Yamaha PSR-S650 Руководство пользователя

DIGITAL WORKSTATION

Reference Manual

Explains advanced features of the PSR-S650. After reading the Owner’s Manual and

you want more detailed information about PSR-S650 features, refer to the Reference Manual.

EN

Reference Manual

2

Voice-Related Settings and Functions 3

Adjusting volume balance and timbre of the sounds for

each Voice.................................................................... 3

Voice Types...................................................................... 4

Voice Characteristics ............................................. 4

Metronome Setting ........................................................... 5

Muting the Bell ....................................................... 5

Adjusting the Metronome Volume .......................... 6

Setting the touch sensitivity of the keyboard .................... 7

EQ settings....................................................................... 8

Harmony/Effect-Related Settings 9

Selecting a Harmony type ................................................ 9

Selecting a Reverb type ................................................. 10

Selecting a Chorus type ................................................. 11

Selecting a DSP type ..................................................... 12

Style-Related Settings 14

Adjusting the Style Volume ............................................ 14

Muting Independent Style Parts ..................................... 15

Selecting Chord Fingering Type..................................... 16

Pattern Variation (Sections) ........................................... 18

Setting the Split Point ..................................................... 19

Stop Accompaniment function........................................ 20

Style Types..................................................................... 20

Creating Your Own One Touch Setting Setups.............. 21

Song-Related Settings 22

Adjusting the Song Volume ............................................ 22

Muting Independent Song Parts..................................... 23

Random Song Playback................................................. 24

Song Types .................................................................... 25

Editing Songs 26

Creating Original Styles (Style Creator) 30

Style Structure................................................................ 30

Using the Style Creator .................................................. 31

Calling up the Style Creator ........................................... 32

Beat settings .................................................................. 33

Section Settings ............................................................. 34

Copying a Section................................................ 34

Selecting a Section to be recorded...................... 36

Setting the Measure Length................................. 36

Part Settings .................................................................. 37

Selecting a Recording Part .................................. 37

Selecting a Voice ................................................. 37

Part Volume ......................................................... 37

Pan ...................................................................... 37

Reverb Level........................................................ 37

Chorus Level........................................................ 37

Recording part ............................................................... 38

Rhythm Part recording......................................... 38

Bass, Chord, Pad and Phrase Part recording...... 39

Editing (Quantize and part clear) ................................... 40

Quantize .............................................................. 40

Clearing a recorded Part...................................... 41

Saving the data .............................................................. 42

Exit from the Style Creator............................................. 43

The Functions 44

Basic Operation ............................................................. 44

Connecting to a Computer 48

MIDI Settings for transferring performance data

with a computer.......................................................... 48

PC Mode.............................................................. 48

MIDI Settings ....................................................... 49

Initial Setup .......................................................... 50

Transferring Data Between the Computer and

Instrument .................................................................. 51

Installing Musicsoft Downloader .......................... 51

Transferring Data by using the Musicsoft

Downloader...................................................... 51

Index.............................................................................. 53

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Contents

Reference Manual

3

Voice-Related Settings and Functions

When a Main, Dual or Left Voice is selected, suitable Voice parameters—such as Voice

Volume or effect send level—for each Voice are automatically recalled. However, you

can change these parameters as desired. This chapter explains how to set the Voice

parameters for each Voice and how to make other settings related to the keyboard per-

formance.

You can adjust the volume balance or other Voice parameters among Main, Dual and

Left Voices. You can also memorize the settings here to the Registration Memory for

easy and convenient future recall.

1

Press the [FUNCTION] button to call up the Function display.

The currently selected item will appear in the display.

2

Press the CATEGORY [

<

] and [

>

] buttons repeatedly to select the

item you want to change.

You can individually adjust the Voice setting (Volume, Octave, Pan, Reverb

Level, Chorus Level, DSP Level and Dry Level) that is applied to the Main,

Dual, and Left Voices. For example, if you wish to change the DSP Level for the

Main Voice, select “Main DSP Level.”

