Yamaha WC42260 Руководство пользователя

EN

Owner’s Manual

Keep This Manual For Future Reference.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in

your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig

håndtering. Udskiftning må kun ske med batteri

af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd

samma batterityp eller en ekvivalent typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (mercury)

This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated

due to environmental considerations. For disposal information in the United States, refer to the Electronic Industries Alliance web

site: www.eiae.org

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op het

moment dat u het apparaat ann het einde van de levensduur of gelieve

dan contact op te nemen met de vertegenwoordiging van Yamaha in

uw land.

•For the removal of the battery at the moment of the disposal at the end

of life please consult your retailer or Yamaha representative ofﬁce in

your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

(lithium disposal)

Important Information

3

DM2000 Version 2—Owner’s Manual

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-

ual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

•Be sure to connect to an appropriate outlet with a protective grounding connection.

Improper grounding can result in electrical shock.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock

may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power

cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects

on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or

metal objects inside this unit are a ﬁre and electrical shock hazard.

•This unit is equipped with a dedicated ground connection to prevent electrical shock.

Before connecting the power plug to an AC outlet, be sure to ground the unit. If the power

cord has a three-pin plug, it will provide sufﬁcient grounding so long as the AC outlet is

grounded correctly.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre

and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal

inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and

unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.

Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a ﬁre and electrical

shock hazard.

•The DM2000 has six rear-panel slots for installing mini-YGDAI cards. For technical rea-

sons, certain card combinations are not supported. Before installing any cards, check the

Yamaha web site to if your card is compatible. Installing cards that are not endorsed by

Yamaha may cause electrical shock, ﬁre, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a

replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid

gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Con-

sult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove

the power plug from the AC outlet, and contact your dealer. If you continue using the unit

without heeding this instruction, ﬁre or electrical shock may result.

Cautions

•Keep this unit away from the following locations:

—Locations exposed to oil splashes or steam, such as near cooking stoves, humidiﬁers, etc.

—Unstable surfaces, such as a wobbly table or slope.

—Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

4

Important Information

DM2000 Version 2—Owner’s Manual

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A

damaged power cord is a potential ﬁre and electrical shock hazard.

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

•This unit has ventilation holes along the front underside and at the rear to prevent the inter-

nal temperature from rising too high. Do not block them. Blocked ventilation holes are a

ﬁre hazard. In particular, do not operate the unit while it’s on its side, is upside down, or

while it’s covered with a cloth or dust sheet.

•If you are using the optional MB2000 Peak Meter Bridge, do not hold only the MB2000

when you move the entire unit. Otherwise, the meter angle may be deformed or damaged,

the main unit may malfunction, or you may be injured if the unit falls.

•This unit is heavy. Use two or more people to carry it.

•When you transport or move the DM2000 with the MB2000 attached, do not permit

impact or stress on the cable connector that connects the MB2000 to the DM2000. Other-

wise, malfunction may occur.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,

and remove all connecting cables. Damaged cables may cause ﬁre or electrical shock.

•When setting up the product, make sure that the AC outlet you are using is easily accessible.

If some trouble or malfunction occurs, immediately turn off the power switch and discon-

nect the plug from the outlet. Even when the power switch is turned off, electricity is still

ﬂowing to the product at the minimum level. When you are not using the product for a long

time, make sure to unplug the power cord from the wall AC outlet.

•If you know you will not use this unit for a long period of time, such as when going on vaca-

tion, remove the power plug from the AC outlet. Leaving it connected is a potential ﬁre hazard.

•The inside of the unit should be cleaned periodically. Dust accumulation inside the unit may cause

malfunction and is a potential ﬁre hazard. Consult your dealer for information about cleaning.

•To prevent electrical shock when cleaning the unit, remove the power plug from the AC outlet.

•Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with

electrical contact or fader motion.

•Do not use the headphones for a long period of time at a high or uncomfortable volume

level, since this can cause permanent hearing loss. If you experience any hearing loss or ring-

ing in the ears, consult a physician.

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.

