Yamaha R96 Инструкция по применению

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Аудио-микшеры
Тип
Инструкция по применению

Это руководство также подходит для

E
DIGITAL MIXING CONSOLE
Owner’s ManualOwner’s Manual
Owner’s Manual
Keep This Manual For Future Reference.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
NEDERLAND THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen
back-up.
Raadpleeg uw leverancier over de verwijdering van de
batterij op het moment dat u het apparaat ann het einde
van de levensduur afdankt of de volgende Yamaha Service
Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. 030-2828425
Gooi de batterij niet weg, maar lever hem in als KCA.
This apparatus contains a lithium battery for memory
back-up.
For the removal of the battery at the moment of the
disposal at the end of the service life please consult your
retailer or Yamaha Service Center as follows:
Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL
UTRECHT
Tel: 030-2828425
Do not throw away the battery. Instead, hand it in as small
chemical waste.
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens
instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti
asennettu. Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan tyyppiin. Hävitä
käytetty paristo valmistajan ohjeiden
mukaisesti.
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
dangerous voltage within the products
enclosure that may be of sufficient magni-
tude to constitute a risk of electric shock to
persons.
The exclamation point within an equilat-
eral triangle is intended to alert the user to
the presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
The above warning is located on the
side of the unit.
i
02R96—Owner’s Manual
Important Information
Warnings
Connect this units power cord only to an AC outlet of the type stated in this Owner’s Man-
ual or as marked on the unit. Failure to do so is a fire and electrical shock hazard.
Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock
may result.
Do not place heavy objects, including this unit, on top of the power cord. A damaged power
cord is a fire and electrical shock hazard. In particular, be careful not to place heavy objects
on a power cord covered by a carpet.
Do not place a container with liquid or small metal objects on top of this unit. Liquid or
metal objects inside this unit are a fire and electrical shock hazard.
This unit is equipped with a dedicated ground connection to prevent electrical shock.
Before connecting the power plug to an AC outlet, be sure to ground the unit. If the power
cord has a three-pin plug, it will provide sufficient grounding so long as the AC outlet is
grounded correctly.
Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a fire
and electrical shock hazard.
Do not remove the units cover. You could receive an electrical shock. If you think internal
inspection, maintenance, or repair is necessary, contact your dealer.
Do not modify the unit. Doing so is a fire and electrical shock hazard.
If lightning begins to occur, turn off the power switch of the unit as soon as possible, and
unplug the power cable plug from the electrical outlet.
If there is a possibility of lightning, do not touch the power cable plug if it is still connected.
Doing so may be an electrical shock hazard.
Use only the included power cord for this unit. Using other types may be a fire and electrical
shock hazard.
The 02R96 has four rear-panel slots for installing mini-YGDAI cards. For technical reasons,
certain card combinations are not supported. Before installing any cards, check the Yamaha
web site to if your card is compatible. Installing cards that are not endorsed by Yamaha may
cause electrical shock, fire, or damage to the unit.
If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a
replacement. Using the unit with a damaged power cord is a fire and electrical shock hazard.
If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid
gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.
Consult your dealer for repair. Using the unit in this condition is a fire and electrical shock
hazard.
Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove
the power plug from the AC outlet, and contact your dealer. If you continue using the unit
without heeding this instruction, fire or electrical shock may result.
Cautions
Keep this unit away from the following locations:
Locations exposed to oil splashes or steam, such as near cooking stoves, humidifiers, etc.
Unstable surfaces, such as a wobbly table or slope.
Locations exposed to excessive heat, such as inside a car with all the windows closed, or
places that receive direct sunlight.
Locations subject to excessive humidity or dust accumulation.
Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A
damaged power cord is a potential fire and electrical shock hazard.
Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.
ii
02R96—Owner’s Manual
This unit has ventilation holes along the front underside and at the rear to prevent the inter-
nal temperature from rising too high. Do not block them. Blocked ventilation holes are a
fire hazard. In particular, do not operate the unit while its on its side, is upside down, or
while it’s covered with a cloth or dust sheet.
If you are using the optional MB02R96 Peak Meter Bridge, do not hold only the MB02R96
when moving the 02R96. Otherwise, the meter brackets may be damaged, the main unit
may malfunction, or you may be injured if the unit falls.
This unit is heavy. Use two or more people to carry it.