Adjusting volume balance and timbre of the sounds for each Voice

Item (Display) Value

MAIN VOICE

Main Volume 000–127

Main Octave -2–+2

Main Pan

000–64–127

(left–center–right)

Main Reverb Level 000–127

Main Chorus Level 000–127

Main DSP Level 000–127

Main Dry Level 000–127

DUAL VOICE

Dual Volume 000–127

Dual Octave -2–+2

Dual Pan

000–64–127

(left–center–right)

Dual Reverb Level 000–127

Dual Chorus Level 000–127

Dual DSP Level 000–127

Dual Dry Level 000–127

LEFT VOICE

Left Volume 000–127

Left Octave -2–+2

Left Pan

000–64–127

(left–center–right)

Left Reverb Level 000–127

Left Chorus Level 000–127

Left DSP Level 000–127

Left Dry Level 000–127

Reference Manual

4

Voice-Related Settings and Functions

3

Use the dial or the [-/NO]/[+/YES] buttons to set the value as desired.

Play the keyboard and listen to the Voice.

4

Memorize the settings here to the Registration Memory as desired.

If you select a different keyboard Voice without saving, the parameters will be

reset and the ideal settings for the selected Voice will be automatically recalled.

The following two types of Voices can be used by this instrument.

Voice Characteristics

The Voice type and its defining characteristics are indicated in the Voice name.

• Live! .............These acoustic instrument sounds were sampled in stereo, to produce a

truly authentic, rich sound—full of atmosphere and ambience.

• Cool!.............These Voices capture the dynamic textures and subtle nuances of electric

instruments—thanks to a huge amount of memory and some very sophis-

ticated programming.

• Sweet!...........These acoustic instrument sounds also benefit from Yamaha’s sophisti-

cated technology, and feature extremely detailed, natural and authentic

sound.

• Kit.................Various drum and percussion sounds and special effect sounds are

assigned to individual keys.

• Mega.............Mega Voices make special use of velocity switching. Each velocity range

(the measure of your playing strength) has a completely different sound.

For example, a guitar Mega Voice includes the sounds of various perfor-

mance techniques. In conventional instruments, different Voices having

those sounds would be called up via MIDI and played in combination to

achieve the desired effect. However, now with Mega Voices, a convincing

guitar part can be played with just a single Voice, using specific velocity

values to play the desired sounds. Because of the complex nature of these

Voices and the precise velocities need to play the sounds, they’re not

intended for playing from the keyboard. They are, however, very useful

and convenient when creating MIDI data—especially when you want to

avoid using several different Voices just for a single instrument part.

Voice Types

Preset Voices Voices built into the instrument

Expansion Voices Voices saved into the instrument by installing the Expansion Pack

Preset Voices

Expansion Voice

• Mega Voices are unique to

this instrument and are not

compatible with other mod-

els. Any Song or Style data

you’ve created on this instru-

ment using these Voices will

not sound properly when

played back on other instru-

ments.

• Mega Voices sound differ-

ently depending on the key-

board range, velocity, touch,

etc. Hence, if you apply

effects, change the trans-

pose setting or change the

Voice parameters, unex-

pected or undesired sounds

may result.

NOTE

Reference Manual

5

Voice-Related Settings and Functions

Muting the Bell

You can mute the Metronome bell which sounds at the first beat of each measure.

1

Press the [FUNCTION] button.

2

Press the CATEGORY [

<

] and [

>

] buttons repeatedly to call up

Metronome category function “Bell.”

You can also call up Metronome category function display easily by holding the

[METRONOME] button for longer than a second.

3

Rotate the dial and select ON (sound) or OFF (mute).

Metronome Setting

Bell

ON/OFF status

Metronome category

Reference Manual

6

Voice-Related Settings and Functions

Adjusting the Metronome Volume

1

Press the [FUNCTION] button.

2

Press the CATEGORY [

<

] and [

>

] buttons repeatedly to call up

“Metronome Volume.”

3

Use the dial to set the Metronome Volume.

Metronome Volume

Reference Manual

7

Voice-Related Settings and Functions

You can adjust the touch response of the instrument (how the sound responds to the way you play the keys).

1

Confirm that Touch Response is on.

You can see the on/off status for Touch Response in the Main display. The

[TOUCH] button alternately turns Touch Response on and off.

When Touch Response is set to off, all notes will be played at the same volume

no matter how hard or softly you play the keys.

2

Press and hold the [TOUCH] button for longer than a second to

call up “Touch Sensitivity.”

3

Use the dial to select a Touch Sensitivity setting between 1 and 3.