•The performance of components with moving contacts, such switches, rotary controls, faders,

and connectors, deteriorates over time. The rate of deterioration depends on the operating

environment and is unavoidable. Consult your dealer about replacing defective components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone

away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your

dealer as soon as possible about replacing the internal data backup battery. The unit will still

operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using

MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise

occurs, relocate the affected equipment.

•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector

securely. To disconnect the cable, loosen the screws completely, then remove the cable by

holding the connector part. Do not remove the plug by pulling the cable while the screws

are still attached. Otherwise, the connector may be damaged, leading to malfunction.

SmartMedia Handling Precautions

5

DM2000 Version 2—Owner’s Manual

•When you change the wordclock settings on any device in your digital audio system, some

devices may output noise, so turn down your power amps beforehand, otherwise your

speakers may be damaged.

SmartMedia Handling Precautions

•The CARD slot is for use with SmartMedia only. Never attempt to insert any other type of

storage media.

•Use only SmartMedia of the type speciﬁed in this

Owner’s Manual

.

•Store SmartMedia in a place free from extreme temperatures, humidity, dust, and dirt.

•Always store SmartMedia in its original case.

•Write only on the designated area.

•When handling SmartMedia, be careful not to touch the gold contacts. Fingerprints,

smudges, scratches, or dirt can affect performance.

• Fingerprints and dust should be removed by wiping gently using a soft, dry cloth. Do not

use benzene, thinner, cleaning detergent, or a chemical cloth.

•If SmartMedia is stored in a cold place (e.g., overnight in a car), and then moved to a

warmer environment, or if the temperature rises sharply, condensation may form on the

surface, which may affect performance. In this case, the SmartMedia should be allowed to

acclimatize for about one hour before use.

•Insert SmartMedia carefully into the CARD slot, with the gold contacts facing upward.

•Do not bend or twist SmartMedia.

•Do not under any circumstances attempt to use SmartMedia that is cracked or warped.

Doing so may seriously damage the CARD slot.

•Do not remove SmartMedia while saving or loading data. Doing so may cause data lose.

• Data stored on SmartMedia can be protected against inadvertent overwriting by attaching

a write-protect sticker (supplied with SmartMedia).

Interference

The DM2000 uses high-frequency digital circuits that may cause interference on radio and

television equipment located nearby. If interference is a problem, relocate the affected

equipment. Using a mobile telephone near the unit may induce noise. In this case use the

telephone away from the unit.

DM2000 Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including

personal injury or any other damages caused by improper use or operation of the DM2000.

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-

istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.

Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of

Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are

registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg

Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign

and/or Avid Technology, Inc. SmartMedia is a trademark of Toshiba, Corp. Sony is a regis-

tered trademark of Sony Corporation, Inc. Tascam Digital Interface is a trademark and Tas-

cam and Teac are registered trademarks of Teac Corporation. Microsoft and Windows are

registered trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc.

Yamaha is a trademark of Yamaha Corporation. Nuendo and Cubse SX are trademarks of

Steinberg Media Technologies GmbH. All other trademarks are the property of their

respective holders and are hereby acknowledged.

6

Important Information

DM2000 Version 2—Owner’s Manual

Copyright

No part of the DM2000, its software, or this

Owner’s Manual

may be reproduced or distrib-

uted in any form or by any means without the prior written authorization of Yamaha Cor-

poration.

Yamaha Web Site

Further information about the DM2000, related products, and other Yamaha professional

audio equipment is available on the Yamaha Professional Audio Web site at:

<http://www.yamahaproaudio.com/>.

Package Contents

• DM2000 Digital Production Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• MB2000 Peak Meter Bridge

• SP2000 Wooden Side Panels

•LA1800 Light Gooseneck

• mini YGDAI I/O cards

About this Owner’s Manual

This

Owner’s Manual

covers the DM2000 Digital Production Console.

All the information you need in order to operate the DM2000 Digital Production Console

is contained in this manual. Use the table of contents to familiarize yourself with the man-

ual’s organization and to locate tasks and topics, and use the index to locate speciﬁc infor-

mation. Before diving in, it’s recommend that you read the “Operating Basics” chapter,

starting on page 51.

