Yamaha V96i Руководство пользователя

Reference Manual

How to Use This

Reference Manual

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2 Contents

01V96i—Reference Manual

Contents

How to Use This Reference Manual ............................................... 1

Contents of the Owner’s Manual (Booklet) .......... 3

Function Tree .......................................................... 4

Control Surface & Rear Panel ................................. 6

Control Surface .................................................................................. 6

Rear Panel ......................................................................................... 10

Analog I/O & Digital I/O ...................................... 12

Analog Inputs & Outputs ............................................................... 12

Digital Inputs & Outputs ................................................................ 13

Converting Sampling Rates of Signals Received at I/O Card

Inputs ................................................................................. 14

Monitoring Digital Input Channel Status .................................... 14

Dithering Digital Outputs .............................................................. 15

Setting the Transfer Format for Higher Sampling Rates ........... 16

Input Channels ...................................................... 17

About Input Channels .................................................................... 17

Setting the Input Channels from the Display .............................. 18

Setting the Input Channels from the Control Surface ............... 25

Pairing Input Channels ................................................................... 26

Naming Input Channels ................................................................. 28

Bus Outs ................................................................ 29

About Stereo Out ............................................................................. 29

Bus Out 1–8 ...................................................................................... 29

Setting the Stereo Out and Bus Out 1–8 from the Display ........ 30

Setting the Stereo Out and Bus Out 1–8 from the Control

Surface ............................................................................... 33

Pairing Buses or Aux Sends ........................................................... 33

Attenuating Output Signals ........................................................... 34

Naming the Stereo Out and Bus Outs .......................................... 35

Aux Outs ................................................................ 36

Aux Out 1–8 ..................................................................................... 36

Setting Aux Out 1–8 from the Display ......................................... 36

Setting Aux Out 1–8 from the Control Surface ........................... 38

Setting Aux Send Levels .................................................................. 38

Viewing Aux Send Settings for Multiple Channels .................... 40

Panning Aux Sends ......................................................................... 41

Copying Channel Fader Positions to Aux Sends ........................ 42

Input & Output Patching ..................................... 43

Input Patching ................................................................................. 43

Output Patching .............................................................................. 44

Patching Direct Outs ....................................................................... 46

Insert Patching ................................................................................. 47

Monitoring ............................................................ 49

Monitor ............................................................................................. 49

Monitor and Solo Setup .................................................................. 49

Using the Monitor ........................................................................... 50

Using the Solo Function ................................................................. 51

Surround Pan ........................................................ 52

About Surround Pan ....................................................................... 52

Setting Up and Selecting Surround Pan Modes .......................... 53

Surround Panning ........................................................................... 56

Grouping Channels & Linking Parameters .......... 59

Grouping & Linking ........................................................................ 59

Using Fader Groups and Mute Groups ........................................ 59

Using Fader Group Master ............................................................ 61

Using Mute Group Master ............................................................. 62

Linking EQ and Compressor Parameters .................................... 62

Internal Effects ..................................................... 64

About the Internal Effects .............................................................. 64

Using Effects Processors via Aux Sends ....................................... 64

Inserting the Internal Effects into Channels ................................ 65

Editing Effects .................................................................................. 66

About Add-On Effects .................................................................... 67

About Plug-Ins ................................................................................. 67

Scene Memories ................................................... 68

About Scene Memories ................................................................... 68

What is Stored in a Scene? .............................................................. 68

About Scene Numbers .................................................................... 68

Storing and Recalling Scenes .......................................................... 69

Auto Scene Memory Update .......................................................... 70

Fading Scenes ................................................................................... 71

Recalling Scenes Safely .................................................................... 72

Sorting Scenes ................................................................................... 72

Copying and Pasting a Scene (Global Paste) ............................... 73

Libraries ................................................................ 74

About the Libraries .......................................................................... 74

General Library Operation ............................................................. 74

Using Libraries ................................................................................. 75

Remote Control .................................................... 83

About Remote Function ................................................................. 83

Pro Tools Remote Layer ................................................................. 83

Nuendo/Cubase Remote Layer ...................................................... 93

Other DAW Remote Layer ............................................................. 94

MIDI Remote Layer ......................................................................... 94

Machine Control Function ............................................................. 98

MIDI .................................................................... 100

MIDI & the 01V96i ........................................................................ 100

MIDI Port Setup ............................................................................ 101

Assigning Scenes to Program Changes for Remote Recall ...... 103

Assigning Parameters to Control Changes for Real-time Control

.. 104

Controlling Parameters by Using Parameter Changes ............. 106

Transmitting Parameter Settings via MIDI (Bulk Dump) ....... 107

Other Functions ................................................. 109

Setting Preferences ......................................................................... 109

Creating a Custom Layer by Combining Channels

(User Assignable Layer) ................................................. 110

Cascading Consoles ....................................................................... 111

Checking the Battery and the System Version .......................... 113

Calibrating the Faders ................................................................... 113

Index ................................................................... 115

Appendix: Parameter Lists .............................. 119

USER DEFINED KEYS ................................................................. 119

USER DEFINED KEYS Initial Assignments ............................. 121

Input Patch Parameters ................................................................ 121

Initial Input Patch Settings ........................................................... 123

Output Patch Parameters ............................................................. 125

Initial Output Patch Settings ........................................................ 127

User Defined Remote Layer Initial Bank Settings ..................... 128

Effects Parameters ......................................................................... 132

Effects and tempo synchronization ............................................. 146

Preset EQ Parameters .................................................................... 147

Preset Gate Parameters (fs = 44.1 kHz) ...................................... 148

Preset Compressor Parameters (fs = 44.1 kHz) ......................... 149

Dynamics Parameters ................................................................... 151

Appendix: MIDI ............................................... 156

Scene Memory to Program Change Table ................................. 156

Initial Parameter to Control Change Table ............................... 157

MIDI Data Format ......................................................................... 173

MIDI Implementation Chart ........... End of Manual

Contents of the Owner’s Manual (Booklet) 3

01V96i—Reference Manual

Contents of the Owner’s Manual (Booklet)

Contents of the

Owner’s Manual

(Booklet)

The contents of the separate Owner’s Manual booklet are as

follows.