When you transport or move the 02R96 with the MB02R96 attached, do not permit impact
or stress on the cable connector that connects the MB02R96 to the 02R96. Otherwise, mal-
function may occur.
To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,
and remove all connecting cables. Damaged cables may cause fire or electrical shock.
If you know you will not use this unit for a long period of time, such as when going on vaca-
tion, remove the power plug from the AC outlet. Leaving it connected is a potential fire haz-
ard.
The inside of the unit should be cleaned periodically. Dust accumulation inside the unit
may cause malfunction and is a potential fire hazard. Consult your dealer for information
about cleaning.
To prevent electrical shock when cleaning the unit, remove the power plug from the AC out-
let.
Operating Notes
XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).
Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.
The performance of components with moving contacts, such switches, rotary controls, fad-
ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper-
ating environment and is unavoidable. Consult your dealer about replacing defective
components.
Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone
away from the unit.
If the message “WARNING Low Battery!” appears when you turn on this unit, contact your
dealer as soon as possible about replacing the internal data backup battery. The unit will still
operate correctly, but data other than the presets will be lost.
Before replacing the batteries, back up your data to a memory card, or another unit by using
MIDI Bulk Dump.
The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise
occurs, relocate the affected equipment.
When connecting D-sub cables, be sure to tighten the screws on both sides of the connector
securely. To disconnect the cable, loosen the screws completely, then remove the cable by
holding the connector part. Do not remove the plug by pulling the cable while the screws
are still attached. Otherwise, the connector may be damaged, leading to malfunction.
When you change the wordclock settings on any device in your digital audio system, some
devices may output noise, so turn down your power amps beforehand, otherwise your
speakers may be damaged.
Interference
The 02R96 uses high-frequency digital circuits that may cause interference on radio and
television equipment located nearby. If interference is a problem, relocate the affected
equipment. Using a mobile telephone near the unit may induce noise. In this case use the
telephone away from the unit.
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02R96—Owner’s Manual
02R96 Exclusion of Certain Responsibility
Manufacturer, importer, or dealer shall not be liable for any incidental damages including
personal injury or any other damages caused by improper use or operation of the 02R96.
Trademarks
ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-
istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.
Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of
Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are
registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg
Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign
and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac
are registered trademarks of Teac Corporation. Microsoft and Windows are registered
trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a
trademark of Yamaha Corporation. All other trademarks are the property of their respective
holders and are hereby acknowledged.
Copyright
No part of the 02R96, its software, or this
Owner’s Manual
may be reproduced or distrib-
uted in any form or by any means without the prior written authorization of Yamaha Cor-
poration.
© 2002 Yamaha Corporation. All rights reserved.
Yamaha Web Site
Further information about the 02R96, related products, and other Yamaha professional
audio equipment is available on the Yamaha Professional Audio Web site at:
<http://www.yamaha.co.jp/product/proaudio/homeenglish/>.
Package Contents
02R96 Digital Mixing Console
CD-ROM
•Power cord
This manual
Optional Extras
MB02R96 Peak Meter Bridge
SP02R96 Wooden Side Panels
mini YGDAI I/O cards
About this Owner’s Manual
This
Owner’s Manual
covers the 02R96 Digital Mixing Console.
All the information you need in order to operate the 02R96 Digital Mixing Console is con-
tained in this manual. Use the table of contents to familiarize yourself with the manual’s
organization and to locate tasks and topics, and use the index to locate specific information.
Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on
page 29.
Each chapter of this manual discusses a specific section or function of the 02R96. The Input
and Output Channels are explained in the following chapters: “Input Channels, “Bus
Outs, Aux Sends, and “Stereo Out. Where possible, these chapters have been organized
in order of signal flow, from input through to output.
Functions such as EQ and Delay are common to all channels. Rather than repeat the same
information over and over, these functions are explained once in the “Common Channel
Functions chapter, which starts on page 87. The Input Channels, Bus Outs, Aux Sends, and
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02R96—Owner’s Manual
Stereo Out chapters contain cross-references to the relevant sections of the “Common
Channel Functions chapter.
Conventions Used in this Manual
The 02R96 features two types of button: physical buttons that you can press (e.g., ENTER
and DISPLAY) and buttons that appear on the display pages. References to physical buttons
are enclosed in square brackets, for example, “press the [ENTER] button. References to dis-
play page buttons are not emphasized, for example, “press the ENTER button.