Each chapter of this manual discusses a speciﬁc section or function of the DM2000. The

Input and Output Channels are explained in the following chapters: “Input Channels,” “Bus

Outs,” “Aux Sends,” “Matrix Sends,” and “Stereo Out.” Where possible, these chapters have

been organized in order of signal ﬂow, from input through to output.

Functions such as EQ and Delay are common to all channels. Rather than repeat the same

information over and over, these functions are explained once in the “Common Channel

Functions” chapter, which starts on page 127. The “Input Channels,” “Bus Outs,” “Aux

Sends,” “Matrix Sends,” and “Stereo Out” chapters contain cross-references to the relevant

sections of the “Common Channel Functions” chapter.

Conventions Used in this Manual

The DM2000 features two types of button: physical buttons that you can press (e.g., ENTER

and DISPLAY) and buttons that appear on the display pages. References to physical buttons

are enclosed in square brackets, for example, “press the [ENTER] button.” References to dis-

play page buttons are not emphasized, for example, “press the ENTER button.”

Display pages can be selected by using the [DISPLAY] buttons or the Left Tab Scroll, Right

Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, only the

[DISPLAY] button method is mentioned in the procedures. See “Selecting Display Pages”

on page 53 for details on all the ways in which pages can be selected.

Installing the DM2000

7

DM2000 Version 2—Owner’s Manual

Installing the DM2000

The DM2000 should be placed on a strong and stable surface, somewhere that complies

with the warnings and cautions listed in the previous sections.

New Functions in DM2000 Version 2

The following functions have been added to the DM2000 as part of the upgrade of the ﬁrm-

ware from version 1.2 to version 2.0.

Control Surface

•When you operate the faders (for fader levels) or Encoders (for pan settings), the corre-

sponding fader level or pan setting appears on the channel strip display.

•You can switch the indication on the channel strip display between channel name/ID and

port name/ID.

→

page 276

• Encoder mode now features an assignable function, ALT LAYER, which enables you to con-

trol the channel level for all 48 channels without switching between layers.

→

page 61

•There are now 50 assignable Encoder mode parameters.

→

page 63

Input Channels

•Surround Pan supports 6.1 Surround.

→

page 97

•You can change the bus assigned to each surround pan channel.

→

page 99

•The Fader Group Master function enables you to control the overall level of the Fader group

channels simultaneously while maintaining the relative level balance of each channel.

→

page 92

•The Mute Group Master function enables you to mute all channels in a Mute group simul-

taneously.

→

page 90

•The on/off status of the Follow Pan button is reﬂected in the pan and Surround Pan settings.

→

page 93

Aux Sends

•You can exclude channels from Aux Sends (Mix Minus).

→

page 117

•You can copy the channel fader positions to Aux Sends.

→

page 118

•You can set all Send levels to nominal simultaneously.

→

page 112

•If an Aux Send is set to pre-fader, you can set the Pre point before or after the [ON] button.

→

page 112

Common Channel Functions

•Input and Output Channel Meter pages indicate the gain reduction being applied by the

Gate and Compressor.

→

page 128

•You can select whether the Input Channel’s Pan setting is used when the Input Channel Solo

signal is set to Pre Fader.

→

page 143

•Raising the channel faders for soloed Channels from –

∞

can unsolo the Channels.

→

page 143

•The AUX SELECT [AUX 1]–[AUX 12] buttons enable you to solo or unsolo Aux Sends.

→

page 143

•The Fader Group Master function enables you to control the overall level of the Fader group

channels simultaneously while maintaining the relative level balance of each channel.

→

page 147

•The Mute Group Master function enables you to mute all channels in a Mute group simul-

taneously.

→

page 149

8

Important Information

DM2000 Version 2—Owner’s Manual

Monitor

•The level of the Surround Monitor can be reset to 85dB SPL.

→

page 160

•A new parameter has been added to Bass Management on the Surround Monitor Setup

page.

→

page 162

•Surround Monitor is also available when Surround mode is set to Stereo.

