Yamaha D-7 Руководство пользователя

Бренд: Yamaha

Модель: D-7

Категория: Сабвуферы

Тип: Руководство пользователя

Powered Near-field Reference Monitors & Subwoofer

OWNER’S MANUAL

BEDIENUNGSANLEITUNG

MODE D’EMPLOI

MANUAL DE INSTRUCCIONES

The above warning is located on the rear of the unit.

Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

within an equilateral triangle is intended to alert

the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude to

constitute a risk of electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and

maintenance (servicing) instructions in the

literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including

ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades

with one wider than the other. A grounding type plug

has two blades and a third grounding prong. The wide

blade or the third prong are provided for your safety. If

the provided plug does not ﬁt into your outlet, consult

an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the

point where they exit from the apparatus.

11 Only use attachments/accessories speciﬁed by the

manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table speciﬁed

by the manufacturer, or sold with

the apparatus. When a cart is

used, use caution when moving

the cart/apparatus combination

to avoid injury from tip-over.

13 Unplug this apparatus during

lightning storms or when unused for long periods of

time.

14 Refer all servicing to qualiﬁed service personnel.

Servicing is required when the apparatus has been

damaged in any way, such as power-supply cord or plug

is damaged, liquid has been spilled or objects have

fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate normally,

or has been dropped.

(98-6500)

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.(3

wires)

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

IMPORTANT

Please record the serial number of this unit in the space below.

Model:

Serial No.:

The serial number is located on the bottom or rear of the unit.

Retain this Owner's Manual in a safe place for future reference.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in

accordance with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the

terminals in your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be

connected to the terminal in the plug which is marked by the letter

E or by the safety earth symbol or colored GREEN or GREEN-

and-YELLOW.

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

FrançaisEspañol EnglishDeutsch

Thank you for choosing a YAMAHA powered monitor speaker or powered subwoofer.

In order to take maximum advantage of the speaker’s features and ensure maximum performance and longevity,

please read this manual carefully before using powered monitor speaker or powered subwoofer.

Keep the manual in a safe place for future reference.

Vielen Dank dass Sie sich für einen aktiven Monitorlautsprecher oder Subwoofer von YAMAHA entschieden haben.

Um die Eigenschaften des Lautsprechers optimal zu nutzen und für höchste Leistung und Lebensdauer lesen Sie diese Anleitung

bitte genau durch, bevor Sie den aktiven Monitorlautsprecher oder Subwoofer verwenden.

Bitte bewahren Sie diese Bedienungsanleitung zum späteren Nachschlagen an einem sicheren Ort auf.

Nous vous remercions d’avoir choisi un haut-parleur de contrôle ou un caisson de basses ampliﬁé YAMAHA.

Pour obtenir les performances optimales de vos haut-parleurs et garantir une longévité maximale, lisez attentivement ce mode

d’emploi avant d’utiliser le haut-parleur de contrôle ou le caisson de basses ampliﬁé.

Conservez-le en lieu sûr pour pouvoir vous y référer ultérieurement.

Gracias por elegir los monitores o el subwoofer autoampliﬁcados de Yamaha.

A ﬁn de aprovechar al máximo las características de los altavoces y obtener un rendimiento y durabilidad óptimos,

lea atentamente este manual antes de utilizar el sistema.

Guarde este manual en un lugar seguro para futuras consultas.

Contents

Precautions

Setting Up for

Superior

Monitor Sound

Rear Panel

HS50M/

HS80M

HS10W

Specifications

Dimensions

Performance

graph

Block Diagram

Table des matières

Précautions

Configuration

du son de con-

trôle supérieur

Panneau arrière

HS50M/

HS80M

HS10W

Spécifications

Dimensions

Graphique des

performances

Schéma

d’ensemble

Inhalt

Vorsichts

maßnahmen

Aufstellung für

den besten

Klang

Rückseite

HS50M/

HS80M

HS10W

Technische Daten

Abmessungen

Leistungs

diagramm

Blockschaltbild

Contenido

Precauciones

Configuración

para obtener una

monitorización de

sonido excelente

Panel posterior

HS50M/

HS80M

HS10W

Especificaciones

Dimensiones

Gráfico de

rendimiento

Diagrama de

bloques

HS50M/

HS80M

HS10W

(5)-4

English

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-

circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the device. The required voltage is printed on

the name plate of the device.

• Use only the included power cord.

