Yamaha S08 Инструкция по применению

Бренд: Yamaha

Модель: S08

Категория: Цифровые пианино

Тип: Инструкция по применению

Это руководство также подходит для

S08 Voice Editor

Синтезатор Yamaha S08 дает вам возможность редактировать голоса и эффекты вашего синтезатора с помощью компьютера. Графический пользовательский интерфейс делает редактирование простым и интуитивно понятным, позволяя вам использовать клавиатуру и мышь компьютера для управления и изменения различных параметров с помощью экранных ползунков, переключателей, кнопок и т. д. Кроме того, все изменения, которые вы вносите в голоса, можно сохранить на вашем компьютере.

Contents

Introduction. . . . . . . . . . . . . . . . . . . 2

Starting Up . . . . . . . . . . . . . . . . . . . 3

Menu Bar . . . . . . . . . . . . . . . . . . . . 3

The Library Window . . . . . . . . . . . . 6

The Toolbar . . . . . . . . . . . . . . . . . . . 8

The Edit Window . . . . . . . . . . . . . 14

The Toolbar . . . . . . . . . . . . . . . . . . . 14

Normal Voice Edit Window. . . . . . . . 15

Drum Voice Edit Window . . . . . . . . . 21

OMS Settings (Macintosh) . . . . . . . . 23

An Example of Voice Editor in Use

. . 25

Troubleshooting . . . . . . . . . . . . . . 26

• Click on the red-colored text to jump to the related item in this manual.

• The software and this owner’s manual are exclusive copyrights of Yamaha Corporation.

• Copying of the software or reproduction of this manual in whole or in part by any means is expressly

forbidden without the written consent of the manufacturer.

•Yamaha makes no representations or warranties with regard to the use of the software and

documentation and cannot be held responsible for the results of the use of this manual and the software.

• Copying of the commercially available music sequence data and/or digital audio ﬁles is strictly prohibited

except for your personal use.

• OMS

and are trademarks of Opcode Systems, Inc.

• The company names and product names in this Owner’s Manual are the trademarks or registered

trademarks of their respective companies.

• The screen displays as illustrated in this Owner’s Manual are for instructional purposes, and may appear

somewhat different from the screens which appear on your computer.

This owner’s manual assumes that you are already familiar with basic Windows/Macintosh operation. If

you are not, please refer to the owner’s manual which came with your Windows/Mac OS software before

using Voice Editor.

For information about hardware requirements, the interconnection of devices and the installation of the

Voice Editor software, refer to the separate “Installation Guide” as well as the Owner’s Manual for the

respective MIDI device.

Introduction

With the convenient Voice Editor, you can use a computer to edit your synthesizer's voices and

effects. The graphical user interface makes editing easy and intuitive - letting you use your

computer keyboard and mouse to control and change the various parameters from the onscreen

sliders, switches, buttons, and so on. What's more, all changes you make to the voices can be

saved to your computer.

n Voice Editor for Windows is a plug-in software. To use it, you'll need to install an appropriate compatible host

application (sequencer, etc.).

Transmit / Receive bulk data

Your synthesizer(S08)

Library Window Save the Library file

Import a voice

Edit Window

Voice

Element dialog

Set the effects parameters

MUSIC SYNTHESIZER

EXITENTER

KEYBOARD

–

PRESET

USER

GM2/XG

DRUM

MUTE

+–

COMMON

INC/YESDEC/NO

DEMO

UTILITYCONTROLLER CARD

EDIT

JOB

STORE

COMPARE

VOICE

MULTI SEQ PLAY

PART/

COMMON

VOICE

MIX

GENERAL

TONE

CONTROLLER

EFFECT

ELEMENT

OSC/MIX

PITCH

FILTER

AMP

LFO

EFFECT

MIDI CHANNEL

MIDI FILTER

SEQ SETUP

MIDI SETUP

EFFECT

CTRL ASSIGN

KEYBOARD

VELOCITY

CTRL SETUP

SAVE

LOAD

RENAME

DELETE

FORMAT

IMPORT

VOLU

PITC

ODULATION

PHONES

L/MONO

OUTPUT

R DC IN ON

STANDBY

FOOT

CONTROLLER

FOOT

SWITCH

IN OUT THRU

MIDI

CARD

3.3V

USB

GUITARORGANPIANO

CATEGORY

BASS STRINGS BRASS

REED/PIPE

SYN LEAD

SYN COMP

DRUM/PERC

OTHER

CHROMATIC

PERCUSSION

SYN PAD

UTILITY

CARD

CONTROLLER

CARDUTILITYEDIT

CONTROLLER

PART/ELEMENT/KEY

MODE

DATA

Library file

Starting Up

After installing the Voice Editor and making the required connections, follow the instructions below

to start the Voice Editor.