•You can simultaneously select BUS and ASSIGN1 or BUS and ASSIGN 2 for surround

monitoring.

•You can select from Slot Channel 9 through Channel 16 as Surround Monitor signal sources.

•You can simultaneously select 2TRD, D2, D3, A1, or A2, and STEREO, ASSIGN1, or

ASSIGN2 as Control Monitor signal sources.

•You can select the Talkback mic signal as the Studio Monitor source.

→

page 164

Effects, Plug-ins and GEQ

•You can add optional Add-On Effects to the preset effects.

→

page 178

•The channel faders enable you to adjust the gain for each band in the graphic EQ.

→

page 184

Scene Memory

•You can globally apply the Fade Time setting to all scenes.

→

page 189

•You can globally apply the Recall Safe setting to all scenes.

→

page 190

•Any channel or parameter settings in the current scene can be copied and pasted into other

scenes.

→

page 191

•You can select more parameters for the Recall Safe function.

→

page 190

Automix

•You can insert the current mix parameters in a region speciﬁed in the Automix data.

→

page 203

•Touching the faders can punch parameter values in and out if the corresponding OVER-

WRITE button is set to on.

→

page 194

•Some parameters related to timecode synchronization have been added.

→

page 278

Remote Control

•The Joystick or the controls in the SELECTED CHANNEL section enable you to control Pro

To ols Surround Pan settings.

•The USER DEFINED KEYS enable you to switch windows in the included Studio Manager

application software.

•You can remotely control the Yamaha AD8HR A/D Converter.

Other Functions

•A user-assignable layer enables you to assign Channels to Remote layer targets.

→

page 269

•You can also select General DAW (for DAW software that supports the Pro Tools protocol)

or Cubase SX as the target for a Remote layer.

→

page 253

•Yamaha’s proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and

General DAW. This enables you to control these devices using the DM2000’s SELECTED

CHANNEL section. (Controllable functions vary depending on the DAW software and ver-

sion you are using.)

•You can now assign any of 214 functions to the USER DEFINED KEYS.

→

page 283

•You can assign the selected channels to a Fader or Mute group using the USER DEFINED

KEYS.

→

page 283

•An Operation Lock function prevents unintentional edits and uses a password to restrict

access to panel operation.

→

page 280

New Functions in DM2000 Version 2

9

DM2000 Version 2—Owner’s Manual

•The Oscillator can output sine wave signals with different frequencies to the L and R chan-

nels and odd and even buses.

→

page 279

•You can set the Auto Direct Out On check box so that if you change a channel’s Direct Out

destination, the channel Direct Out will automatically be enabled.

→

page 276

•You can set the Routing ST Pair Link check box so that the routing from paired Channels to

the Stereo Bus is linked.

→

page 276

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : Digital Production Console

Model Name : DM2000

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference

that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

(FCC DoC)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (Perchlorate)

This product contains a battery that contains perchlorate material.

Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

10

Contents

DM2000 Version 2—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . 20

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Turning On & Off the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Display History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Display Page Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Parameter Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Confirmation Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Title Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Using a Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Channel Strip Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Assigning Parameters to the ENCODER MODE Assign Buttons . . . . . . . . . . . . 62

4 Analog I/O & the AD Input Section . . . . . . . . . . . . 64

AD Input Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Control Room Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Studio Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

2TR Analog INs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

5 Digital I/O & Cascading . . . . . . . . . . . . . . . . . . . . . 66

Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

2TR Digital Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

2TR Digital Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

2TR In/Out Sampling Rate Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Slot I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

6 Input & Output Patching . . . . . . . . . . . . . . . . . . . . 77

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Naming Input & Output Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Patch Select Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Patching with the Encoders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Contents

11

DM2000 Version 2—Owner’s Manual

7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Patching Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Reversing the Signal Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Gating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Attenuating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

EQ’ing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Grouping Input Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Input Channel Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Compressing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Grouping Input Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Delaying Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Muting Input Channels (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Grouping Input Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Input Channel Mute Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Setting Input Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Grouping Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Group Master for Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Panning Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Assigning Surround Channels to Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Sending Input Channels to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Soloing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Viewing Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Copying Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Using the MS Stereo Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Stereo Out Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Patching the Stereo Out to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Routing Input Channels to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Metering the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Monitoring the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Attenuating the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

