Yamaha 40C Руководство пользователя

Owner’s Manual

Mode d’emploi

Bedienungsanleitung

M

MIXING CONSOLE

2

Introduction

Thank you for purchasing the Yamaha M3000 mixing console. The M3000

is based on Yamaha’s experience with the PM series, and features superb

sound quality with a full range of functionality such as VCA faders, scene

memory, and GA diversity. In order to take full advantage of the M3000’s

performance and enjoy long and trouble-free use, please read this manual

carefully.

Note:

This manual assumes that you are thoroughly familiar with basic

operation of mixing consoles and their terminology.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

NEDERLAND

●Dit apparaat bevat een lithium batterij voor geheugen

back-up.

●Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat ann het einde

van de levensduur afdankt of de volgende Yamaha

Service Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Tel. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

THE NETHERLANDS

●This apparatus contains a lithium battery for memory

back-up.

●For the removal of the battery at the moment of the

disposal at the end of the service life please consult your

retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Tel: 030-2828425

●Do not throw away the battery. Instead, hand it in as

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved

fejlagtig håndtering. Udskiftning må

kun ske med batteri af samme fabrikat

og type. Levér det brugte batteri

tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt

batteribyte. Använd samma batterityp

eller en ekvivalent typ som

rekommenderas av

apparattillverkaren. Kassera använt

batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on

virheellisesti asennettu. Vaihda paristo

ainoastaan laitevalmistajan

suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

3

Contents

Features of the system...............................5

Control panel............................................6

Input channel section................................................6

Variable/fixed select section....................................13

Mix section..............................................................14

VCA master fader section.......................................16

STEREO A section...................................................16

STEREO B section...................................................18

Monitor section.......................................................19

Talkback section......................................................21

Meter select section.................................................22

Scene memory section ............................................22

Matrix section..........................................................24

Meter bridge............................................................25

Rear panel .............................................26

Mono input channel input/output jacks ...............26

Stereo input channel input/output jacks...............26

Master section input/output jacks..........................27

Output connector for illumination power

supply.......................................................................29

About the GA Diversity functionality........30

Using MIX buses 1–8 as group buses.....................30

Using MIX buses 1–8 as AUX buses ......................30

About the Scene Memory function...........31

What is scene memory?...........................................31

About the modes of the Scene Memory function..31

Operations in normal mode....................................32

Operations in check mode......................................33

Operations in utility mode......................................34

Utility items..............................................................34

Control change table ...............................................35

Using mute groups..................................................36

About the local control circuit................................37

About the VCA functionality....................38

Error messages ......................................41

Specifications.........................................42

General specifications..............................................42

Input/output characteristics....................................43

Other ........................................................................44

Dimensions ............................................45

MIDI data format....................................46

MIDI Implementation Chart .....................47

4

Precautions

• Connect the mixer power cord only to the power supply

unit, and connect the power supply unit to an AC outlet

of the type stated in this

Owner’s Manual

or as marked

on the power supply unit. Failure to do so is a ﬁre and

electrical shock hazard.

• Do not locate the mixer in a place subject to excessive

heat or in direct sunlight. This could be a ﬁre hazard.

• Do not place the mixer in a place subject to excessive

humidity or dust. This could be a ﬁre and electrical

shock hazard.

• Do not plug several devices into the same AC outlet. This

may overload the AC outlet, and could be a ﬁre and elec-

trical shock hazard. It may also affect the performance of

some equipment.

• Do not place heavy objects on the power cord. A dam-

aged power cord is a potential ﬁre and electrical shock

hazard.

• If the power cord is damaged (i.e., cut or a bare wire is

exposed), ask your dealer for a replacement. Using the

mixer in this condition is a ﬁre and shock hazard.

• Hold the power cord plug when disconnecting from an

AC outlet. Never pull the cord. Damaging the power cord

in this way is a potential ﬁre and electrical shock hazard.

• Do not place small metal objects on top of the mixer.

Metal objects inside the mixer are a ﬁre and electrical

shock hazard.

• Do not try to modify the mixer. This could be a ﬁre and

electrical shock hazard.

• The mixer operating temperature is between 5˚C and

35˚C (41˚F and 95˚F).

• Turn off all audio devices and speakers when connecting

to the mixer. Refer to the owner’s manual for each device.

Use the correct cables and connect as speciﬁed.

• If you notice any abnormality—such as smoke, odor, or

noise—turn off the mixer immediately. Remove the

power cord from the AC outlet. Conﬁrm that the abnor-

mality is no longer present. Consult your dealer for

repair. Using the mixer in this condition is a ﬁre and

shock hazard.

• If a foreign object or water gets inside the mixer, turn it

off immediately. Remove the power cord from the AC

outlet. Consult your dealer for repair. Using the mixer in

this condition is a ﬁre and electrical shock hazard.

• If you plan not to use the mixer for a long period of time,

remove the power cord from the AC outlet. Leaving the

mixer connected is a ﬁre hazard.

• Do not use benzene, thinner, cleaning detergent, or a

chemical cloth to clean the mixer. Use only a soft, dry

cloth.

• The mixer is a heavy piece of equipment. Always grip the

underneath, not the side panels, when lifting.

• The mixer uses high-frequency digital circuits that may

cause interference on radios and televisions placed close

to it. If interference does occur, relocate the affected

equipment.

5

Features of the system

• The M3000-40C provides a generous number of input

modules; 40 monaural and 4 stereo (the M3000-24

provides 24 monaural and 4 stereo). Stereo output, 16

mix outputs, and 8 matrix outputs are provided in

addition. The M3000 is suitable for use in a wide

range of applications, such as the main mixer for

sound reinforcement, as a monitor mixer, or in build-

ing installations.