Setting the touch sensitivity of the keyboard

Appears when Touch Response is on

Hold for longer

than a second

Touch Sensitivity

Value

• The initial default setting is 2.

NOTE

1 (Soft) Produces high volume with moderate playing strength.

2 (Medium) Standard touch response.

3 (Hard) Requires moderately strong playing for higher volume.

Reference Manual

8

Voice-Related Settings and Functions

You can select one of five Master equalizer (EQ) settings which are provided to give you the best possible sound

when listening through different reproduction systems: the instrument’s built-in speakers, headphones and exter-

nal speakers.

1

Press the [FUNCTION] button.

The currently selected function will appear in the display.

2

Press the CATEGORY [

<

] and [

>

] buttons repeatedly to call up

Master EQ Type.

3

Use the dial to select an EQ Setting for the best sound.

Settings 1 and 2 are designed for optimum sound when using the built-in speak-

ers of the instrument. Setting 1 provides balanced reproduction throughout the

frequency spectrum, low to high. Setting 2 has a more powerful sound than 1,

and is ideal for local music from South America and the Middle East.

Setting 3 is designed for headphone listening, and has a relatively flatter

response than 1.

Settings 4 and 5 are designed for use with a mixer and external speaker system.

Setting 4 in particular has a flat response, and is suitable for relatively large-

scale PA applications and recording using a mixer. Setting 5 is more suitable for

small external speakers, and compared to 4, emphasizes the low and high fre-

quencies.

EQ settings

The currently selected EQ

type will appear.

Reference Manual

9

Harmony/Effect-Related Settings

Harmony and Effect (Reverb, Chorus and DSP) have their own suitable preset types

which are automatically recalled when a Main Voice or Style/Song is selected. However,

you can change the effect type as desired. This chapter explains how to set the effect

type.

This feature adds Harmony, Tremolo or Echo effects to the Main Voice when the Harmony is turned on. A suitable

Harmony type is automatically selected when you select a Main Voice, but you can easily select a different Har-

mony type.

1

Press the [HARMONY] button to turn the Harmony function on.

You can see the on/off status for the Harmony in the Main display. To turn Harmony

off, press the [HARMONY] button again.

2

Press and hold the [HARMONY] button for longer than a second to

call up the Harmony type select display.

The currently selected Harmony type will be displayed.

3

Use the dial to select a Harmony type.

Refer to the Effect Type List in the separate Data List for information about the

available Harmony types. Try playing the keyboard with the Harmony function.

The effect and operation of each Harmony type is different—for details, refer to

the section “How to play Each Harmony Type” in chapter 1 in the Owner’s

Manual.

4

Memorize the settings here to the Registration Memory as desired.

If you select a different Main Voice without saving, the settings in steps 2–3 will

be cleared.

Selecting a Harmony type

Appears when Harmony is on

Hold for longer

than a second

Harmony type

Selected Harmony type

• The Harmony notes can be

added only to the Main

Voice, not to Dual or Left

Voices.

• The keys left of the Split

Point of the keyboard pro-

duce no Harmony notes

when the Auto Accompani-

ment is on ([ACMP] button

lights).

• When chord fingering is set

to Full Keyboard, the Har-

mony function is turned off

automatically.

NOTE

Reference Manual

10

Harmony/Effect-Related Settings

Reverb enhances the sound of the Voices with the rich ambience of a concert hall. When you select a Style or

Song the optimum reverb type for the Voice used is automatically selected. If you want to select a different reverb

type, use the operation described below.

1

Press the [FUNCTION] button to call up the Function display.

2

Press the CATEGORY [

<

] and [

>

] buttons repeatedly to call up

“Reverb Type.”

The currently selected Reverb type will be displayed.

3

Use the dial to select a Reverb type.

Refer to the Effect Type List in the separate Data List for information about the

available Reverb types. Try playing the keyboard with the Reverb function.

 Adjusting the Reverb Level

You can individually adjust the amount of reverb that is applied to the Main,

Dual, and Left Voices (see page 3).

4

Memorize the settings here to the Registration Memory as desired.

If you select a different Style without saving, the settings in steps 3 will be

cleared.

Selecting a Reverb type

Reverb type

Selected Reverb type

Reference Manual

11

Harmony/Effect-Related Settings

The Chorus effect creates a thick, textured sound that is similar to many of the same Voices being played in uni-

son. When you select a Style or Song the optimum Chorus Type for the Voice used is automatically selected. If

you want to select a different Chorus Type, use the procedure described below.