Display pages can be selected by using the [DISPLAY] buttons or the Left Tab Scroll, Right
Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, only the
[DISPLAY] button method is mentioned in the procedures. See “Selecting Display Pages”
on page 31 for details on all the ways in which pages can be selected.
Installing the 02R96
The 02R96 should be placed on a strong and stable surface, somewhere that complies with
the warnings and cautions listed in the previous sections.
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02R96—Owner’s Manual
Contents
1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . 4
Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Turning On & Off the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Display Parameter Boxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Parameter Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Confirmation Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Title Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Assigning Parameters to the ENCODER MODE Assign Buttons . . . . . . . . . . . . . 37
4 Analog I/O & the AD Input Section . . . . . . . . . . . 39
AD Input Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Control Room Monitor Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Studio Monitor Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
2TR Analog INs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
5 Digital I/O & Cascading . . . . . . . . . . . . . . . . . . . . 41
Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
2TR Digital Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
2TR Digital Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
2TR In Sampling Rate Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Slot I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
6 Input & Output Patching . . . . . . . . . . . . . . . . . . . 52
Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Naming Input & Output Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Patch Select Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Patching with the Encoders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
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02R96—Owner’s Manual
7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Patching Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Reversing the Signal Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Gating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Attenuating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
EQ’ing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Grouping Input Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Input Channel Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Compressing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Grouping Input Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Delaying Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Muting Input Channels (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Grouping Input Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Setting Input Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Grouping Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Panning Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Sending Input Channels to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Soloing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Using MS Decoding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Viewing Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Stereo Out Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Patching the Stereo Out to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Routing Input Channels to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Metering the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Monitoring the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Attenuating the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
EQ’ing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Stereo Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Compressing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Muting the Stereo Out (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Setting the Stereo Out Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Balancing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Delaying the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Viewing Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Naming the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
vii
02R96—Owner’s Manual
9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Patching Bus Outs to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Routing Input Channels to Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Attenuating Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
EQ’ing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Bus Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Compressing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Muting Bus Outs (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Setting Bus Out Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Delaying Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Soloing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Pairing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Viewing Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Naming Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Patching Aux Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Setting the Aux Send Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Pre-Fader or Post-Fader Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Aux Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Viewing Aux Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Metering Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Monitoring Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Attenuating Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
EQ’ing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Aux Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Compressing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Muting Aux Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Settings Aux Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Delaying Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Soloing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Pairing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Viewing Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Naming Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
viii
02R96—Owner’s Manual
11 Common Channel Functions . . . . . . . . . . . . . . . . . 87
Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Attenuating Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Using EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Grouping Output Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Using Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Compressing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Grouping Output Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Delaying Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Grouping Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Grouping Output Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Viewing Channel Parameter Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Viewing Channel Fader Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Naming Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
12 Monitoring & Talkback . . . . . . . . . . . . . . . . . . . . . 114
Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Studio Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Using Talkback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
13 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Channel Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Input Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Output Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Effects Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Bus to Stereo Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Gate Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Comp Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Automix Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Surround Monitor Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
14 Internal Effects & Plug-Ins . . . . . . . . . . . . . . . . . . 131
About the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Patching Effects Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Preset Effects & Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Configuring Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Editing Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 138
About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Storing & Recalling Scenes with the SCENE MEMORY Buttons . . . . . . . . . . . . . 140
Using the Scene Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
ix
02R96—Owner’s Manual
16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
What’s Recorded in an Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Channel Strip [AUTO] Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Fader Edit Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Selecting the Timecode Source & Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Creating a Time Signature Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Rerecording Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Parameter Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Punching In & Out Individual Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
17 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
MIDI & the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
MIDI I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
MIDI Channel Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Assigning Scenes to Program Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Assigning Parameters to Control Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 167
Using Bulk Dump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
18 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 169
Configuring Windows Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Configuring Macintosh Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Configuring the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Configuring Pro Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Control Surface Operation with the Pro Tools Remote Layer . . . . . . . . . . . . . . . 171
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Setting Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Muting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Panning Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Viewing Send Destinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Configuring Sends as Pre or Post . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Setting Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Muting Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Panning Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Flip Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Assigning Inserts/Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Editing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Bypassing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Resetting Faders, Sends, & Panpots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Navigating the Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Making Fine Adjustments to the Selected Region . . . . . . . . . . . . . . . . . . . . . . . . . 185
Scrub & Shuttle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
x
02R96—Owner’s Manual
19 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . 189
About the Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Assigning a Target to the Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Configuring the User Defined Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Using the User Defined Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
About Machine Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Configuring Machines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Transport Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Using Shuttle & Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Using the Locator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Setting the Locate Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
20 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Checking the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Initializing the 02R96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . 202
USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Initial Input Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Initial Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Initial Input Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Initial Output Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
GPI Trigger Source List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 219
Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 260
General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
I/O Slot Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
xi
02R96—Owner’s Manual
Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Format Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . 288
MB02R96 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
SP02R96 Wooden Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Welcome
1
02R96—Owner’s Manual
1 Welcome
Thank you for choosing the Yamaha 02R96 Digital Mixing Console.
