Yamaha V7 Руководство пользователя

Welcome:

Thank you for downloading the “CL StageMix” iPad app for the Yamaha CL series

digital mixing consoles.

The latest firmware version for CL series can be downloaded from

https://www.yamaha.com/proaudio/

StageMix is an application for the Apple iPad that provides remote control of Yamaha

CL series digital mixing console functions via a simple, intuitive graphical interface

from anywhere within wireless range. The software has been specifically designed to

allow engineers to adjust monitor mixes from the performers’ positions on stage,

directly controlling mix parameters via the iPad rather than having to rely on verbal

directions to a second engineer. The result is better mixes in less time; a huge

advantage during high-pressure pre-show setup. Although StageMix is focused on

the requirements for adjusting monitor mixes on stage, its range of features is

continually expanding, allowing it to be used for a wider variety of remote control

functions.

Note: iOS applications may not be supported in your area. Please check with your

Yamaha dealer.

Yamaha Professional Audio CL StageMix V7 User Guide

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CONTENTS

Page

1.0

System Requirements ..................................................................................... 7

2.0 Wi-Fi Settings ................................................................................................... 7

3.0 Getting Started ................................................................................................. 8

3.1 CL series Network Setup .............................................................................. 8

3.2 iPad Wi-Fi Settings ....................................................................................... 8

3.2.1 Using DHCP ............................................................................................. 8

3.2.2 Using a Static IP Address ......................................................................... 9

3.2.3 Network switching (V7.0 and later) ......................................................... 10

3.3 StageMix Setup .......................................................................................... 11

3.3.1 OFFLINE DEMO ...................................................................................... 11

3.3.2 Configure StageMix to Work with a CL series Console ............................ 11

3.3.3 Select a Mixer ......................................................................................... 13

3.3.4 Connect and Synchronize with the CL Console ...................................... 13

3.3.5 Edit Mixer Configurations ........................................................................ 13

4.0 Mixer Window ................................................................................................. 14

4.1 Channel Bank Navigation ........................................................................... 14

4.2 Layer Navigation ........................................................................................ 14

4.2.1 Custom Fader Layer ................................................................................. 15

4.2.2 Custom Fader Bank Naming .................................................................... 16

4.2.3 Storing of Custom Meter Bridge Layout and Names ................................ 17

4.3 Channel Names and Colors ....................................................................... 17

4.4 Faders ........................................................................................................ 17

4.4.1 Long Faders ........................................................................................... 18

4.4.2 Navigation in Long Faders Mode ............................................................ 18

4.5 Channel ON ............................................................................................... 18

4.6 CUE ............................................................................................................ 18

4.7 Dual Cue Mode .......................................................................................... 19

4.7.1 Channel Mode ........................................................................................ 19

4.7.2 Cue Clear ............................................................................................... 19

4.7.3 Remote Mode ......................................................................................... 19

4.8 SOLO Mode ............................................................................................... 19

4.9 Master Bank ............................................................................................... 21

4.10 GAIN .......................................................................................................... 22

4.10.1 Digital Gain ............................................................................................. 22

4.10.2 Gain Compensation Mode ...................................................................... 23

4.10.3 Analog Gain / Digital Gain Link ............................................................... 23

4.10.4 ALL GC ON ............................................................................................. 23

4.10.5 ALL GC OFF ........................................................................................... 23

4.10.6 Input Port ................................................................................................ 23

4.10.7 Phantom Power ...................................................................................... 24

4.10.8 Phase ..................................................................................................... 24

4.10.9 Dante Wireless Microphone Control and Monitoring .............................. 24

4.10.10 Non-Dante Wireless Microphone Control and Monitoring ..................... 25

4.10.11 Input Port Patching ............................................................................... 26

4.10.12 Input Port Patch Options ...................................................................... 28

4.10.13 Multi-Channel Input Patching................................................................ 28

4.11 SENDS ON FADERS ................................................................................. 30

4.11.1 Mix Send Levels ..................................................................................... 31

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4.11.2

Mix Sends ON......................................................................................... 32

