Yamaha PLG150 Инструкция по применению

Analog Physical Modeling Plug-in Board

Carte Plug-in de Synthèse à Modélisation Analogique

Owner’s Manual

Bedienungsanleitung

Mode d’emploi

2

Precautions

●

Do not expose the plug-in board to direct sunlight,

excessive humidity, high temperatures, excessive dust or

strong vibrations.

●

Before handling the plug-in board, be sure to touch a

metal surface to discharge any static electricity which

may be in your body.

●

When holding the plug-in board, do not touch the inside

area of the circuit board or apply excessive pressure to

the board, and be sure to protect the board from contact

with water or other liquids.

●

Before installing the plug-in board onto a tone genera-

tor/sound card, unplug the power connector of your

computer.

●

Before connecting the computer to other devices, turn

off the power switches of all devices.

●

Yamaha is not responsible for loss of data through com-

puter malfunctions or operator actions.

●

The plug-in board contains no user-serviceable parts, so

never touch the inside area of the circuit board or

tamper with the electronic circuitry in any way. Doing

so may result in electrical shock or damage to the plug-

in board.

YAMAHA CANNOT BE HELD RESPONSIBLE

FOR DAMAGE CAUSED BY IMPROPER

CARE AND USE OF THE PLUG-IN BOARD.

* The company names and product names in this Owner’s Manual are the trademarks or registered

trademarks of their respective companies.

* The screens as illustrated in this owner’s manual are for instructional purposes only, and may

appear somewhat different from the ones of your instrument.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modiﬁcations

not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT:

When connecting this product to accessories and/or another product use only high quality shielded cables.

Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void

your FCC authorization to use this product in the USA.

3. NOTE:

This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class

”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product

in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses

radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference

harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will

not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit

”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this

type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Divi-

sion, 6600 Orangethorpe Ave, Buena Park, CA 90620

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

CANADA

This Class B digital apparatus complies with Canadian ICES-003.

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

3

Congratulations and thank you for purchasing the Yamaha PLG150-AN Control Synthesizer

Plug-in Board!

The PLG150-AN is a custom tone generator designed for use with a variety of Yamaha elec-

tronic musical instruments. Foremost, the PLG150-AN can be installed to and integrated with

instruments of the Modular Synthesis Plug-in System (such as the CS6x, CS6R, S80, etc.) It

can also be used seamlessly with the MU128 Tone Generator (as well as other MU-series

instruments and the SW1000XG PCI Audio/MIDI Board). The PLG150-AN employs Analog

Physical Modeling synthesis, for faithful reproduction of analog synthesizer sounds. It not only

features the same familiar oscillator, ﬁlter and other sound creation elements on traditional ana-

log synthesizers — it gives you the full spectrum of warm, fat, and punchy sounds that made

those legendary instruments famous.

The settings and parameters of the PLG150-AN can also be conveniently edited with a Win-

dows PC computer by using the AN Easy Editor and AN Expert Editor software modules

(included in the XGworks Music Sequencer software).

Table of Contents

Overview of the PLG150-AN

.....................................4

Analog Physical Modeling Synthesis and

the PLG150-AN Tone Generator

..........................6

PLG150-AN Tone Generator Block Diagram.......7

VCO......................................................................7

Noise, Ring Modulator and Feedback................10

VCF....................................................................11

VCA....................................................................11

LFO 1, 2 and PEG, FEG ....................................12

Effects ................................................................12

Memory Buffer Structure

......................................13

Specifications

...........................................................14

About the Included Floppy Disks

............................14

Installing the PLG150-AN

........................................16

Included Items

...........................................................16

Required and Recommended Items

......................16

Synthesizer/Tone Generator/

Sound Card Compatible with the Modular

Synthesis or XG Plug-in Systems..................16

XGworks or XGworks lite

Music Sequencing Software..........................17

AN Easy Editor...................................................17

AN Expert Editor.................................................17

Installing and Starting the Plug-in

Editor Software (Windows 95/98)

...................18

Installing the Software........................................18

Starting the AN Easy Editor................................18

Starting the AN Expert Editor.............................19

Selecting AN Voices

(Modular Synthesis Plug-in System)

................20

Enabling and Selecting AN Voices.....................20

Editing the AN Native Part Parameters

(Modular Synthesis Plug-in System)