The 02R96 Digital Mixing Console offers 24-bit/96 kHz digital audio processing without
compromise, comprehensive surround mixing and monitoring, including bass manage-
ment, and hands-on control of popular DAW (Digital Audio Workstation) systems.
Sonic Spec
Linear 24-bit, 128-times oversampling A/D converters
Linear 24-bit, 128-times oversampling D/A converters
20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate
105 dB typical dynamic range (AD Input to Stereo Out)
32-bit internal signal processing (58-bit accumulator)
Channel Architecture
56 Input Channels, with Direct Outs
8 Bus Outs, with to Stereo Out routing for subgrouping
8 Aux Sends
Stereo Out
Channels can be named for easy identification
Channel library with 127 user memories
I/O Architecture
16 analog mic inputs on balanced XLRs (plus 48 V phantom) 24 analog line inputs on bal-
anced phone jacks
16 analog inserts
32 inputs, 32 outputs via four mini-YGDAI slots and optional I/O cards, which
offer a vari-
ety of analog and digital I/O options, with support for all the popular digital audio
interconnect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN.
8 assignable Omni outputs
1 AES/EBU, 2 Coaxial 2-track digital input, with sampling rate converters for connecting
44.1/48 kHz legacy digital audio equipment
1 AES/EBU, 2 Coaxial 2-track digital output
2 analog 2-track inputs
XLR and phono connector stereo outputs
Control room monitor outputs
Dedicated studio monitor outputs
Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders
Cascade ports for cascading up to four 02R96s (i.e., 224 Input Channels)
2
Chapter 1—Welcome
02R96—Owner’s Manual
I/O Patching
Any available input port can be patched to the Input Channels, Insert Ins, or Effects inputs
Direct Outs, Insert Outs, Bus Outs, Aux Sends, and the Stereo Out can be patched to any
output port
Input and output ports can be named for easy identification
Patches can be stored in the Input and Output Patch libraries
EQ
4-band parametric EQ on all Input and Output Channels
EQ library with 40 presets, 160 user memories
Groups & Pairs
Horizontal and vertical pairing of Input Channels
Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan
8 Input Channel, 4 Output Channel Fader groups
8 Input Channel, 4 Output Channel Mute groups
4 Input Channel, 4 Output Channel EQ groups
4 Input Channel, 4 Output Channel Compressor groups
Effects
4 internal effects processors
Effects library with 52 presets, 76 user memories
Multichannel effects for surround sound processing
Joystick control of early reflections and reverb with the Reverb 5.1 effect
Optional Waves 56K effects plug-in cards
User defined plug-ins for external effects control via MIDI, with Learn function
Dynamics
Gates on all 56 Input Channels
Gate library with 4 presets, 124 user memories
Compressors on all Input Channels and Out Channels (74 in total)
Compressor library with 36 presets, 92 user memories
Automation
Dynamic automation of virtually all mix parameters, with 1/4-frame accuracy
Automix library with 16 memories
Snapshot style automation with 99 Scene memories, recallable via MIDI or Automix
Individual fade time settings for all Input and Output faders
Scene and library recalls
Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters
Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes
Offline event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert
Welcome
3
02R96—Owner’s Manual
Surround Sound
3-1 and 5.1 Surround modes
Joystick control
Bass management
Monitor matrix
Surround monitor speaker alignment functions
Surround monitor library with 32 user memories
Remote Control
Control and manage your 02R96 from your Mac or PC by using the bundled Studio Man-
ager software
Remote Layers for external equipment control, including predefined targets for controlling
DAW systems, and user defined targets for controlling MIDI equipment, with Learn func-
tion
Comprehensive machine control via MMC, including transport, track arming, jog/shuttle,
and built-in locator with eight Locate memories
