Yamaha DSP5D Руководство пользователя

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PM5D/PM5D-RH V2
DSP5D
Owners Manual
Owners Manual
Owners Manual
PM5D/PM5D-RH V2 / DSP5D
This document is printed on recycled
chlorine free (ECF) paper with soy ink.
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2004 Yamaha Corporation
Printed in Japan
WJ45370 704IPAP1.2-01D0
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
Yamaha Pro Audio global web site:
http://www.yamahaproaudio.com/
The above warning is located on the rear/top of the unit.
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to alert
the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified
by the manufacturer, or sold with
the apparatus. When a cart is
used, use caution when moving
the cart/apparatus combination
to avoid injury from tip-over.
13 Unplug this apparatus during
lightning storms or when unused for long periods of
time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug
is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally,
or has been dropped.
(98-6500)
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions con-
tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT:
When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE:
This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reason-
able level of assurance that your use of this product in a residential
environment will not result in harmful interference with other elec-
tronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
not guarantee that interference will not occur in all installations. If
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to elimi-
nate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please con-
tact Yamaha Corporation of America, Electronic Service Division,
6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
FCC INFORMATION (U.S.A.)
* This applies only to the DSP5D distributed by
YAMAHA CORPORATION OF AMERICA.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Digital Mixing System
Model Name : DSP5D
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference
that may cause undesired operation.
See user manual instructions if interference to radio reception is sus-
pected.
(FCC DoC)
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (Perchlorate)
This product contains a battery that contains perchlorate material.
Perchlorate Material—special handling may apply,
See www.dtsc.ca.gov/hazardouswaste/perchlorate.
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning
må kun ske med batteri af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller
en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo
ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty
paristo valmistajan ohjeiden mukaisesti.
(lithium caution)
NEDERLAND / THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen back-up.
This apparatus contains a lithium battery for memory back-up.
Raadpleeg uw leverancier over de verwijdering van de batterij op het
moment dat u het apparaat ann het einde van de levensduur of
gelieve dan contact op te nemen met de vertegenwoordiging van
Yamaha in uw land.
•For the removal of the battery at the moment of the disposal at the
end of life please consult your retailer or Yamaha representative
office in your country.
Gooi de batterij niet weg, maar lever hem in als KCA.
Do not throw away the battery. Instead, hand it in as small chemical
waste.
(lithium disposal)
This product contains a high intensity lamp that contains
a small amount of mercury. Disposal of this material
may be regulated due to environmental considerations.
For disposal information in the United States, refer to
the Electronic Industries Alliance web site:
www.eiae.org
(mercury)* This applies only to the PM5D (PM5D-RH) distributed by
YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING:
THIS APPARATUS MUST BE EARTHED
IMPORTANT. The wires in this mains lead are coloured in accordance
with the following code:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in
your plug proceed as follows:
The wire which is coloured GREEN-and-YELLOW must be connected
to the terminal in the plug which is marked by the letter E or by the
safety earth symbol or colored GREEN or GREEN-and-YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the termi-
nal which is marked with the letter L or coloured RED.
(3 wires) This applies only to the DSP5D distributed by
Yamaha-Kemble Music (U.K.) Ltd.
4
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Only use the voltage specified as correct for the device. The required voltage is
printed on the name plate of the device.
Use only the specified power supply (PW800W or an equivalent recommended
by Yamaha).
(DSP5D only) Use only the included power cord.
If you intend to use the device in an area other than in the one you purchased,
the included power cord may not be compatible. Please check with your Yamaha
dealer.
Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.
(DSP5D only) Be sure to connect to an appropriate outlet with a protective
grounding connection. Improper grounding can result in electrical shock.
Do not open the device or attempt to disassemble the internal parts or modify
them in any way. The device contains no user-serviceable parts. If it should
appear to be malfunctioning, discontinue use immediately and have it inspected
by qualified Yamaha service personnel.
Do not expose the device to rain, use it near water or in damp or wet conditions,
or place containers on it containing liquids which might spill into any openings.
Never insert or remove an electric plug with wet hands.
If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the device, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the device inspected by
qualified Yamaha service personnel.
If this device or power supply should be dropped or damaged, immediately turn
off the power switch, disconnect the electric plug from the outlet, and have the
device inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the device or other property. These precautions include, but are not limited to, the following:
Remove the electric plug from the outlet when the device is not to be used for
extended periods of time, or during electrical storms.
When removing the electric plug from the device or an outlet, always hold the
plug itself and not the cord. Pulling by the cord can damage it.
•Turn the PM5D ON/OFF using only the power supply PW800W POWER switch.
Turning the PM5D ON/OFF by plugging or unplugging the power cord, using a
switch on a power tap, a breaker switch, or similar external means can result in
damage.
When transporting or moving the device, always use four or more people
(PM5D), two or more people (DSP5D). Attempting to lift the device by yourself
may damage your back, result in other injury, or cause damage to the device
itself.
Before moving the device, remove all connected cables.
When setting up the DSP5D, make sure that the front-panel power switch can be
easily turned ON/OFF. If some trouble or malfunction occurs, immediately turn
off the power switch and disconnect the plug from the outlet.
If the DSP5D is to be mounted in an EIA-standard rack, leave the back of the
rack open and make sure that it is at least 10 cm away from walls or surfaces.
Also, if the DSP5D is to be mounted with devices that tend to generate heat,
such as power amplifiers, be sure to keep an adequate gap between the DSP5D
and the heat-generating devices or install ventilation panels to prevent high
temperatures from developing inside the DSP5D.
Inadequate ventilation can result in overheating, possibly causing damage to the
device(s), or even fire.
Do not use the DSP5D in a confined, poorly-ventilated location. If the DSP5D is
to be used in a small space other than an EIA-standard rack, make sure that
there is adequate space between the DSP5D and surrounding walls or other
devices: at least 10 cm behind and 10 cm above. Inadequate ventilation can
result in overheating, possibly causing damage to the device(s), or even fire.
Power supply/Power cord
Do not open
Water warning
If you notice any abnormality
Power supply/Power cord
Location
(5)-4
1/2
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual
5
•Avoid setting all equalizer controls and faders to their maximum. Depending on
the condition of the connected devices, doing so may cause feedback and may
damage the speakers.
Do not expose the device to excessive dust or vibrations, or extreme cold or heat
(such as in direct sunlight, near a heater, or in a car during the day) to prevent
the possibility of panel disfiguration or damage to the internal components.
Do not place the device in an unstable position where it might accidentally fall
over.
Do not block the vents. This device has ventilation holes at the front and rear to
prevent the internal temperature from becoming too high. In particular, do not
place the device on its side or upside down. Inadequate ventilation can result in
overheating, possibly causing damage to the device(s), or even fire.
Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile
phone, or other electric devices. Doing so may result in noise, both in the device
itself and in the TV or radio next to it.
Before connecting the device to other devices, turn off the power for all devices.
Before turning the power on or off for all devices, set all volume levels to
minimum.
When turning on the AC power in your audio system, always turn on the power
amplifier LAST, to avoid speaker damage. When turning the power off, the power
amplifier should be turned off FIRST for the same reason.
Do not insert your fingers or hands in any gaps or openings on the device
(vents, etc.).
•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any
gaps or openings on the device (vents, etc.) If this happens, turn off the power
immediately and unplug the power cord from the AC outlet. Then have the
device inspected by qualified Yamaha service personnel.
(PM5D only) Do not apply oil, grease, or contact cleaner to the faders. Doing so
may cause problems with electrical contact or fader motion.
Do not use the headphones for a long period of time at a high or uncomfortable
volume level, since this can cause permanent hearing loss. If you experience
any hearing loss or ringing in the ears, consult a physician.