PRECAUTIONS

Welcome

Package Contents

About the included discs

About the included DAW software

About the utility software

Firmware updates

About this Owner’s Manual

Conventions Used in this Manual

Control Surface & Rear Panel

Control Surface

Rear Panel

Installing an Optional Card

Operating Basics

About the Display

Selecting Display Pages

Display Interface

Selecting Layers

Selecting Channels

Selecting Fader Modes

Metering

Connections and Setup

Connections

Wordclock Connections and Settings

Input and Output Patching

Tutorial

Input and Output Patching

Setting the Input Levels

Pairing Channels

Setting the Routing

EQ’ing the Input Signals

Using the EQ Library

Compressing the Input Signals

Using the Internal Effects

Recording to DAW Software via the USB Port

Adjusting the Monitor Levels from the DAW

Using Scene Memories

Changing the Channel Names

Creating a Custom Layer by Combining Channels

(User Assignable Layer)

Using the Oscillator

Using the User Defined Keys

Using Operation Lock

Initializing

Troubleshooting

Error messages

Contents of the Reference Manual

Specifications

General Spec

Libraries

Analog Input Spec

Analog Output Specs

Digital Input Spec

Digital Output Spec

I/O SLOT Spec

MIDI/USB/WORD CLOCK I/O Spec

Dimensions

Options

Rack Mounting the 01V96i Using RK1 Rack Mount Kit

Index

01V96i Block Diagram

01V96i Level Diagram

4 Function Tree

01V96i—Reference Manual

Function Tree

DISPLAY ACCESS

Page numbers in parentheses ( ) are the page numbers of the

Owner’s Manual (booklet).

BUTTON FUNCTION PAGE NAME LINK

SCENE

SCENE SCENE MEMORY 68

IN FADE INPUT FADE TIME 71

OUT FADE OUTPUT FADE TIME 71

RCL SAFE RECALL SAFE 72

SORT SORT 72

PASTE SRC

GLOBAL PASTE SOURCE CH

SELECT

73

PASTE DST

GLOBAL PASTE

DESTINATION SCENE

73

DIO/SETUP

WORD CLOCK WORD CLOCK SELECT 14

FORMAT

HIGHER SAMPLE RATE

DATA TRANSFER FORMAT

14

15

16

PREFER1 PREFERENCES 1 109

PREFER2 PREFERENCES 2 110

MIDI/HOST MIDI/TO HOST SETUP 100

MONITOR MONITOR 49

REMOTE REMOTE 85

MACHINE MACHINE CONTROL 98

SURR BUS SURROUND BAS SETUP 54

CASCADE

CASCADE IN

ATTENUATION

112

OUTPUT ATT

OUTPUT PORT

ATTENUATOR

34

MIDI

SETUP MIDI SETUP 101

PGM ASGN

PROGRAM CHANGE

ASSIGN TABLE

102

CTL ASGN

CONTROL CHANGE

ASSIGN TABLE

104

BULK BULK DUMP 107

UTILITY

OSCILLATOR OSCILLATOR (45)

CH STATUS

CHANNEL STATUS

MONITOR

14

BATTERY BATTERY CHECK 113

USER DEF USER DEFINED KEY ASSIGN 119

LOCK OPERATION LOCK (47)