EQ’ing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Stereo Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Compressing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Muting the Stereo Out (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Setting the Stereo Out Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Sending the Stereo Out to the Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Balancing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Delaying the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Viewing Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Copying Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Naming the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

12

Contents

DM2000 Version 2—Owner’s Manual

9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Patching Bus Outs to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Routing Input Channels to Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Attenuating Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

EQ’ing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Bus Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Compressing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Muting Bus Outs (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Setting Bus Out Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Sending Bus Outs to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Delaying Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Soloing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Pairing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Viewing Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Copying Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Naming Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Patching Aux Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Setting the Aux Send Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Pre-Fader or Post-Fader Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Muting Aux Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Aux Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Viewing Aux Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Excluding Certain Channels from Aux Sends (Mix Minus) . . . . . . . . . . . . . . . . . 117

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Metering Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Monitoring Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Attenuating Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

EQ’ing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Aux Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Compressing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Muting Aux Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Settings Aux Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Sending Aux Sends to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Delaying Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Soloing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Pairing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Viewing Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Copying Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Naming Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Contents

13

DM2000 Version 2—Owner’s Manual

11 Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Patching Matrix Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Pre-Fader or Post-Fader Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Setting Matrix Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Muting Matrix Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Matrix Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Panning Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Viewing Matrix Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Metering Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Monitoring Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Attenuating Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

EQ’ing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Matrix Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Compressing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Muting Matrix Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Setting Matrix Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Balancing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Delaying Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Soloing Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Viewing Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Copying Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Naming Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

12 Common Channel Functions . . . . . . . . . . . . . . . . . 127

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Attenuating Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Using EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Grouping Output Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Using Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Compressing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Grouping Output Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Delaying Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Grouping Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Group Master for the Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Grouping Output Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Output Channel Mute Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Viewing Channel Parameter Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Viewing Channel Fader Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Copying Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Naming Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

13 Monitoring & Talkback . . . . . . . . . . . . . . . . . . . . . 158

Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Studio Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Using Talkback & Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

14

Contents

DM2000 Version 2—Owner’s Manual

14 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Channel Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Input Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Output Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

GEQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Effects Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Bus to Stereo Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Gate Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Comp Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Automix Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Surround Monitor Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

15 Internal Effects, Plug-Ins & GEQs . . . . . . . . . . . . . 174

About the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Patching Effects Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Preset Effects & Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Adding Optional Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179

Configuring Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Editing Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

About the GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Editing GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

Editing the Graphic EQ Using the Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . 184

16 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 185

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Storing & Recalling Scenes with the SCENE MEMORY Buttons . . . . . . . . . . . . . 187

Using the Scene Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

17 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

What’s Recorded in an Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194

AUTOMIX Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Channel Strip [AUTO] Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Fader Edit Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Selecting the Timecode Source & Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Creating a Time Signature Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Inserting Mix Parameters into Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Rerecording Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Parameter Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Punching In & Out Individual Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Contents 15

DM2000 Version 2—Owner’s Manual

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

MIDI & the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

MIDI I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

MIDI Channel Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

Assigning Scenes to Program Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Assigning Parameters to Control Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . . 219

Using Bulk Dump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

19 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 221

Configuring Windows Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Configuring Macintosh Computers (MacOS 8.6 to 9.2.2) . . . . . . . . . . . . . . . . . . 221

Configuring Macintosh Computer (MacOS X) . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Configuring the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Configuring Pro Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Control Surface Operation with the Pro Tools Remote Layer . . . . . . . . . . . . . . . 224

Scrolling Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Assigning Inputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Assigning Outputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Setting Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Muting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Panning Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

Assigning Send Destinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Configuring Sends as Pre or Post . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Setting Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Muting Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Panning Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Flip Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Assigning Inserts/Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244

Editing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Bypassing Individual Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Bypassing all Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Resetting Faders, Sends, Panpots & Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Navigating the Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248

Making Fine Adjustments to the Selected Region . . . . . . . . . . . . . . . . . . . . . . . . . 248

Scrub & Shuttle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Panner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

20 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

About Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253

About Machine Control (MMC & P2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Controlling AD8HR/AD824 A/D Converters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