4.11.3 Mix Send PRE/POST .............................................................................. 32

4.11.4 Global PRE/POST .................................................................................. 32

4.11.5 Stereo Mix Pan ....................................................................................... 32

4.11.6 Selected MIX/MT Overview in Sends on Faders .................................... 32

4.12 DCA FADERS ............................................................................................ 34

5.0 EQ / PAN / 5.1 / DYNAMICS ........................................................................... 35

5.1 EQ .............................................................................................................. 35

5.1.1 EQ Curve in Mixer Window ..................................................................... 35

5.1.2 Selecting PEQ or GEQ ........................................................................... 36

5.1.3 Accessing the EQ Editing Screens ......................................................... 36

5.2 PARAMETRIC EQ EDITING ...................................................................... 37

5.2.1 Gain and Frequency Lock ....................................................................... 38

5.2.2 HPF ........................................................................................................ 38

5.2.3 EQ Bands 1 & 4 ...................................................................................... 39

5.2.4 EQ ON .................................................................................................... 39

5.2.5 EQ RESET ............................................................................................. 39

5.2.6 EQ TYPE ................................................................................................ 40

5.2.7 PEQ COPY/PASTE ................................................................................ 40

5.2.8 RTA ON ................................................................................................... 40

5.2.9 RTA HOLD .............................................................................................. 41

5.2.10 BAND BYPASS ....................................................................................... 41

5.3 GRAPHIC EQ EDITING ............................................................................. 42

5.3.1 Navigation in the GEQ Overview Section ............................................... 42

5.3.2 Rack Position .......................................................................................... 42

5.3.3 GEQ Type ............................................................................................... 43

5.3.4 Insert Position ......................................................................................... 43

5.3.5 RTA ON ................................................................................................... 43

5.3.6 RTA HOLD .............................................................................................. 43

5.3.7 GEQ FLAT .............................................................................................. 43

5.3.8 GEQ Copy/Paste .................................................................................... 43

5.3.9 GEQ ON ................................................................................................. 43

5.3.10 Editing GEQ Bands ................................................................................. 44

5.3.11 Navigation in the GEQ Editing Section ................................................... 44

5.4 8-BAND PEQ EDITING .............................................................................. 45

5.4.1 EQ TYPE ................................................................................................ 45

5.4.2 HPF ........................................................................................................ 46

5.4.3 LPF ......................................................................................................... 46

5.4.4 EQ RESET ............................................................................................. 46

5.4.5 PEQ COPY/PASTE ................................................................................ 46

5.4.6 EQ ON .................................................................................................... 46

5.4.7 Insert Position ......................................................................................... 46

5.4.8 RTA ON ................................................................................................... 47

5.4.9 RTA HOLD .............................................................................................. 47

5.4.10 Gain and Frequency Lock ....................................................................... 47

5.4.11 BAND BYPASS ....................................................................................... 47

5.4.12 NOTCH FILTERS ................................................................................... 47

5.5 PAN TO STEREO BUSSES ....................................................................... 48

5.5.1 Balance ................................................................................................... 48

5.6 SURROUND PAN ...................................................................................... 49

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5.6.1

Surround Pan Editing – Mono Input Channels ........................................ 49