/INSERT/

DELAY

PHASE PHASE 18

INSERT INSERT 47

DLY 1-16 INPUT CH1-16 DELAY 18

DLY17-32 INPUT CH17-32 DELAY 18

OUT DLY OUTPUT DELAY 30

PAN/

ROUTING

PAN PAN 22

ROUT1-16 INPUT CH1-16 ROUTING 22

ROUT17-STI

INPUT CH17-32

ROUTING/ST IN

22

BUS TO ST BUS TO STEREO 31

SURR MODE SURROUND MODE 53

CH EDIT

SELECTED CHANNEL

SURROUND EDIT

56

SURR1-16 INPUT CH1-16 SURROUND 58

SURR17-32

INPUT CH17-32

SURROUND

58

SURR ST IN STEREO INPUT SURROUND 58

PAIR/

GROUP

INPUT INPUT PAIR 27

OUTPUT OUTPUT PAIR 33

IN FADER INPUT FADER GROUP 59

IN MUTE INPUT MUTE GROUP 59

OUT FADER OUTPUT FADER GROUP 59

OUT MUTE OUTPUT MUTE GROUP 60

IN EQ INPUT EQUALIZER LINK 62

OUT EQ OUTPUT EQUALIZER LINK 62

IN COMP INPUT COMP LINK 63

OUT COMP OUTPUT COMP LINK 63

IN MASTER

INPUT FADER GROUP

MASTER

61

OUT MASTER

OUTPUT FADER GROUP

MASTER

61

PATCH

IN PATCH INPUT PATCH 43

INPUT INS INPUT INSERT IN PATCH 48

EFFECT

EFFECT INPUT/OUTPUT

PATCH

64

CASCADE IN CASCADE IN PATCH 111

IN NAME INPUT CHANNEL NAME 28

IN LIB INPUT PATCH LIBRARY 75

OUT PATCH SLOT OUTPUT PATCH 44

USB OUT USB OUT PATCH 45

OUTPUT INS OUTPUT INSERT IN PATCH 48

DIRECT OUT DIRECT OUT DESTINATION 46

2TR OUT 2TR OUT DIGITAL PATCH 45

OUT NAME OUTPUT CHANNEL NAME 35

OUT LIB OUTPUT PATCH LIBRARY 76

DYNAMICS

GATE EDIT GATE EDIT 19

GATE LIB GATE LIBRARY 79

COMP EDIT COMP EDIT 20

COMP LIB COMP LIBRARY 79

EQ

EQ EDIT EQUALIZER EDIT 21

EQ LIBRARY EQUALIZER LIBRARY 81

IN ATT INPUT ATTENUATOR 20

OUT ATT OUTPUT ATTENUATOR 30

EFFECT

FX1 EDIT FX1 EDIT 66

FX2 EDIT FX2 EDIT 66

FX3 EDIT FX3 EDIT 66

FX4 EDIT FX4 EDIT 66

FX1 LIB FX1 LIBRARY 76

FX2 LIB FX2 LIBRARY 76

FX3 LIB FX3 LIBRARY 76

FX4 LIB FX4 LIBRARY 76

P-IN EDIT

PLUG-IN EFFECT CARD

EDIT

67

VIEW

PARAMETER PARAMETER VIEW

23

31

37

FADER FADER VIEW

24

32

38

LIBRARY CHANNEL LIBRARY 75

1-16 AUX INPUT CH1-16 AUX VIEW 40

17-STI AUX

INPUT CH17-ST IN AUX

VIEW

40

BUTTON FUNCTION PAGE NAME LINK

Function Tree 5

01V96i—Reference Manual

Function Tree

FADER MODE

LAYER

BUTTON FUNCTION PAGE NAME LINK

AUX1–

AUX8

SEND AUX1–AUX8 SEND 38

PAN AUX1–AUX8 PAN 41

VIEW1-16 INPUT CH1-16 AUX VIEW 40

VIEW17-STI

INPUT CH17-ST IN AUX

VIEW

40

HOME

(METER)

CH1-32 CH1-32 METER 8

ST IN ST IN METER 8

MASTER MASTER METER 8

EFFECT

EFFECT1-4 INPUT/OUTPUT

METER

8

STEREO STEREO METER 8

POSITION METER POSITION 8

BUTTON FUNCTION PAGE NAME LINK

1-16

8

17-32

8

MASTER

8

REMOTE

USER DEFINED 94

ProTools 83

Nuendo 93

Cubase 93

General DAW 94

USER

ASSIGNABLE

LAYER

110

6 Control Surface & Rear Panel

01V96i—Reference Manual

Control Surface & Rear Panel

Control Surface

SOLO SOLO

ON ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ONON

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

1-16 17-32 MASTER REMOTE

LAYER

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

ST IN

ENTER

STEREO

DEC INC

SOLO CLEAR

RECALL

STORE

SCENE MEMORY

PHONES

MONITOR

OUT

MONITOR

2TR IN

CH15

/

16

2TR IN

LEVEL

PHONES

LEVEL

0

10

0

10

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

20dB

-16

-60

GAIN

20dB

-16

-60

GAIN

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

PA D

FADER MODE

DISPLAY ACCESS

AUX 1

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

DYNAMICS

EQ EFFECT VIEW

PATCH

UTILITYMIDISCENE

DIO/SETUP

/ INSERT/

DELAY

PAN/

ROUTING

PAIR/

GROUP

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

16

1513

121110987643215

14

INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O

L

R

IN OUT

2TR

-10dBV (UNBAL)

PHANTOM +48V

CH9-12CH5-8CH1-4

INPUT

(BAL)

INSERT

OUT IN

(UNBAL)

ST IN 1 ST IN 2

USER DEFINED

KEYS

12

34

56

78

55

5

+10

5

1010

10

1515

15

2020

20

303030

30

4040

40

5050

50

6060

7070

20

30

40

50

60

70

00

5

10

15

20

0

5

+10

5

10

15

30

20

30

40

50

60

70

20

30

40

50

60

70

20

30

40

50

60

70

20

30

40

50

60

70

20

30

40

50

60

70

15

0

5

10

15

20

0

5

+10

5

10

0

30

15

5

10

15

20

0

5

+10

5

10

0

30

15

5

10

15

20

0

5

+10

5

10

0

30

15

5

10

15

20

0

5

+10

5

10

0

30

15

20

30

40

50

60

70

30

15

20

30

40

20

30

40

20

30

40

20

30

40

50

50505050

20

30

40

50

20

30

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

30

15

5

10

15

20

0

5

+10

5

10

0

5

10

15

20

0

5

+10

5

10

0

5

10

15

20

0

30

5

10

15

20

0

30

5

10

15

20

0

30

5

10

15

20

0

30

5

10

15

20

0

303030

5

10

15

20

0

5

10

15

20

0

5

10

15

20

0

5

+10

5

10

0

15

5

+10

5

10

0

15

5

+10

5

10

0

15

5

+10

5

10

0

15

20

30

40

50

15 15

20

30

40

50

15

5

+10

5

10

0

5

+10

5

10

0

5

+10

5

10

0

5

+10

5

10

0

123456

7

8 9 10 11 12

7

8 9 10 11 12

13 14 15 16

32313029282726252423222120191817

STEREO

13 14 15 16

OVER

0

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

HIGH

HIGH-MID

LOW-MID

LOW

Q

FREQUENCY

GAIN

AD Input Section (p. 7)

SELECTED

CHANNEL

Section (p. 9)

Monitor Out

& Head-

phones Sec-

tion (p. 7)

SOLO Section

(p. 9)

Channel Strip Section (p. 7) STEREO Section (p. 8) USER DEFINED KEYS

Section (p. 9)

Data Entry

Section (p. 9)

LAYER Section

(p. 8)

SCENE MEMORY Section (p. 9)

Display Section

(p. 9)

DISPLAY ACCESS

Section (p. 8)

ST IN Section

(p. 8)

FADER MODE

Section (p. 8)

Note: For details on the function of each item, refer to “Control Surface & Rear Panel” in the Owner’s Manual.