Windows

Start Voice Editor by starting the host application (refer to the Installation Guide) and choosing

“Voice Editor for S08” from the “Plug-in” menu.

n This is an example of the included sequence software. The operation described here differs depending on

your host application.

n In order to use the Voice Editor, you’ll need to install the USB MIDI driver (page 10).

Macintosh

n If you are using Voice Editor on a Macintosh computer, open the “Chooser” from the Apple menu and turn

off “Apple Talk.”

Open the “Voice Editor for S08” folder in the “YAMAHA Tools” folder and double-click the

“VoiceEditorforS08” icon.

Menu Bar

The Menu Bar holds various editing and setup functions/commands in its menus. Click each of the

menu names to open their pull-down menu, and choose the function/command you wish to apply.

Those functions/commands which are unavailable are grayed out.

n The most commonly-used menus in the Menu Bar are available as buttons in Voice Editor’s toolbar.

File

New

Creates and opens a new Library ﬁle.

Open Library... (Open)

This is the same as the “Open” button in the Toolbar (page 8).

Save Library (Save)

This is the same as the “Save” button in the Toolbar (page 9).

Windows Macintosh

Save Library As... (Save As)

Lets you save the Library ﬁle under a new or different name.

Close (Macintosh only)

Close the window. This is the same as the “Close” box in the Title Bar.

Edit

Copy

Copies the selected voice to the clipboard. If nothing is selected, this item is grayed out.

Paste

Copies the voice from the clipboard to Voice Editor.

Edit

This is the same as the “Edit Window” button in the toolbar (page 12).

Library

This is the same as the “Library Window” button in the toolbar (page 14).

Store...

This is the same as the “Store” button in the toolbar (page 14).

Import...

This is the same as the “Import” button in the toolbar (page 13).

Compare

This is the same as the “Compare” button in the toolbar (page 15).

Windows Macintosh

Setup (Windows) / MIDI (Macintosh)

Setup (Editor Setup)

This is the same as the “Editor Setup” button in the toolbar (page 10).

Transmit Bulk... (Transmit)

This is the same as the “Transmit” button in the toolbar (page 11).

Receive Bulk... (Receive)

This is the same as the “Receive” button in the toolbar (page 12).

Monitor

This is the same as the “Monitor” button in the toolbar (page 12).

OMS Port Setup (Macintosh only)

Opens the OMS Port Setup window for Voice Editor. Refer to the section “OMS Port Setup”

(page 24) for further details.

OMS MIDI Setup (Macintosh only)

Opens the OMS MIDI Setup window. Refer to the documentation that came with OMS for further

details.

OMS Studio Setup (Macintosh only)

Opens the OMS Studio Setup window. Refer to the documentation that came with OMS for further

details.

Windows Macintosh

The Library Window

When you start Voice Editor, you will ﬁrst see the Library Window consisting of the “Normal” and

“Drums” tabs, each representing the voice type. Each tab lists all the names, numbers and

categories of voices in the selected voice type group. When you choose to edit a voice from the

Library Window by double-clicking it, the Edit Window for that voice will be opened.

n You can save your settings as a Library ﬁle (*.S6V).

1 Toolbar

This area holds the buttons controlling Voice Editor (page 8).

2 Tabs

Click one of these to view the voice list for that group.

3 Voice list

This area shows all the voices in the selected group as a scrollable list. The name, number and

Category of each voice are shown. You can rearrange the voices by dragging-and-dropping

their voice numbers to a new location. You can rename a voice in Windows by selecting the

voice name, then clicking on it again to enter a new name. On the Macintosh, you click on the

voice name while holding down [Control], choose “Edit Voice Name” from the pull-down menu

and enter the new name in the dialog.

n To select a continuous block of voices, click the number of the ﬁrst voice, hold down the [Shift] key, then

click the last number.

n Voice names can consist of up to 8 characters.