5.6.2 Surround Pan Editing – Stereo Input Channels ...................................... 49

5.6.3 L/R and F/R Lock .................................................................................... 50

5.6.4 Divergence and LFE Level ....................................................................... 50

5.7 DYNAMICS PROCESSORS ...................................................................... 51

5.8 DYNAMICS PROCESSOR EDITING ......................................................... 52

5.8.1 Default .................................................................................................... 52

5.8.2 Copy/Paste ............................................................................................. 52

5.8.3 Dynamics On .......................................................................................... 53

5.8.4 Dynamics Type ....................................................................................... 53

5.8.5 Threshold ................................................................................................ 53

5.8.6 Range and Ratio ..................................................................................... 53

5.8.7 Other Dynamics Parameters .................................................................. 53

5.8.8 Key In ..................................................................................................... 54

6.0 OUTPORTS ..................................................................................................... 55

6.1 Navigation .................................................................................................. 55

6.2 Output Port Identification ............................................................................ 55

6.3 Delay On .................................................................................................... 56

6.4 Delay Time Display .................................................................................... 56

6.5 Output Port Phase ...................................................................................... 56

6.6 Output Port Gain ........................................................................................ 56

6.7 Delay Time Editor ....................................................................................... 57

6.7.1 Delay Scale ............................................................................................ 57

6.7.2 Numeric Keypad ..................................................................................... 57

6.7.3 Nudge Delay Time Values....................................................................... 58

6.7.4 Copy Delay Time Value .......................................................................... 58

6.7.5 Paste Delay Time Value .......................................................................... 58

6.7.6 Close the Delay Time Editor ................................................................... 58

6.7.7 Output Port Patching ................................................................................ 58

7.0 UTILITY ........................................................................................................... 61

7.1 MUTE GROUP MASTERS ......................................................................... 61

7.1.1 Mute Group Dim Level ............................................................................ 62

7.2 TAP TEMPO .............................................................................................. 63

7.2.1 Multi-Select ............................................................................................. 63

7.3 OSCILLATOR ............................................................................................ 64

7.3.1 Oscillator Assign ..................................................................................... 64

7.3.2 Oscillator Output ..................................................................................... 64

7.3.3 Oscillator Level Control ........................................................................... 64

7.3.4 Oscillator Frequency ............................................................................... 65

7.3.5 Oscillator Mode ....................................................................................... 65

7.4 RECORDER ............................................................................................... 65

7.4.1 Title List .................................................................................................. 66

7.4.2 Transport ................................................................................................ 66

7.4.3 Timeline Location .................................................................................... 66

7.4.4 Play Mode ............................................................................................... 66

7.4.5 Recorder Input ........................................................................................ 66

7.4.6 Playback Output ..................................................................................... 66

8.0 RACK ............................................................................................................... 67

8.1 GEQ Racks ................................................................................................ 67

8.1.1 Rack Slot Assignments ........................................................................... 67

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8.1.2

Input Patch Assignments ........................................................................ 68

8.1.3 Accessing GEQ and 8-Band PEQ Editors .............................................. 68

8.1.4 GEQ Editing ............................................................................................ 68

8.1.5 8-Band PEQ Editing ................................................................................ 68