Control Surface 7

01V96i—Reference Manual

Control Surface & Rear Panel

AD Input Section

1 INPUT connectors A/B

2 INPUT connectors 13–16

3 INSERT I/O connectors

4 PAD switches

5 GAIN controls

6 PEAK indicators

7 SIGNAL indicators

8 AD15/16 selector

Monitor Out & Headphones

Section

1 2TR IN/OUT connectors

2 Monitor Source selector

3 MONITOR LEVEL control

4 PHONES LEVEL control

5 PHONES jack

Channel Strip Section

1 [SEL] buttons

2 [SOLO] buttons

3 [ON] buttons

4 Channel faders

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

CH15

/

16

2TR IN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

20dB

-16

-60

GAIN

20dB

-16

-60

GAIN

20dB20dB20dB20dB20dB20dB20dB

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

PAD

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

16

1513

121110943215

14

INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O

CH1-4

INPUT

(BAL)

INSERT

OUT IN

(UNBAL)

13 14 15 16

1

3

4

5

6

7

8

2

PHONES

MONITOR

OUT

MONITOR

2TR IN

LEVEL

PHONES

LEVEL

0

10

0

10

L

R

IN OUT

2TR

-10dBV

(UNBAL)

PHANTOM +48V

CH9-12CH5-8

1

2

3

4

5

SOLO

ON

SEL

AUX 1

40

50

60

70

30

5

10

15

20

0

20

30

40

50

15

5

+10

5

10

0

1

17

1

2

3

4

8 Control Surface & Rear Panel

01V96i—Reference Manual

STEREO Section

1 [SEL] button

2 [ON] button

3 [STEREO] fader

ST IN Section

1 [ST IN] button

2 [SEL] buttons

3 [SOLO] buttons

4 [ON] buttons

5 Level controls

FADER MODE Section

1 [AUX 1]–[AUX 8] buttons

2 [HOME] button

DISPLAY ACCESS Section

1 [SCENE] button

2 [DIO/SETUP] button

3 [MIDI] button

4 [UTILITY] button

5 [ /INSERT/DELAY] button

6 [PAN/ROUTING] button

7 [PAIR/GROUP] button

8 [PATCH] button

9 [DYNAMICS] button

0 [EQ] button

A [EFFECT] button

B [VIEW] button

LAYER Section

1 [1–16]/[17–32] buttons

2 [MASTER] button

3 [REMOTE] button

ON

SEL

5

10

15

20

30

40

50

60

70

0

STEREO

1

2

3

SOLO

ON

SOLO

ON

SEL SEL

ST IN

ST IN 1 ST IN 2

1

2

3

4

5

FADER MODE

AUX

1

AUX

2

AUX

3

AUX

4

AUX

8

AUX

7

AUX

6

AUX

5

HOME (METER)

1

2

Tip: The ST IN section is not affected by the layer settings.

DISPLAY ACCESS

DYNAMICS

EQ EFFECT VIEW

PATCH

UTILITYMIDISCENE

DIO/SETUP

/ INSERT/

DELAY

PAN/

ROUTING

PAIR/

GROUP

1 2 3

9

0 A B

4

5

6

8

7

UTILITYMIDISCENE

DIO/SETUP

1-16 17-32 MASTER REMOTE

LAYER

1 2 3

Control Surface 9

01V96i—Reference Manual

Control Surface & Rear Panel

Display Section

1 Display

2 Stereo meters

3 Contrast control

4 [F1]–[F4] buttons

5 Left Tab Scroll [ ] button

6 Right Tab Scroll [ ] button

SELECTED CHANNEL Section

1 [PAN] control

2 [HIGH] button

3 [HIGH-MID] button

4 [LOW-MID] button

5 [LOW] button

6 [Q] control

7 [FREQUENCY] con-

trol

8 [GAIN] control

SCENE MEMORY Section

1 [STORE] button

2 Scene Up [ ] / Down [ ] buttons

3 [RECALL] button

USER DEFINED KEYS

Section

1 [1]–[8] buttons

Data Entry Section

1 Parameter wheel

2 [ENTER] button

3 [DEC] & [INC] buttons

4 Left, Right, Up, Down ([ ]/[ ]/[ ]/[ ]) cur-

sor buttons

SOLO Section

1 [SOLO] indicator

2 [CLEAR] button

STEREO

OVER

0

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

4

1

5

2

3

6

Tab Scroll arrow

HIGH

HIGH-MID

LOW-MID

LOW

Q

FREQUENCY

GAIN

2

3

4

5

6

1

7

8

RECALL

STORE

SCENE MEMORY

2

13

USER DEFINED

KEYS

12

34

56

78

1

ENTER

DEC INC

2

3

1

4

SOLO CLEAR

1 2

10 Control Surface & Rear Panel

01V96i—Reference Manual

Rear Panel

PHANTOM +48V

1 CH1–4 ON/OFF switch

2 CH5–8 ON/OFF switch

3 CH9–12 ON/OFF switch

AD Output Section

1 MONITOR OUT connectors L/R

2 OMNI OUT connectors 1–4

3 STEREO OUT connectors L/R

Digital I/O Section

1 WORD CLOCK OUT connector

2 WORD CLOCK IN connector

3 ADAT IN/OUT connectors

4 2TR OUT DIGITAL COAXIAL

5 2TR IN DIGITAL COAXIAL

MIDI/USB Section

1 MIDI IN/THRU/OUT ports

2 TO HOST USB port

PHANTOM +48V (p. 10)

Power Section (p. 11)

AD Output Section

(p. 10)

SLOT Section (p. 11)

MIDI/USB Section

(p. 10)

Digital I/O Section

(p. 10)

321

42153

21

Rear Panel 11

01V96i—Reference Manual

Control Surface & Rear Panel

SLOT Section

1 SLOT

Power Section

1 POWER ON/OFF switch

2 AC IN connector

1

21

12 Analog I/O & Digital I/O

01V96i—Reference Manual

Analog I/O &

Digital I/O

This chapter describes the 01V96i’s analog and digital

input/output connectors as well as the basic operations

involving the digital I/Os.

Analog Inputs & Outputs

Input Section

The 01V96i’s top panel features input connectors, which

enable you to connect microphone and line-level sources.