Do not rest your weight on the device or place heavy objects on it, and avoid use
excessive force on the buttons, switches or connectors.
This device has a built-in backup battery. When you unplug the power cord from
the AC outlet, the internal data of current scene is retained. However, if the
backup battery fully discharges, this data will be lost. When the backup battery
is running low in the system using PM5D or PM5D/DSP5D Editor, each LCD
display indicates “Low Battery!” during operation or “NO BATTERY!” when
starting up the system (the BATTERY field also indicates “LOW” or “NO
BATTERY” in the PREFERENCE2 screen).
When using only the DSP5D, the message such as “Low Battery!” cannot be
displayed because the DSP5D itself has no LCD display. When the DSP5D is
cascade-connected to the PM5D or online with the DSP5D Editor, these
messages will be displayed. In this case, have qualified Yamaha service
personnel replace the backup battery.
Always turn the power off when the device is not in use.
The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualified Yamaha service
personnel about replacing defective components.
Connections
Handling caution
Backup battery
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
Included Accessories
PM5D/PM5D-RH
Owner's Manual (this document)
Gooseneck Lamps x 3
Power Supply PW800W Connection Cable
DSP5D
Owner's Manual (this document)
AC Power Cord
D-SUB 68-pin Cable 10 m x 2
(5)-4
2/2
6
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual
Table of Contents
Table of Contents — Operating section
1
Introduction.......................................... 10
Thank you ....................................................................... 10
An overview of the PM5D system .................................... 10
Differences between the PM5D model and
the PM5D-RH model ........................................... 11
About the channel structure of the PM5D ................................12
About the DSP5D ............................................................ 12
Differences with the PM5D.........................................................12
Regarding cascade connections between the PM5D and
DSP5D ................................................................................13
About PM5D Editor and DSP5D Editor ............................ 13
Firmware versions ............................................................ 14
Major new functionality in PM5D firmware V2.0 ............. 14
Regarding word clock synchronization ............................ 15
How this manual is organized.......................................... 15
Conventions in this manual........................................................15
2
Top, front, and rear panels.................. 16
Top panel ........................................................................ 16
Rear panel........................................................................ 18
Front panel ...................................................................... 20
DSP5D front panel........................................................... 21
DSP5D rear panel ............................................................ 22
3
Basic operation on the PM5D.............. 23
About the various types of user interface ......................... 23
User interface in the display........................................................23
DISPLAY ACCESS section..........................................................24
Data Entry section........................................................................24
External user interface .................................................................25
Basic operation ................................................................ 26
Click ..............................................................................................26
Drag...............................................................................................26
Drag and drop ..............................................................................26
Accessing a desired screen ...........................................................27
Moving the cursor........................................................................27
Scrolling the screen ......................................................................28
Operating the buttons .................................................................29
Adjusting the setting of a knob or fader.....................................29
Assigning a name .........................................................................30
4
Connections and setup ........................ 31
Examples of systems expanded with the DSP5D ............. 31
Example of simple input expansion
(PM5D + one DSP5D unit)..............................................31
PM5D + remotely connected input expansion
(PM5D + DCU5D + two DSP5D units)..........................31
Control from DSP5D Editor (one DSP5D unit + PC) .............32
Audio connections........................................................... 33
Analog audio connections...........................................................33
Analog output connections.........................................................34
Digital input/output connections...............................................36
Installing an option card .............................................................37
Word clock connections and settings .............................. 38
About word clock.........................................................................38
Selecting the word clock master..................................................38
Restoring the current scene to the default state............... 40
Switching the target of panel operations
(when cascade-connected with the DSP5D)........ 40
5
Input channel operations .....................41
About the input channels ................................................ 41
AD IN section .................................................................. 43
Items in the AD IN section......................................................... 43
Controlling the input sensitivity and phantom power
(+48V) of the head amp ................................................... 44
INPUT channel strip......................................................... 45
Items in the INPUT channel strip.............................................. 45
ST IN/FX RTN channel strip ............................................. 47
Items in the ST IN/FX RTN channel strip ................................ 47
FADER FLIP/ENCODER MODE section ............................. 48
Items in the FADER FLIP/ENCODER MODE section ........... 48
Various operations for input channels.............................. 49
Selecting the function of the encoders....................................... 49
Exchanging the fader and encoder functions............................ 49
Sending a signal from an input channel to the STEREO
bus ...................................................................................... 50
Sending the signal from the input channel to a MIX bus ........ 51
Enabling/disabling pairing.......................................................... 53
6
Output channel operations ..................55
About the output channels.............................................. 55
MIX section ..................................................................... 57
Items in the MIX section ............................................................ 57
Operations in the MIX section................................................... 57
STEREO A/B channel strip ................................................ 61
Items in the STEREO A/B channel strip ................................... 61
Operations in the STEREO A/B channel strip .......................... 62
MATRIX section ............................................................... 63
Items in the MATRIX section .................................................... 63
Operations in the MATRIX section........................................... 63
7
Using the Selected Channel section.....65
About the SELECTED CHANNEL section .......................... 65
Items in the SELECTED CHANNEL section ....................... 65
GROUP ........................................................................................ 65
CHANNEL SELECT ................................................................... 66
DELAY ......................................................................................... 66
GAIN/ATTENUATION/ø (Gain / Attenuation / Phase) ........ 67
NOISE GATE............................................................................... 67
STEREO ....................................................................................... 68
COMPRESSOR ........................................................................... 68
HPF (High Pass Filter)................................................................ 69
EQUALIZER................................................................................ 69
Operations in the SELECTED CHANNEL section .............. 70
Selecting a channel and editing its parameters ......................... 70
Compressor operations............................................................... 71
Gate operations ........................................................................... 72
EQ/HPF operations..................................................................... 73
8
Input Patch / Output Patch operations .74
Changing the input patch settings .................................. 74
Changing the output patch settings................................ 75
Inserting an external device into a channel...................... 77
Connecting an external device for insertion ............................. 77
Patching the insert-out and insert-in ........................................ 78
Directly outputting the signal of an input channel .......... 80
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual
Table of Contents
7
9
Grouping and linking............................81
About DCA Groups and Mute Groups ............................. 81
Items in the ASSIGN MODE section ................................. 81
Items in the DCA strip...................................................... 81
Using DCA Groups........................................................... 82
Assigning channels to DCA groups............................................82
Controlling DCA groups.............................................................83
Using mute groups .......................................................... 83
Assigning channels to mute groups............................................83
Controlling mute groups.............................................................84
Using the Mute Safe function .....................................................84
Using EQ Link and Compressor Link ................................ 85
10
Scene memory....................................87
About scenes ................................................................... 87
Items in the SCENE MEMORY section .............................. 88
Using scene memories ..................................................... 89
Storing a scene..............................................................................89
Recalling a scene...........................................................................90
Using PREVIEW mode ...................................................... 90
Using the Auto Store function.......................................... 91
Using the Direct Recall function ....................................... 91
Using the Selective Recall function................................... 92
Using the Recall Safe function.......................................... 94
Using the Fade function................................................... 95
Using the Tracking Recall function ................................... 96
Using the Global Paste function ....................................... 97
11
Monitor and Cue................................99
About the MONITOR and CUE sections........................... 99
Using the Monitor function ........................................... 100
Items in the MONITOR section...............................................100
Monitoring a signal....................................................................101
Using the Cue/Solo functions ........................................ 102