................21

Selecting/Editing the AN System Parameters

(Modular Synthesis Plug-in System)

................22

Selecting AN Voices (XG Plug-in System)

............23

Enabling and Selecting AN Voices.....................23

Editing the AN Native Part Parameters

(XG Plug-in System)

..............................................25

Selecting/Editing the AN System Parameters

(XG Plug-in System)

..............................................27

Parameters

...............................................................28

AN Native Part Parameters................................28

AN System Parameters......................................34

Appendix

.....................................................................38

Voice List

................................................................38

Tone Generator And Effect Signal Flow

...........47

Arpeggio Type List

...............................................48

Control Matrix &

Free EG Track Parameter List

.........................49

Parameter List

(XG / Modular Synthesis Plug-in System)

....50

MIDI Data Format

..................................................51

MIDI Implementation Chart

.................................70

4

Overview of the PLG150-AN

The PLG150-AN gives you a full-featured, powerful synthesizer with stunning analog-like sound —

thanks to the Analog Physical Modeling system — in a compact plug-in board. In addition to being

packed with standard synthesizer “modules” (including VCO, VCF and VCA) that provide compre-

hensive, ﬂexible control over the sound, the PLG150-AN also features a built-in Arpeggio and Step

Sequencer for generating and playing back complex patterns at the touch of a key.

■

Easy Installation

Once it is connected, the PLG150-AN automatically becomes another sound source in the tone gener-

ator/sound card, and can be used as one of the instrument Parts. You can create your own original AN

voices and combine AN voices with the other voices in the “mother” device.

■

256 Voices and Five-note Polyphony

The PLG150-AN is packed with a total of 256 dynamic and powerful voices, each of which can be

changed temporarily, using the Part Edit parameters, or edited (using the AN Expert Editor software)

to create your own original voices. With the ﬁve notes of polyphony, you can play the rich sounds

with full-handed chords, or use the Unison mode to create huge, fat monophonic sounds.

■

Comprehensive Editing Functions

Naturally, the AN voices can be processed and edited in the same way as the normal voices of the tone

generator/sound card. Moreover, once you’ve equipped your tone generator with the PLG150-AN

board, a special set of AN parameters become automatically available — letting you edit and change

the sounds as desired. And for further editing convenience and power, the included AN Easy Editor

and AN Expert Editor software let you change all parameters from a computer.

■

Super Fat Unison Sound

The PLG150-AN gives you all the sonic power and punch of vintage analog synthesizers with the

Unison feature. This slightly detunes each of the ﬁve available sound elements in a voice, and gangs

them together to create one huge, fat monophonic sound.

■

Powerful “Morphing” Control

This exceptionally powerful function allows you to use any MIDI controller (such as a modulation

wheel, foot controller, or after touch) to “morph” or crossfade between two distinct voices — in real

time as you play! Naturally, you can record controller data to a sequencer for automated morphing

within a song as well. This lets you create dramatic or subtle sonic changes in your performance or

song.

5

Overview of the PLG150-AN

■

Pattern Generator with Arpeggio and Step Sequencer

These features let you automatically produce a wide variety of note patterns in real time as you per-

form. Arpeggio lets you play perfect arpeggiated chords at the simple press of a key. The Step

Sequencer permits quick, easy creation of highly sophisticated looped patterns which can be triggered

from the keyboard in a variety of ways. Both of these can be edited in detail with the AN Expert Edi-

tor software in XGworks (page 17).

■

Four-track Free EG

The four-track Free EG lets you program changes to four independent parameters — such as ﬁlter,

resonance, LFO and many others — and have the changes play back automatically by simply playing

a voice, and even have the tempo of the changes sync to MIDI clock. The Free EG can be edited in

detail with the AN Expert Editor software in XGworks (page 17).

About the Modular Synthesis Plug-in System

The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabil-

ities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound cards.

This enables you to easily and effectively take advantage of the latest and most sophisticated

synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted

advances in modern music production.

About the XG Plug-in System

The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XG-

Plug-in-compatible tone generators and sound cards. This enables you to easily and effectively

take advantage of the latest and most sophisticated synthesizer and effects technology, allowing

you to keep pace with the rapid and multi-faceted advances in modern music production.