• Do not place the power cord near heat sources such as heaters or radiators, and do not

excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a

position where anyone could walk on, trip over, or roll anything over it.

• Be sure to connect to an appropriate outlet with a protective grounding connection.

Improper grounding can result in electrical shock.

• Do not open the device or attempt to disassemble the internal parts or modify them in any

way. The device contains no user-serviceable parts. If it should appear to be malfunctioning,

discontinue use immediately and have it inspected by qualiﬁed Yamaha service personnel.

• Do not expose the device to rain, use it near water or in damp or wet conditions, or place

containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound

during use of the device, or if any unusual smells or smoke should appear to be caused by

it, immediately turn off the power switch, disconnect the electric plug from the outlet, and

have the device inspected by qualiﬁed Yamaha service personnel.

• If this device should be dropped or damaged, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the device inspected by qualiﬁed

Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other

property. These precautions include, but are not limited to, the following:

• Remove the electric plug from the outlet when the device is not to be used for extended

periods of time, or during electrical storms.

• When removing the electric plug from the device or an outlet, always hold the plug itself and

not the cord. Pulling by the cord can damage it.

• Before moving the device, remove all connected cables.

• When setting up the device, make sure that the AC outlet you are using is easily accessible.

If some trouble or malfunction occurs, immediately turn off the power switch and disconnect

the plug from the outlet.

• Do not use the device in a conﬁned, poorly-ventilated location. Make sure that there is

adequate space between the device and surrounding walls or other devices: at least 20cm at

the sides, 20cm behind and 20cm above. Inadequate ventilation can result in overheating,

possibly causing damage to the device(s), or even ﬁre.

• Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in

direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel

disﬁguration or damage to the internal components.

• Do not place the device in an unstable position where it might accidentally fall over.

• Before connecting the device to other devices, turn off the power for all devices. Before

turning the power on or off for all devices, set all volume levels to minimum.

• When turning on the AC power in your audio system, always turn on the device LAST, to

avoid speaker damage. When turning the power off, the device should be turned off FIRST

for the same reason.

• Do not insert your ﬁngers or hands in any gaps or openings on the device (ports, etc.).

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or

openings on the device (ports, etc.) If this happens, turn off the power immediately and

unplug the power cord from the AC outlet. Then have the device inspected by qualiﬁed

Yamaha service personnel.

• Do not use the device for a long period of time at a high or uncomfortable volume level,

since this can cause permanent hearing loss. If you experience any hearing loss or ringing

in the ears, consult a physician.

• Do not operate the device if the sound is distorting. Prolonged use in this condition could

cause overheating and result in ﬁre.

• Do not rest your weight on the device or place heavy objects on it, and avoid use excessive

force on the buttons, switches or connectors.

Even though this speaker system (HS50M, HS80M only) is magnetically shielded, you may need to move the speaker further away from the video monitor, if a nearby video monitor exhibits any

distortion or unnatural color shift.

Interference From Cell Phones

Using a cell phone near the speaker system can induce noise. If this occurs, move the cell phone further away from the speaker system.

Always turn the power off when the device is not in use.

The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualiﬁed Yamaha service personnel about replacing

defective components.

• Illustrations in this manual are for explanatory purposes only, and may not match the actual appearance of the product during operation.

• Company names and product names used in this Owner’s Manual are trademarks or registered trademarks of their respective owners.

• Speciﬁcations and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or speciﬁcations at any time without prior notice. Since speciﬁcations,

equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Power supply/Power cord

Do not open

Water warning

If you notice any abnormality

Power supply/Power cord

Location

Connections

Handling caution

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the device.

English

HS80M/HS50M/HS10W Owner’s Manual

Setting Up for Superior

Monitor Sound

Setting Up for Superior

Monitor Sound

Unlike most other audio and production gear, the way speakers are set up in a

room has a dramatic effect on the ﬁnal sound. This short tutorial provides a basic

guide to help you maximize the performance of your Yamaha HS-series monitor

speakers.

Listening vs. Monitoring

You’d think that the requirements for “listening” and

“monitoring” would be the same, but that is not always

the case. A great listening system can be a great

monitoring system, and vice-versa, but in most cases you’ll

miss details that are essential to producing the best

possible mix on a system that’s set up purely for musical

enjoyment. The difference is somewhat similar to the

difference between a retouched glamour portrait and the

original in which every blemish is clearly visible. The model

looks a lot better in the retouched photo, but the reality is

in the original un-enhanced version. As mixing engineer,

or producer, or sonic artist, you’ll want to hear the details

so that you can create a perfectly balanced mix that will

sound good on the widest possible range of audio systems

— and that can mean anything from high-ticket boutique

audio components in a properly-designed listening room

right down to the boom box on top of the fridge in the

kitchen. You don’t want problems hidden by poor monitor

performance to sabotage your sound on other systems.