Viewing Just the Voice Names (Windows)

You can view just the names of all voices in the group without their “Number” and “Category”

information. To do this, right-click on any part of the voice list and choose “List.” This may be

useful when choosing voices quickly, since you will have less scrolling to do.

n To switch back to the full Voice Name/Number/Category list, right-click on any part of the voice list

and choose “Details.”

The Toolbar

1 “Open” button

Click this to open the “Open File” dialog and select a Library ﬁle to open.

“Open Dialog

Select the desired Library ﬁle (extension: .S6V) and click [Open]. The contents of the selected

ﬁle are indicated in the Library Window.

n You can also load S03 Library ﬁles (with extension: .S3V).

n If you are using a Macintosh, the typical Macintosh “Open” dialog will appear.

1 “Look in:” .................Click this and choose the folder containing the Voice Editor ﬁles.

2 List box .....................Shows the contents of the current folder.

3 [Open] button ...........Click this to open the ﬁle selected from the List.

4 “Files of type:” .........Click this and choose the ﬁle type.

5 “File name:” ...........Shows the name of the ﬁles selected from the List.

6 [Cancel] button.........Click this to cancel the operation.

12 345678

2 “Save” button

Click this to save the existing Library ﬁle with your new settings. If you are working on a new ﬁle,

this button will open the “Save As” dialog, where you can name and save your settings as a new

Library ﬁle (*.S6V).

“Save As…” Dialog

n Library ﬁle names can consist of up to 8 characters plus a 3-character extension.

n If you are using a Macintosh, the typical Macintosh “Save As” dialog will appear.

1 “Save in:”..................Click this and choose the folder in which to save the Library ﬁle.

2 List box .....................Shows the contents of the folder you wish to save to.

3 [Save] button ............Click this to save the Library ﬁle with the name speciﬁed in the

“File name:”.

4 “File name:”..............Specify the name of the Library ﬁle to be saved here.

5 “Files of type:” .........Click this and choose the ﬁle type.

6 “Cancel”....................Click this to cancel the operation.

n S08 Library ﬁles can be imported to your synthesizer directly by saving them to the Memory card.

For details, refer to the S08 Owner’s Manual.

n If you save a ﬁle to a Macintosh computer, the extension “.S6V” is not added automatically. Before

loading such ﬁles to the S08, you’ll need to manually add the extension “.S6V” to the ﬁle names.

3 “Editor Setup” button

Click this to open the “Editor Setup” dialog and specify the MIDI Out port settings.

“Editor Setup”

Dialog

This is where you set up the Voice Editor to allow the transmission of voice data to your

synthesizer. Click the [OK] button to apply the settings and quit the dialog. Click the [Cancel]

button to quit without applying the settings.

1 “MIDI In Port:” ..........Click this and choose the MIDI In port. This allows you to receive

data from a device connected to this port. Select the port which

has been assigned to your particular synthesizer within the host

application.

2 “MIDI Out Port:” .......Click this and choose the MIDI Out port. You can use the Voice

Editor to control and edit the device connected to this port. Select

the port which has been assigned to your synthesizer within the

host application.

n If you are using a Macintosh, the MIDI Out Port setting is assigned in the OMS Port Setup. For

further details, see section “OMS Settings.” (page 23)

3 “MIDI Ch:”.................Click this and choose the MIDI Out channel. This is used when

monitoring sounds using the on-screen keyboard in the Edit

Windows.

4 “Device No.:”............Click this and choose the MIDI device number of your synthesizer.

5 “Dump Interval:” ......Click this and choose the interval between successive MIDI

dumps.

n If you set too short an interval, you may encounter errors when transmitting MIDI data.

4 “Transmit” button

Click this to open the “Transmit” dialog to transmit all settings to your synthesizer.

“T

ransmit” Dialog

Voice data can be transmitted in bulk to your synthesizer. Click the [Start] button to begin

transmitting the data. The progress bar shows how much of the data has been transmitted.