About AN-XG

The AN Extension for XG (abbrieviated as “AN-XG”) built-into the PLG150-AN signiﬁcantly

enhances and expands the musical capabilities of the XG format with the rich analog-style

sounds and comprehensive control features of the Analog Physical Modeling synthesis system.

The PLG150-AN incorporates all the versatile functions of the AN1x Control Synthesizer —

including multiple oscillators, ﬁlters, Morphing, Free EG, and a Pattern Generator with Arpeg-

gio and Step Sequencer — into an XG tone generator/sound card.

6

Analog Physical Modeling Synthesis and

the PLG150-AN Tone Generator

As the PLG150-AN Tone Generator Block Diagram (page 7) illustrates, the VCO module generates

the basic signal, then passes it along the signal path to the MIXER and VCF modules, processing

the signal in a variety of ways before passing it on to the VCA module, which controls the volume of

the signal — before passing it along to be processed (by Distortion and 3-BandEQ) along with the

other Parts of the tone generator. Along the way, various real-time and other controllers can be

applied to each module in a variety of ways, providing enormous sound-shaping and sound-creating

possibilities.

Some of the parameters mentioned in the following explanations cannot be accessed from the “mother” device;

however, they can be controlled with the special AN Easy Editor and AN Expert Editor plug-in software modules

(used in XGworks or XGworks lite). Even without the use of the plug-in software, the original AN voices of the

PLG150-AN provide enormous sonic complexity and ﬂexibility, especially with the use of the Part parameters and

the AN Assignable Controllers on the “mother” device.

Oscillators, Filters And Ampliﬁers

What does it take to make a sound? And how does the PLG150-AN generate sounds?

In the simplest of terms, there are three basic elements which make up a sound: pitch, or how low or high it

is; tone, or what its overall quality, or timbre is like; and amplitude, or how loud the volume level is.

Synthesizers rely on three key electronic components to generate sounds and electronically imitate the

soundwaves of familiar musical instruments, as well as create entirely unique sounds. In traditional analog

synthesis, the source sound pitch and waveform is generated by an oscillator; its tone is controlled by a ﬁl-

ter; and its volume is determined by an ampliﬁer. With the PLG150-AN, these three elements are termed

the VCO (voltage controlled oscillator), the VCF (voltage controlled ﬁlter), and the VCA (voltage con-

trolled ampliﬁer).

The “signal path” starts at the VCO, ﬂows to the VCF, then ﬂows to the VCA. The signal is “processed” at

each block, or “module” along the way to the ﬁnal output.

VCO VCF VCA OUT

The oscillator creates the source pitch

(and also the basic timbre, depending on the waveform)

The amplifier determines the volume

The filter controls the timbre

7

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

PLG150-AN Tone Generator Block Diagram

VCO

The VCO module is where the original sound waveform is generated. In general, the VCOs of analog

synthesizers feature the simple waveforms shown below.

In theory, these waveforms are very simple; in the real world, they’re not so simple. Because of the

characteristics of electronic circuits, all analog synthesizers introduce subtle imperfections into the

waveform. These imperfections result in slightly rounding off the edges of the wave, or adding noise,

and other artifacts — and they give each synthesizer its own special, unique sound.

Although a single oscillator is enough to generate the basic sawtooth, pulse (square) or other waves

required for different types of musical instrument sounds, the PLG150-AN’s VCO module provides

far greater ﬂexibility. The PLG150-AN’s digital VCO creates mathematically exact waveforms.

FEG AEG

Distortion

Effects

3-Band EQVCF

VCO1

Oscillator Sync

FM

Oscillator

Sync

MIXER

LFO1 & LFO2

Ring

Modulator

Noise

Feedback

Slave

VCO2

Master

PEG

VCA

Saw (Sawtooth) Pulse (Square) Triangle

Basic sawtooth waveform Basic pulse waveform Basic triangle waveform

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

8

However, the instrument also gives you a wide variety of tools (including Pulse Width Modulation

and Edge) for introducing analog-like “imperfections” to the waveforms and making them much more

complex and interesting.

The VCO of the PLG150-AN actually has two blocks: VCO 1 and VCO 2. With VCO 1, you can

select a variety of waves, and it can be conﬁgured with one of three “sync modes” that syncs “master”

and “slave” oscillators within the VCO 1. Thus, when the sync is on, the VCO 1 is actually two oscil-

lators in one, and additional waves are available.