The legendary Yamaha NS10M became a standard

monitor in the music and sound industry (and is still in use

in many studios throughout the world) for precisely that

reason: it offered ﬂat response and excellent resolution that

allowed engineers and producers to hear subtle details that

make the difference between good and great sound. The

HS-series monitors carry on the tradition with accuracy and

detail that can help you make great mixes, while letting

you monitor for long stretches with minimum fatigue.

Getting Connected

Powered monitors offer many sonic and practical

advantages over passive types, but since they’re driven by

line-level signals you need to exercise the same care in

choosing cables and connectors as for the other line-level

connections in your studio. Always use high quality cables

and connectors, and keep cable runs as short as possible.

Unbalanced lines are ﬁne for relatively short cables runs

unless you happen to be in a location that is plagued by

high levels of electrical and radio-frequency noise. Of

course if you’re using equipment that only has unbalanced

outputs you have no choice, and will need to set up your

system so that everything can be connected with the

shortest possible unbalanced cables. If your mixer and

monitors are located on the same desktop or tabletop, for

example, there should be no problem. But if you need to

run line-level cables longer than about three meters

(longer than about 10 feet), you might be better off using

balanced connections for maximum noise resistance.

The HS-series studio monitors provide two types of

connectors for input, so you can choose the type that best

matches your system requirements.

English

HS80M/HS50M/HS10W Owner’s Manual

XLR-type Connector (Balanced)

This is the type of connector most commonly used in

professional equipment and installations. 3-pin XLR-type

connectors like the ones provided on the HS-series

monitors are primarily intended for use with balanced

signals, and their solid design and construction ensures

maximum electrical and mechanical reliability.

Phone Jack (TRS, Balanced or Unbalanced)

RCA Pin Jack

The HS-series studio monitors also feature 1/4-inch

phone jack connectors that can be used for either balanced

or unbalanced connections.

For balanced connection via these jacks you’ll need to

use balanced cables ﬁtted with TRS phone plugs — three-

contact phone plugs that are basically the same as

standard stereo phone plugs with tip, ring, and sleeve

contacts (thus the “TRS” designation — see the illustration

on the left.)

The phone jacks will also accept unbalanced signals

—simply plug in a standard mono phone plug. But what if

you want to connect equipment that only provides RCA-

type pin connector outputs? The solution is simple

enough: use either RCA-to-phone plug adaptors or RCA-

to-phone cables, and plug into the speaker’s phone-jack

inputs.

If you’re connecting your HS

speakers directly to a mixer such as

one of the Yamaha MG-series mixers,

they should usually be connected to

the mixer’s “C-R” (Control Room)

outputs so that you can control the

monitor level without affecting the

level of the signal sent to the mixer’s

main bus, which will usually be

feeding your recorder or DAW

(Digital Audio Workstation) in a

production type setup.

Pin 2: Signal + or “Hot”

Pin 3: Signal - or “Cold”

Pin 1: Ground

Pin 3: Signal - or “Cold”

Pin 2: Signal + or “Hot”

Ring: Signal - or “Cold”

Tip: Signal + or “Hot”

Sleeve: Ground

Tip: Signal + or “Hot”

Sleeve: Ground

input

LRC-R

OUT

LRST

OUT

MG Series

English

HS80M/HS50M/HS10W Owner’s Manual

The HS-series speakers are also an excellent choice for

direct connection to your electronic keyboard or other

electronic musical instrument.

Speaker Placement

Speaker placement is one of the most important

considerations when setting up a monitor system, but it is

all too often overlooked with the result that performance is

seriously compromised. Admittedly the obstacles to

perfect speaker positioning in the small studio are

formidable. Having the space available to place your

speaker system so that it can provide optimum

performance is a luxury, but it is deﬁnitely worth the time

spent doing a little experimentation and measuring to

make the most of limited resources. The difference can be

astounding. The basics are the same whether you’re

setting up a stereo or 5.1 surround system.