1

Press the [FUNCTION] button to call up the Function display.

2

Press the CATEGORY [

<

] and [

>

] buttons repeatedly to call up

“Chorus Type.”

The currently selected Chorus type will be displayed.

3

Use the dial to select a Chorus type.

Refer to the Effect Type List in the separate Data List for information about the

available Chorus types. Try playing the keyboard with the Chorus function.

 Adjusting the Chorus Level

You can individually adjust the amount of Chorus that is applied to the Main,

Dual, and Left Voices (See page 3).

4

Memorize the settings here to the Registration Memory as desired.

If you select a different Style without saving, the settings in steps 3 will be

cleared.

Selecting a Chorus type

Chorus type

Selected Chorus type

Reference Manual

12

Harmony/Effect-Related Settings

In addition to the Reverb and Chorus effects, a wide variety of DSP (Digital Signal

Processor) effects let you enhance the sound, or completely transform it. Some DSP

types can be applied only to notes you play on the keyboard while the Reverb and

Chorus effects are applied to the entire instrument sound. When you select a Main

Voice, the optimum DSP Type for the Voice used is automatically selected. If you

want to select a different DSP type, use the procedure described below.

1

Press the [DSP] button to turn the DSP function on.

The [DSP] button lights when the DSP is turned on. To turn DSP off, press the

[DSP] button again.

2

Press and hold the [DSP] button for longer than a second to call

up the DSP type select display.

The currently selected DSP type will be displayed.

3

Use the dial to select a DSP type.

Refer to the Effect Type List in the separate Data List for information about the

available DSP types. Try playing the keyboard with the DSP function.

 Adjusting the DSP Level

You can individually adjust the amount of DSP that is applied to the Main, Dual,

and Left Voices (see page 3).

4

Memorize the settings here to the Registration Memory as desired.

If you select a different Style without saving, the settings in steps 3 will be

cleared.

Selecting a DSP type

• DSP is an acronym for Digi-

tal Signal Processor and it

uses a micro processor to

change the audio in various

ways.

NOTE

• The volume of the currently

playing Voice changes when

turning DSP on or off. This is

not a malfunction. The

amount of change differs

depending on the selected

Voice.

• The DSP type is an overall

setting—only one type can

be selected. For this reason,

when you play a newly

loaded Song or Style, for

example, the currently play-

ing Voices may not sound as

expected. This is normal,

since the Song or Style has

its own DSP type which

replaces any selection

you’ve made before loading.

A similar phenomenon

occurs when you use the

[

f

], [

r

] buttons or A-B

Repeat function during

Song playback.

NOTE

Lights when the DSP is turned on.

DSP type

Selected DSP type

Hold for longer than a

second

Reference Manual

13

Harmony/Effect-Related Settings

Voice Sound and Effect Type

You can select one type from each effect (Reverb, Chorus and DSP) then individually

adjust the amount of effect that is applied to the Main, Dual, and Left Voices. How-

ever, the effect type cannot be applied independently to each Main, Dual or Left

Voice. Because of this, you should adjust the send level for each Voice when using

effects.

When the DSP function is on, the overall sound may be wrong or unexpected if the

Main Voice is changed. This is because the DSP type is automatically selected

according to the currently selected Main Voice and the same effect is applied to the

Dual Voice or Left Voice as well as the Main Voice. If you want to enhance the sound

using the DSP, determine the Main Voice first, then adjust the send level of the DSP

effect applied to each Voice.

The Reverb/Chorus type is automatically selected according to the currently selected

Style or Song, and the same effect is applied to the Dual Voice or Left Voice as well

as the Main Voice. If you want to create a custom sound using a favorite Voice, deter-

mine the Voices, effects and Voice parameters first, then memorize the settings to the

Registration Memory without changing the Style or Song.

Reference Manual

14

Style-Related Settings

This section gives detailed information on the Style playback functions not covered in

the Owner’s Manual.

This lets you adjust the volume balance between Style playback and the sound you play on the keyboard.

1

Press the [FUNCTION] button.

2

Press the CATEGORY [

<

] and [

>

] buttons repeatedly to call up

“Style Volume.”

3

Use the dial to set the Style Volume.