The VCO 1 is always ﬁxed as the FM carrier, but the carrier can either be the master or slave oscillator

depending on the selected algorithm, when Sync mode is set to on. The FM modulator can be

selected from VCO2, the PEG, FEG, LFO1, LFO2 or others. The Pitch Envelope Generator (PEG)

lets you determine how the pitch of the VCO changes over time, and the LFO can be used to modulate

the VCO to create vibrato.

The PLG150-AN also has a second oscillator section: VCO 2. VCO 2 has many of the same waves

and controls as does VCO 1, but differs slightly in the waves that are available . For certain waves, it

also features special cross-modulation that generates complex harmonics by modulating the fre-

quency of the oscillator. The VCO 2 can also be set (with the Sync parameter) to modulate the VCO

1.

■

Pulse Width and Pulse Width Modulation

In conventional analog synthesizers, pulse width (PW) is used to change the shape of a pulse wave-

form. This changes the harmonics or overtones (which determine the timbre or tone) of the sound.

Pulse width modulation (PWM) uses an LFO to periodically change the width, and hence, the har-

monics.

The PLG150-AN lets you control not only the Pulse wave in this way, but also Saw and Mix (a com-

bination of Saw and Pulse). In addition to using an LFO to modulate the Pulse Width, the PLG150-

AN lets you create a “fat” chorus-like effect, depending on the parameter settings.

Basic sawtooth

waveform.

When Pulse Width

is set to a value

under “64”.

...the sound has

many harmonics.

...the sound is that

of typical pulse

wave, with only

odd-numbered

harmonics.

...the sound has

many harmonics.

When Pulse

Width is small...

When the Pulse

Width is set to

"64" (50%)...

When Pulse

Width is large...

Saw (Sawtooth)Pulse

9

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

■

Edge

This useful parameter lets you make ﬁne, subtle

changes to the waveform. Higher Edge values pro-

duce a sharper waveform, resulting in a harder,

harsher sound with many harmonics. Reducing the

value makes the waveform rounder, producing a

softer, warmer sound. (At the minimum value, this

actually results in a sine wave.)

■

Oscillator Sync

Oscillator Sync is another common function in analog synthesis that synchronizes one oscillator’s

waveform with that of another oscillator.

In the illustration below, the waveform of oscillator 1 is constantly reset so that it starts its wave cycle

at the same phase point (the ﬁrst position of the wave cycle) as oscillator 2. As a result, the waveform

of oscillator 1 becomes more complex than normal, adding harmonics to the sound. (In the illustra-

tion below, the sound of oscillator 1 becomes brighter than what it would be originally.)

Here, oscillator 1 is referred to as the “slave” oscillator, while oscillator 2 is called the “master.”

Changing the pitch of the master oscillator changes the pitch of the overall sound. On the other hand,

changing the pitch of the slave oscillator changes the timbre or tone of the overall sound by altering

the amount of harmonics.

Just as with conventional analog synthesizers, the PLG150-AN allows you to synchronize the oscilla-

tors of VCO 1 and VCO 2. What’s more, it allows you to use Oscillator Sync with only VCO 1, since

VCO 1 actually has two oscillators by itself.

Sharp-edged

waveform

Slightly rounded

edges

Sine wave

Oscillator 2 (master)

Oscillator 1 (slave)

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

10

■

FM

FM uses the wave of one oscillator (called the “modulator”) to periodically change the pitch or fre-

quency of another oscillator (called the “carrier”).

The FM generated sound is output by the carrier, and the type and amount of harmonics that are added

to the sound differs depending on the ratio of the modulator and carrier frequencies.

On the PLG150-AN, the following can be used as the modulator: VCO 2, LFO, and each EG. The

carrier is ﬁxed to VCO 1.

Noise, Ring Modulator and Feedback

In addition to the VCO 1 and VCO 2 oscillators, the PLG150-AN includes a Noise oscillator, plus

Ring Modulator and Feedback controls. The levels of these ﬁve sound sources can be freely mixed,

giving you a wide range of sonic possibilities and comprehensive sound shaping control.