Proximity to

Walls and Corners

For the most accurate response your speakers should be

positioned away from walls and especially corners, which

can play havoc with a speaker’s frequency characteristics. A

minimum of about 1.5 meters (about 5 feet) away from

walls would be ideal, but in reality they’ll probably end up

being placed on a desktop and pushed up against a wall.

Just keep in mind that fact that the closer you get to walls

and corners the more exaggerated the speaker’s bass

response is likely to become, and some compensation —

whether you compensate mentally or use some

equalization — will probably be required. The HS50M and

HS80M speakers make this easy by providing a ROOM

CONTROL switch that modiﬁes the speaker’s bass

characteristics to compensate for the exaggeration caused

by nearby walls. As your speakers get closer to the walls

you might ﬁnd that setting the ROOM CONTROL switch

to the “-2” or “-4” setting gives you more natural response

in the bass range. As a reference, remember that you’re

trying to approach the way the speakers sound when

they’re located more than 1.5 meters (5 feet) away from

the nearest walls.

Symmetry

As we’ve just learned, the response of a speaker can

change drastically according to where it is placed in

relation to surfaces. So what happens if one of your

speakers is up against a wall and the other is out in the

open? Rest assured that the results will not be good, and

will deﬁnitely not be conducive to producing good mixes.

You’ll have totally different response from your left and

right speakers, making it next to impossible to create a

well-balanced mix, or even position tracks accurately in the

stereo sound ﬁeld. So whatever you do, if you’re serious

about your sound make sure that your speakers are located

as symmetrically within your listening environment as

possible. Use a tape measure to ensure that your speakers

are the same distance from the side and rear walls. Large

objects can throw the acoustic symmetry of a room off

balance, too. It’s also important to be aware of the location

of doors and windows. It is not always possible to achieve

ideal symmetry, but it’s worth getting as close as possible.

English

HS80M/HS50M/HS10W Owner’s Manual

The “Sweet Spot”

For both stereo and surround mixing

your position in relation to the main front

speakers — the “sweet spot” as it’s often

called — should be one apex of an

equilateral triangle. In other words your

distance from either speaker should be the

same as the distance between the two

speakers. The speakers should also be

“toed in” to the corresponding 60° angle

so that the drivers are aimed directly at the

listening position. The height of the

speakers should be such that the tweeters

are roughly aligned with your ears (this is

because high frequencies are the most

directional).

Fine-tuning for Stereo

●The speaker LEVEL controls should be set to the same level. A setting of about 12 o’clock corresponds to a nominal

input level of about +4 dB.

●Since no subwoofer is being used in this setup, set the LOW CUT switch to “FLAT”.

●When set to “-2 dB” the EQ MID switch attenuates the midrange frequencies slightly to produce a somewhat “softer”

sound that may be better for listening or long monitoring sessions. For accurate monitoring, however, set the MID

switch to “0”.

●Set the ROOM CONTROL switch according to the distance your speakers are placed from the nearest wall (refer to

“Proximity to Walls and Corners”, above).

●For accurate monitoring set the HIGH TRIM switch to “0”. This switch can be set to “-2 dB” to attenuate the highs

slightly if you ﬁnd the sound too bright.

60˚

English

HS80M/HS50M/HS10W Owner’s Manual

LFE

30˚30˚

100

120˚100 120˚

Adding a Subwoofer

Even if you don’t plan to set up a surround system, adding a subwoofer can be a real advantage for stereo mixing. If you

can’t hear the extreme low end there’s not much you can do to make it sound great. The extended bass response provided

by a good subwoofer can indeed help you to improve the overall quality of your mixes.

The location of your subwoofer is not as critical as the main speakers, because frequencies below around 200 Hz — the

region your subwoofer will be working in — aren’t directional. To say it another way, the ear can’t locate the source of such

low frequencies, so in theory the subwoofer can be placed anywhere in the room. In reality it’s a good idea to place the

subwoofer on the ﬂoor somewhere between the main front speakers at the same distance from the listening position as the

main speakers, but it doesn’t have to be dead center.

Fine-tuning for Stereo + Subwoofer

●Set the HS50M or HS80M LEVEL control to about 12 o’clock to set the nominal input level to approximately +4dB. If

you’re using the HS50M set the HS10W LEVEL control to about 10 o’clock, and if you’re using the HS80M set it to

about 11 o’clock. You can then ﬁne-adjust the HS10W LEVEL control as required. Another approach would be to adjust

the HS50M/HS80M output level to achieve the desired relativebalance with the subwoofer.