Finally, click the [Close] button to quit the dialog.

1 “Transmit Type”........Shows the voice data (Normal/Drum/All) to be transmitted.

2 Progress bar.............Shows how much of the data has been transmitted.

3 [Start] button ............Click this to transmit the data.

4 [Close] button...........Click this to close this dialog.

n The MIDI Device Number has to be set correctly in order to transmit bulk data. For further

details, see page 10.

5“Receive” button

Click this to open the “Receive” dialog to receive all settings from your synthesizer.

“Receive”

Dialog

Voice data can be received in bulk from your synthesizer. Select the bulk voice data you

wish to receive, then click the [Start] button. The progress bar shows how much of the data

has been received. Finally, click the [Close] button to quit the dialog.

1 “Receive Type” .........Click this and choose the Voice data (User Normal/User Drum/

Preset Normal/Preset Drum) to receive.

2 Progress bar.............Shows how much of the data has been received.

3 [Start] button ............Click this to receive the data.

4 [Close] button...........Click this to close this dialog.

n The MIDI Device Number has to be set correctly in order to receive bulk data. For further details,

see page 10.

6 “Edit Window” button

Click this to open the Edit Window (Common) for the selected voice in the list. For further

details, see page 14.

7 “Monitor” button

If you click this, bulk voice data will be sent for monitoring on your synthesizer each time you

select a voice. Click it again to disable monitoring.

n To monitor the voice, you need to play your synthesizer’s keyboard.

8 “Import” button

Click this to open the “Import” dialog and import voices from an existing Library ﬁle. You can

drag-and-drop voices to the Library Window.

n More than one of these dialogs can be opened simultaneously.

“Import” Dialog

1 “File name:”..............Shows the name of the Library ﬁle from which you will import

voice data.

2 “Open File” button ...Click this to open the “Open File” dialog and select a Library ﬁle to

open.

3 “Memory:” ................Click this and choose the voice type group from which you will

import voice data.

4 Voice list....................This area shows all the voices in the selected Memory as a

scrollable list, in order of voice number. You can select a voice

here and import it directly to the voice list in the Library Window

by drag-and-drop. (Multiple voices can also be imported this way.)

In Windows, you can alternatively copy the voice by selecting it

and pressing [CTRL]+[C] on the computer keyboard, and then

switch to the Library Window and press [CTRL]+[V] at the new

location to paste (import) it.

n To select a block of voices, click the number of the ﬁrst voice, hold down the [Shift] key, then click

the last voice.

n You cannot import a Drum Voice to a Normal Voice list or a Normal Voice to a Drum Voice list.

5 “Monitor” ..................If you check this box, the bulk data for each voice you select from

the list will be transferred to your synthesizer for monitoring. To

monitor the voice, use the keyboard of your synthesizer.

n Monitoring will not be possible if the MIDI Out port and other parameters in the Editor Setup are

not set correctly. For further details, see page 12.

6 [Close] button...........Click this to close the Import dialog.

The Edit Window

There are two types of voices you can edit using Voice Editor: Normal Voices and Drum Voices. In

the Library Window, click the tab containing the Normal Voice or Drum Voice that you wish to edit.

Then double-click the voice (or select it and click the “Edit Window” button) to open the Edit

Window.

The Toolbar

This area holds the buttons controlling the Edit Window.

1 “Editor Setup” button

See item 3 in “The Toolbar” of “The Library Window” (page 14).

2 “Library Window” button

Click this to bring the Library Window back into view.

3 “Store” button

Click this to open the “Store” dialog, where you can name your edited voice and select a

location in which to store it.

“Store” Dialog

1 “Voice Name:” ..........Specify a name for your edited voice.

n Voice names can consist of up to 8 characters.

2 Voice list....................Shows the contents of the voice type group as a list. Click the

voice in which your edited voice will be stored.

1 2 3 4

3 [Store] button ...........Click this to store your edited voice in the location speciﬁed

above.

After storing to a Library ﬁle, the data for the original voice will be overwritten when you save the

Library ﬁle. It is recommended that you back up important data.

The “Store” dialog is used to temporarily store your Library ﬁle. After storing, save your Library

ﬁle. If you do not save your Library ﬁle after storing, your edits will not be saved.