Items in the CUE section...........................................................102
About CUE mode and SOLO mode.........................................102
Cue and Solo groups..................................................................103
Using the Cue function .............................................................104
Using the Solo function.............................................................104
12
Talkback and Oscillator....................105
About the TALKBACK/OSCILLATOR sections.................. 105
Items in the TALKBACK/OSCILLATOR sections..................105
Using talkback ............................................................... 106
Using the oscillator ........................................................ 107
13
Meters...............................................108
Items in the meter section ............................................. 108
Switching the meter display........................................... 108
Switching the metering point ........................................ 109
Specifying the metering point for input channels...................109
Specifying the metering point for output channels ................109
Viewing the gain reduction of the internal gates and
compressors....................................................... 110
Viewing the gain reduction for input channels .......................110
Viewing the gain reduction for output channels.....................110
14
Effects ...............................................111
About the internal effects............................................... 111
Using an internal effect via a MIX bus ............................ 112
Inserting an internal effect into a channel ...................... 113
Basic operations in the effect screen .............................. 114
Recalling settings from the effect library..................................114
Editing the effect parameters ....................................................115
Storing settings in the effect library ..........................................115
Using the Tap Tempo function ...................................... 116
Using the Freeze effect................................................... 117
15
Graphic EQ and Parametric EQ .......118
Patching the GEQ modules............................................ 118
Expanding the GEQ modules......................................... 119
Basic graphic EQ operations .......................................... 119
Controlling the graphic EQ from the display ......................... 119
Controlling the graphic EQ from the DCA section................ 120
Basic parametric EQ operations ..................................... 121
Controlling the parametric EQ from the display.................... 121
Controlling the parametric EQ from the SELECTED
CHANNEL section.......................................................... 122
16
Remote control ................................123
MIDI on the PM5D ........................................................ 123
Using program changes to control events ..................... 123
Using control changes to control events........................ 125
Using the MIDI Remote function ................................... 127
Assigning MIDI messages to controllers ................................. 127
Using MIDI remote channels................................................... 131
Transmitting MIDI events when you switch scenes........ 132
Using GPI (General Purpose Interface) ........................... 133
Using GPI IN ............................................................................. 133
Calibrating the GPI IN ports .................................................... 135
Using GPI OUT......................................................................... 136
17
Using memory cards........................138
Using memory cards with the PM5D............................. 138
Saving files to a memory card........................................ 138
Loading files from a memory card ................................. 140
18
Surround pan ...................................142
About surround pan ...................................................... 142
Bus configuration and operation in surround mode ...... 143
About the surround buses ........................................................ 143
How the MIX section will operate ........................................... 143
Basic settings for surround buses ................................... 144
Controlling surround pan .............................................. 145
Notes regarding surround pan ...................................... 147
19
Other functions................................148
Using the user defined keys ........................................... 148
Items in the USER DEFINED section ..................................... 148
Assigning functions to the User Defined keys ........................ 148
Executing functions assigned to the User Defined keys......... 149
Using the FADER MODE section .................................... 149
Items in the FADER MODE section........................................ 149
Assigning the FADER MODE section layer ............................ 149
Switching the FADER MODE section layer............................ 150
Locking the PM5D (Security functions).......................... 151
Setting the System Password or Console Password................ 151
Using Parameter Lock or Console Lock.................................. 152
Using cascade connections ............................................ 153
Example of cascade connections between the PM5D and
DSP5D.............................................................................. 153
Example of cascade connections between PM5D units ......... 153
Specifying the DSP5D’s machine ID number......................... 153
Basic settings for cascade connection ...................................... 154
Selecting the buses used for cascade connection .................... 156
Connecting the PM5D to your computer via USB ......... 158
Caution when using the USB TO HOST connector .............. 158
Connecting the DSP5D to your computer via Ethernet . 159
Initializing the PM5D’s internal memory........................ 160
Initializing the DSP5D’s internal memory....................... 160
Adjusting the faders and input/output gain
(Calibration) ...................................................... 161
Calibrating the faders................................................................ 161
Adjusting the analog input gain (PM5D-RH model only).... 162
Adjusting the output gain......................................................... 162
8
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual
Table of Contents
Table of Contents — Reference section
Information shown in the display.......... 163
Upper part of the display (always visible)....................... 163
Main area of the display ................................................ 164
Lower part of the display (always visible) ....................... 164
Function menu........................................ 165
Global functions...................................... 166
EFFECT functions ........................................................... 166
EFFECT PARAM (Effect parameter) screen ...........................166
EFFECT ASSIGN screen............................................................168
EFFECT LIBRARY screen .........................................................169
PLUG-IN screen.........................................................................170
GEQ function................................................................. 170
GEQ PARAM (GEQ parameter) screen ..................................170
GEQ ASSIGN screen .................................................................173
GEQ LIBRARY screen ...............................................................174
SCENE function ............................................................. 175
SCENE screen.............................................................................175
EVENT LIST screen...................................................................177
SELECTIVE RECALL screen ....................................................180
RECALL SAFE screen ................................................................182
FADE TIME screen....................................................................184
TRACKING RECALL screen ....................................................186
GLOBAL PASTE screen ............................................................187
MIDI REMOTE function ................................................. 188
MIDI SETUP screen ..................................................................188
MIDI PGM CHANGE (MIDI program change) screen ........190
MIDI CTRL CHANGE (MIDI control change) screen..........191
MIDI REMOTE screen..............................................................192
GPI screen...................................................................................194
FADER START screen...............................................................196
TRANSPORT screen .................................................................198
DME CONTROL screen ...........................................................199
UTILITY function ............................................................ 204
PREFERENCE 1/2 screens ........................................................204
USER DEFINE screen................................................................208
SAVE screen ...............................................................................211
LOAD screen ..............................................................................215
FADER ASSIGN screen .............................................................217
SECURITY screen......................................................................218
SYS/W.CLOCK function ................................................. 219
WORD CLOCK screen..............................................................219
MIXER SETUP screen...............................................................221
CASCADE screen.......................................................................226
HA (Head Amp) screen.............................................................228
OUTPUT PORT ATT (Output port attenuation) screen ......229
DITHER screen ..........................................................................229
HA LIBRARY screen..................................................................230
METER function ............................................................. 231
INPUT METER screen ..............................................................231
OUTPUT METER screen..........................................................232
INPUT GR (Input Gain Reduction) screen.............................233
OUTPUT GR (Output Gain Reduction) screen .....................234
MON/CUE function ....................................................... 234
TALKBACK screen ....................................................................234
OSCILLATOR screen ................................................................236
2TR I/O screen ...........................................................................237
MONITOR screen .....................................................................238
CUE/SOLO screen .....................................................................240
Output functions .................................... 243
OUTPUT PATCH function .............................................. 243
OUTPUT PATCH screen ......................................................... 243
INSERT PATCH screen............................................................ 244
INSERT POINT screen............................................................. 246
NAME screen............................................................................. 247
OUTPUT PATCH LIBRARY screen ....................................... 247
OUTPUT INSERT function.............................................. 248
INSERT IN MIX 1-24 screen ................................................... 248
INSERT IN MATRIX/STEREO/MONITOR screen .............. 248
HA LIBRARY screen ................................................................. 249
OUTPUT EQ function .................................................... 250