• INPUT connectors A 1–12

These balanced TRS-type

phone connectors accept

line-level and microphone sig-

nals. The nominal input range is

–60 dB through +4 dB. The phantom [+48V] switches on

the rear panel turn on or off the +48V phantom power

feed to these inputs.

• INPUT connectors B 1–12

These balanced TRS-type con-

nectors accept line-level and

microphone signals. The nominal input range is –60 dB

through +4 dB.

You cannot use same-numbered INPUT A and INPUT B

connectors simultaneously. (For example, you cannot use

INPUT A-2 and INPUT B-2 at the same time.) If you

connect cables to A and B connectors of the same num-

ber, only the signal from INPUT B is effective (e.g., B-2

takes priority over A-2).

•INPUT connectors 13–16

These balanced TRS-type phone con-

nectors accept line-level signals. When

the AD 15/16 source selector is turned

on (pushed in), signals from INPUT 15

and 16 are ignored. Instead, signals from

the 2TR IN connector will be routed to AD Input Chan-

nels 15 and 16.

• INSERT I/O connectors

These TRS-type phone connectors

are used to insert external devices,

such as effects processors, into AD Input Channels.

•Phantom Power

Inputs 1 through

12 feature switch-

able +48V phantom powering for use with con-

denser-type microphones and direct boxes. The phantom

[+48V] switches on the rear panel turn on or off the +48V

phantom power feed to the corresponding inputs.

•PAD switches

Inputs 1 through 12 feature pad

switches, which attenuate input

signals by 20 dB. These switches

are effective on both INPUT A and B signals.

•GAIN controls

Inputs 1 through 16 feature

rotary gain controls that adjust

input sensitivity. Input sensitivity

for INPUT connectors 1–12

ranges from –16 dB to –60 dB when the Pad is off, and

from +4 dB to –40 dB when the Pad is on. Input sensitiv-

ity for INPUT connectors 13–16 ranges from +4 dB to

–26 dB.

•PEAK & SIGNAL Indicators

The SIGNAL indicator lights up

when the input signal level at

INPUTs 1–16 exceeds –34 dB.

The PEAK indicator lights up when the input signal level

is 3 dB below clipping.

•2TR IN connectors

These unbalanced RCA phono connec-

tors accept line-level signals from

devices such as CD players.

When the AD 15/16 source selector is

turned on (pushed in), signals input at

these conductors are routed to AD

Inputs 15 and 16. When the Monitor source selector is

turned on (pushed in), you can monitor these signals

from the MONITOR OUT connectors.

Tip: You can patch signals input from the INPUT connectors

to any Input Channels. (See page 43 for information on

patching input signals to Input Channels.)

AA

21

BB

INPUT

(BAL)

16

1513

14

INSERT I

/

O INSERT I

/

O

INSERT

OUT IN

(UNBAL)

20dB

PAD

20dB

GAIN

-16

-60

PEAK

SIGNAL

GAIN

L

R

IN OUT

2TR

-10dBV

(UNBAL)

Digital Inputs & Outputs 13

01V96i—Reference Manual

Analog I/O & Digital I/O

Output Section

The 01V96i top and rear panels feature output connectors

that enable you to connect a monitoring system, effects pro-

cessors and other line-level devices.

• MONITOR OUT connectors L/R

These balanced TRS-type phone con-

nectors output monitoring signals or

input signals routed from the 2TR IN

connectors. The nominal output level

is +4 dB.

Use the Monitor source selector in the Monitor Out &

Headphones section to select the signal output from these

connectors.

•OMNI OUT connectors 1–4

These balanced

TRS-type phone con-

nectors output any Bus

Outs or Input Channel

Direct Outs. The nomi-

nal output level is +4 dB.

• STEREO OUT connectors L/R

These balanced XLR-3-32-type

connectors output the Stereo Out

signals. The nominal output level

is +4 dB.

•2TR OUT connectors

These unbalanced RCA phono con-

nectors output line-level signals to a

connected recorder or other external

device. These connectors always out-

put the Stereo Out signals.

Digital Inputs & Outputs

The 01V96i rear panel features digital input and output con-

nectors that enable you to connect external digital devices.

Any signal path can be patched to these digital inputs and

outputs.

You can also add analog and digital I/Os by installing an

optional I/O card in the slot.

Digital I/O Connectors

•2TR IN DIGITAL connector

2TR IN DIGITAL is an RCA phono connector

and accepts consumer format (IEC 60958)

digital audio. You can patch digital signals

input at this connector to any Input Channel

(page 43).

• 2TR OUT DIGITAL connector

This RCA phono connector outputs con-

sumer format (IEC 60958) digital audio. You

can patch any Bus outs or Input channel

Direct Outs to this output (page 45).

•ADAT IN connector

This TOSLINK connector accepts 8-channel ADAT opti-

cal format signals, which can be patched to any Input

Channel (page 43).

• ADAT OUT connector

This TOSLINK connector outputs an 8-channel ADAT

optical format signal. You can patch any Bus Outs or

Input Channel Direct outs to this output (page 44).

SLOT

This slot allows you to install an optional mini-YGDAI

(Yamaha General Digital Audio Interface) I/O card. This card

offers AD/DA conversion, and various analog I/O options

and digital I/O interfaces in all the popular digital audio inter-

connect formats, including AES/EBU, ADAT, and Tascam.

You can patch signals input at these card connectors to any

Input Channels or Insert Ins (see page 43).

You can patch the card outputs to Bus Outs or Input Channel

Direct Outs (see page 46).

For details on the mini-YGDAI I/O cards that are currently

usable, refer to “I/O Slot Specifications” in the Owner’s Man-

ual.

For the latest information about mini-YGDAI I/O cards, refer

to the Yamaha Professional Audio website.

http://www.yamahaproaudio.com/

Tip: Any signal path can be patched to the OMNI OUT con-

nectors. (See page 44 for more information on patching sig-

nals to the OMNI OUT connectors.)