4 [Cancel] button.........Click this to quit the dialog without storing.

4 “Compare” button

If you click this, bulk data for the original voice (prior to editing) will be sent to on your

synthesizer. Click it again to send the bulk data for your edited voice. This button is useful for

making A/B comparisons between the original and edited voices.

Normal Voice Edit Window

When editing a voice, you will see the following screen:

n For details about each parameter, refer to your synthesizer's Owner’s Manual.

1 Tool Bar

See page 14.

2 VOICE panel

This shows the name and instrument category of the voice. You can also rename your edited

voice and change the instrument category from the “Voice Category” pull-down menu.

Monophonic or Polyphonic can be selected by clicking the [MONO] or [POLY] button.

n Voice names can consist of up to 8 characters.

3 VELOCITY

Sets the velocity sensitivity (DEPTH) and offset value (OFFSET).

)

4 PITCH BEND

Sets the range for the pitch bend wheel.

5 PORTAMENTO unit

Use the switch to enable/disable portamento and the “TIME” knob to specify the portamento

time.

6 CONTROL

The followings can be set for the modulation wheel (MW) and assignable controller 1 (AC1).

CUTOFF: the depth of control over the ﬁlter cutoff frequency

PM: the depth of control over the pitch modulation

FM: the depth of control over the ﬁlter cutoff modulation

EF: the depth of control over the variation effect

7 ELEMENT unit

This section is explained in more detail in “Element Unit” (page 16).

8 VARIATION EFFECT unit

This section is explained in more detail in “Variation Effect” (page 20).

9 SYSTEM EFFECT unit

This section is explained in more detail in “System Effects” (page 20).

) Keyboard

Click any key on the keyboard to monitor your edited voice in that key.

■ Element Unit

1 EL (Element) 1 to 4 buttons

Click these to open their “ELEMENT” dialogs.

2 ON/OFF switch

Click these to switch each Element on or off.

1 32

3 Wave

Click these to open the “Wave List” dialog and select a wave.

n For waves in the Wave List numbered 001 through 029 and 521, the following parameters can be

adjusted:

• Note Shift

• Note Limit Low/High

• Velocity Limit Low/High

• Pitch Scale Sensitivity

• Pitch Scale Center Note

● Element Dialog

1 LFO WAVE

Click on the “WAVE” text box and select the LFO’s waveform.

2 SPEED

Click on the “SPEED” text box and specify its speed.

3 PHASE INIT

Click on the “PHASE INIT” text box to switch LFO key sync on or off. (If switched on, the LFO

waveform is restarted each time you play a note.)

4 LFO PITCH knob

Use this to set the pitch modulation depth of the LFO. You can also enter a value directly in the

text box to the left of the knob.

5 LFO FILTER knob

Use this to set the ﬁlter modulation depth of the LFO. You can also enter a value directly in the

text box to the left of the knob.

567

6 LFO AMPLITUDE knob

Use this to set the amplitude modulation depth of the LFO. You can also enter a value directly in

the text box to the left of the knob.

7 MIX knobs

Sets the output level (LEVEL) and pan setting (PAN).

8 [DETAIL] button

Click this to open the “EL Detail” dialog and enter the parameters for each Element. You have

wider and more accurate control over the parameters than with the editor graphs.

9 Editor graphs

Within these graphs, click and drag the square marks (handles) to visually adjust the

parameters for each Element.

n Sometimes, not all the square marks are visible as they may be layered on top of each other at the same

position. In which case, click the visible square mark and drag it away to reveal the next square mark.

n For waves in the Wave List numbered 001 through 029 and 521, the following parameters can be

adjusted:

• Note Shift

• Note Limit Low/High

• Velocity Limit Low/High

• Pitch Scale Sensitivity

• Pitch Scale Center Note

OSCILLATOR Settings

Click on the “WAVE” text box and choose the source waveform. One of the square marks is

used to set “VEL LIMIT LOW” and “NOTE LIMIT LOW.” Set the lowest note velocity

response by dragging this square mark vertically. Set the lowest note in the key range by

dragging it horizontally. Similarly, set the highest note velocity (“VEL LIMIT HIGH”) and key

range note (“NOTE LIMIT HIGH”) using the other square mark.

n When dragging the square marks, values are given as (X,Y) co-ordinates, where X is the NOTE

LIMIT (given as a MIDI note number) and Y is the VEL LIMIT. To view the note name instead of the

note number, select the “OSCILLATOR” tab of the “EL Detail” dialog.