●Start with the HIGH CUT control set at its center click position, which corresponds to a HPF frequency of about 100 Hz.

The HIGH CUT frequency can be adjusted later to achieve the smoothest integration with the HS50M or HS80M

speakers.

●Turn the HS10W LOW CUT switch ON. Adjust the LOW CUT control to achieve the desired degree of bass extension.

●Set the HS50M/HS80M LOW CUT switch to “FLAT”.

●When set to “-2 dB” the HS50M/HS80M EQ MID switch attenuates the midrange frequencies slightly to produce a

somewhat “softer” sound that may be better for listening or long monitoring sessions. For accurate monitoring,

however, set the MID switch to “0”.

●Set the HS50M/HS80M ROOM CONTROL switch according to the distance your speakers are placed from the nearest

wall (refer to “Proximity to Walls and Corners”, above).

●For accurate monitoring set the HS50M/HS80M HIGH TRIM switch to “0”. This switch can be set to “-2 dB” to

attenuate the highs slightly if you ﬁnd the sound too bright.

Setting Up for Surround

If you’re going to be mixing for surround, obviously you’ll need a surround

monitoring system. For a 5.1 surround system, for example, you only need to

add a center speaker and two rear speakers to the stereo + subwoofer

system described in the previous section. Let’s see … two main speakers

plus one center speaker plus two rear speakers is a total of ﬁve

speakers, and “.1” refers to the subwoofer. All present and

accounted for!

According to the ITU (International Telecommunications Union)

speciﬁcations for 5.1 surround setup, the main front speakers are

positioned in the 60° equilateral triangle relationship to the listening

position described earlier, and the rear speakers should be located at

the same distance from the listening position, but at an angle of between

English

HS80M/HS50M/HS10W Owner’s Manual

100° and 120°, as shown in the diagram above. The center speaker should be placed precisely midway between the main

front speakers, at the same distance from the listening position as the other speakers (which means that ideally it will be a bit

behind the main left and right speakers.

As you may have deduced by now, the main left and right, center, and rear speakers are all located on the circumference

of a circle with its center at the listening position. An easy way to get all the distances right is to use a piece of string cut or

marked to the exact distance between the main left and right speakers. Attach the string to a mic stand or other convenient

object at the listening position and use it to measure the distance from the listening position to each of the speakers.

Stretched from the listening position to the speaker position the string will also provide a convenient guide for aligning the

speakers so that they point directly at the listening position.

MG-series Mixer Setup

If you’re connecting to a standard mixer that is not speciﬁcally

designed for surround production, your main L and R speakers

can be connected to any convenient stereo output pair via the

HS10W subwoofer, while the center and rear speakers will be

connected to individual output channels.

Example: MG16/6FX

Digital Mixer Setup

If you’re connecting your HS-series speakers to a mixing console

that features built-in surround handling capability — such as the

Yamaha DM2000, DM1000, or 02R96 — each speaker will be

connected directly to the console output dedicated to handling

that particular surround channel. In this type of setup you can take

full advantage of the console’s advanced surround mixing and bass

management facilities.

DVD

Player

Input Channel

Output

Connector

Speaker

L ➔ Ch1 (ST=ON, PAN ➔ L) ➔ ST OUT (L) ➔ L

R ➔ Ch2 (ST=ON, PAN ➔ R) ➔ ST OUT (R) ➔ R

LS ➔ Ch3 (GRP1-2, PAN ➔ L) ➔ GROUP OUT 1(L) ➔ LS

RS ➔ Ch4 (GRP1-2, PAN ➔ R) ➔ GROUP OUT 2(R) ➔ RS

C ➔ Ch5 (GRP3-4, PAN ➔ L) ➔ GROUP OUT 3 ➔ C

LFE ➔

Ch6 (ST=ON, PAN➔Center,

Fader➔+10 dB Boost)

➔ ST OUT ➔ LFE

DVD Player

6 Channel Line

LFE

OMNI Out

LFE

English

HS80M/HS50M/HS10W Owner’s Manual

Fine-tuning for Surround

●Set the HS50M or HS80M LEVEL control to about 12

o’clock to set the nominal input level to

approximately +4dB. If you’re using the HS50M

set the HS10W LEVEL control to about 10 o’clock,

and if you’re using the HS80M set it to about 11

o’clock. You can then ﬁne-adjust the HS10W LEVEL

control as required. Another approach would be to

adjust the HS50M/HS80M output level to achieve

the desired relative balance with the subwoofer.