Assignable GPI (General Purpose Interface) port for external control and “Recording light
MIDI
Standard MIDI ports, USB TO HOST port, SERIAL TO HOST port, or mLAN MIDI I/O
USB, SERIAL, and mLAN option offer multiport operation
Scene recall, mix parameter control, Bulk Dump, MTC and MIDI Clock for Automix syn-
chronization, MMC for external machine control
Control Surface
25 touch-sensitive 100-mm motorized faders (touch sense used to select channels or punch
faders in/out during Automix recording)
Use the faders to set channel levels or Aux Send levels
Use the 24 Encoders to control Pan, Aux Send levels, or user assigned parameters
Channels arranged into two Input Layers, Master Layer, and Remote Layer
320 x 240 dot LCD display with fluorescent backlight
Complete hands-on control of all channel functions via the SELECTED CHANNEL section
2-digit Scene memory display
4 EQ displays for frequency, gain, and Q
16 user-definable buttons make light work of repetitive tasks
4
Chapter 2—Control Surface & Rear Panel
02R96—Owner’s Manual
2 Control Surface & Rear Panel
Control Surface
25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48
49 50 51 52 53 54 55 56
AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8
PHONES
LEVEL
010
010
010
TALKBACK LEVEL
STUDIO
LEVEL
PHONES
23
24
21
22
GAIN
34
10
+
GAIN
34
10
+
GAIN
34
10
+
GAIN
34
10
+
GAIN
34
10
+
GAIN
34
10
+
GAIN
34
10
+
GAIN
34
10
+
20
19
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
1 9 10 11 12 13 14 15 16
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
2
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
3
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
4
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
5
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
6
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
7
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
8
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
DISPLAY
STUDIO
AUX7 AUX8
SOLO
CONTROL
ROOM
STEREO
BUS
SLOT
CONTROL ROOM
2TR D1 2TR A1
2TR D2 2TR A2
2TR D3 STEREO
ASSIGN
1 ASSIGN2
SURROUND
CLEAR
DIMMER
CONTROL ROOM LEVEL
100
100
TALKBACK
SURROUND MONITOR LEVEL
EQUALIZER
EQ ON
LOW
Q
FREQUENCY
Q
FREQUENCY
Q
FREQUENCY
Q
FREQUENCY
DISPLAY
GAIN
LOW MID
GAIN
HIGH MID
GAIN
HIGH
GAIN
GATE ON COMP ON
GATE
COMP
RANGE
RATIO
ATT ACK
ATT ACKTHRESHOLD
THRESHOLD
DYNAMICS
DISPLAY
GATE / COMP
DECAY
RELEASE
HOLD
GAIN
SELECTED CHANNEL
LINK GRAB EFFECT
L
EVEN
R
LR
PAN / SURROUND
DISPLAY
ODD
DISPLAY ACCESS
PHASE /
INSERT
DELAY
12
3
4
56
78
STEREOFOLLOW PAN DIRECT
DISPLAY
ROUTING
SCENE MEMORY
DISPLAY
STORE RECALL
USER DEFINED KEYS
12345678
9 10111213141516
DISPLAY
REC
REW FF
STOP PLAY
SET
DISPLAY
MACHINE CONTROL
LOCATE MEMORY
1234
5678
INCDEC
ENTER
SHUTTLE
SCRUB
ON
SEL
AUTO
70
60
50
40
30
20
15
10
5
0
STEREO
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 2 1 22 23 24
ON
SOLO
SEL
AUTO
AUTOMIX DIO SETUP UTILIT Y
MIDI REMOTE METER VIEW
PAIR GROUP INPUT
PATCH
OUTPUT
PATC H
DISPLAY ACCESS
AUX 2AUX 1 AUX 3 AUX 4
AUX 6AUX 5 AUX 7 AUX 8
AUX SELECT
DISPLAY
AUXPAN
ASSIGN 2ASSIGN 1
ENCODER MODE
DISPLAY
AUXFADER
FADER MODE
EFFECTS / PLUG INS
INTERNAL
EFFECTS
CHANNEL
INSERTS
PLUG INS
1234
DISPLAY
dB
Hz
kHz
dB
Hz
kHz
dB
Hz
kHz
dB
Hz
kHz
STEREO
12345678 9101112131415161718192021222324
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
50
40
30
20
15
10
10
5
0
5
17 18
18
17
19 20 21 22 23 24
MONITOR
DIGITAL MIXING CONSOLE
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
PAD
125 1.00 4.00 10.0
MASTER25 48
REMOTE1 24
LAYER
00
AD Input Section (p. 5)
Channel strips (p. 5)
MACHINE CONTROL (p. 17)
AUX SELECT (p. 6)
FADER MODE (p. 7)
ENCODER MODE (p. 6)
DISPLAY ACCESS (p. 7)
EFFECTS/PLUG-INS (p. 9)
Display Section (p. 10)
SELECTED CHANNEL Section (p. 11)
LAYER (p. 15) STEREO (p. 15)
Data Entry & Transport
(p. 18)
Monitor, Phones & Talkback
Section (p. 19)
MONITOR Section (p. 20)
SCENE MEMORY (p. 16)
USER DEFINED KEYS (p. 16)
Control Surface
5
02R96—Owner’s Manual
AD Input Section
AD Input #1 is shown at the top; AD Inputs #17 and #18 below.