FILTER Settings

Drag the square mark vertically to set the Filter Gain. Drag the square mark horizontally to

set the Filter Cutoff frequency.

n Parameter values are shown when dragging the square marks. To set these values directly, select

the “FILTER EG” tab of the “EL Detail” dialog.

PITCH LFO Settings

Click and drag the square marks (handles) to set the time-dependent behavior of the PITCH

LFO. The left square mark controls the “LFO Delay.” The right controls the “LFO Fade.”

n To set these values directly, select the “LFO” tab of the “EL Detail” dialog.

PITCH EG Settings

The PITCH EG (Envelope Generator) determines the transition in pitch while the key is

being held down. There are ﬁve square marks, each controlling a different stage in the

envelope. The ﬁrst square mark (furthest to the left) controls the “Initial Level.” The second

controls the “Attack Rate/Level.” The third controls the “Decay 1 Rate/Level.” The fourth

controls the “Decay 2 Rate/Sustain Level.” The last square mark (furthest to the right)

controls the “Release Rate/Level.” Drag the square marks vertically to adjust levels, and

horizontally to adjust the transition times.

n To set these values directly, select the “PITCH” tab of the “EL Detail” dialog.

FILTER EG Settings

The FILTER EG (Envelope Generator) determines the transition in timbre while the key is

being held down. There are ﬁve square marks, each controlling a different stage in the

envelope. The ﬁrst square mark (furthest to the left) controls the “Hold Rate/Initial Level.”

The second controls the “Attack Rate/Level.” The third controls the “Decay 1 Rate/Level.”

The fourth controls the “Decay 2 Rate/Sustain Level.” The last square mark (furthest to the

right) controls the “Release Rate/Level.” Drag the square marks vertically to adjust levels,

and horizontally to adjust the transition rates.

n To set these values directly, select the “FILTER EG” tab of the “EL Detail” dialog.

AMPLITUDE EG Settings

The AMPLITUDE EG (Envelope Generator) determines the transition in amplitude over

time. There are ﬁve the square marks, each controlling a different stage in the envelope.

The ﬁrst square mark (furthest to the left) controls the “Key-on Delay” and “Init Level.” The

second controls the “EG Attack Rate.” The third controls the “EG Decay 1 Rate/Level.” The

fourth controls the “Decay 2 Rate/Sustain Level.” The last square mark (furthest to the right)

controls the “EG Release Rate.” Drag the square marks vertically to adjust levels, and

horizontally to adjust the transition rates.

n To set these values directly, select the “AMP EG” tab of the “EL Detail” dialog.

■ Variation Effect Unit

1 LEVEL

Sets the output level of the all elements sent to the Variation Effect unit.

2 TYPE

Click on the text box and choose the type of Variation Effect.

3 DRY/WET

Sets the Dry/Wet balance.

4 DETAIL

Click this to set the exact parameters for the respective Variation Effect via the “VARIATION

EFFECT” dialog.

■ System Effect Unit

1 VOLUME

Sets the output level of the signal from Variation Effect (or the by-passed signal) sent to the

System Effect Unit.

2 SEND (REVERB)

Sets the Reverb Send Level.

3 SEND (CHORUS)

Sets the Chorus Send Level.

4 REVERB

Shows the Reverb type used for the voice. This is ﬁxed for each voice.

5 CHORUS

Shows the Chorus type used for the voice. This is ﬁxed for each voice.

6 CHORUS ➝ REVERB control

Use this knob to set the level of the signal of sent from the Chorus unit to the Reverb unit.

2 6

3 5

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Yamaha S08 Инструкция по применению

Бренд: Yamaha

Модель: S08

Категория: Цифровые пианино

Тип: Инструкция по применению

Это руководство также подходит для

S08 Voice Editor

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Yamaha S08 Инструкция по применению

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Yamaha S08 Инструкция по применению

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