21 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Using the User Assignable Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Saving DM2000 Data to SmartMedia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279

16 Contents

DM2000 Version 2—Owner’s Manual

Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Initializing the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Initializing the Password . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . 283

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297

Initial Input Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298

Initial Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299

Initial Input Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Initial Output Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

GPI Trigger Source & Target List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 306

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Preset Gate Parameters

(fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 334

Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 341

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347

Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348

I/O Slot Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349

Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349

Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Format Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . 386

MB2000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386

SP2000 Wooden Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389

Welcome 17

DM2000 Version 2—Owner’s Manual

1 Welcome

Thank you for choosing the Yamaha DM2000 Digital Production Console.

Designed with production in mind, the DM2000 Digital Production Console offers

24-bit/96 kHz digital audio processing without compromise, comprehensive surround

mixing and monitoring, including bass management and down mixing, and hands-on con-

trol of popular DAW (Digital Audio Workstation) systems.

Sonic Spec

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate

• 108 dB typical dynamic range (AD Input to Stereo Out)

• 32-bit internal signal processing (58-bit accumulator)

Channel Architecture

• 96 Input Channels, with Direct Outs

•8 Bus Outs, with to Stereo Out routing for subgrouping

• 12 Aux Sends

•4 stereo Matrix Sends (22 x 8 matrix)

•Stereo Out

•Channels can be named for easy identiﬁcation

•Channel library with 127 user memories

•Copy and paste channel settings

I/O Architecture

• 24 analog mic/line inputs on balanced XLRs and phone jacks (plus 48 V phantom)

• 24 analog inserts on individual in/out phone jacks

• 48 inputs, 48 outputs via six mini-YGDAI slots and optional I/O cards, which

offer a variety

of analog and digital I/O options, with support for all the popular digital audio inter-

connect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN.

•8 assignable Omni outputs

•2 AES/EBU, 1 Coaxial 2-track digital input

•2 AES/EBU, 1 Coaxial 2-track digital output

•2 analog 2-track inputs

• XLR and phone jack stereo outputs

• Large and small control room outputs

•Dedicated studio monitor outputs

• AES/EBU and Coaxial I/O sampling rate converters for connecting 44.1/48 kHz legacy dig-

ital audio equipment

•Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders

•Cascade ports for cascading up to four DM2000s (i.e., 384 Input Channels)

18 Chapter 1—Welcome

DM2000 Version 2—Owner’s Manual

I/O Patching

•Any available input port can be patched to the Input Channels, Insert Ins, or Effects inputs

•Direct Outs, Insert Outs, Bus Outs, Aux Sends, Matrix Sends, and the Stereo Out can be

patched to any output port

•Input and output ports can be named for easy identiﬁcation

•Patches can be stored in the Input and Output Patch libraries

EQ & GEQ

•4-band parametric EQ on all Input and Output Channels

• EQ library with 40 presets, 160 user memories

•Six 31-band graphic equalizers that can be patched into Output Channels

• GEQ library with 128 user memories

Groups & Pairs

•Horizontal and vertical pairing of Input Channels

•Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan

•8 Input Channel, 4 Output Channel Fader groups

•8 Input Channel, 4 Output Channel Mute groups

•4 Input Channel, 4 Output Channel EQ groups

•4 Input Channel, 4 Output Channel Compressor groups

Effects

•8 internal effects processors

• Effects library with 61 presets, 67 user memories (presets 53–61 are used for optional

Add-On Effects.)

•Optional Add-On Effect package includes effects that featuring new algorithms.