Avoid making drastic changes to Feedback, or setting the Feedback level to values at or near

the maximum. Doing so could damage your speakers (and your ears!). If you hear any strange

or unusual vibrations in your speakers as you are adjusting the Feedback level, immediately

turn Feedback down.

Adds harmonics to

the sound, due to

Oscillator Sync.

A different sound can

be layered, completely

independent of the

oscillator sync output

of VCO 1.

Oscillator Sync

Slave

oscillator

Determines

the timbre or tone.

Determines

the pitch.

Master

oscillator

Adds harmonics

to the sound,

due to Oscillator

Sync.

Output of the

basic sound.

Slave oscillator.

Determines the timbre

or tone.

Oscillator Sync

Master oscillator.

(This determines the pitch.)

VCO1

VCO2

VCO1

Using Oscillator Sync to lock VCO 1 to VCO2

This method is the same as on conventional analog

synthesizers. The sound quality can be changed by

giving VCO 1 and VCO 2 different pitches.

Using Oscillator Sync within VCO 1

This method is unique to the PLG150-AN. Since

VCO 1 and VCO 2 are independent, you can still use

Oscillator Sync to get more harmonics, yet layer VCO

1 and VCO 2 to produce sound of even greater

complexity and richness.

VCO2

11

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

VCF

Once the VCO 1, VCO 2, Ring Modulator, Noise and Feedback signals are mixed in the MIXER

module, they can then be ﬁltered by the VCF module. The VCF includes a comprehensive set of ﬁl-

ters, including Low Pass Filter (LPF), High Pass Filter (HPF), Band Pass Filter (BPF) and Band Elim-

inate Filter (BEF). You can determine the Cutoff frequency of the VCF, as well as amount of

Resonance, or emphasis around the frequency cutoff point. Resonance and Cutoff actually work

interdependently with each other, and their overall effect depends also on the voice selected. On the

PLG150-AN, you can adjust the Cutoff frequency over an exceptionally wide range. Also, high val-

ues for Resonance create a relatively warm analog-like quality.

The Filter Envelope Generator (FEG) lets you determine how the timbre of the signal changes over

time, and the LFO1 or LFO2 can be used to modulate the VCF to create wah.

The FEG features four parameters:

Attack Time

Decay Time

Sustain Level

Release Time

VCA

The VCA module is where the overall output level of the signal is determined. The Amplitude Enve-

lope Generator (AEG) lets you determine how the volume of the signal changes over time, and the

LFO1 or LFO2 can be used to modulate the VCA to create tremolo.

The AEG features four parameters:

Attack Time

Decay Time

Sustain Level

Release Time

Key on Key off

Attack ReleaseDecay

Time

Level

Sustain

Key on Key off

Attack ReleaseDecay

Time

Level

Sustain

Analog Physical Modeling Synthesis and the PLG150-AN Tone Generator

12

LFO 1, 2 and PEG, FEG

The LFO 1 and LFO 2 sections provide a sophisticated set of modulation possibilities, allowing you

to modulate the VCO 1, VCO 2, VCA, and VCF sections in various ways and degrees.

The LFO can be used to control:

Pmod (pitch of the oscillator) PWM (Pulse Width Modulation)

Fmod (Cutoff frequency of the ﬁlter) Sync Pitch (pitch of the slave oscillator)

Amod (depth of the ampliﬁer, or volume) FM Depth

This gives you enormous ﬂexibility in controlling and shaping the sound.

The PEG (Pitch EG) section lets you control the pitch of the VCO 1 and/or VCO 2 over time, with a

conventional envelope generator. The FEG (Filter EG) gives you similar control over how the ﬁlter

affects the sound over time. On the PLG150-AN, the PEG and FEG give you additional modulation

control sources, providing the comprehensive and ﬂexible control as found on vintage analog synthe-

sizers — yet without the expense of additional modules and the complexity of dozens of patch cords.

Effects

The PLG150-AN also features an Effects section that includes Distortion and 3-Band EQ. These

effects give you further sonic control over the AN voice, letting you apply and adjust distortion, and

make detailed equalization settings.

FEG

Opening and

closing the filter

over time.

Changing the

harmonics

over time.

Oscillator

Sync

Filter cutoff frequency

Pitch of the slave

oscillator (determines

the timbre or tone

of the overall sound).

Pitch of the master

oscillator (determines the

pitch of the overall sound).