8.1.6 GEQ and 8-Band PEQ ON ..................................................................... 68

8.1.7 Input and Output Meters ......................................................................... 68

8.1.8 Output Patch Assignments ..................................................................... 68

8.2 EFFECT Rack ............................................................................................ 68

8.2.1 Rack Slot Assignments ........................................................................... 68

8.2.2 Input Patch Assignments ........................................................................ 69

8.2.3 Accessing Effect, GEQ and 8-Band PEQ Editors ................................... 69

8.2.4 Effect Bypass .......................................................................................... 69

8.2.5 Input and Output Meters ......................................................................... 69

8.2.6 Output Patch Assignments ..................................................................... 69

8.3 EFFECT EDITING ...................................................................................... 70

8.3.1 Current Effect .......................................................................................... 70

8.3.2 Effect Type Selection .............................................................................. 70

8.3.3 Effect Library ........................................................................................... 70

8.3.4 Input and Output Patch Assignments ...................................................... 71

8.3.5 Input and Output Meters ......................................................................... 71

8.3.6 Effect Bypass .......................................................................................... 71

8.3.7 Effect Cue ............................................................................................... 71

8.3.8 Close Effect Editor .................................................................................. 71

8.3.9 Parameter Editing using Sliders.............................................................. 71

8.3.10 Numerical Parameter Editing .................................................................. 71

8.3.11 Multi-Segment Buttons ........................................................................... 72

8.3.12 Accessing Parameters ............................................................................ 72

8.3.13 Additional Parameters ............................................................................ 72

8.3.14 Wet/Dry Mix ............................................................................................ 72

8.4 GRAPHICAL EFFECT EDITING ................................................................ 73

8.4.1 REV-X Time/Level Parameters ............................................................... 74

8.4.2 REV-X Space Parameters ...................................................................... 75

8.4.3 REV-X Filter Parameters ........................................................................ 76

8.4.4 REVERB Time/Level Parameters ........................................................... 77

8.4.5 REVERB Space Parameters .................................................................. 78

8.4.6 REVERB Filter Parameters .................................................................... 79

8.4.7 REVERB Dynamics Parameters ............................................................. 79

8.4.8 STEREO REVERB Program................................................................... 79

8.4.9 MONO/STEREO/MOD DELAY Parameters ............................................ 80

8.4.10 DELAY LCR Parameters ......................................................................... 81

8.4.11 ECHO Parameters .................................................................................. 81

9.0 SCENE MEMORY............................................................................................ 82

9.1 CURRENT SCENE .................................................................................... 82

9.2 DECREMENT / INCREMENT SCENE ....................................................... 82

9.3 SCENE LIST .............................................................................................. 83

9.4 SCENE RANGE ......................................................................................... 83

9.5 SELECTED SCENE ................................................................................... 83

9.6 STORE SCENE.......................................................................................... 84

9.7 UNDO STORE ........................................................................................... 84

9.8 RECALL SCENE ........................................................................................ 84

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9.9

UNDO RECALL .......................................................................................... 85

10.0 SETUP ............................................................................................................. 86

10.1 Fader Delay ................................................................................................ 86

10.2 Filled EQ Graph.......................................................................................... 86

10.3 Enable Inc/Dec Scene Recall ..................................................................... 86

10.4 Show Send Levels in Meter Bridge ............................................................ 87

10.5 Enable Phantom Power Switching ............................................................. 87

10.6 Set EQ band to 0dB with Double-Tap ........................................................ 87

10.7 Show dB Markings on Mixer ....................................................................... 87

10.8 Set DCA to 0dB with Double-Tap ............................................................... 87

10.9 Disable Screen Auto-Lock ........................................................................... 87

10.10 Cue Operation Mode .................................................................................. 87

10.11 Cue A Mode ............................................................................................... 87

10.12 Cue B Mode ............................................................................................... 87

10.13 Solo in Place Mode .................................................................................... 87

10.14 Channel Select – StageMix Follows Console ............................................. 88

10.15 Channel Select – Console Follows StageMix ............................................. 88

10.16 Input Meter Point ........................................................................................ 88

10.17 Output Meter Point ..................................................................................... 88

10.18 Display Key Input for Dynamics Meters ...................................................... 88

10.19 RTA Peak Hold Mode ................................................................................. 88

10.20 RTA Input Gain........................................................................................... 89

10.21 RTA Number of Bands ............................................................................... 89

11.0 Troubleshooting ............................................................................................. 90

11.1 No Wi-Fi Available ...................................................................................... 90

11.2 Connection Error ........................................................................................ 90

11.3 Connection Lost ......................................................................................... 91

11.4 DHCP Server Setup on WAP/Router ......................................................... 91

11.5 Using StageMix with CL Editor ................................................................... 91

11.6 “Redirect to Internet” Problem with iOS 6 or higher .................................... 92

11.7 Graphic EQ Doesn’t Affect the Sound ........................................................ 92

11.8 Problems Moving Multiple Faders .............................................................. 92

11.9 StageMix Facebook Page .......................................................................... 92

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1.0 System Requirements

• Apple iPad (any model using iOS 8 or higher)

• Yamaha CL series digital mixing console with V4.0, V4.1, V4.5 or V5.0

firmware

• Wi-Fi access point (802.11g, n or ac)

• CAT5 cable (to connect the console to a Wi-Fi access point)

• iOS: iOS 8.0 -11.x

2.0 Wi-Fi Settings

Configure the Wi-Fi access point, following the manufacturer’s instructions. No

special settings are needed, but using security such as WPA is highly recommended,

to prevent unwanted devices from joining the network. Here are some suggested

settings to assist less experienced Wi-Fi users:

1. Give the wireless network a name (this is the “SSID”).

2. Choose a security mode (such as WPA) and password.

3. Select the wireless mode (802.11g, n or ac).

4. In the case of “n”, select the wireless band (2.4 or 5GHz).

5. If available, enable “Auto Channel Selection” so the wireless channel with the

least interference will be selected.

Using a Wi-Fi access point with 2 or more external aerials is recommended to

increase potential signal range. Booster aerials could be connected for a further

increase in performance.

