

can result in damage to the instrument or overheating.

• Check the electric plug periodically and remove any dirt or dust

which may have accumulated on it.

• This instrument contains no user-serviceable parts. Do not open the

instrument or attempt to disassemble or modify the internal

components in any way. If it should appear to be malfunctioning,

discontinue use immediately and have it inspected by qualiﬁed

Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or

wet conditions, or place containers on it containing liquids which

might spill into any openings. If any liquid such as water seeps into

the instrument, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected

by qualiﬁed Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• When one of the following problems occur, immediately turn off the

power switch and disconnect the electric plug from the outlet. Then

have the device inspected by Yamaha service personnel.

• The power cord or plug becomes frayed or damaged.

• It emits unusual smells or smoke.

• Some object has been dropped into the instrument.

• There is a sudden loss of sound during use of the instrument.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not connect the instrument to an electrical outlet using a

multiple-connector. Doing so can result in lower sound quality, or

possibly cause overheating in the outlet.

• When removing the electric plug from the instrument or an outlet,

always hold the plug itself and not the cord. Pulling by the cord can

damage it.

• Remove the electric plug from the outlet when the instrument is not

to be used for extended periods of time, or during electrical storms.

• Do not place the instrument in an unstable position where it might

accidentally fall over.

• Before moving the instrument, remove all connected cables.

• When setting up the product, make sure that the AC outlet you are

using is easily accessible. If some trouble or malfunction occurs,

immediately turn off the power switch and disconnect the plug from

the outlet. Even when the power switch is turned off, electricity is

still ﬂowing to the product at the minimum level. When you are not

using the product for a long time, make sure to unplug the power

cord from the wall AC outlet.

• Use only the stand speciﬁed for the instrument. When attaching the

stand or rack, use the provided screws only. Failure to do so could

cause damage to the internal components or result in the instrument

falling over.

• Before connecting the instrument to other electronic components,

turn off the power for all components. Before turning the power on

or off for all components, set all volume levels to minimum.

• Be sure to set the volumes of all components at their minimum

levels and gradually raise the volume controls while playing the

instrument to set the desired listening level.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps

on the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the

instrument, and do not use excessive force on the buttons, switches

or connectors.

• Do not use the instrument/device or headphones for a long period of

time at a high or uncomfortable volume level, since this can cause

permanent hearing loss. If you experience any hearing loss or

ringing in the ears, consult a physician.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor

Location

Connections

Handling caution

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P-95 Owner’s Manual

ENGLISH

Always turn the power off when the instrument is not in use.

Even when the [ ] (Standby/On) switch is in the “Standby” position, electricity is still ﬂowing to the instrument at the minimum level. When you are

not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.

NOTICE

To avoid the possibility of damage to the product, data or other property, follow the notices below.

■ Handling and Maintainance

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day)

to prevent the possibility of panel disﬁguration or damage to the internal components.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.

• When cleaning the instrument, use a soft, dry/cloth. Do not use paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

■ Saving data

• Some data will be saved to internal memory of the instrument. The data is maintained even when the power is turned off.

Saved data may be lost due to malfunction or incorrect operation. Save important data to a computer (page 25).

Information

■ About copyrights

• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights.

Such copyrighted materials include, without limitation, all computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized

use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE,

DISTRIBUTE OR USE ILLEGAL COPIES.

■ About this manual

• The illustrations as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

• For the sake of simplicity, both models P-95B and P-95S are hereafter referred to in this Owner’s Manual as P-95.

• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

(weee_eu)

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Information for Users on Collection and Disposal of Old Equipment

This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products

should not be mixed with general household waste.

For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with

your national legislation and the Directives 2002/96/EC.

By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on

human health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products, please contact your local municipality, your waste disposal

service or the point of sale where you purchased the items.

[For business users in the European Union]

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

[Information on Disposal in other Countries outside the European Union]

This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer

and ask for the correct method of disposal.