Example

13

Memory Buffer Structure

AN Native System Parameter

System Parameter

Voice

● AN-XG Bank Voice 236 voices

MSB=84 (AN-XG/A)

LSB=0, 64 — 81, 96 — 107

PrgNo.=39 — 128 (origin : 1)

MSB=100 (AN-XG/B)

LSB=0, 64 — 76

PrgNo.=39 — 120 (origin : 1)

Voice

Tone Generator Parameter

VCO1, VCO2, SYNC, FM

MIXER, LFO1, LFO2

PEG, VCF (FEG), VCA (AEG),

DISTORTION, 3-Band EQ

Voice Parameter

Free EG

Free EG Parameter

Free EG Data

Pattern Generator

Arpeggio Parameter

Step SEQ Parameter

Step SEQ Pattern Data

User Step SEQ Pattern

Step SEQ Parameter

Step SEQ Pattern Data

128

patterns

XG Part Parameter

AN Native Part Parameter

Part Parameter

● Custom Bank Voice

Preset1 128 voices

MSB=36

LSB=0

PrgNo.=1 — 128 (origin : 1)

Voice

Preset2 128 voices

MSB=36

LSB=1

PrgNo.=1 — 128 (origin : 1)

Voice

User 128 voices

MSB=36

LSB=2

PrgNo.=1 — 128 (origin : 1)

* When the power is turned off and on again, the

contents of the User memory are replaced by voices

from the Preset 1 and 2 banks. To save your edits to a

User voice, use the AN Expert Editor software.

14

Speciﬁcations

TONE GENERATOR/MODULES :

Analog Physical Modeling, 2VCO(OSCILLATOR & FM), Ring Modulator,

Noise, VCF(FEG), VCA(AEG), PEG, 2LFO, Arpeggio/Step Sequencer

Generator, 4 Track FreeEG

POLYPHONY :

5 notes maximum (latest note priority; polyphony is expandable *1)

*1 Depending on the particular “mother” device, up to eight additional

boards can be installed, for a total of 40-note polyphony. On the CS6x,

for example, two boards can be installed for a maximum of 10 notes; on

the MU128, three boards can be installed for a maximum of 15 notes.

NUMBER OF VOICES :

236 XG voices (AN-XG/A, AN-XG/B)

256 Preset voices

128 User voices

INTERFACE :

XG Plug-in connector

EFFECTOR :

Guitar Amp.Simulator (Distortion)

3-Band EQ

XG Part EQ

DIMENSIONS (W x H x D) :

138.5 x 89.0 x 8.5mm

WEIGHT :

65g

POWER REQUIREMENTS :

320mA

INCLUDED ITEMS :

Owner’s Manual, Floppy disk (3)

* Speciﬁcations subject to change without notice.

About the Included Floppy Disks

The three included ﬂoppy disks contain editing software for the PLG150-AN as well as demonstra-

tion songs and Voice/Performance data for the “mother” device.

To use the editing software and transfer the song/Voice/Performance data to your particular “mother”

device, you should have a computer (running Windows 95/98) with a MIDI interface, with the MIDI

OUT on the interface connected to the MIDI IN of the “mother” device. You should also have

XGworks (v3.0 or higher) or XGworks lite installed to your computer; this is necessary to use the

editing software (page 17). For playing back the demonstration songs and transferring the Voice/

Performance data, you can use any compatible sequence software (such as XGworks/XGworks lite)

or hardware sequencer capable of sending bulk data. Insert Disk #1 into the computer and start the

installation.

The following software is included on the disks:

15

About the Included Floppy Disks

■

AN Easy Editor (page 17)

■

AN Expert Editor (page 17)

■

Demonstration Songs

(1) “AN Solo” (for Modular Synthesis Plug-in System devices:M_Solo.MID)

(for XG Plug-in System devices:X_Solo.MID)

By: Katsunori Ujiie (Idecs, Inc.)

For: Modular Synthesis Plug-in System devices (CS6x, etc.) and XG Plug-in System devices

(MU128, etc.)

To play this song with a Modular Synthesis Plug-in System device (such as the CS6x, etc.), ﬁrst call up

the Voice mode (press the VOICE button), then press PLG1 or PLG2 (depending on which slot the

PLG150-AN board has been installed to), and select a voice.