L

R

IN OUT

2TR

-10dBV

(UNBAL)

14 Analog I/O & Digital I/O

01V96i—Reference Manual

Converting Sampling

Rates of Signals Received

at I/O Card Inputs

An optional MY8-AE96S Digital I/O card features sampling

rate converters, so you can easily convert the sampling fre-

quency of digital inputs to the current 01V96i sampling rate.

1. Press the DISPLAY ACCESS [DIO/SETUP] but-

ton repeatedly until the DIO/Setup | Format

page appears.

Use the buttons in the SRC sections to turn the sampling

rate converters on and off. You can turn the sampling rate

converters of the digital I/O card on or off in pairs (odd &

even channels, in this order).

2. Use the cursor buttons to move the cursor to

any two-channel button in the SRC sections,

then press [ENTER].

The sampling rate converter for the selected 2-channel

input turns on or off. When on, the sampling rate of the

received digital audio is converted to the 01V96i’s current

sampling rate.

Monitoring Digital Input

Channel Status

You can view and monitor the Channel Status (sampling rate,

emphasis, etc.) of digital audio signals connected to the 2TR

Digital Inputs and Slot Inputs as follows.

1. Press the DISPLAY ACCESS [UTILITY] button,

then press the [F2] button.

The Utility | CH Status page appears.

On this page, use the following buttons to select a slot or

connector for which you want to view the channel status.

1 2TR IN

This button enables you to view the Channel Status of

input signals connected to the 2TR Digital Inputs.

2 SLOT

These buttons enable you to view the Channel Status of

each two adjacent (odd and even, in this order) channel

signals connected to the digital I/O card installed in the

slot.

2. Move the cursor to the desired input or slot

button, then press [ENTER].

Channel Status information for the selected input is dis-

played. However, if a mini-YGDAI I/O card other than

AES/EBU format is installed, Channel Status information

will be grayed out. Channel Status information includes

the following items:

3 FS

Indicates the sampling rate. If no signal is being input, or

if the incoming wordclock is not synching to the internal

clock, “Unlock” appears.

4 EMPHASIS

Indicates the Emphasis on/off status.

5 CATEGORY

Indicates the status of “Category Code Bit” included in

the IEC958 Part 2 (S/PDIF-Consumer) format. This

parameter can display the following values:

Tip: The FS box on the Word Clock page displays the sam-

pling frequency at which the 01V96i is currently operating.

Note: The sampling rate converter is available only on the

Yamaha MY8-AE96S Digital I/O card. If you have installed

another type of I/O card in the slot, or if no card is installed

in the 01V96i, the buttons in the SRC sections are disabled.

1

2

3

4

5

6

Dithering Digital Outputs 15

01V96i—Reference Manual

Analog I/O & Digital I/O

6 COPY

Indicates the status of copy protection information

included in the IEC958 Part2 (S/PDIF-Consumer) for-

mat signals. “OK” appears if copying is allowed. “Pro-

hibit” appears if copy-protected.

3. If you select the SLOT

button for a slot that

has an MY16-AE card installed, use the 01–08

and 09–16 buttons located in the lower-right

corner of the screen to select a channel group

you wish to display.

Dithering Digital Outputs

When digital audio is transferred to lower-resolution systems,

truncated bits may generate unpleasant noise. To cancel the

audible effect of this noise, a small complement of noise is

intentionally added to the digital outputs. This process is

called “dithering.”

On the 01V96i, you can dither the 2TR Digital Outputs and

Slot Outputs. For example, you can apply dithering to the

01V96i stereo mix data and record to a 16-bit digital recorder.

1. Press the DISPLAY ACCESS [DIO/SETUP] but-

ton repeatedly until the DIO/Setup | Format

page appears.

The dithering settings are displayed at the bottom of the

page.

2. Move the cursor to the output or channel to

which you want to apply dithering, then

rotate the Parameter wheel or press the

[INC]/[DEC] buttons to select the value that

matches the resolution of the receiving

device.

Parameter value Description

General Temporarily used

Laser Optical Laser optical device

D/D Conv

Digital - Digital converter and

signal processing device

Magnetic

Magnetic tape device and mag-

netic disk device

D.Broadcast Digital broadcast reception

Instruments

Musical instrument, micro-

phone, and sources that gener-

ate string signals

A/D Conv

A/D converter (without copy-

right information)

A/D Conv with (C)

A/D converter (with copyright

information)

Solid Memory Solid memory device

Experimental Experimental device

Unknown Unknown

Note: “AES/EBU” appears in the Category row when you are

monitoring IEC958 Part 3 (AES/EBU-Professional) format

signals (that do not include Category Code Bit).

Note:

• You cannot apply dithering to outputs or channels that are

set to “OFF.”

• Dithering is effective only when the resolution of the

receiving device is lower than that of the 01V96i.

Tip: To copy the currently-selected setting to all channels,

double-click the [ENTER] button. The copy confirmation

window is displayed.

16 Analog I/O & Digital I/O

01V96i—Reference Manual

Setting the Transfer

Format for Higher

Sampling Rates

To operate the 01V96i at higher sampling frequencies

(88.2 kHz or 96 kHz) and transfer digital audio signals to and

from connected external devices, you must set the data trans-

fer format in accordance with the sampling frequencies sup-

ported by the external devices.

1. Press the DISPLAY ACCESS [DIO/SETUP] but-

ton repeatedly until the DIO/Setup | Word

Clock page appears.

2. Select INT88.2k or INT96k as the wordclock

source.

3. Press the DISPLAY ACCESS [DIO/SETUP] but-

ton repeatedly until the DIO/Setup | Format

page appears.

4. Use the cursor buttons to move the cursor to

an IN/OUT parameter field (

1), then rotate

the Parameter wheel or press the [INC]/[DEC]

buttons to set the data transfer format.

The IN/OUT parameters are used to set one of the follow-

ing data transfer formats for each slot input and output.