EQ PARAM (EQ Parameter) screen........................................ 250
MIX 1-24 screen ........................................................................ 251
MATRIX/STEREO screen ........................................................ 251
OUTPUT EQ LIBRARY screen................................................ 252
OUTPUT COMP function............................................... 253
COMP PARAM (Compressor parameter) screen.................. 253
MIX 1-24 screen ........................................................................ 255
MATRIX/STEREO screen ........................................................ 255
COMP LIBRARY (Compressor library) screen...................... 256
OUTPUT DELAY function ............................................... 257
MIX 1-24 screen ........................................................................ 257
MATRIX/STEREO screen ........................................................ 257
OUTPUT DCA/GROUP function..................................... 258
DCA GROUP ASSIGN screen ................................................. 258
MUTE GROUP ASSIGN screen .............................................. 259
EQ LINK ASSIGN screen ......................................................... 260
COMP LINK ASSIGN (Compressor link assign) screen ....... 261
MATRIX/ST function...................................................... 262
MATRIX/ST ROUTING screen............................................... 262
MIX to MATRIX VIEW screen................................................ 264
LCR screen ................................................................................. 267
SURR SETUP screen................................................................. 268
OUTPUT VIEW function ................................................. 270
CH VIEW (Channel view) screen............................................ 270
SIGNAL FLOW screen ............................................................. 272
FADER VIEW screen ................................................................ 273
CH JOB (Channel job) screen.................................................. 274
OUTPUT CH LIBRARY screen ............................................... 275
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Table of Contents 9
Input functions ........................................277
INPUT PATCH function .................................................. 277
INPUT PATCH screen..............................................................277
DIRECT OUT PATCH screen..................................................278
INSERT PATCH screen ............................................................279
INSERT/DIRECT OUT POINT screen ...................................281
NAME screen .............................................................................282
INPUT PATCH LIBRARY screen ............................................283
INPUT HA/INSERT function............................................ 283
CH 1-24 (Input channel 1-24) screen ......................................283
CH 25-48 (Input channel 25-48) screen ..................................283
STIN/FXRTN (ST IN/FXRTN channel) screen ......................283
INSERT 1-24 screen...................................................................284
INSERT 25-48 screen.................................................................284
INSERT STIN screen .................................................................284
HA LIBRARY screen..................................................................285
INPUT ø/EQ function ..................................................... 286
EQ PARAM (EQ parameter) screen ........................................286
EQ 1-24 screen ...........................................................................287
EQ 25-48 switch .........................................................................287
EQ STIN/FXRTN screen...........................................................287
ø/ATT 1-48 (Phase/Attenuation 1-48) screen.........................288
ø/ATT STIN/FXRTN (Phase/Attenuation STIN/FXRTN)
screen ................................................................................288
INPUT EQ LIBRARY screen ....................................................289
INPUT GATE/COMP function......................................... 289
GATE PARAM (Gate parameter) screen.................................289
COMP PARAM (Compressor parameter) screen ..................291
CH 1-12 (Input channel 1–12) screen .....................................293
CH 13-24 (Input channel 13–24) screen .................................293
CH 25-36 (Input channel 25–36) screen .................................293
CH 37-48 (Input channel 37–48) screen .................................293
ST IN (ST IN channel) screen...................................................293
GATE LIBRARY screen.............................................................294
COMP LIBRARY (Compressor library) screen ......................295
INPUT DELAY function................................................... 295
CH 1-24 (Input channel 1–24) screen .....................................295
CH 25-48 (Input channel 25–48) screen .................................295
ST IN (ST IN channel) screen...................................................295
INPUT DCA/GROUP function......................................... 296
DCA GROUP ASSIGN screen ..................................................296
MUTE GROUP ASSIGN screen...............................................297
EQ LINK ASSIGN screen..........................................................298
COMP LINK ASSIGN (Compressor link assign) screen .......299
PAN/ROUTING function ................................................ 299
CH to MIX (Channel to mix) screen .......................................299
MIX SEND VIEW screen ..........................................................305
FIX ASSIGN VIEW screen ........................................................307
LCR screen..................................................................................308
SURR PARAM (Surround parameter) screen.........................309
SURR VIEW (Surround view) screen ......................................310
M/S screen ..................................................................................311
INPUT VIEW function ..................................................... 311
CH VIEW (Channel view) screen ............................................311
SIGNAL FLOW screen ..............................................................313
FADER VIEW screen.................................................................314
CH JOB screen ...........................................................................314
INPUT CH LIBRARY (Input channel library) screen............316
Appendices..............................................317
EQ Library List................................................................ 317
GATE Library List............................................................ 318
Compressor Library List ................................................. 319
Dynamics Parameters .................................................... 321
GATE section............................................................................. 321
COMP section ........................................................................... 322
Effect Library List............................................................ 324
Effects Parameters.......................................................... 325
Effects and tempo synchronization ......................................... 336
Scene Memory/Effect Library to Program Change Table
.. 337
Parameters that can be assigned to control changes ..... 341
Control change parameter assignments ........................ 343
NRPN parameter assignments ....................................... 360
Channel Library List ....................................................... 364
List of parameters available for Pair, Recall Safe or
OUTPUT ISOLATION operation ......................... 365
MIDI Data Format.......................................................... 368
Warning Messages......................................................... 377
Error Messages............................................................... 379
Troubleshooting ............................................................ 380
General Specifications.................................................... 381
PM5D/PM5D-RH..................................................................... 381
DSP5D........................................................................................ 383
Input/output characteristics........................................... 384
Electrical characteristics ................................................. 389
PM5D/PM5D-RH..................................................................... 389
DSP5D........................................................................................ 391
Other Functions............................................................. 393
Pin Assignment.............................................................. 394
Dimensions.................................................................... 395
MIDI Implementation Chart .......................................... 396
Index ............................................................................. 397
PM5D/PM5D-RH Block Diagram ...................End of Manual
DSP5D Block Diagram ...................................End of Manual
PM5D Level Diagram.....................................End of Manual
PM5D-RH Level Diagram ...............................End of Manual
DSP5D Level Diagram ...................................End of Manual
The illustrations and screen displays as shown in this
Owner’s Manual are for instructional purposes only,
and may be different from the ones on your device.
The company names and product names in this
Owner’s Manual are the trademarks or registered
trademarks of their respective companies.
10 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section
Operating section
Thank you
Thank you for purchasing the Yamaha PM5D digital mixing console and/or Yamaha DSP5D digital mixing system. In order
to take full advantage of the PM5D/DSP5D’s superior functionality and enjoy years of trouble-free use, please read this man-
ual before you begin using the product. After you have read the manual, keep it in a safe place.
An overview of the PM5D system
The PM5D is an expandable digital mixing console with the following features.
Full digital SR mixing system
The PM5D is a full-digital SR mixing console that takes
advantage of cutting-edge digital audio processing technol-
ogy. 24-bit linear AD/DA converters are used to deliver up
to 110 dB of dynamic range and amazing sound quality. As
input channels, it provides 48 monaural channels, four ste-
reo channels, and four stereo channels for effect return. As
output channels, it provides 24 MIX channels, eight
MATRIX channels, and two STEREO channels. The PM5D
can be used in a wide range of applications. You can assign
desired channels to be controlled by the eight DCA faders
on the panel, and use them as group faders.
PM5D model and PM5D-RH model
In addition to the standard PM5D model that provides
manual control of the head amp for each input, the
PM5D-RH model is also available, providing programma-
ble control of head amp input sensitivity and phantom
power settings. You can choose the model appropriate for
your situation and budget.
Cutting-edge user interface
For the input channels and STEREO A/B channels, dedi-
cated channel strips are provided where you can operate
the fader, pan, cue, and on/off controls. For MIX channels
and MATRIX channels, encoders allow you to control the
send level and master level. The PM5D allows quick and
intuitive operation just as on an analog mixer. In addition,
you can use the SELECTED CHANNEL section to manu-
ally control the principal parameters (delay, EQ, gate,
compressor) of the desired channel.
Eight effect modules / Twelve graphic
EQ modules
Eight high-quality multi-effect modules are built in. Effects
such as reverb, delay, multiband compressor, and various
modulation effects can be routed via internal buses or
inserted into the desired channel. 31-band graphic EQ
(alternatively, 8-band parametric EQ) can also be inserted
into any channel or any output.