(2) “R&B” (R&B.MID)

By: Takashi Morio

For: XG Plug-in System devices (MU128, etc.)

(3) “Old Tek” (Old_Tek.MID)

By: Takashi Morio

For: XG Plug-in System devices (MU128, etc.)

(4) “Progressive Rock” (Progrock.MID)

By: Katsumi Nagae (Idecs, Inc.)

For: XG Plug-in System devices (MU128, etc.)

(5) “Trance” (Trance.MID)

By: Katsumi Nagae (Idecs, Inc.)

For: MU128/MU100/MU100R

■

Plug-in Voice Data for the CS6x/CS6R/S80

(Modular Synthesis Plug-in System)

This is Plug-in voice data, featuring a total of 64 voices that were created using the PLG150-AN Pre-

set voices. When the PLG150-AN is installed to PLG1, select the ﬁle “PLG_vce1.MID”; when the

board is installed to PLG2, select the ﬁle “PLG_vce2.MID.”

For a complete list of these voices, refer to the Plug-in Voice List (page 45) in the Owner’s Manual.

■

Performance Data for the MU128/MU100/MU100R (XG Plug-in System)

This is Performance data, featuring a total of 64 Performances that were created using the PLG150-

AN Preset voices (“AN_Perf.MID”).

For a complete list of these Performances, refer to the Performance List (page 46) in the Owner’s Man-

ual.

16

Installing the PLG150-AN

For detailed instructions on installing the PLG150-AN, refer to the owner’s manual of the Plug-in-

compatible “mother” device (e.g., CS6x, MU128, etc.).

Included Items

The following items have been included in the package of your new PLG150-AN. Please make sure

that you have them all before starting to setup and use the instrument. If an item is missing, contact

the store or dealer from which you purchased the PLG150-AN.

• PLG150-AN board

• PLG150-AN Owner’s Manual (this book)

• Three ﬂoppy disks

Required and Recommended Items

In addition to the included items listed above, you should also have the following:

Synthesizer/Tone Generator/Sound Card Compatible with the Modu-

lar Synthesis or XG Plug-in Systems

In order to use the PLG150-AN, you’ll need a synthesizer, tone generator or sound card compatible

with the Modular Synthesis Plug-in System or the XG Plug-in System. Compatible instruments

include the CS6x, MU128, and the SW1000XG. The synthesizer/tone generator/sound card should

also have an available slot or space for installing the PLG150-AN.

17

Required and Recommended Items

XGworks or XGworks lite Music Sequencing Software

These software sequencers provide convenient tools for taking full advantage of the PLG150-AN, let-

ting you create song data that automatically selects and plays back the AN voices. They also include

the powerful AN Easy Editor and AN Expert Editor (see below) for editing and controlling the AN

voices. XGworks lite is contained on a CD-ROM included with the CS6x, MU128, etc., and

XGworks is contained on a CD-ROM included with the SW1000XG.

AN Easy Editor

The AN Easy Editor is a special plug-in software module for XGworks and XGworks lite. It provides

convenient easy-to-use control over the most important PLG150-AN settings and parameters. It also

provides exceptionally intuitive editing, with a virtual “front panel” display that lets you change the

settings with knobs and buttons.

Using the AN Easy Editor is just like using the Part editing controls on your tone generator — it indi-

rectly and temporarily changes the AN voices without making changes to the original voice. The

changed parameters can either be inserted into a song to automate sound changes, or can be saved as

an AN parameter ﬁle for future recall. Continuous real-time parameter changes can be recorded to a

song as well. The AN Easy Editor software is contained on the included ﬂoppy disks.

AN Expert Editor

As with AN Easy Editor above, the AN Expert Editor is special software for use with XGworks and

XGworks lite. It allows you to directly edit all of the AN voice settings and parameters from your

computer. It also provides exceptionally intuitive editing, with a virtual “front panel” display that lets

you change the settings with knobs, buttons and other controls.

More comprehensive than the AN Easy Editor above, the AN Expert Editor gives you convenient

access to all of the PLG150-AN’s parameters, controls and functions. The changed parameters can

either be inserted into a song to automate sound changes, or can be saved as an AN Expert Data ﬁle

for future recall. Continuous real-time parameter changes can be recorded to a song as well. It also

lets you save your edits directly as a User voice for future recall.