* If you’re using the HS50M with a digital mixer, set the

HS10W LEVEL control to about 9 o’clock. If you’re using

the HS80M with a digital mixer set the HS10W LEVEL

control to about 10 o’clock.

●Start with the HIGH CUT control set at its center

click position, which corresponds to a HPF frequency

of about 100 Hz*. The HIGH CUT frequency can be

adjusted later to achieve the smoothest integration

with the HS50M or HS80M speakers.

* Set to 80 Hz if you’re using a digital mixer.

●Turn the HS10W LOW CUT switch ON. Adjust the

LOW CUT control to achieve the desired degree of

bass extension.

●Set the HS50M/HS80M LOW CUT switch to “100

Hz”*.

* Set to 80 Hz if you’re using a digital mixer.

●When set to “-2 dB” the HS50M/HS80M EQ MID

switch attenuates the midrange frequencies slightly

to produce a somewhat “softer” sound that may be

better for listening or long monitoring sessions. For

accurate monitoring, however, set the MID switch

to “0”.

●Set the HS50M/HS80M ROOM CONTROL switch

according to the distance your speakers are placed

from the nearest wall (refer to “Proximity to Walls

and Corners”, above).

●For accurate monitoring set the HS50M/HS80M

HIGH TRIM switch to “0”. This switch can be set to

“-2 dB” to attenuate the highs slightly if you ﬁnd the

sound too bright.

Maintain a Consistent

Monitoring Level

Another difference between listening and monitoring is

that when you’re listening for enjoyment you probably

listen at signiﬁcantly different levels at different times: from

soft and unobtrusive for background music, right though

room-shaking for involved listening or dancing. This is

deﬁnitely not the case for serious monitoring. The response

of your ears changes so drastically according to level,

especially in the soft to medium-loud region, that is

essential to maintain a consistent monitoring level

otherwise you simply won’t get consistent mixing results.

You’ll undoubtedly need to turn up or down a bit at

certain points during the production process when

listening for speciﬁc problems or effects — in fact it is

important to listen to your mix at different levels as a ﬁnal

checking process, bringing the levels down very low to

check if any elements of the mix disappear and make sure

that the vocal continues to maintain its balance in the mix

at very low levels — but in general you should stay within a

fairly small range.

Just what is the best level to monitor at? Although there

is a “standard” monitoring level speciﬁcation,* the answer

for most small studios is “whatever is most comfortable for

you.” You need to monitor at a level that’s loud enough so

that you don’t miss any soft details, but not so loud that

your ears become fatigued (or your neighbors complain). If

you ﬁnd yourself turning up the volume after monitoring

for a short while, your ears are probably starting to get

tired and losing sensitivity. This is obviously bad for your

music as well as your ears. So ﬁnd that “comfort zone” and

prepare to make some great music.

*For you techies, the SMPTE RP 200 standard monitoring level is

83 dB SPL (RMS average) at the listening position, or if you’re

mixing for ﬁlm you’ll need to know that the standard Dolby

monitoring level for surround is 85 dB SPL.

English

HS80M/HS50M/HS10W Owner’s Manual

Rear Panel

HS80M, HS50M

1 POWER switch

Turns power to the speaker on or off. When the power is

turned on the tuning fork mark on the front panel will light.

" LEVEL control

Adjusts the overall output level.

# INPUT 1/2 connector

These are balanced XLR-type and phone type input

connectors.

Do NOT use both the XLR and Phone type connector at the same

time. Please connect to only one of these connectors.

$ MID EQ switch

Adjusts the level of the mid-frequency range. Setting the

switch to the “0” position produces a ﬂat frequency response.

With the “+2 dB” setting, the mid range is boosted by 2 dB.

With the “-2 dB” setting, the mid range is cut by -2 dB.

(Center frequency is 2 kHz.)

% ROOM CONTROL switch

Corrects the low frequency exaggeration caused by reﬂecting

off ceilings, walls and ﬂoors. Setting the switch to the “0”

position produces a ﬂat frequency response. With the “-2 dB”

setting, the range below 500 Hz is cut by 2 dB. With the “-4

dB” setting, the range below 500 Hz is cut by -4 dB.

& HIGH TRIM switch

Adjusts the level of high-frequency range.

HS50M: Setting the switch to the “0” position produces a ﬂat

frequency response.

With the “+2 dB” setting, the range above 3 kHz is

boosted by 2 dB. With the “-2 dB” setting, the

range above 3 kHz is cut by -2 dB.