Add-On effects provided as standard
As effect types, the channel strip package (COMP276/276S,
COMP260/260S, EQ601), master strip package (OPEN
DECK), and reverb package (REV-X) are provided as
standard.
Scene memories and libraries
Mix parameters and internal effect settings can be stored in
memory as up to 500 scenes for immediate recall. Effects,
input/output patching, input channel/output channel set-
tings, internal head amp (PM5D-RH model only) or
external head amp settings can be stored in various librar-
ies, independently of scenes.
Digital cascade connection
Up to four PM5D units, or one PM5D and one Yamaha
DM2000/02R96 unit, can be cascade-connected to share
buses in the digital domain. In particular when PM5D
units are cascaded together, operations such as scene sav-
ing and recall can also be linked. DME64N can also be used
as inserts or as extended signal processors via a cascade
connection.
Surround panning
Surround pan functionality allows multi-channel playback
systems to be used, letting you place the signal of an input
channel in two-dimensional space, or move the sound
image forward/backward and left/right. 3-1ch, 5.1ch, and
6.1ch surround modes are available.
I/O card expansion
The rear panel provides four slots in which separately sold
mini-YGDAI cards can be installed. AD cards, DA cards, or
digital I/O cards can be installed in these slots to add inputs
and outputs.
Expansion via the DSP5D
A maximum of two DSP5D digital mixing systems can be
cascade-connected to a PM5D to expand the inputs and
outputs. You can also connect a Yamaha DCU5D digital
cabling unit between the PM5D and DSP5D, and locate the
DSP5D remotely.
1 Introduction
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 11
1
Introduction
Differences between the PM5D model and the PM5D-RH
model
The PM5D is available as the standard PM5D model or as the PM5D-RH model which allows internal head amp settings to be
programmed. These models differ as follows.
PM5D model
Head amp adjustments (input sensitivity settings,
phantom power (+48V) on/off) for the analog inputs
(INPUT jacks 1–48, ST IN jacks 1–4) are performed
manually, using the controls of the top panel.
Insert jacks (INSERT IN/OUT jacks) for the monaural
analog inputs (INPUT jacks 1–48) are provided on the
rear panel, allowing external effect processors to be
inserted in the analog domain.
ST IN jacks 1–4 are only for line level.
There is no +48V MASTER switch.
PM5D-RH model
Head amp adjustments (input sensitivity settings,
phantom power (+48V) on/off) for the analog inputs
are controlled from within the screen via software. For
this reason, the top panel does not have head amp con-
trols; instead, LEDs showing the presence or absence of
a signal are provided. Head amp settings can be saved
in a library and recalled at any time.
Insert jacks for the analog inputs are not provided.
ST IN jacks 1–4 support mic levels through line levels.
Phantom power can also be supplied to ST IN jacks 1–
4.
The +48V MASTER switch turns all phantom power
(+48V) on/off.
INPUT jacks 1–48ST IN jacks 1–4
INSERT IN/OUT jacks 1–48
INPUT jacks 1–48
ST IN jacks 1–4
1 Introduction
12 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section
The PM5D provides the following input channels and out-
put channels.
Input channels
This section processes input signals and sends them to the
STEREO bus or MIX buses. There are three types of input
channel, as follows.
Input channels 1–48
These channels are used to process monaural signals.
By default, the input signals from the monaural analog
input jacks (INPUT jacks 1–48) are assigned to these
channels.
ST IN channels 1–4
These channels are used to process stereo signals. By
default, the input signals from the stereo analog input
jacks (ST IN jacks 1–4) are assigned to these channels.
FX RTN channels 1–4
These channels are used mainly to process the return
signals (stereo) from the internal effects. By default, the
left/right output channels of internal effects 1 through
4 are assigned to these channels.
Hint
Signal assignments to the input channels can be changed as
desired.
Output channels
This section mixes the signals sent from input channels
etc., and sends them to the corresponding output jacks or
output buses. There are three types of output channel, as
follows.
MIX channels 1–24
These channels process signals sent from input chan-
nels to MIX buses. In the initial state, output signals are
assigned to MIX OUT jacks 1–24. These channels are
used mainly for foldback or as sends to external effects.
The signals of MIX channels 1–24 can also be sent to
the STEREO bus or MATRIX buses.
MATRIX channels 1–8
These process the signals sent from MIX channels or
STEREO A/B channels to MATRIX buses, and output
them from the MATRIX OUT jacks. This allows MIX
channels or STEREO A/B channels to be mixed at the
desired balance for output.
STEREO A/B channels
These process the signals sent from input channels or
MIX channels, and output them to STEREO OUT
jacks A/B. These channels are used as the main stereo
outputs. Normally, the same signal is sent from the
STEREO A and B channels. However, it is also possible
to use the STEREO B channel as the center channel for
three-channel L/C/R playback.
About the DSP5D
The DSP5D is a digital signal processing (DSP) system
expanding the inputs and outputs of the PM5D.
Its audio processing capability is equivalent to that of
the PM5D-RH. As analog audio input/output jacks, it
provides INPUT jacks 1–48, ST IN jacks 1–4, and
OMNI OUT jacks 1–24.
Up to two DSP5D units can be cascade-connected to
one PM5D. By connecting it with DSP5D units, the
PM5D system can be expanded to a maximum of 168
channels of input (144 channels + 12 ST).
By switching the control target on the PM5D, the
DSP5D can be seamlessly controlled in the same way as
the PM5D itself.
You can use DSP5D Editor application software to
remotely control and edit the parameters of the
DSP5D. Only Windows computers are supported.
The DSP5D can be connected to a Yamaha DCU5D
digital cabling unit and placed on stage, and operated
remotely from the PM5D.
The front panel provides two slots in which you can
install separately sold mini-YGDAI cards to add inputs
and outputs in a variety of digital formats.
Connectors and interfaces not found on
the DSP5D
INSERT IN/OUT jacks, MIX OUT jacks, LAMP jacks,
MONITOR OUT jacks, CUE OUT jacks, STEREO
OUT A/B jacks, MATRIX OUT jacks, 2TR IN ANA-
LOG jacks, TIME CODE INPUT jack, USB TO HOST
connector, GPI connector, RS422 REMOTE connec-
tor, HA REMOTE connector, MIDI IN/THRU/OUT
connectors, 2TR OUT DIGITAL jack, 2TR IN DIGI-
TAL jack, SLOT 3–4, MEMORY CARD slot, MOUSE
connector, KEYBOARD connector, PHONES jack
Controllers such as faders, display devices such as
meters. LCD display, +48V MASTER switch (PM5D-
RH), 75 ON/OFF switch
Connectors and interfaces found only
the DSP5D
OMNI OUT jacks, CASCADE IN/OUT RJ-45 connec-
tors, NETWORK connector, AC IN connector
POWER switch, mode switch, FAN switch
About the connectors: Since the DSP5D does not have
the functionality for the connectors with which DSP5D
is not equipped, these functions and connectors are not
shown in the screen of the PM5D or DSP5D Editor.
About the channel structure of the
PM5D
Differences with the PM5D
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 13
1
Introduction
About the interface: Since the DSP5D does not have
controllers such as faders or the LCD display, it is oper-
ated from the PM5D or DSP5D Editor.
Note
The explanations in chapter 5 and following of this Owner’s
Manual are based on the functionality and operating proce-
dures of the PM5D. Supplementary explanations regarding
the DSP5D are added only in cases where there is a signifi-
cant difference in functionality or operating procedure.
However, in cases where it is obvious that the above-
described differences would make clear differences in oper-
ation or in the on-screen display, explanations for the
DSP5D will be omitted.