The AN Expert Editor software is contained on the included ﬂoppy disks.

18

Installing and Starting the Plug-in Editor Software

(Windows 95/98)

Installing the Software

Double-click the “Setup.exe” ﬁle in the “plg-an” folder on the ﬂoppy disk to start the installation.

Click “Next” or “Yes” and follow the subsequent instructions on the screen to complete the installa-

tion.

Starting the AN Easy Editor

1

Start XGworks (or XGworks lite).

2

Click the “Plug-in” menu and select “AN

Easy Editor.”

Alternately, press Alt + P, then A, and ENTER. The

“Select AN Part” dialog box appears.

3

Set the desired Part number and click “OK.”

The AN Easy Editor window appears.

If the PLG150-AN has been

properly installed and all com-

puter/MIDI connections have

been properly made, operating

the AN Easy Editor should

directly affect the PLG150-AN.

For details on using the AN Easy

Editor, refer to the on-line help

ﬁle that is included with the soft-

ware.

When using a Modular Synthesis Plug-in System “mother” device, the Part assignment depends on

which mode is used — Voice or Performance — and also on whether the PLG150-AN board is

installed/assigned to PLG1 or PLG2, as described below.

When using the Voice mode:

Depending on which slot the PLG150-AN board has been installed to, press PLG1 or PLG2, then

set the Part to “1” (no matter what the PLG1 or PLG2 assignment is).

When using the Performance (Multi) mode:

If the PLG150-AN board is assigned to PLG1, set the Part to “16.”

If the PLG150-AN board is assigned to PLG2, set the Part to “15.”

19

Installing and Starting the Plug-in Editor Software (Windows 95/98)

Starting the AN Expert Editor

1 Start XGworks (or XGworks lite).

2 Click the “Plug-in” menu and select “AN

Expert Editor.”

Alternately, press Alt + P, then A (twice), and ENTER.

The “Select AN Part” dialog box appears.

3 Set the desired Part number and click “OK.”

The AN Expert Editor window appears.

If the PLG150-AN has been properly installed and all computer/MIDI connections have been

properly made, operating the AN Expert Editor should directly affect the PLG150-AN. For

details on using the AN Expert Editor, refer to the on-line help ﬁle that is included with the soft-

ware.

● To use the AN Expert Editor, your copy of XGworks must be version 1.05 or later.

You can download the proper update of XGworks or XGworks lite from the Yamaha website

(http://www.yamaha.co.uk).

● When using a Modular Synthesis Plug-in System “mother” device, the Part assignment depends on

which mode is used — Voice or Performance — and also on whether the PLG150-AN board is

installed/assigned to PLG1 or PLG2, as described below.

When using the Voice mode:

Depending on which slot the PLG150-AN board has been installed to, press PLG1 or PLG2,

then set the Part to “1” (no matter what the PLG1 or PLG2 assignment is).

When using the Performance (Multi) mode:

If the PLG150-AN board is assigned to PLG1, set the Part to “16.”

If the PLG150-AN board is assigned to PLG2, set the Part to “15.”

20

Selecting AN Voices

(Modular Synthesis Plug-in System)

When the PLG150-AN is installed to a CS6x Control Synthesizer, the AN voices can be selected in

the same way as the internal voices of the synthesizer.

The example displays used in the following explanations are all taken from the CS6x.

Enabling and Selecting AN Voices

1 Press the VOICE button.

2 Press the appropriate PLG button (PLG1 or PLG2, depending on which

slot the PLG150-AN board has been installed to), then press the appropri-

ate BANK button and PROGRAM button to select the desired Plug-in

voice.

To select a different bank, simultaneously hold down the appropriate PLG button and turn knob C (or

press the DEC/INC buttons) to select the desired bank.

The bank is expressed in two numbers: MSB and LSB.

If a selected bank is not available, the bank letter indication in the display (A - H) will not change.

For a list of the available banks and their MSB/LSB values, refer to the “AN-XG Voice Map” at

the back of this manual (pages 43 — 44).

VCE Play) PLG1:001(A01)[--:Killer ]

EQLow-G EQMid-G EQHi-G ------- -------

VCE Play) PLG1:001(A01)[--:Killer ]

BANK= 036/000

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