HS80M: Setting the switch to the “0” position produces a ﬂat

frequency response.

With the “+2 dB” setting, the range above 2 kHz is

boosted by 2 dB. With the “-2 dB” setting, the

range above 2 kHz is cut by -2 dB.

' LOW CUT switch

Cuts the low-frequency range. With the “80 Hz” setting the

range below 80 Hz is cut. With the “100 Hz” setting the range

below 100 Hz is cut.

( AC IN Connector

Connect the supplied power cable here. First connect the

power cord to the speaker, then insert the power cord plug

into the AC outlet.

ROOM CONTROL

HIGH TRIM

+2dB

0dB

-2dB

0dB

-2dB

-4dB

+2dB

-2dB

-4dB

+2dB

-2dB

-10dB

+4dB

MID EQ

ROOM

CONTROL

HIGH

TRIM

LOW CUT

FLAT

80Hz

100Hz

MID EQ

LOW CUT

OFF

INPUT

LEVEL

POWER

AC IN

2kHz

3kHz

500Hz

100Hz

80Hz

FLAT

MIN

+2dB

0dB

-2dB

0dB

-2dB

-4dB

2kHz

500Hz

100Hz

FLAT

80Hz

ROOM CONTROL

HIGH TRIM

MID EQ

LOW CUT

HS50MHS80M

(

English

HS80M/HS50M/HS10W Owner’s Manual

HS10W

! POWER switch

Turns power to the speaker on or off. When the power is

turned on the tuning fork mark on the front panel will light.

" INPUT L/R connector

These are balanced XLR-type and phone type input

connectors.

Two different signals can be input at these INPUT connectors.

If two signals are input at the same time, they are mixed

before being sent to the subwoofer.

Do NOT use both the XLR and Phone type connector at the same

time. Please connect to only one of these connectors.

# EXT SUB OUT connector

This is an XLR-type balanced output connector which outputs

the mixed signal received by the INPUT L/R connectors. Use

the EXT SUB OUT connector if you wish to add a second

subwoofer.

n The LOW CUT switch/control and HIGH CUT control do not affect

the output level of the signal sent from the EXT SUB OUT

connector.

$ OUTPUT L/R jack

These XLR-type balanced output connectors output the

signals received at the INPUT L/R connectors, respectively. If

the LOW CUT switch is on, the low frequency is cut. Use the

LOW CUT control to set the cutoff frequency from 80 Hz to

120 Hz.

% LOW CUT switch

If the LOW CUT switch is on, the low frequencies of the signal

from the OUTPUT connector is cut. Use the LOW CUT control

to set the cutoff frequency from 80 Hz to 120 Hz.

& LOW CUT control

Use the LOW CUT control to set the cutoff frequency from 80

Hz to 120 Hz when the LOW CUT switch is on.

' HIGH CUT control

Use the HIGH CUT control to set the cutoff frequency of the

signal output from the HS10W from 80 Hz to 120 Hz.

( LEVEL control

Adjusts the overall output level.

) PHASE switch

Selects a phase of output sound from the HS10W.

You will usually set this switch to “NORM”. However, the

“REV.” setting may improve low-range response, depending

on the type and location of the entire speaker system. Try

both settings and select the one that produces the best low-

end sound.

* AC IN Connector

Connect the supplied power cable here. First connect the

power cord to the subwoofer, then insert the power cord plug

into the AC outlet.

OFF

010

80 120

100 100

80 120

INPUT EXT

SUB

OUT

OUTPUT

HIGH

CUT

LEVEL

(Hz)

NORM.

REV.

INPUT OUTPUT

EXT SUB OUT

SUBWOOFER

HIGH

CUT

PHASE

LOW CUT

POWER

AC IN

LOW

CUT

PHASE

"#$&'()

English Deutsch Français Español

HS50M

165 (6-1/2") 222 (8-3/4")

268 (10-9/16")

Unit : mm(inch)

HS80M

250 (9-13/16")

332 (13-1/16")

390 (15-3/8")

Unit : mm(inch)

Specifications

Model HS50M HS80M HS10W

General Speciﬁcations

Type Biamp 2-way Powered speaker Biamp 2-way Powered speaker Powered Subwoofer

Crossover Frequency 3 kHz 2 kHz –

Overall Frequency

Response

55 Hz—20 kHz (-10 dB) 42 Hz—20 kHz (-10 dB) 30 Hz—180 Hz (-10 dB)

Dimensions (W x H x D)