(7)-1 2/2

The serial number of this product may be found on the bottom of the unit.

You should note this serial number in the space provided below and retain

this manual as a permanent record of your purchase to aid identiﬁcation in

the event of theft.

Model No.

Serial No.

(bottom)

P-95 Owner’s Manual

ENGLISH

Introduction

Thank you for purchasing the Yamaha P-95B/P-95S!

We recommend that you read this manual carefully

so that you can fully take advantage of the advanced and

convenient functions of the P-95B/P-95S.

We also recommend that you keep this manual in a safe and

handy place for future reference.

Main Features

Graded Hammer Standard Keyboard

Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with

action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower

notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can

even be adjusted to match your playing style. This Graded Hammer technology also enables the P-95 to provide

authentic touch in a lightweight instrument.

AWM Stereo Sampling

This instrument offers unmatched sonic realism and natural grand-piano type playability as well as Yamaha’s original

“AWM Stereo Sampling” tone-generation technology for rich, musical voices.

In particular, the Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano,

while the Electric Piano 1 and 2 voice features multiple samples for different velocities (Dynamic Sampling); in other

words, it uses different samples depending on the strength of your playing.

Accessories

• Owner’s Manual

•AC Power Adaptor

* May not be included depending on your particular area. Please check with your Yamaha dealer.

• Footswitch

•Music Rest

•My Yamaha Product User Registration

* The PRODUCT ID on the sheet will be needed when you ﬁll out the User Registration form.

P-95 Owner’s Manual

ENGLISH

Tab le of Contents

PRECAUTIONS.................................................................................. 4

Introduction

Main Features................................................................................... 6

Accessories .......................................................................................6

Panel Controls and Terminals.......................................................... 8

Before Using.....................................................................................9

Turning the Power On .................................................................................... 9

Setting the Volume.......................................................................................... 9

Using the Pedal .............................................................................................. 10

Using Headphones ........................................................................................11

Music Rest...................................................................................................... 11

Reference

Listening to the Demo Songs ........................................................12

Listening to the Piano Preset Songs..............................................13

Using the Metronome.................................................................... 14

Setting the Time Signature............................................................................ 14

Adjusting the Tempo..................................................................................... 14

Adjusting the Volume ...................................................................................15

Selecting & Playing Voices.............................................................16

Selecting Voices .............................................................................................16

Combining Voices (Dual)............................................................................. 17

Adding Variations to the Sound – Reverb ...................................................18

Transposition................................................................................................. 19

Fine tuning of the Pitch................................................................................. 19

Touch Sensitivity ........................................................................................... 20

Recording Your Performance ........................................................21

Recording a performance.............................................................................. 21

Play back the recorded performance ............................................................ 22

Changing the Settings of the Recorded Data ...............................................23

Connecting MIDI Instruments ....................................................... 24

About MIDI ................................................................................................... 24

Connecting a Personal Computer ................................................................ 24

Transferring Backup Data between the Computer and the Instrument .... 25

Initializing the Settings.................................................................................. 25

MIDI Functions............................................................................... 26

MIDI Transmit/Receive Channel Selection ................................................. 26

Local Control ON/OFF ................................................................................. 26

Program Change ON/OFF............................................................................ 27

Control Change ON/OFF ............................................................................. 27

Troubleshooting.............................................................................28

Optional Equipment.......................................................................28

Appendix

Preset Song List.............................................................................. 30

Specifications .................................................................................31

Quick Operation Guide ..................................................................32

This is a quick reference for operation of the functions assigned to the buttons and keyboard.

Online Materials

(Downloadable from the web)

The following instructional materials

are available for downloading from the

Yamaha Manual Library. Access the

Yamaha Manual Library, then enter

your model name (P-95, for example)

in the Model Name area to search the

manuals.

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

• Data List

The Data List contains MIDI related

information, such as the MIDI Data

Format and MIDI Implementation

chart.

• MIDI Basics

If you want to know more about MIDI

and how to use it, refer to this intro-

ductory book.