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3.0 Getting Started

3.1 CL series Network Setup

Connect the Wi-Fi access point to the CL series console’s network port via a

CAT5 cable.

Make sure your Ethernet cable is connected to a LAN port on your Wi-Fi

device and not the WAN port.

Note the IP address of the CL series console - this will need to be entered into

the iPad later. It can be found in the console as follows:

a. Press the [SETUP] button on the CL series touchscreen

b. Press [NETWORK] on the CL series touchscreen

3.2 iPad Wi-Fi Settings

The iPad can be configured using either DHCP or a Static IP address.

3.2.1 Using DHCP

Dynamic Host Configuration Protocol (DHCP) is a network protocol that

enables a server to automatically assign an IP address to a device. It is

recommended to use DHCP. Use the following steps to configure your

iPad using DHCP.

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a) Open the iPad “Settings” menu

b) Select “Wi-Fi”, and choose the correct Wi-Fi Access Point under

“CHOOSE A NETWORK…”

c) Tap on the network’s name to edit the IP address.

d) Select [DHCP] and ensure that your iPad receives data for the IP

Address, Subnet Mask, Router and DNS.

e) Select [Renew Lease] if this data is not applied.

f) If the settings are successfully applied, press the iPad’s Home

button to exit the Settings menu.

Note:

• Make sure that the subnet of the IP address is the same as that of

the CL series console.

• If DHCP settings are not applied after step (e), please check your

DHCP server settings (refer to 11.4

for further advice). Alternatively,

setup your iPad using a Static IP Address.

3.2.2 Using a Static IP Address

a) Open the iPad “Settings” menu

b) Select “Wi-Fi”, and choose the correct Wi-Fi Access Point under

“CHOOSE A NETWORK…”

c) Tap on the network’s name to edit the IP address.

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d) Select [Static]

e) IP Address: enter an IP Address similar to the one for the CL series

console, but with just the last number different. (For example, if CL

series console is 192.168.0.128, give an address to the iPad such

as 192.168.0.124).

f) Subnet Mask: enter “255.255.255.0”.

g) Router: enter the IP Address of your Wi-Fi Access Point (printed on

the bottom of the device or in the user’s manual)

h) DNS: enter the IP Address of your Wi-Fi Access Point (as in step g)

i) Press the iPad’s Home button to exit the Settings menu.

3.2.3 Network switching (V7.0 and later)

If using iOS 9.3 and later with CL StageMix V7.0 and later, you can

connect to a network using a wired connection in addition to a wireless

connection. A Lightning to USB 3 Camera Adapter and USB Ethernet

Adapter are required to use a wired connection.

You can switch between a wireless and wired connection when offline;

you cannot switch while online.

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3.3 StageMix Setup

Launch the “CL StageMix” App

The “Select Mixer” screen will appear. From this screen, you can do any of

the following things:

• Access the OFFLINE DEMO mode to explore the features and user

interface of CL StageMix.

• Configure StageMix to work with a CL console.

• Select a CL console that has already been configured to work with your

iPad and begin using StageMix.

3.3.1 OFFLINE DEMO

If [OFFLINE DEMO] is pressed in the “Select Mixer” screen, the

functions of StageMix will operate independently of any mixing console.

It is a useful way to demonstrate and learn how to use the app without

the need for a mixer. Level meters and most Scene Memory functions

do not work in this mode.

3.3.2 Configure StageMix to Work with a CL series Console

i. Press [ADD MIXER] to open the following screen:

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ii. Tap on the blank Name field and enter a name for your CL series

console using the iPad’s onscreen keyboard.

iii. Enter the CL series console’s IP address noted in 3.1. The default IP

Address may not need to be changed but confirm this in the Network

Setup screen of the CL series console (refer to

3.1). If you need to

modify the IP Address in StageMix, make sure you include the dots

between the sets of numbers (as shown above). If the entered console

IP address is in a compatible range with the iPad’s current IP address

(displayed beneath), a green tick will be displayed to the right of the

console IP address. If the entered IP address is in-compatible range

with the current IP address of the iPad, a red cross is displayed –

please enter a console IP address in a compatible range.