•Multichannel effects for surround sound processing

•Joystick control of early reﬂections and reverb with the Reverb 5.1 effect

•Optional Waves 56K effects plug-in card

•User deﬁned plug-ins for external effects control via MIDI, with Learn function

Dynamics

• Gates on all 96 Input Channels

• Gate library with 4 presets, 124 user memories

•Compressors on all Input Channels and Out Channels (126 in total)

•Compressor library with 36 presets, 92 user memories

Automation

•Dynamic automation of virtually all mix parameters, with 1/4-frame accuracy

•Automix library with 16 memories

•Snapshot style automation with 99 Scene memories, recallable via MIDI or Automix

•Individual fade time settings for all Input and Output faders

•Scene and library recalls

•Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters

• Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes

• Ofﬂine event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert

Welcome 19

DM2000 Version 2—Owner’s Manual

Surround Sound

•3-1, 5.1 and 6.1 Surround modes

•Joystick control

•Bass management

•Down mixing

•Surround monitor speaker alignment functions

•Surround monitor library with 32 user memories

Remote Control

•Control and manage your DM2000 from your Mac or PC by using the bundled Studio

Manager software

•Remote Layers for external equipment control, including predeﬁned targets for controlling

DAW systems, and user deﬁned targets for controlling MIDI equipment, with Learn func-

tion

•Comprehensive machine control via MMC or P2, including transport, track arming,

jog/shuttle, and built-in locator with eight Locate memories, all with independent control

of master and MTR machines

•Assignable GPI (General Purpose Interface) port for external control and “Recording” light

•Remote control of parameters on up to 12 Yamaha AD8HR/AD824 A/D Converters

MIDI

• Standard MIDI ports, USB TO HOST port, or SERIAL TO HOST port

• USB, and SERIAL offer multiport operation

•Scene recall, mix parameter control, Bulk Dump, MTC and MIDI Clock for Automix syn-

chronization, MMC for external machine control

Control Surface

• 25 touch-sensitive 100-mm motorized faders (touch sense used to select channels or punch

faders in/out during Automix recording)

•Use the faders to set channel levels or Aux/Matrix Send levels

•Use the 24 Encoders to control Pan, Aux/Matrix Send levels, or user assigned parameters

•Channels arranged into four Input Layers, Master Layer, and four Remote Layers

• 320 x 240 dot LCD display with ﬂuorescent backlight

•Fluorescent channel strip displays, showing channel names, Encoder status, routing, etc.

•Complete hands-on control of all channel functions via the SELECTED CHANNEL section

•2-digit Scene memory display

•4 EQ displays for frequency, gain, and Q

• 16 user-deﬁnable buttons make light work of repetitive tasks

•Display History buttons for quick access to recently viewed display pages

•SmartMedia card slot for Automix, Scene, library, and setup data storage and transfer

•Optional PS/2-compatible keyboard for quick title entry

20 Chapter 2—Control Surface & Rear Panel

DM2000 Version 2—Owner’s Manual

2 Control Surface & Rear Panel

Control Surface

CH01 CH02 CH03 CH04 CH05 CH06 CH07 CH08 CH09 CH10 CH11 CH12 CH13 CH14 CH15 CH16 CH17 CH18 CH19 CH20 CH21 CH22 CH23 CH24

ROUTING

12

34

56

78

STEREOFOLLOW PAN DIRECT

GATE ON COMP ON

GATE

COMP

RANGE

RATIO

ATT ACK

DECAY

RELEASETHRESHOLD

THRESHOLD HOLD

LINK GRAB EFFECT

L

EVEN

R

L

R

EQUALIZER

CHANNEL

COPY

PASTE

EQ ON

AT T.