Panel Controls and Terminals

P-95 Owner’s Manual

ENGLISH

Panel Controls and Terminals

1 [] (Standby/On) switch ..............page 9

For turning the power on or off.

2 [MASTER VOLUME] slider ............. page 9

For adjusting the volume level of the entire sound.

3 [DEMO/SONG] button .........pages 12, 13

For playing the demo songs and the piano preset

songs.

4 TEMPO [

] [

]/SELECT [

] [

] buttons

..............................................pages 12, 13

While playing a voice demo or piano preset song,

pressing these buttons lets you select the next or pre-

vious song. These buttons can also be used to change

the song tempo.

5 [METRONOME] button................ page 14

For using the metronome.

6 [REC] button ................................ page 21

For recording your keyboard performance.

7 [PLAY] button .............................. page 22

For playing back the recorded performance.

8 VOICE buttons .............................page 16

For selecting voices from 10 internal sounds includ-

ing Grand Piano 1 and 2. You can also combine two

voices and use them together.

9 [PEDAL UNIT] jack........................page 10

For connecting an optional pedal unit (LP-5A).

) DC IN jack ......................................page 9

For connecting the power adaptor.

! MIDI [IN] [OUT] terminals...........page 24

For connecting external MIDI devices, allowing the

use of various MIDI functions.

@ [SUSTAIN] jack .............................page 10

For connecting an included pedal, optional FC3 foot

pedal or FC4 foot switch.

# [PHONES] jack..............................page 11

For connecting a set of standard stereo headphones,

allowing private practice.

$ Metronome indication.................page 14

Indicates the keys used for making metronome set-

tings.

9) ! @

12345

867

Shows the

jacks and ter-

minals as

seen when

viewed from

the rear of the

instrument.

Shows the

jacks and ter-

minals as

seen when

viewed from

the rear of the

instrument.

Before Using

P-95 Owner’s Manual

ENGLISH

Before Using

Turning the Power On

1. Connect the AC adaptor to the power sup-

ply jack.

WARNING

Use the speciﬁed adaptor (page 31) only. The use of other adaptors

may result in irreparable damage to both the adaptor and the instru-

ment.

2. Plug the AC adaptor into an AC outlet.

CAUTION

Unplug the AC Power Adaptor when not using the instrument, or

during electrical storms.

3. Press the [ ] (Standby/On) switch to turn

on the power.

The power indicator located to the left of the [] (Standby/On)

switch lights up.

Pressing the switch again turns the power off.

CAUTION

Even when the instrument is turned off, electricity is still ﬂowing to the instrument at the minimum level.

When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC

outlet.

Setting the Volume

Initially set the [MASTER VOLUME] slider about halfway between the

“MIN” and “MAX” settings. Then, when you start playing, re-adjust the

[MASTER VOLUME] slider to the most comfortable listening level.

TERMINOLOGY

MASTER VOLUME:

The volume level of the entire keyboard sound

Adaptor

AC outlet

The level increases.The level decreases.

Before Using

P-95 Owner’s Manual

ENGLISH

Using the Pedal

[SUSTAIN] jack

This jack is for connecting the included pedal. The pedal functions in the

same way as a damper pedal on an acoustic piano. Connect an optional

pedal to this jack and press the pedal to sustain the sound.

An optional FC3 foot pedal or FC4 foot switch can also be connected to

this jack.

If you connect an optional pedal of FC3, the half pedal function* can be

used.

* half pedal function

While you playing the piano with SUSTAIN and if you need to delete the

cloudy sound, release the foot from pedal to half position.

[PEDAL UNIT] jack

This jack is for connecting an optional LP-5A

pedal unit. When connecting the pedal unit, make

sure to also assemble the unit on an optional key-

board stand (L-85/L-85S).

Do not press the footswitch while turning the power on. Doing this

changes the recognized polarity of the footswitch, resulting in reversed

footswitch operation.