Please note, having a green tick displayed does not mean that the

entered console IP address for the console is accurate or that the

console has been automatically detected. Please check the console for

the currently assigned IP address to ensure that the correct address is

being entered into StageMix.

iv. Select the Model of CL series console.

v. Press the [ADD MIXER] button at the bottom of the screen.

vi. For reference, the currently assigned IP address of the iPad is

displayed beneath the console model buttons.

Note: From StageMix V6 onwards, it is no longer necessary to enter the

console MAC Address.

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3.3.3 Select a Mixer

If your iPad has been configured to work with a CL series console,

select the mixer from the list. (The model of mixer (CL1, CL3 or CL5)

will appear in smaller text below the mixer’s name.)

3.3.4 Connect and Synchronize with the CL Console

Click the [CONNECT] button to connect to the console and begin the

synchronization process.

The message “Syncing With CL…” will appear while StageMix is

obtaining parameters from the console. After this process is complete,

the Mixer window will appear and StageMix is ready to be used.

Up to 5 iPads running StageMix can be connected to the console

simultaneously.

If StageMix cannot connect with your console, refer to the

Troubleshooting section (11.0) at the end of this document for possible

solutions.

3.3.5 Edit Mixer Configurations

The parameters of a saved Mixer Configuration can be viewed and

edited by tapping the right arrow button next to a mixer’s name. This

will open the Edit Mixer screen which allows the Name and IP Address

to be verified and edited using the procedures described in section

3.3.2. After editing, press [SAVE MIXER] to save any changes.

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4.0 Mixer Window

The main page of the StageMix is called the “Mixer” window. It shows the EQ

curves, Pan positions, Dynamics status, [CUE] and [ON] buttons, faders, level

meters, and channel names and colors for eight adjacent channels.

Across the top of the screen, level meters and faders are displayed in blocks

of channels for mono Input Channels 1-32, Stereo Input Channels 1-8, Mix

and Matrix busses, and the Master Stereo and Mono busses. This is the

“Navigation/Meter Bridge”.

From StageMix Version 7, there is a new option in the Navigation/Meter

Bridge to access the “Custom Fader Layer” view. Refer to section 4.2.1 for

details.

4.1 Channel Bank Navigation

Press any of the “Navigation/Meter Bridge” blocks to select the bank of

channels to be viewed and controlled in the channel strips below.

4.2 Layer Navigation

Press the [CH 1-32] or [CH 33-72] button to make those banks of channels

available in the “Navigation/Meter Bridge”. Stereo Inputs 1-8 are available as

part of the [CH 1-32] bank.

The Layer Navigation button displays black text on a white background to

indicate the active Layer.

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4.2.1 Custom Fader Layer

Press the [CUSTOM] button in the meter bridge to access the Custom

Meter Bridge layout.

To assign a fader bank to a meter bridge block, touch and hold on a

fader/meter block. An assignment pop-up menu will be displayed which

contains a list of all available fader banks for the connected console

model, including all standard fader banks, DCA banks and Custom

Fader Banks. Touch the desired fader bank to assign it to the chosen

fader block. Repeat this operation to assign multiple fader banks to the

available meter bridge blocks.

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Left/Right navigation buttons can be used to navigate to other meter

blocks without leaving the assignment pop-up. To exit the assignment

pop-up, touch anywhere outside of the pop-up or touch the close button

in the top right corner.

On the far-right side, is the master block. This block can be assigned as

either the standard master bank (as found in the standard meter bridge

in StageMix), or as the custom master bank as set on the console.

Please note, it is not possible to edit Custom Fader Bank channel

assignments from StageMix. Please use the Console or CL Editor for

this function.

4.2.2 Custom Fader Bank Naming

Once a fader bank has been assign to a meter bridge block, a name

can be given to the bank.

Double tap on the desired fader bank in the meter bridge to open the

keyboard. Once a name has been applied, press [return] to close the

keyboard.

Alternatively, use the left/right arrow keys to move to other banks along

the meter bridge, to name those banks without having to close the

keyboard and re-select the next block.

The bank name is now displayed under the applicable fader block in the

meter bridge.

The name is linked to the chosen fader bank, not the block position in

the meter bridge. If a named fader bank is changed to a different meter

bridge block location, the name of that bank will automatically follow.