165 x 268 x 222 mm

(6-1/2 x 10-9/16 x 8-3/4")

250 x 390 x 332 mm

(9-13/16 x 15-3/8 x 13-1/16")

300 x 350 x 386 mm

(11-13/16 x 13-3/4 x 15-3/16")

Weight 5.8 kg 11.3 kg 12.5 kg

Speaker Components

LF : 5" cone

(Magnetic shielding Type)

LF: 8" cone

(Magnetic shielding Type)

8" cone

HF : 0.75" Dome

(Magnetic shielding Type)

HF : 1" Dome

(Magnetic shielding Type)

Enclosure

Type Bass-reﬂex Type Bass-reﬂex Type Bass-reﬂex Type

Material MDF MDF MDF

Amp. Unit

Output Power

Total : 70 W (dynamic power)

(LF : 45 W, 4 ohms)

(HF : 25 W, 8 ohms)

Total : 120 W(dynamic power)

(LF : 75 W, 4 ohms)

(HF : 45 W, 8 ohms)

150 W 4 ohms (dynamic power)

Input Sensitivity /

Impedance

-10 dBu/10 k ohms -10 dBu/10 k ohms -10 dBu/10 k ohms

Output Sensitivity/

Impedance

––-10 dBu/600 ohms

Input Connectors(parallel)

1 : XLR-3-31 type (balanced)

2 : PHONE (balanced)

1 : XLR-3-31 type (balanced)

2 : PHONE (balanced)

1 : XLR-3-31 type (balanced)

2 : PHONE (balanced)

Output Connectors – –

1 : XLR-3-32 type (balanced) x 1 (EXT SUB)

2 : XLR-3-32 type (balanced) x 2 (L&R)

Controls

LEVEL control (+4dB/center click)

LOW CUT switch

(FLAT/80/100 Hz, 12 dB/octave)

EQ : MID (+/- 2dB at 2kHz)

: HIGH (+/- 2dB at HF)

:ROOM CONTROL

(0/-2/-4 dB under 500Hz)

LEVEL control (+4dB/center click)

LOW CUT switch

(FLAT/80/100Hz, 12 dB/octave)

EQ : MID (+/- 2dB at 2kHz)

: HIGH (+/- 2dB at HF)

:ROOM CONTROL

(0/-2/-4 dB under 500Hz)

LEVEL control

PHASE switch : NORM./REV.

HIGH CUT control : 80–120Hz

(center click)

LOW CUT control : 80–120Hz

(center click)

LOW CUT switch : ON/OFF

Indicator Power ON : White LED Power ON : White LED Power ON : White LED

Power Consumption 45W 60W 70W

Dimensions

FrançaisEspañol EnglishDeutsch

10k1k100

+10

10k1k100

+10

10k1k100

+10

HS50M HS80M HS10W

RESPONSE (dB)

-10

-20

-30

-40

-10

-20

-30

-40

-10

-20

-30

-40

FREQUENCY (Hz)

HS50M / HS80M

MID EQ

INPUT 1

HIGH CUT LIMITER

HIGH TRIM

INPUT 2

LEVEL

LOW CUT ROOM CONTROL

LOW BOOST LOW CUT STEP FILTER P.AMP

STEP FILTER LOWCUT P.AMP

INPUT

OUTPUT

LOW CUT

OUTPUT

R ch L ch

EXTSUB OUT

LOW CUT ON/OFF

SUM

SPEAKER

PHASE

NORMAL

REVERSE

LEVEL

P.AMP

INPUT

LOW CUT

HIGH CUT

LIMITTER

HS10W

386 (15-3/16")300 (11-13/16")

350 (13-3/4")

Unit : mm(inch)

Block Diagram

Performance graph

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Av. Reboucas 2636-Pinheiros CEP: 05402-400

Sao Paulo-SP. Brasil

Tel: 011-3085-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Central Europe GmbH,

Branch Austria, CEE Department

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-602039025

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS/

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2313

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: 02-3770-0660

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2313

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

HEAD OFFICEYamaha Corporation, Pro Audio & Digital Musical

Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2441

PA13

Yamaha Pro Audio global web site

http://www.yamahaproaudio.com/

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

508MW-01A0

Printed in China

Yamaha D-7 Руководство пользователя

Бренд: Yamaha

Модель: D-7

Категория: Сабвуферы

Тип: Руководство пользователя

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