Make sure that power is OFF when connect-

ing or disconnecting the pedal.

Pedal Unit Functions

The optional pedal unit has three foot pedals that produce a range of

expressive effects similar to those produced by the pedals on an acoustic

piano.

Damper (Right) Pedal

The damper pedal functions in the same way as a damper pedal on an

acoustic piano. When the damper pedal is pressed, notes sustain longer.

Releasing the pedal immediately stops (damps) any sustained notes.

A “half-pedal” effect lets you use the damper pedal to create partial sus-

tain effects, depending on how far down you press the pedal.

Sostenuto (Center) Pedal

If you play a note or chord on the keyboard and press the sostenuto

pedal while the note(s) are held, those notes will sustain as long as you

hold the pedal (as if the damper pedal had been pressed) but all subse-

quently played notes will not be sustained. This makes it possible to sus-

tain a chord, for example, while other notes are played “staccato.”

Soft (Left) Pedal

The soft pedal reduces the volume and slightly changes the timbre of

notes played while the pedal is pressed. The soft pedal will not affect

notes that are already playing when it is pressed.

LP-5A

(optional)

L-85/L-85S

(optional)

NOTE

When you press the damper

pedal here, the notes you play

before you release the pedal

have a longer sustain.

When you press the soste-

nuto pedal here while holding

the note, the note will sustain

as long as you hold the

pedal.

Before Using

P-95 Owner’s Manual

ENGLISH

Using Headphones

Connect a set of headphones to one of the [PHONES] jacks.

Two [PHONES] jacks are provided.

You can connect two sets of standard stereo headphones. (If you are

using only one set of headphones, you can plug them into either jack.)

CAUTION

To protect your hearing, avoid listening with the headphones at a high vol-

ume level for long periods of time.

Music Rest

This instrument includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the

control panel.

Speakers are built into the instrument at the bottom.

Though you can enjoy playing the instrument even when putting it on a desk or table, we recommend that you use an

optional keyboard stand for better sound.

Standard stereo phone plug

Listening to the Demo Songs

P-95 Owner’s Manual

ENGLISH

Listening to the Demo Songs

Demo songs are provided that effectively demonstrate each of the voices.

1. While holding down the [DEMO/SONG] button,

press one of the voice buttons to listen to the demo

songs.

The demo song will start. Demo songs provided for each voice will play back in

sequence until you press the [DEMO/SONG] button.

Changing a Demo Song

You can change to another demo song during playback by pressing the SELECT

[

]/[

] button.

You can also change to another demo song during playback by pressing any one

of the voice buttons.

While holding down the [METRONOME] button, use the TEMPO [

]/[

] but-

tons to change the playback tempo.

Demo Song List

• The demonstration pieces listed above are short rearranged excerpts of the original

compositions.

2. Press the [DEMO/SONG] button to

stop the voice demo.

Refer to the voice list on page 16

for more information on the char-

acteristics of each preset voice.

Simply by pressing the [DEMO/

SONG] button, you can start the

GRAND PIANO 1 demo song and

the other demo songs provided

for each voice will play back in

sequence.

The demo songs will not be trans-

mitted via MIDI.

NOTE

Voice Name Title Composer

PIPE ORGAN Herr Christ, der ein’ge

Gottes-Sohn, BWV.601

J.S. Bach

HARPSICHORD Concerto a cembalo

obbligato, 2 violini, viola

e continuo No.7,

BWV.1058

J.S. Bach

Reference

Listening to the Piano Preset Songs

P-95 Owner’s Manual

ENGLISH

Listening to the Piano Preset Songs

This instrument provides performance data for piano songs as well as voice demo songs, for your

listening pleasure.

1. While holding down the [DEMO/SONG] button,

press one of the C2–C##

6 keys to select a song to

play back.

The number of each piano preset song is assigned to the C2–C#6 keys.

The preset songs will play back consecutively in sequence until you press the

[DEMO/SONG] button.

Press the SELECT [

] or [

] button to change to the next piano song.