• DOUBLE CHANNEL

In Double Channel mode, digital audio data is received

and transmitted as mono signals at a sampling rate that is

exactly half (44.1/48 kHz) the current higher sampling

rate. Data is handled by two channels. This is useful when

you want to transfer data between the 01V96i operating at

a higher sampling rate and an external digital device that

supports 44.1/48 kHz.

•DOUBLE SPEED

In Double Speed mode, digital audio data is received and

transmitted at the current high sampling rate (i.e.,

88.2 kHz or 96 kHz). Select this mode if the devices that

support the higher sampling rates transmit or receive

data.

•SINGLE

In Single mode, digital audio data is received and trans-

mitted at a sampling rate that is half (44.1/48 kHz) the

current higher sampling rate of the 01V96i. For example,

this is useful when you want to receive 44.1 kHz digital

signals from an external digital device while the 01V96i is

operating at 88.2 kHz.

Note: When the 01V96i operates at a high sampling rate

(88.2 kHz or 96 kHz), only two internal effects processors are

available.

Note: Double Channel mode reduces the total number of

inputs or outputs on the corresponding slot. The even-num-

bered channels are disabled.

1

Note: You can select this setting only for slots in which a dig-

ital I/O card that inputs/outputs double-speed digital audio

data (e.g., MY8-AE96, MY8-AE96S) is installed.

Note: You cannot select this setting for slots in which a digital

I/O card that inputs/outputs double-speed digital audio data

(e.g., MY8-AE96, MY8-AE96S) is installed.

Tip: The parameter fields display “–” if the slot contains no

I/O card or if an AD/DA card or other I/O card that does not

allow you to set the transfer format has been installed.

Input Channels 17

01V96i—Reference Manual

Input Channels

This chapter describes how to adjust the 01V96i’s Input

Channel parameters.

About Input Channels

The input Channel section enables you to adjust the level and

tone of the signals input to the 01V96i (and the signals output

from the internal Effects processors 1–4), and route the sig-

nals to Buses 1–8, the Stereo Bus, and Aux Sends 1–8. There

are two types of Input Channels, each featuring slightly differ-

ent functions: monaural Input Channels 1–32 and stereo ST

IN Channels 1–4.

Input Channels 1–32

Each of these monaural Input Channels features a phase

effect, gate, compressor, attenuator, and EQ for signal pro-

cessing. The following diagram illustrates the Input Channel

1–32 signal flow.

Input Channels 1–32 feature the following parameters:

• (Phase)

This section switches the phase of input signals.

•GATE

This dynamics processor can be used as a gate or for

ducking.

•COMP (Compressor)

This dynamics processor can be used as compressor,

expander or limiter. The compressor can be pre-EQ,

pre-fader, or post-fader.

•ATT (Attenuator)

This section enables you to attenuate or amplify the level

of signals that will be input to the EQ. The attenuator

enables you to prevent post-EQ signals from clipping and

to correct signal levels that are too low.

• 4 BAND EQ (4-band equalizer)

This parametric EQ features four bands (high, high-mid,

low-mid, and low).

• INPUT DELAY (Input delay)

This section enables you to delay input signals. You can

use this delay to fine-tune the timing between channels,

or as a delay effect with feedback.

• ON (On/Off)

This section enables you to turn the channel on or off.

The channel is muted with the Off setting.

•LEVEL

This section enables you to adjust the input level of the

Input Channel signal.

•PAN

This section enables you to adjust the pan setting of the

signals routed from the Input Channels to the Stereo Bus.

You can also apply the pan setting to a pair of Bus chan-

nels.

• AUX (Aux Send level)

This section enables you to adjust the level of signals

routed to Aux Sends 1–8. The signals can be routed to

Aux Sends from either the pre-fader or post-fader posi-

tion.

•INSERT

This section enables you to patch input signals to external

devices via the on-board I/O connectors or I/O card, or

insert the internal effect processors. You can patch any

inputs, outputs, or I/O card channels. (Note that this is

different from the INSERT I/O connectors in the AD

Input section.)

• METER

This section enables you to switch the metering position

of the signal levels that are displayed in the Meter page.

For more information on selecting the metering position,

refer to “Viewing the Level Meters” in the Owner’s Man-

ual (booklet).

ST IN Channels 1–4

These stereo channels enable you to process stereo signals

using the phase effect, attenuator, and EQ. The following dia-

gram illustrates the ST IN Channel 1–4 signal flow.

ST IN Channels 1–4 feature the following parameters:

• (Phase)

•ATT (Attenuator)

• 4 BAND EQ (4-band equalizer)

• ON (On/Off)

•LEVEL

•PAN

• AUX (Aux Send level)

• METER

For more information on each parameter, refer to the preced-

ing section Input Channel 1–32.

INPUT PATCH

Tip: You can store these channel parameter settings in the Chan-

nel library. You can also store the Gate, Compressor, and EQ

parameter settings to the corresponding libraries.

INPUT PATCH

18 Input Channels

01V96i—Reference Manual

Setting the Input

Channels from the

Display

To set the Input Channel parameters, you can either move the

cursor to the desired parameter on the display and change the

value, or operate the desired button or control on the top

panel to directly change the setting.

This section explains how to set the parameters via the dis-

play.

Switching the Signal Phase

To switch the phase of each Input Channel, press the

[ /INSERT/DELAY] button repeatedly until the following

/INS/DLY | Phase page appears.

Move the cursor to the NOR/REV button of the channel for

which you want to change the phase, then press the [ENTER]

or [INC]/[DEC] buttons to change the setting.

1 NOR/REV

These buttons switch the corresponding Input Channel

phase. NOR buttons indicate normal phase, and REV

buttons indicate reversed phase.

2 GLOBAL

The GLOBAL NOR/REV buttons allow you to set the

phase for all Input Channels simultaneously.

Delaying Input Channels

To set the delay for each channel, press the

[ /INSERT/DELAY] button repeatedly until the page listed

below that contains the desired channels appears.