A
+48V ON/OFF switches (AD 1–16)
These switches turn on and off the +48 V phantom power feed to each INPUT A
(XLR-type connector). Phantom power is typically used to power condenser-type
microphones or direct boxes. See “Phantom Power (AD 1–16)” on page 39 for more
information.
B
PAD switches (AD 1–16)
These switches turn on and off the 26 dB pad (attenuator) for each AD Input. See “Pad
(AD 1–16)” on page 39 for more information.
C
GAIN controls
These controls adjust the gain of the AD Input Head Amps. They have an input sensi-
tivity of –16 dB to –60 dB or +10 dB to –34 dB when Pad is on. AD Inputs 17 to 24 have
an input sensitivity of +10 dB to –34 dB. See “Gain on page 39 for more information.
D
PEAK indicators
These indicators light up when the input signal level is 3 dB below clipping. See “PEAK
& SIGNAL Indicators on page 39 for more information.
E
SIGNAL indicators
These indicators light up when the input signal level is 20 dB below nominal. See
“PEAK & SIGNAL Indicators” on page 39 for more information.
F
INSERT ON/OFF switches (AD 1–16)
These switches are for turning on and off the AD Input inserts. See AD Inserts (AD
1–16)” on page 40 for more information.
Channel strips
Channel strip #1 is shown here.
The function of each channel strip depends on the currently selected Layer. See
“Selecting Layers” on page 33 for more information.
A
Encoders
These controls are used to edit Input and Output Channel parameters. Their exact
operation depends on the currently selected Encoder mode and Layer. There are two
preset Encoder modes, Pan and Aux, and two assignable modes, with over 40 param-
eters to choose from. See “Selecting Encoder Modes on page 36 for more informa-
tion.
The Encoders feature push switches that are used to punch the parameter currently
assigned to the Encoders in and out during Automix recording. See “Punching In &
Out Individual Parameters on page 156 for more information.
B
AUTO buttons
These buttons are used to set Automix recording and playback for each channel.
Their exact operation depends on the currently selected Layer. Their indicators light
up orange in Record-Ready mode, red while recording, and green during playback.
See “Channel Strip [AUTO] Buttons on page 149 for more information.
C SEL buttons
These buttons are used to select Input and Output Channels for editing with the
SELECTED CHANNEL section. Their exact operation depends on the currently
selected Layer. The [SEL] button indicator of the currently selected channel lights up.
See “Selecting Channels on page 34 for more information. The [SEL] buttons can
also be used to pair channels, and to add and remove channels to and from the EQ,
Comp, Fader, and Mute groups.
1
2
3
4
5
6
1
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
PAD
3
4
5
GAIN
34
10
+
GAIN
34
10
+
PEAK
SIGNAL
17 18
18
17
25
49
1
1
50
40
30
20
15
10
10
5
0
5
ON
SOLO
SEL
AUTO
1
2
3
4
5
6
6 Chapter 2—Control Surface & Rear Panel
02R96—Owner’s Manual
D SOLO buttons
These buttons are used to solo Channels. The [SOLO] button indicators of channels that
are soloed light up. See “Soloing Channels on page 102 for more information.
E ON buttons
These buttons are used to mute Input and Output Channels. Their exact operation depends
on the currently selected Layer. The [ON] button indicators of channels that are on light up.