While holding down the [METRONOME] button, use the TEMPO [

]/[

] but-

tons to change the playback tempo.

2. Press the [DEMO/SONG] button to stop playback.

To continue playing other songs, see step 1 above.

TERMINOLOGY

Song:

In this manual, performance data

is called a “Song.” This includes

demonstration tunes and piano

preset tunes.

Preset:

Preset Data supplied with the

internal memory of the P-95

shipped from the factory.

The Preset Song List appears on

page 30.

Refer to the Quick Operation

Guide on page 32 for details on

key assignments.

You can play the keyboard along

with the preset song. You can

change the voice playing on the

keyboard.

When you select a different song

(or a different song is selected

during chained playback), an

appropriate reverb type will be

selected accordingly.

The piano preset songs are not

transmitted via MIDI.

NOTE

C2 C3 C4 C5 C6

1st song 10th song 20th song 30th song 40th song 50th song

Using the Metronome

P-95 Owner’s Manual

ENGLISH

Using the Metronome

This instrument features a built-in metronome (a device that keeps an accurate tempo) that is con-

venient for practicing.

1. Press the [METRONOME] button

to turn on the metronome.

Start the metronome.

2. Press the [METRONOME] button

to stop the Metronome.

Setting the Time Signature

While holding down the [METRONOME] button,

press one of the A0–D1 keys.

The ﬁrst beat is accented with a bell sound and the rest with clicks. Default set is

0/4 (A0). In this setting, clicks sound in all beats.

The time signature can also be changed by the following operation.

While holding down the [METRONOME] button, press one of the voice buttons

(GRAND PIANO 1–PIPE ORGAN).

Adjusting the Tempo

The tempo of the metronome can be set from 32 to 280 beats per minute.

A number is assigned to each of the following keys.

While holding down the [METRONOME] button, press a sequence of F3–D4

keys to specify a three-digit number.

Key Time signature

A0 0/4

A#0 2/4

B0 3/4

C1 4/4

C#1 5/4

D1 6/4

TERMINOLOGY

Default setting:

The “Default setting” refers to the

factory setting obtained when you

ﬁrst turn on the power to the P-95.

A0 D1C0

0/4 2/4 3/4 4/4 5/4 6/4

Default setting (Metronome):

120

NOTE

Using the Metronome

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ENGLISH

Select a number starting from the left-most digit. For example, to set the

tempo “95,” press the F3 (0), D4 (9) and A#3 (5) keys in sequence.

Increasing the tempo value in steps of one:

While holding down the [METRONOME] button, press the F#4 key.

Decreasing the tempo value in steps of one:

While holding down the [METRONOME] button, press the E4 key.

Increasing the tempo value in steps of ten:

While holding down the [METRONOME] button, press the G4 key.

Decreasing the tempo value in steps of ten:

While holding down the [METRONOME] button, press the D#4 key.

Resetting the tempo to default:

While holding down the [METRONOME] button, press the F4 key.

The tempo value can also be changed by the following operation.

While holding down the [METRONOME] button, use the TEMPO [

]/[

]

button to increase or decrease in single steps.

While holding down the [METRONOME] button, press both TEMPO [

[

] buttons simultaneously to restore the default tempo.

Adjusting the Volume

You can change the volume of the metronome sound.

While holding down the [METRONOME] button,

press one of the A-1–F##

0 keys to determine the vol-

ume.

Pressing a higher key in the key range results in a higher volume, while pressing

a lower key results in lower volume.

F3(0)

A#3(5)

D4(9)

G4(+10)

E4(-1)

D#4(-10)

F#4(+1)

F4(default)

Metronome volume range:

A-1 (1)–F#0 (10)

Default setting: D#0 (7)

NOTE

A-1(1)

F#0(10)

Selecting & Playing Voices

P-95 Owner’s Manual

ENGLISH

Selecting & Playing Voices

Selecting Voices

1. Press one of the voice buttons.

2. Adjust the volume.

Re-adjust the [MASTER VOLUME] slider (page 9) for the most comfortable lis-

tening level during your performance.