dB

Hz

kHz

LOW

SELECTED CHANNEL

PHASE / INSERT

INSERT ON

AUX/MATRIX SEND

DELAY

ON

TIME

FB

MIX

LEVEL

ON

LEVEL

ON

LEVEL

ON

LEVEL

ON

AUX 1 /MATRIX 1

AUX 5

AUX 9

AUX 2 /MATRIX 2

AUX 6

AUX 10

AUX 3 /MATRIX 3

AUX 7

AUX 11

AUX 4 /MATRIX 4

AUX 8

AUX 12

DYNA MICS

PAN/SURROUND

HIGH

BANK

GATE / COMP

GAIN

Q

FREQUENCY

dB

Hz

kHz

GAIN

Q

FREQUENCY

dB

Hz

kHz

GAIN

Q

FREQUENCY

dB

Hz

kHz

GAIN

Q

FREQUENCY

TALKBACK LEVEL

1

2

3

4

5

6

78

PAD

11

12 13 14 15

16

910 21 22 23 24

17

18 19 20

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

PHONES

LEVEL

PHONES

STUDIO

LEVEL

010

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SEL

INC

STUDIO

CONTROL

ROOM

STEREO

AUX 11 AUX 12

CONTROL ROOM

SOLO

CLEAR

SOLO CONTRAST

2TR D1 2TR A1

2TR D2 2TR A2

2TRD3STEREO

ASSIGN 1 ASSIGN 2

DIMMER

SMALL

MONO

SURROUND

MONITOR LEVEL

SLATE

TALKBACK

REMOTE 1

REMOTE 2

REMOTE 3

REMOTE 4

LAYER

STEREO

MONITOR

STEREO

REC

REW

FF STOP PLAY

AUTO

ENTER

CONTROL ROOM LEVEL

DEC

DATA DIO SETUP UTILIT Y

MIDI REMOTE METER VIEW

PAI R GROUP INPUT

PATCH

OUTPUT

PATC H

DISPLAY ACCESS

INTERNAL

EFFECTS

1234

5678

F1 F2 F3

F4

1234

CARD

3.3V

CHANNEL

INSERTS

BUS

GRAPHIC

EQUALIZERS

TALKBACK

USER DEFINED KEYS

STORERECALL

SCENE MEM ORY

OVERWRITE

AUTOMIX

ABCD

MASTERALL CLEAR

12 45678

910 12131415

16

21 22 23 2417 18 2019

TRACK ARMING

TRACK ARMING GROUP

BACK FORWARD

SHUTTLE

DISPLAY HISTORY

SCRUB

12345678

910111213141516

FADER ON

PAN

EQAUX AUX

ON

ENABLE

REC ABORT/

UNDO

AUTO-

REC

RETURN

RELATIVE

TOUCH

SENSE

AUX 2AUX 1 AUX 3 AU X 4

AUX 6AUX 5 AUX 7

AUX 10AUX 9 AUX 11

AUX 8

AUX 12

AUX SELECT

AUX / MTRX

FADER

PAN

ASSIGN 4ASSIGN 3

MATRIX SELECT

DISPLAY

MATRIX2 MATRIX 4MATRIX 3

SUSPEND WRITE TOUCH L ATCH READ TRIM OFF

ASSIGN 2ASSIGN 1

PAN SENDLEVEL

INSERTSEND ASSIGNOUTPUTINPUT

MASTER

ODD

11

PLUG INS

EFFECTS / PLUG INS

50

40

30

20

15

10

5

0

5

87654321

MATRIX1

910111213141516 1718192021222324

87654321 910111213141516 1718192021222324

HIGH MIDLOW MID

124

25 48

49 72

73 96

010

STEREO

SURROUND

3

LOCATE MEMORY

LOCATOR

12345678

ONLINE

AUDITION

LOOP

MASTER

PRE POST

ROLL

BACK

IN OUT MTR

END QUICK

PUNCH

REHEARSAL

SET

RETURN

TO ZERO

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

SMALL

TRIM

0010

70

60

50

40

30

20

15

10

5

0

ENCODER MODE

FADER MODE

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

100

SURROUND

00

10.04.001.00125

AD Input Section (p. 21)

Channel strips (p. 21)

LOCATOR

(p. 37)

SmartMedia CARD

Slot (p. 22)

MATRIX SELECT

(p. 22)

AUX SELECT

(p. 23)

ENCODER

MODE (p. 23)

FADER MODE

(p. 24)

DISPLAY ACCESS (p. 24)

EFFECTS/PLUG-INS

(p. 26)

Display Section (p. 27) SELECTED CHANNEL Section (p. 28)

LAYER (p. 34) STEREO (p. 34)

TRACK ARM-

ING (p. 35)

Data Entry &

Transport (p. 39)

Monitor, Phones &

Talkback Section

(p. 41)

MONITOR Sec-

tion (p. 42)

SCENE MEM-

ORY (p. 35)

AUTOMIX

(p. 36)

USER DEFINED

KEYS (p. 37)

CHANNEL COPY (p. 33)

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