F Channel faders
These 100 mm touch-sensitive motorized faders are used to set the levels of Input Channels,
Bus Outs, and Aux Sends. Their exact operation depends on the currently selected Fader
mode and Layer. See “Selecting Fader Modes” on page 35 for more information. Faders can
be grouped for simultaneous operation. See “Grouping Input Channel Faders” on page 65
and “Grouping Output Channel Faders” on page 106 for more information.
Faders can also be used to select Input and Output Channels. See Auto Channel Select &
Touch Sense Select” on page 34 for more information. They can also be used to punch chan-
nels in and out during Automix recording. See “Punching In & Out Individual Parameters”
on page 156 for more information.
AUX SELECT
A
AUX SELECT DISPLAY button
This button is used to select the following pages: Aux Send, Aux Send Pan, and Input Chan-
nel Aux View. See Aux Sends” on page 79 for more information.
B AUX 1–8 buttons
These buttons are used to select Aux Sends when sending Input Channel signals to Aux
Sends. The button indicator of the currently selected Aux Send lights up. If the currently
selected Aux Send is paired, the indicator of its partner flashes. See Aux Sends on page 79
for more information. These buttons can also be used to pair Aux Sends. See “Pairing Chan-
nels” on page 104 for more information.
ENCODER MODE
A
ENCODER MODE DISPLAY button
This button is used to select the Encoder Mode Assign page. See “Selecting Encoder Modes”
on page 36 for more information.
B PAN button
This button is used to select the Pan Encoder mode. Its indicator lights up when this mode
is selected. In this mode, the Encoders function as Pan controls while an Input Channel
Layer is selected. While the Master Layer is selected, Encoders 1–8 function as Input Chan-
nel 49–56 Pan controls, and Encoders 9–24 are inactive. See “Selecting Encoder Modes” on
page 36 for more information.
2
AUX 2AUX 1 AUX 3 AUX 4
AUX 6AUX 5 AUX 7 AUX 8
AUX SELECT
DISPLAY
1
4
AUXPAN
ASSIGN 2ASSIGN1
ENCODER MODE
DISPLAY
23
1
Control Surface 7
02R96—Owner’s Manual
C AUX button
This button is used to select the Aux Encoder mode. Its indicator lights up when this mode
is selected. In this mode, the Encoders function as Aux Send level controls when an Input
Channel Layer is selected. While the Master Layer is selected, Encoders 1–8 function as
Input Channel 49–56 Aux Send controls, and Encoders 9–24 are inactive. See “Selecting
Encoder Modes” on page 36.
D ASSIGN 1 & 2 buttons
These buttons are used to select the assignable Encoder modes. The button indicator for the
currently selected mode lights up. When an assignable mode is selected, the function of the
Encoders depends on the assigned parameter. Up to two parameters, from a list of over 40,
can be assigned to these two buttons. See Assigning Parameters to the ENCODER MODE
Assign Buttons on page 37 for more information.
FADER MODE
A FADER button
This button selects Fader mode, in which the faders control Input or Output Channel levels,
depending on the currently selected Layer. Its indicator lights up when this mode is selected.
See “Selecting Fader Modes” on page 35 for more information.
B AUX button
This button selects the Aux Fader mode, in which the faders control Aux Send levels. Its
indicator lights up when this mode is selected. See “Selecting Fader Modes on page 35 for
more information.
DISPLAY ACCESS
A AUTOMIX button
This button is used to select the following Automix pages: Automix Main, Automix Mem-
ory, Fader Edit, Event Copy, and Event Edit. See Automix” on page 145 for more informa-
tion.
B DIO button
This button is used to select the following pages: Word Clock Select, Dither, Cascade In,
Cascade Out, Sampling Rate Converter, and Higher Sample Rate Data Format. See “Digital
I/O & Cascading” on page 41 for more information.
C SETUP button
This button is used to select the following pages: Preferences 1, Preferences 2, Preferences 3,
MIDI/TO HOST Setup, GPI Setup, Input Port Name, Output Port Name, Time Reference,
and Time Signature.
1 2
AUXFADER
FADER MODE
AUTOMIX DIO SETUP UTILITY
MIDI REMOTE METER VIEW
PAIR GROUP INPUT
PATCH
OUTPUT
PATCH
DISPLAY ACCESS
9
6
5
8
7
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Yamaha R96 Инструкция по применению

Категория
Аудио-микшеры
Тип
Инструкция по применению
Это руководство также подходит для

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