To familiarize yourself with the

characteristics of the voices, lis-

ten to the demo songs for each

voice (page 12).

TERMINOLOGY

Voice:

In this manual, the term “voice”

means “instrument sound.”

When you select a voice, an

appropriate reverb type will be

selected automatically (page 18).

NOTE

Voice Name Description

GRAND PIANO 1

Recorded samples from a full concert grand piano. Perfect for

classical compositions as well as any other style that requires

acoustic piano.

GRAND PIANO 2 Clear piano with bright reverb. Good for popular music.

E. PIANO 1

An electronic piano sound created by FM synthesis. Good for

popular music.

E. PIANO 2

The sound of an electric piano using hammer-struck metallic

“tines.” Soft tone when played lightly, and an aggressive tone

when played hard.

JAZZ ORGAN

The sound of a tonewheel type electric organ. Often heard in jazz

and rock idioms.

PIPE ORGAN

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good

for sacred music from the Baroque period.

STRINGS

Spacious and large-scale string ensemble. Try combining this

voice with piano in DUAL.

CHOIR

A big, spacious choir voice. Perfect for creating rich harmonies in

slow pieces.

HARPSICHORD

The deﬁnitive instrument for baroque music. Since the strings of a

harpsichord are plucked, there is no touch response.

VIBRAPHONE The sound of a vibraphone played with relatively soft mallets.

Selecting & Playing Voices

P-95 Owner’s Manual

ENGLISH

Combining Voices (Dual)

You can play voices simultaneously across the entire range of the keyboard. In this way, you can

combine similar voices to create a thicker sound.

1. Press two voice buttons simultaneously to engage

Dual.

According to the voice button position on the panel, the voice on the left will be

designated as Voice 1, and the other will be designated as Voice 2.

You can make the following settings for Voices 1 and 2 in Dual:

Setting the Octave

You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-

pendently. Depending on which voices you combine in Dual, the combination

may sound better if one of the voices is shifted up or down an octave.

While holding down the [METRONOME] button, press one of the A4–D5 keys.

Setting the Balance

You can adjust the volume balance between two voices. For example, you can set

one voice as the main voice with a louder setting, and make the other voice softer.

While holding down the [

METRONOME

] button, press one of the F#5–F#6 keys.

A setting of “0” produces an equal balance between the two Dual voices. Settings

below “0” increase the volume of Voice 2 in relation to Voice 1, and settings above

“0” increase the volume of Voice 1 in relation to Voice 2.

2. Press one of the voice buttons to exit Dual and

return to the normal single-voice play.

Reverb in Dual

The reverb type assigned to

Voice 1 will take priority. If the

reverb assigned to Voice 1 is set

to OFF, the reverb assigned to

Voice 2 will be in effect.

NOTE

Voice 1

A4 -1

Voice 2

C5 -1

A#40 C#50

B4 +1 D5 +1

D5A4

Voice 2Voice 1

C6(0)

F#6 (+6)F#5 (-6)

Selecting & Playing Voices

P-95 Owner’s Manual

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Adding Variations to the Sound – Reverb

This control enables you to select four different types of reverb effect that add extra depth and

expression to the sound to create a realistic acoustic ambience.

Selecting a Reverb Type

While holding down the [METRONOME] button, press one of the G#6–C7 keys

to select a reverb type.

Adjusting Reverb Depth

While holding down the [METRONOME] button, press one of the F1–C#3 keys

to adjust the reverb depth for the selected voice.

While holding down the [METRONOME] button, press the D3 key to set the

reverb to the depth most suitable for the selected voice.

KeyReverb Type Description

G#6 Room

This setting adds a continuous reverb effect to the sound, similar to the

acoustic reverberation you would hear in a room.

A6 Hall1

For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates

the natural reverberation of a small-size concert hall.