There are some differences between the PM5D and DSP5D
in the I/O cards that are supported. For the most recent
information regarding I/O cards, refer to the following
Yamaha website.
http://www.yamahaproaudio.com/
Connection to a computer
The PM5D can be connected to a computer via a USB
cable from its USB TO HOST connector, but the DSP5D
can be connected to a computer via an Ethernet CAT5
cable from its NETWORK connector.
By bi-directionally cascade-connecting the PM5D and
DSP5D, you can share MIX buses 1–24, STEREO A/B
buses, and CUE buses.
For details on cascade connections, refer to p.153.
Note
Cascade connection with the DSP5D is possible only for
PM5D V2.0 or later. If you’re using earlier version than V2.0,
you will need to upgrade to PM5D V2.0 or later. You can
download the most recent firmware from the following
Yamaha website.
http://www.yamahaproaudio.com/
Connectors and interfaces not found on the DSP5D cannot
be controlled from the PM5D. For example, the MONITOR
[LEVEL] and MONITOR [PHONES] knobs found on the
PM5D’s top panel are always operated at the level of the
PM5D.
Controlling the DSP5D
As the target of control from the PM5D’s panel and
screen, you can recall machine #1 (PM5D), machine #2
(first DSP5D), or machine #3 (second DSP5D) as
desired. For details on operation, refer to p.153.
Functions assigned to the user-defined keys or the
FADER MODE section can be used to select the
DSP5D as the target machine to be operated ( p.148,
149). Operations can be performed from the panel of
the PM5D itself or from DSP5D Editor connected to
the DSP5D.
Operation when cascade-connected
Output channels
In general, operations for the output channels of cas-
cade-connected buses will be linked between machines.
(You can also specify that they not be linked.) This
means that you can operate the system as if it were a
single console with an expanded number of inputs.
However, since the inserts to output channels will also
be duplicated, inserted GEQ modules and effects may
also be consumed in duplicate or triplicate. (Separate
GEQ modules or effects are inserted into the linked
buses on each machine.)
Scene memories and libraries
Scene memory and library data is stored on each
machine. When a scene or a library associated with a
scene is stored or recalled, the same scene/library num-
ber will be stored/recalled on all machines. When the
cascade-connection becomes active, the PM5D’s
library data not associated with a scene will be sent to
each DSP5D to synchronize the libraries. The data on
cascade-connected machines can also be saved together
to a memory card.
Effects
The DSP5D provides GEQ modules and effects that are
equivalent to those on the PM5D, but since the con-
nections between machines are bus cascade
connections, inserts into input channels are limited to
being within each machine.
DCA groups / Mute groups
These will operate in tandem for cascade-connected
PM5D/DSP5D machines. ( p.156)
CH JOB function
Channel copy operations between the PM5D/DSP5D
can be performed from the PM5D front panel. How-
ever, channels can be moved using the INPUT VIEW
function only within each machine. ( p.274, 314)
About PM5D Editor and DSP5D Editor
These programs are application software for operating the
PM5D/DSP5D’s functionality from a computer. You can
use this software to remotely control and edit the parame-
ters of the PM5D/DSP5D.
The USB-MIDI driver (for the PM5D) or DME-N Net-
work driver (for the DSP5D) required for connection with
a computer, as well as the PM5D/DSP5D editor, can be
downloaded from the following Yamaha website.
http://www.yamahaproaudio.com/
Note
DSP5D Editor supports only Windows computers.
Regarding cascade connections
between the PM5D and DSP5D
1 Introduction
14 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section
Firmware versions
You can download the most recent firmware from the following Yamaha website.
http://www.yamahaproaudio.com/
For either the PM5D or the DSP5D, you can check the firmware version in the UTILITY function PREFERENCE 2 screen
( p.207).
Major new functionality in PM5D firmware V2.0
The major new functionality and improvements that were added in conjunction with the upgrade to firmware V2.0 are as
follows.
Basic functionality and panel operations
You can now control the DSP5D from the PM5D’s
panel. ( p.153)
On/off operations of the channel selected in the
FADER MODE section can now be operated from the
DCA [MUTE] key.
Even if the FADER [FLIP] key is on, you can now use
the encoders to control the panning of the signal sent
to the MIX buses, the head amp gain, or the attenua-
tors. ( p.49)
If there is no vacant library number when you store the
selected scene as NEW, it will now be impossible to
save the scene; this prevents an existing library item
from being overwritten.
Remote control of the DME64N/24N (firmware V2.0
and later) is now faster. In particular, operation is
faster when connected via an MY16-C or MY16-CII
card (supported from V1.2).
As parameters that can be operated in the screen,
MONITOR LEVEL and CUE LEVEL have been added.
You can now assign these to the faders of the DCA strip
so that the monitor or cue levels can be adjusted.
( p.149)
EFFECT functions
Add-On Effects (COMP276/276S, COMP260/260S,
EQ601, OPEN DECK) and DE-ESSER have been
added.
•A DSP CONFIGURATION option has been added to
the EFFECT ASSIGN screen and to the GEQ function
GEQ ASSIGN screen, allowing internal effects 1–8 to
be used as graphic EQ or parametric EQ.
( p.168, 173)
When the panel [SEL] key is pressed in the EFFECT
PARAM screen, or when a [SEL] key is turned on via a
linking setting, the effect module inserted in that chan-
nel will automatically be selected.
If you’ve used the tap tempo function to specify the
tempo in the EFFECT PARAM screen and then edited
the DELAY parameter, the tempo will now stay
unchanged.
GEQ functions
Options have been added to the GEQ PARAM screen,
allowing you to switch a graphic EQ to a parametric
EQ. ( p.170)
Not only when the panel [SEL] key is pressed in the
GEQ PARAM screen but also when a [SEL] key is
turned on via a linking setting, the GEQ module
inserted in that channel will automatically be selected.
When you insert a GEQ in the GEQ PARAM screen,
insert-in will automatically be turned on for that chan-
nel, and will be automatically turned off when you
remove the GEQ.
SCENE functions
In the SCENE screen, you can now specify “read-only”
scenes that will not be overwritten when you load
scenes from a memory card. ( p.175)
In the SCENE screen, a DELAY field has been added,
allowing you to specify the timing of the program
change or MIDI events that are transmitted when the
scene is recalled. ( p.175)
In the SELECTIVE RECALL screen and the RECALL
SAFE screen, the ON parameter has been added as a
channel parameter that can be included in or excluded
from recall operations. ( p.180, 182)
In the SELECTIVE RECALL screen and RECALL SAFE
screen, separately from the conventional Recall Safe
functionality, an OUTPUT ISOLATION field has been
added, so that output channels and parameters to be
excluded from recall operations can be stored in
SETUP memory (which is not affected by memory
card load operations). ( p.180, 182)
SYS/W.CLOCK functions
In the MIXER SETUP screen, a VIRTUAL SOUND-
CHECK button has been added, allowing you to
temporarily switch the input signals without affecting
the scene memory (input patching). For example, this
allows you to perform a sound check using pre-
recorded material played back by a DAW connected to
a slot, instead of the analog input material received via
the INPUT jacks. ( p.221)
In the OUTPUT ATT PORT screen, a ø (phase) but-
ton has been added, allowing you to switch the phase
between normal and reverse for each output channel or
I/O channel output port.