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Please note, in order to name a fader bank it is first necessary to assign

it to the meter bridge.

4.2.3 Storing of Custom Meter Bridge Layout and Names

The assigned custom meter bridge fader bank layout and naming’s, are

stored as part of the currently in-use Mixer Preset – as created in the

front page of StageMix.

If a Mixer Preset is deleted or the console model is edited, the

associated layout and naming’s will also be deleted.

4.3 Channel Names and Colors

The name and color of each channel appears in StageMix as it does in the CL

series console. The names are dimmed if the channel is switched off.

Double-tap on the channel name in the Mixer window to edit the name and

color. Type in a name and press [return]. Alternatively, navigate to another

channel using the left/right cursor buttons above the keyboard. This allows

multiple channels to be named before closing the keyboard.

4.4 Faders

Each fader has its channel number displayed on its cap. The fader cap must

be touched to allow the level to be adjusted. When a fader cap is touched, its

background will lighten and its current dB value will be displayed. Using the

iPad’s multi-touch facility, up to eight faders can be moved simultaneously.

Note: “Multitasking Gestures” must be turned Off in the iPad in order to allow

four or more faders to be adjusted simultaneously (refer to 11.8

for details).

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4.4.1 Long Faders

Press the [LONG FADERS] button at the bottom-left corner of the Mixer

window to allow more accurate adjustment of fader levels. In this view,

EQ, Pan, Dynamics and the “Navigation/Meter Bridge” are not visible.

4.4.2 Navigation in Long Faders Mode

Although the “Navigation/Meter Bridge” is not visible in Long Faders

mode, it is possible to navigate up or down in banks of 8 channels

using the left/right arrow buttons in the upper left area of the Mixer

window.

Press the [LONG FADERS] button in the bottom-left corner again to return to

the Mixer Overview.

4.5 Channel ON

Press [ON] to change the on/off status of the channel. The button is green

when the channel is on. When a channel is off, its name and level meter will

dim and its fader position shown in the “Navigation/Meter Bridge” will also dim.

If a channel is muted as part of a Mute Group, the ON button will blink.

4.6 CUE

The [CUE] buttons for each channel control the mixer’s Cue functions. Their

operation mode corresponds to the status of the Cue Mode in the Setup

screen (refer to 10.10).

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When [LAST CUE] mode is active, only one channel can be cued at a time.

When [MIX CUE] mode is selected, multiple channels can be cued

simultaneously.

The [CUE CLEAR] button will cancel any cues that have been activated. This

is useful when there are multiple cues to cancel, and when some are hidden in

other layers.

4.7 Dual Cue Mode

With V4 firmware and higher, a second cue bus (Cue B) can be created using

Matrix 7/8. This assignment can be made in the console only.

4.7.1 Channel Mode

In Channel mode, every channel in the console can be assigned to one

of the following Channel Settings:

• A

• B

• A+B

These assignments will be displayed as part of the CUE button for

every channel in StageMix:

If a Cue for a channel is active, the Cue button will be yellow.

4.7.2 Cue Clear

In Channel Mode, a popup will appear when the [CUE CLEAR] button

is pressed. This provides a choice of which Cue busses will be cleared:

• [A]

• [B]

• [ALL]

4.7.3 Remote Mode

In Remote mode, Cue functions in StageMix will exclusively control the

Cue B Bus.

If the [CUE CLEAR] button is pressed, the Cue B Bus will be cleared.

4.8 SOLO Mode

When SOLO mode is ON, the [CUE] buttons in StageMix change to [SOLO]

buttons. These buttons turn red when they are enabled.

Note: this does not apply if Remote mode is also active.

Yamaha Professional Audio CL StageMix V7 User Guide

Page 20

SOLO mode effectively operates in addition to Cue mode. When a

channel is Soloed, it is also Cued.

If Remote mode and SOLO mode are both active, StageMix will control

the Cue B Bus and Solos will be accessible from the console only.

If SOLO mode is used along with Dual Cue Channel Mode, the [SOLO]

buttons will also include A and B indicators to identify their Cue bus

assignments.

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Yamaha V7 Руководство пользователя

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