A#6 Hall2

For a truly spacious reverb sound, use the HALL 2 setting. This effect sim-

ulates the natural reverberation of a large concert hall.

B6 Stage Simulates the reverb of a stage environment.

C7 Off No effect is applied.

G#6

Reverb depth range:

0 (no effect)–

20 (maximum depth)

NOTE

The depth value increases as you press higher keys.

C#3: depth 20

F1: depth 0

The default reverb type (including

OFF) and depth settings are dif-

ferent for each voice.

NOTE

Selecting & Playing Voices

P-95 Owner’s Manual

ENGLISH

Transposition

The Transpose function makes it possible to shift the pitch of the entire keyboard up or down in

semitone intervals to facilitate playing in difﬁcult key signatures, and to let you easily match the

pitch of the keyboard to the range of a singer or other instruments. For example, if you set the

transposition amount to “+5,” playing key C produces pitch F. In this way, you can play a song as

though it were in C major, and the P-95 will transpose it to the key of F.

Setting the amount of transposition

While holding down the [DEMO/SONG] and [METRONOME] buttons, press

one of the F#2–F#3 keys to set the desired amount of transposition.

To transpose the pitch down (in semitone steps)

While holding down the [DEMO/SONG] and [METRONOME] buttons, press

any key between F#2 and B2.

To transpose the pitch up (in semitone steps)

While holding down the [DEMO/SONG] and [METRONOME] buttons, press

any key between C#3 and F#3.

To restore the normal pitch

While holding down the [DEMO/SONG] and [METRONOME] buttons, press

the C3 key.

Fine tuning of the Pitch

You can ﬁne tune the pitch of the entire instrument. This function is useful when you play this

instrument along with other instruments or CD music.

Setting the Pitch

To raise the pitch

in about 1cent steps (100 cents

= 1 semitone):

Hold down the A-1, B-1 and C0

keys simultaneously and press

any key between C3 and B3.

To lower the pitch

in about 1cent steps (100 cents

= 1 semitone):

Hold down the A-1, B-1 and C#0

keys simultaneously and press

any key between C3 and B3.

To restore standard pitch:

Hold down the A-1, B-1, C0 and

C#0 keys simultaneously and

press any key between C3 and B3.

TERMINOLOGY

Transpose:

Changing the key signature. On

the P-95, transposing shifts the

pitch of the entire keyboard.

Transposition range:

F#2 (-6 semitones)–

C3 (normal pitch)–

F#3 (+6 semitones)

NOTE

F#3F#2

0-1

-2 +1 +3-4

-3-5 +2+4+5

-6 +6

Setting range: -65–+65 cents

The default setting (0 cent) is

A3=440Hz. In the 440Hz region,

1Hz=approximately 4 cents.

Pressing the key 8 times for

example, will set A3 at approxi-

mately 442Hz.

NOTE

C1 C2 C3 B3C0A-1

B-1

C1 C2 C3 B3A-1

B-1

C#0

C1 C2 C3 B3C0A-1

B-1

C#0

Selecting & Playing Voices

P-95 Owner’s Manual

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Touch Sensitivity

You can adjust the volume level that changes depending on how fast or strong you hit the keys.

The following four settings are available.

Setting the Touch Sensitivity Type

While holding down the [DEMO/SONG] button and the [METRONOME] but-

ton, press one of the A6–C7 keys to select the desired touch sensitivity.

KeyTouch Sensitivity Description

A6 Fixed

All notes are produced at the same volume no matter how hard the keyboard

is played.

A#6 Soft Allows maximum loudness to be produced with relatively light key pressure.

B6 Medium Produces a fairly “standard” keyboard response.

C7 Hard Requires that the keys be played quite hard to produce maximum loudness.

The touch sensitivity settings may

have little or no effect with JAZZ

ORGAN, PIPE ORGAN and

HARPSICHORD voices that are

not normally responsive to key-

board dynamics.

Default setting: B6 (Medium)

NOTE

C7A6

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