UTILITY functions
In the PREFERENCE 1 screen, a DCA MUTE TAR-
GET option has been added, allowing you to specify
that the DCA [MUTE] key will mute the send to the
MIX bus. ( p.205)
In the PREFERENCE 1 screen, an ATT OPERATION
ON PANEL option has been added, allowing you to
prevent the panel encoders from operating the attenua-
tors. ( p.206)
In the PREFERENCE 1 screen, a MIX SEL/ENCODER
MODE LINK option has been added, allowing you to
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 15
1
Introduction
link selection of MIX channels with selection of MIX
SEND SELECT keys. ( p.206)
In the USER DEFINE screen, functions such as DSP5D
CONTROL and ENCODER MODE KEY have been
added to the functions that can be assigned to user-
defined keys. ( p.208)
In the FADER ASSIGN screen, options have been
added, allowing you to use the STEREO/DCA strip sec-
tion to control the monitor/cue level and on/off status.
( p.217)
In the FADER ASSIGN screen, you can now assign the
desired channels of the DSP5D as well. ( p.217)
In the SECURITY screen, a LOAD LOCK function has
been added, allowing you to disable loading for each
type of file. ( p.218)
In the SECURITY screen, a RECALL LOCK option has
been added, allowing you to lock parameters so that
they will not be changed when a scene or library is
recalled. ( p.218)
Input/output functions
In the OUTPUT PATCH function OUTPUT PATCH
screen, you can now change the patching of output
channels to MIX OUT jacks 1–24. ( p.243)
In the OUTPUT PATCH function INSERT POINT
screen and the INPUT PATCH function INSERT/
DIRECT OUT POINT screen, a SET ALL button and
CLEAR ALL button have been added, allowing you to
turn all channels on/off in a single operation.
( p.246, 281)
In the OUTPUT PATCH function, a NAME screen has
been added, allowing you to assign names to output
channels for display in various screens (supported from
V1.2). ( p.247)
In the INPUT VIEW function CH JOB screen, channel
settings can now be moved as well as copied. ( p.314)
In the INPUT PATCH function INSERT/DIRECT
OUT POINT screen, PRE ATT has been added as a
direct output transmit location. ( p.282)
In the PAN/ROUTING function MIX SEND VIEW
screen, the send position (PRE/POST) of the signal
sent to the MIX bus is now indicated by the color of the
bar graph. ( p.306)
You can now set a Q of up to 16 for the parametric EQ
in the input channels, output channels, and GEQ
modules.
You can now set a threshold level of down to –72 dB
for an input channel GATE.
Regarding word clock synchronization
The signal used to synchronize digital audio signal process-
ing is called “word clock.” Normally, one device transmits
a reference word clock signal, and the other devices receive
this word clock signal and synchronize to it.
In order to transmit or receive digital audio signals to or
from an external device via the PM5D/DSP5D’s digital
input/output jacks or via a digital I/O card installed in a
slot, the word clock must be synchronized between the
devices. Be aware that if the word clock is not synchro-
nized, the signals will not be transmitted correctly, and
unpleasant noise will occur.
Hint
For details on synchronizing the word clock of the PM5D/
DSP5D and external devices, refer to the explanation of
word clock in Operating section “Chapter 4. Connections
and setup” (
p.38), and to the Reference Section “WORD
CLOCK screen” (
p.219).
As an exception, digital signals that are not synchronized
with the PM5D/DSP5D can be input via a digital I/O card
that contains a sampling rate converter, or via the 2TR IN/
OUT DIGITAL jacks.
How this manual is organized
This owner’s manual is divided into the following three
sections.
Operating section
This section explains the items on the front and rear pan-
els, connections and setup, and how to operate the PM5D’s
basic functionality. In particular if you have not operated a
digital console before, we recommend that you read chap-
ters 2 through 7 first.
Reference section
This section explains the functionality and operation for all
of the PM5D’s screens. Refer to this section when you want
to learn about the items in the screens.
Appendices
This contains various information such as library lists,
parameter lists for the internal effects, the MIDI data for-
mat, and lists of warning messages and error messages.
In this manual, non-locking panel switches that you press
are called “keys,” and those that change their on/off status
when you push them in (locking types) are called
“switches.” Of the control knobs on the panel, those that
turn from a minimum value to a maximum value are
called “knobs,” while those that turn endlessly are called
“encoders.”
Controls located on the panel are enclosed in square brack-
ets [ ] (e.g., [CUE] key, [PAD] switch) in order to
distinguish them from the buttons and knobs displayed in
the screen. For some controls, the section name is listed
before the [ ] (e.g., CH [ON] key, EQ [FREQUENCY]
encoder).
Unless otherwise specified, references to the PM5D apply
to both the PM5D model and the PM5D-RH model. If
specifications differ between the PM5D model and the
PM5D-RH model, such differences will be noted each time
they occur.
Conventions in this manual
2 Top, front, and rear panels
16 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section
This chapter explains the names and functions of each part of the PM5D/DSP5D. Details for each
section of the top panel are explained in subsequent chapters of this operating section; refer to the
appropriate chapter for more information.
Top panel
A AD IN section (PM5D model)
In this section you can adjust the sensitivity of the ana-
log signals being input from the rear panel INPUT
jacks 1–48 and ST IN jacks 1–4, and switch pad, insert,
and phantom power (+48 V) on/off ( p.43).
B AD IN section (PM5D-RH model)
This area indicates the presence, peak level, and phan-
tom power (+48V) on/off status of the input signal
from rear panel INPUT jacks 1–48 and ST IN jacks 1–
4.
Hint
For the PM5D-RH model, input sensitivity and phantom power
on/off are controlled by operations in the display (
p.44).
C INPUT channel strip section
This section controls the principal parameters for input
channels 1–48 ( p.45).
D FADER FLIP/ENCODER MODE section
Here you can select the parameters controlled by the
faders/encoders of the INPUT channel strip (
3)
( p.48).
E MIX section
This section controls the on/off status and send level of
the signals sent from input channels to MIX buses, and
adjusts the master level of the MIX channels ( p.57).
F MATRIX section
This section controls the send level of the signals sent
from MIX channels to MATRIX buses, and adjusts the
master level of the MATRIX channels ( p.63).
G SELECTED CHANNEL section
In this section you can view and control the mix
parameters for the currently selected input channel or
output channel ( p.65).
H Meter section
This section contains peak level meters that indicate
the input levels of input channels and the output levels
of output channels and cue monitoring, as selected by
key operations ( p.108).
2 Top, front, and rear panels
1
(PM5D model)
2
(PM5D-RH model)
4 5
3
6 8
7
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 17
2
Top, front, and rear panels
I Display
This display shows the information you need to oper-
ate the PM5D, and lets you make system-wide settings
and control mix parameters for input and output
channels ( p.23).
Hint
You can adjust the angle of the display by moving the upper
part of the display frame forward or backward.
Note
Before moving the PM5D, you must lower the display all the
way back until it is fastened in place.
J FADER MODE section
Here you can select the combination of channels or
DCA groups that will be controlled by the faders of the
DCA strip section (
K) ( p.149).
K DCA strip section
From this section you can control the channels
assigned to DCA groups 1–8 ( p.81).
L ST IN/FX RTN (Stereo in / Effect return)
channel strip section
This section controls the principal parameters of ST IN
channels 1–4 or FX RTN channels 1–4 ( p.47).
M STEREO strip section
This section controls the principal parameters of the
STEREO A/B channels ( p.61).
N SCENE MEMORY section
This section stores/recalls mix parameters as scene
memories ( p.88). Mute operations for mute groups
1–8 are also performed in this section ( p.83).
O CUE/MONITOR section
This section selects the monitor source that is output
from the MONITOR OUT jacks, and adjusts the lev-
els. This section also determines the cue point and
monitoring method that will be used when you press a
[CUE] key for a channel ( p.99).
P OSCILLATOR/TALKBACK section
This section switches the oscillator or talkback on/off,
and adjusts the talkback level ( p.105).
Q DISPLAY ACCESS section
This section selects the functions or screen shown in
the display ( p.24).