• DLY 1-16 page

This page enables you to set the Delay function for Input

Channels 1–16.

• DLY 17-32 page

This page enables you to set the Delay function for Input

Channels 17–32.

The parameters on these two pages (and the procedure for

setting them) are the same.

1 DELAY SCALE

The following buttons determine the units of the delay

value shown below the msec value.

• meter ........................Units are set to meters.

• feet ............................Units are set to feet.

• sample......................Units are set to samples.

• beat ...........................Units are set to beats.

• frame........................Units are set to timecode frames.

2 GANG button

When this button is turned on (highlighted), the delay

time for each channel in a channel pair can be set simul-

taneously. When this option is turned off, the delay time

can be set for each channel in a channel pair individually.

3 Channel section

You can set individual delay parameters here. The delay

parameters include the following items:

•ON/OFF

This button switches the corresponding channel delay on

or off.

•msec

This parameter sets the delay time in milliseconds.

• meter/feet/sample/beat/frame

The delay time can be set using units of meters, feet, sam-

ples, beats, or frames, which you select by using the

DELAY SCALE buttons.

Tip:

• The name of the currently-selected channel is indicated in the

upper-right corner of the screen.

• You can set the phase separately for each of the ST IN Channels

or for each channel in a channel pair. If you selected the desired

ST IN Channel using the corresponding [SEL] button, pressing

the same [SEL] button repeatedly will toggle between channels

L and R.

1

2

213

Setting the Input Channels from the Display 19

01V96i—Reference Manual

Input Channels

•MIX

This parameter sets the mix balance of dry (Input Chan-

nel) and wet (delayed) signals.

•FB.GAIN

This parameter sets the amount of delay feedback.

Gating Input Channels

To set the Input Channel gates, use the [SEL] buttons to select

the desired Input Channel, then press the DISPLAY ACCESS

[DYNAMICS] button, then press the [F1] button. The

Dynamics | Gate Edit page appears.

1 KEYIN SOURCE

Select one of the following buttons to determine the trig-

ger source for the currently-selected Input Channel’s gate.

• SELF......................... The selected channel’s own input sig-

nal is the trigger source.

• CHANNEL ............. Another Channel’s input signal is the

trigger source. Select the desired

channel in the parameter box below

the CHANNEL button.

• AUX ......................... An Aux Send signal is the trigger

source. Select the desired bus in the

parameter box below the AUX but-

ton.

2 STEREO LINK

This parameter’s ON/OFF button enables you to pair

gates for stereo operation even when the Input Channels

are not paired.

3 CURVE

This area displays the current gate curve.

4 TYPE

This area displays the current gate type (GATE or DUCK-

ING).

5 Meters

These meters indicate the levels of the post-gate signals

and the amount of gain reduction.

6 ON/OFF

The ON/OFF button turns the currently-selected Input

Channel’s gate on or off.

7 PARAMETER

These controls enable you to set the gate parameters. (See

page 148 for more information on the parameters.)

Tip:

• This function is unavailable for the ST IN Channels.

• The delay time range depends on the sampling rate at which

the 01V96i is operating.

• If you select the DELAY SCALE meter or feet button, the dis-

tance value can be converted to the delay time based on sonic

speeds (about 343.59 m/sec at 20 degrees Celsius). This option

is useful if you wish to correct the timing difference between

two sound sources that are far apart.

• If you select the DELAY SCALE beat button, a parameter box

for setting a note that represents the beat and a parameter box

for a tempo (BPM) setting appear below the DELAY SCALE

parameter. Setting the note and BPM settings in these param-

eter boxes enables you to set a delay time that synchronizes to

the song tempo.

3 4 521

76

Note: You cannot change the gate type on this page. To

change the gate type, recall a program that uses the desired

gate type from the Gate library.

Tip:

• This function is unavailable for the ST IN Channels.

• You can store the gate settings in the Gate library, which

features preset programs that can be used for various

applications (see page 79).

20 Input Channels

01V96i—Reference Manual

Compressing Input Channels

To set the Input Channel compressors, use the [SEL] buttons

to select the desired Input Channel, then press the DISPLAY

ACCESS [DYNAMICS] button, then press the [F3] button to

display the Dynamics | Comp Edit page.

1 POSITION

Use the Parameter wheel, or the [INC]/[DEC] buttons to

select the position of the compressor within the channel

from the following options:

• PRE EQ....................Immediately before EQ (default)

• PRE FADER ...........Immediately before the fader

• POST FADER ........Immediately after the fader

2 STEREO LINK

This ON/OFF button enables you to pair compressors for

stereo operation even when channels are not paired.

3 CURVE

This area displays the current compressor curve.

4 TYPE

This field indicates the compressor type used by the cur-

rently-selected channel’s compressor

(COMP/EXPAND/COMP (H)/COMP (S)).

5 Meters

These meters indicate the levels of the post-compressor

signals and the amount of gain reduction.

6 ON/OFF

The ON/OFF button turns the currently-selected Input

Channel’s compressor on or off.

7 PARAMETER section

These controls enable you to set the compressor parame-

ters. (See page 149 for more information on the parame-

ters of each compressor type.)

Attenuating Input Channels

To set the attenuator for each Input Channel, press the DIS-

PLAY ACCESS [EQ] button, then press the [F3] button to

display the EQ | In Att page.

Move the cursor to the knob for the desired Input Channel,

then rotate the Parameter wheel to set the amount of attenua-

tion in the range of –96 dB to +12 dB.

Note: You cannot change the Compressor type on this page.

To change the compressor type, recall a program that uses the

desired compressor type from the compressor library.

Tip:

• This function is unavailable for the ST IN Channels.

• You can store the compressor settings in the compressor

library, which features preset programs that can be used

for various applications (see page 80).

3 4 521

76

Tip: You can also set the attenuation amount (in dB) for the cur-

rently-selected channel on the EQ | EQ Edit page.

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