Adjusting the Style Volume

Style Volume

Setting range is

000–127

• For instructions on adjust-

ing the volume of the key-

board performance, see

page 3.

NOTE

Reference Manual

15

Style-Related Settings

Each “track” of a Style plays a different part of the Style—chord, bass, etc. You can mute individual tracks and

play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to.

Use the [REGIST/PART [MIXER]] button to select the ACMP TR and use the STYLE PART [RHY 1]–[PHR 2]

buttons to mute or un-mute the corresponding tracks. Each track button is lit in green when that track is not muted,

and is unlit when the track is muted. Furthermore, the border around the track number in the display disappears

when that track is muted.

1

Press the [REGIST/PART [MIXER]] button until the desired track

is shown on the display.

The following items are selected on the display when you press the [REGIST/

PART [MIXER]] button. “REGIST”  “ACMP. TR”

In this state, you can use eight buttons as the Style track buttons.

2

Press the desired Track button(s) to set the mute track(s).

To cancel the mute, press the appropriate track button(s) again.

Muting Independent Style Parts

These are the basic parts of

the Style, containing the

drum and percussion rhythm

patterns.

The bass part uses various

appropriate instrument

sounds to match the Style.

These are the rhyth-

mic chord backing

parts, commonly

used with piano or

guitar Voices.

This part is used

for sustained

instruments such

as strings, organ,

choir, etc.

These parts are used for punchy brass

stabs, arpeggiated chords, and other

extras that make the accompaniment

more interesting.

REGIST

ACMP. TR

Lit in green ... Contains data and played

Unlit ... Contains no data or is muted

No track number ... No data.

Track number without border ... Track

contains data but is muted.

Track number with border ... Track

contains data and is not muted.

Reference Manual

16

Style-Related Settings

When the Auto Accompaniment is turned on, you can select one of three Chord Fingering types which detect

chords played with your left hand (in the auto accompaniment section of the keyboard).

1

Press and hold the [ACMP] button for longer than a second to

call up the Chord Fingering type select display.

2

Use the dial to select the type.

The default Fingering type is “Multi Finger.”

“AI” stands for “Artificial Intelligence.”

Selecting Chord Fingering Type

1 Multi Finger

Recognizes the various chord types which are listed on page

17.

2 FullKeyboard

Detects chords in the entire key range. Chords are detected

in a way similar to Multi Finger.

3 AI Fingered

Basically the same as Multi Finger, with the exception that

less than three notes can be played to indicate the chords

(based on the previously played chord, etc.). However, Easy

chords described in chapter 2 in the Owner’s Manual cannot

be detected in the AI Fingered mode.

Reference Manual

17

Style-Related Settings

 Chord Types Recognized in the Multi Finger

Chord Name/[Abbreviation] Normal Voicing Display

Major [M] 1 - 3 - 5 C

Add ninth [(9)] 1 - 2 - 3 - 5 C

add9

Sixth [6] 1 - (3) - 5 - 6 C6

Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6

9

Major seventh [M7] 1 - 3 - (5) - 7 CM7

Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7

9

Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 CM7

#11

Flatted fifth [(b5)] 1 - 3 - b5C

b5

Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7

b5

Suspended fourth [sus4] 1 - 4 - 5 Csus4

Augmented [aug] 1 - 3 - #5Caug

Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug

Minor [m] 1 - b3 - 5 Cm

Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm add9

Minor sixth [m6] 1 - b3 - 5 - 6 Cm6

Minor seventh [m7] 1 - b3 - (5) - b7Cm7

Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7Cm7

9

Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7

11

Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7

Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7

9

Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7Cm7

b5

Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7

b5

Diminished [dim] 1 - b3 - b5Cdim

Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7

Seventh [7] 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7C7

Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7C7

b9

Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7C7

b13

Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7C7

9

Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7C7

#11

Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7C7

13

Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7C7

#9

Seventh flatted fifth [7b5] 1 - 3 - b5 - b7C7

b5

Seventh augmented [7aug] 1 - 3 - #5 - b7C7aug

Seventh suspended fourth [7sus4] 1 - 4 - 5 - b7C7sus4

Suspended second [sus2]

1 - 2 - 5

Csus2

( )

C

mM7

C

M7

C

6

C

sus4

C

aug

C

M7aug

C

7aug

C

7sus4

C

sus2

C

7

C

m

C

dim

C

dim7

C

7

C

mM7

(

9

)

C

M7

(

9

)

C

m7

(

9

)

C

7

(

b9

)

C

7

(

b13

)

C

m7

(

11

)

C

M7

(

#11

)

C

(

b5

)

(

9

)

C

6

C

m add9

(

9

)

C

7

(

#11

)

C

7

(

#9

)

C

7

(

13

)

C

7

C

m6

C

m7

C

(

b5

)

C

M7

(

b5

)

C

m7

(

b5

)

C

mM7

(

b5

)

C

add9

* Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.