R USER DEFINED KEYS sections
This section executes the functions that have been
assigned to the User Defined keys [1]–[25] ( p.148).
S Data entry section
This section lets you move the pointer (the arrow dis-
played in the screen) or cursor (the red frame
indicating a selection) in the display and edit the
parameter value ( p.24).
T ASSIGN MODE section
This section lets you assign mute groups and DCA
groups for control from the panel ( p.81).
R
9
Q
R
ST
N O P
8
J
K M L
2 Top, front, and rear panels
18 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section
Rear panel
A INPUT jacks 1–48 (PM5D model)
These are balanced XLR-3-31 type input jacks for
inputting analog audio signals from line level devices
or microphones. Nominal input level is
–60 dBu to +10 dBu.
B INSERT IN/OUT jacks 1–48 (PM5D model
only)
These are balanced TRS phone type input/output jacks
for inserting external effects or dynamics processors
etc. into INPUT jacks 1–48. Nominal input/output
level is +4 dBu.
C ST IN (Stereo input) jacks 1–4 (PM5D
model)
These are balanced XLR-3-31 type input jacks for
inputting analog audio signals from line level devices.
Nominal input level is –34 dBu to +10 dBu.
D +48V MASTER switch (PM5D-RH model
only)
This is the master phantom power (+48V) switch for
INPUT jacks 1–48 and ST IN jacks 1–4. If this switch is
off, the +48V buttons shown in the display are
unavailable.
E INPUT jacks 1–48 (PM5D-RH model)
These are balanced XLR-3-31 type input jacks for
inputting analog audio signals from line level devices
or microphones. Nominal input level is
–62 dBu to +10 dBu.
F ST IN (Stereo input) jacks 1–4 (PM5D-RH
model)
These are balanced XLR-3-31 type input jacks for
inputting analog audio signals from line level devices
or microphones. Nominal input level is
–62 dBu to +10 dBu.
3 1
2
(PM5D model)
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" TRS
phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
46
5
(PM5D-RH model)
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 19
2
Top, front, and rear panels
G MIX OUT jacks
These are XLR-3-32 (balanced) jacks that output ana-
log signals such as those that are patched from MIX
channels 1–24. Nominal output level is +4 dBu.
H LAMP connector
This is a four-pin female XLR output jack for supply-
ing power to a gooseneck lamp. (These jacks are
provided at three locations). The location of these jacks
differs between the PM5D model and the PM5D-RH
model.
I MONITOR OUT jacks
These are XLR-3-32 (balanced) jacks that output the
monitor signal selected in the MONITOR section of
the top panel. Nominal output level is +4 dBu.
Note
Although the various output jacks and 2TR IN ANALOG jacks
have a nominal input/output level of +4 dBu (maximum level is
+24 dBu), an internal switch allows this to be changed to
–2 dBu (maximum level +18 dBu) if necessary. For details,
contact your Yamaha dealer.
J CUE OUT jacks
These are XLR-3-32 (balanced) jacks that output the
cue monitor signal from the channel selected by its
[CUE] key. Nominal output level is +4 dBu.
K STEREO OUT A/B jacks
These are XLR-3-32 (balanced) jacks that output the
analog signals of the STEREO A/B channels. Nominal
output level is +4 dBu.
L MATRIX OUT jacks
These are XLR-3-32 (balanced) jacks that output the
analog signals of MATRIX channels 1–8. Nominal out-
put level is +4 dBu.
M DC POWER INPUT connector
This is a connector for connecting the PW800W power
supply. Use the dedicated cable included with the
PM5D to make the connection.
N 2TR IN ANALOG jacks 1/2
These are XLR-3-31 (balanced) jacks that input stereo
analog signals from an external source. Nominal input
level is +4 dBu.
O TIME CODE INPUT jack
This is an XLR-3-31 (balanced) jack that receives
SMPTE time code (LTC) from an external source.
P TO HOST connector
This is a USB (type B) connector that allows communi-
cation with a computer.
Note
PM5D Editor and the USB-MIDI driver required for connection
with your computer can be downloaded from the Yamaha
website listed below.
http://www.yamahaproaudio.com/
7
8
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
C
RLRL
RLRL
87654321
MJ9KL
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
IN
R
L
R
L
SMPTE
USB
OUT IN
75
ON OFF
21
COAXIAL COAXIALAES/EBU AES/EBU AES/EBU AES/EBU
3
21
3
THRU OUT IN
N X YVUT
Q R S Z aWPO
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
2 Top, front, and rear panels
20 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section
Q GPI connector
This is a D-sub 25-pin female connector that allows
communication with a GPI-equipped external device.
R RS422 REMOTE connector
This is a D-sub 9-pin female connector for remotely
controlling an external device that supports the RS422
protocol.
S HA REMOTE connector
This is a D-sub 9-pin male connector for remotely con-
trolling an external head amp device (e.g., Yamaha
AD8HR or AD824) that supports a special protocol.
T WORD CLOCK IN connector
This is a BNC connector for supplying a word clock
from an external device to the PM5D.
U 75 ON/OFF switch
This switch terminates the word clock connection.
Normally you will leave this ON. If a device made by
another manufacturer is connected and word clock
cannot be received correctly, try turning this OFF.
V WORD CLOCK OUT connector
This is a BNC connector for supplying a word clock
from the PM5D to an external device.
W MIDI IN/THRU/OUT connectors
These connectors are used to transmit and receive
MIDI messages to and from external MIDI devices.
The MIDI IN connector receives messages from an
external device, and the MIDI OUT connector trans-
mits messages from the PM5D. Messages received at
the MIDI IN connector are retransmitted without
change from the MIDI THRU connector.
X 2TR OUT DIGITAL (2 track out digital) jacks
1–3
These jacks digitally output the signals of the STEREO
A/B channels. Two types are provided; AES/EBU
(XLR-3-32) jacks (1/2) which output AES/EBU format
signals, and a COAXIAL (RCA phono) jack (3) which
outputs consumer format signals (IEC60958).
Y 2TR IN DIGITAL (2 track in digital) jacks 1–3
These jacks input digital audio from external devices
such as CD players. Two types are provided; AES/EBU
(XLR-3-31) jacks (1/2) which receive AES/EBU format
signals, and a COAXIAL (RCA phono) jack (3) which
receives consumer format signals (IEC60958).
Z CASCADE OUT connector
This is a D-sub half-pitch 68-pin female connector that
can be connected to another PM5D, DSP5D, DCU5D
or DME64N for transmission/reception of control sig-
nals and transmission of audio signals.
a CASCADE IN connector
This is a D-sub half-pitch 68-pin female connector that
can be connected to another PM5D, DSP5D or
DCU5D for transmission/reception of control signals
and reception of audio signals.
b Cooling fan vent
This is the vent for the cooling fans inside the console
(two locations). When placing the unit, take care that
this vent is not obstructed.
c SLOT 1–4
These slots allow separately sold mini-YGDAI I/O
cards to be installed to expand the input/output ports.
Front panel
A MEMORY CARD slot
A memory card inserted in this slot can be used to
save/load scene memories or library data. You can use
PCMCIA Type II flash ATA cards, or CompactFlash
cards inserted into a PC card adaptor.
B MOUSE connector
A PS/2 mouse can be connected to this connector and
used to perform operations in the display.
C KEYBOARD connector
A PS/2 keyboard can be connected to this connector
and used to input text or perform operations in the
display.
D PHONES (Headphone) jack
This headphone jack lets you monitor the MONITOR
OUT or CUE signals.
cb
PHONES
KEYBOARD
MOUSE
MEMORY CARD
PHONES
KEYBOARD
MOUSE
MEMORY CARD
12
43
56
12
43
56
1 2 3 4
1 / 1

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