Reference Manual

18

Style-Related Settings

The instrument features a wide variety of Style “sections” that allow you to vary the arrangement of the accompa-

niment to match the Song you are playing.

Pattern Variation (Sections)

Play the Intro

Press one of the INTRO [I]–[III] but-

tons to add an introduction as soon as

Style Playback is started. When the

Intro finishes playing, Style playback

automatically shifts to the Main sec-

tion.

Play Main section

Pressing one of the MAIN VARIATION [A]–

[D] buttons during playback switches to the

other Main pattern. Press one of the MAIN

VARIATION [A]–[D] buttons before starting

Style playback to select the desired Main section

for playing.

Play the Ending

Press one of the ENDING/rit. [I]–[III] buttons to begin

playing an ending section. Playback will stop automati-

cally when the ending has played all the way through.

You can have the ending gradually slow down (ritar-

dando) by pressing the same ENDING/rit.button again

while the ending is playing back.

Play Fill-in

When the [AUTO FILL IN] button is turned on,

pressing any of the MAIN VARIATION [A]–[D]

buttons as you play automatically plays a fill-in sec-

tion, spicing up the auto accompaniment. Even

when the [AUTO FILL IN] is turned off, pressing

the same button of the currently playing section

automatically plays a fill-in before returning to the

same Main section.

Reference Manual

19

Style-Related Settings

Set the point on the keyboard that separates the right and left-hand sections (Split Point). When Auto Accompani-

ment is off, keys played in the left-hand section are used for playing the Left Voice. When Auto Accompaniment

is on, the left-hand section becomes the Chord section (Auto Accompaniment range) and the chords played in the

Chord section produce an appropriate Auto Accompaniment playback, and add the Harmony effect to the notes

played in the right-hand section.

The initial default Split Point is key number 54 (the F sharp 2 key), but you can change it to another key using the

procedure described below.

1

Press the [FUNCTION] button.

2

Use the CATEGORY [

<

] and [

>

] buttons repeatedly to call up

“Split Point.”

3

Use the dial to set the Split Point to any key from 036 (C1) through

096 (C6).

Setting the Split Point

• A specified “Split Point” key

is included in the Auto

Accompaniment range.

• You can also use the [-/NO]

and [+/YES] buttons to set

the Split Point. The Split

Point setting can be reset to

the initial default value by

pressing the [-/NO] and [+/

YES] buttons simultaneously.

NOTE

Split Point (54: F#2)

Auto Accompaniment range

Main Voice

Reference Manual

20

Style-Related Settings

When the Auto Accompaniment is turned on and Synchro Start is off, you can play chords in the Auto Accompa-

niment range of the keyboard with the style stopped, and still hear the accompaniment chord. In this condition —

called “Stop Accompaniment” — any valid chord fingerings are recognized and the chord root/type are shown in

the display. Since the instrument properly recognizes chords, you can also use the Harmony effect without having

to play back a Style.

The following four types of Styles can be used by this instrument.

The chart below shows the basic operation flow for using the preset Styles, User Styles, loaded Styles and USB

Styles from storage to playback.

Stop Accompaniment function

Style Types

Preset Styles Styles built into the instrument

User Style

Styles created by Style Creator function

Styles transferred from a computer

Styles loaded from the USB flash memory

Expansion Styles Styles saved into the instrument by installing the Expansion Pack

USB Style Styles in USB flash memory

[ACMP] button

lights

Auto Accompa-

niment range

Transfer

(page 51)

Style Creator

(page 30)

Connect

Style storage location

Preset Styles

Save

Play

Computer

USB flash memory

Expansion

Styles

User Style USB Style

Load

Your own performance

Expansion Styles and User Styles can be selected using the

[EXPANSION/USER] button.

USB flash

memory

Installation

(Owner’s Manual)

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