• The GA Diversity function allows each pair of MIX

buses 1/2–7/8 to be switched between group bus

(ﬁxed output level from the input channels) and AUX

bus (variable output level from the input channels).

Bus conﬁguration can be set up as needed.

• The Scene Memory function allows the on/off status

of the mono/stereo input channels, MIX OUT 1–16,

and STEREO A OUT to be saved as one of 128

“scenes.” Scenes can be selected from the front panel,

or by MIDI program change messages from an exter-

nal device. In addition, MIDI control change mes-

sages transmitted from an external device can be used

to switch the individual on/off status of input chan-

nels or bus outputs channels.

• By modifying internal settings, Scene Memory num-

bers 1–8 can be used as mute groups. In this case, up

to eight mute (on/off) settings can be added/defeated

individually.

• Eight VCA master faders allow the gain of multiple

input channels to be controlled as a group. By group-

ing the desired input channels and assigning them to a

VCA master fader, you can adjust the mix as appropri-

ate for the on-state action using the VCA master fad-

ers alone.

• The mono input channels provide a 26 dB pad, HPF,

phase switch, four-band parametric EQ, and 100 mm

full stroke faders as well as DIRECT OUT jacks. Phan-

tom power is also provided, and can be switched on/

off individually.

• The M3000-40C features a center master design that

places the master section in the middle of the mixer

for superior operability.

• All input channels provide a PFL switch, and an AFL

switch is provided for MATRIX OUT 1–8/MIX OUT

1–16/STEREO A OUT/STEREO B OUT. This makes it

easy to check your input/output sources.

• Eight independent matrices are provided. The signals

from MIX OUT 1–16/STEREO A OUT and dedicated

input jacks can be mixed at the desired levels, and out-

put from MATRIX OUT jacks 1–8. This capability can

be used for foldback or as a mix for individual speak-

ers/amps.

• All mono input channels, stereo buses, and MIX buses

provide an INSERT I/O jack. External effect proces-

sors can be inserted as necessary.

• The talkback signal and test tone oscillators can be

sent to any of the MIX buses 1-2–13/16 or the stereo

buses.

• As monitor sources for the monitor output, you can

select (in addition to STEREO A OUT), PFL from the

input channels, AFL/PFL from MATRIX OUT 1–8/

MIX OUT 1–16/STEREO A OUT/STEREO B OUT, or

2TR IN 1/2.

6

Control panel

Input channel section

Mono input channels

The M3000-24 provides 24 input channels, and the

M3000-40C provides 40 input channels. All input

channels have the same speciﬁcations.

A

Phantom power switch/

+48 V

indicator

This switch turns the +48 V phantom power on/off

for each channel. When phantom power is on, the +48

V indicator located above the switch will light. If you

wish to use phantom power, ﬁrst make sure that the

PHANTOM MASTER switch (page 28) located on the

rear panel is turned on.

B

GAIN

control

This control adjusts the input sensitivity. Levels sup-

ported are –16dB ~ –60 dB when the Pad switch (

3

)

is off, and +10dB ~ –34dB when the switch is on.

C

26 dB

pad switch

This switch attenuates the input signal by 26 dB.

When the switch is pressed ( ), the pad is on.

D

ø

(phase) switch

This switch reverses the phase of the input signal.

When the switch is pressed ( ), the phase is

reversed.

E

HPF

(high pass ﬁlter) control

This controls the cutoff frequency of the high pass ﬁl-

ter. The range is 20Hz–400Hz.

F

HPF

switch

This switch turns the high pass ﬁlter on/off. When the

switch is pressed ( ), the high pass ﬁlter is on, and

the signal component below the frequency speciﬁed

by the HPF control (

5

) will be attenuated by 12 dB/

oct.

G

EQ

control

This is a four-band equalizer which can boost/cut

each band over range of

±

15 dB. HI-MID and LOW-

MID provide switches that let you change between

two settings of Q (ﬁlter steepness). The center fre-

quency, Q value, and gain range of each band are as

follows.

H

EQ

switch

This switches the equalizer on/off. When the switch is

pressed ( ), the equalizer is on.

GAIN

HI

HI-

MID

LO-

MID

LO

600

20090

30

+15–15

EQ

HPF

+48V

Ø

1.6k

600240

80

+15–15

8k

3k1.2k

0.4k

+15–15

20k

8k3k

1k

400

15050

20

–60–16

+15–15

100

PRE

M9

100

M10

100

M11

100

M14

PAN

M13

M12

M13/

M14

100

M16

PAN

M15

M15/

M16

100

PRE

M1

M2

M3

M4

M5

100

M6

100

M7

100

M8

26dB

–34

+10

1

2

3

4

5

6

8

P

O

P

J

I

7

J

L

K

M

N

Band

Center

frequency

Q Gain

HI 1 kHz–20 kHz 0.667

±

15 dB

HI-MID 0.4 kHz–8 kHz 1.41/2.88

LO-MID 80 Hz–1.6 kHz 1.41/2.88

LO 30 Hz–600 Hz 0.667

Control panel

7

I

M1–M8

switches

These switch on/off the signal which is sent from the

input channel to MIX buses 1–8.

J

M1–M8

mix level controls

These controls send the signal from the input channel

to MIX buses 1–8. When the control is in the “

▲

”

position, the level is nominal (0 dB). Use the PRE

switch (

P

) to switch between pre/post fader.

K

M9–M12

switches

These are on/off switches for the signals that are sent

from the input channel to MIX buses 9–12.

L

M9–M12

mix level controls

These controls send the signal from the input channel

to MIX buses 9–12. When the control is in the “

▲

”

position, the level is nominal (0 dB). Use the PRE

switch (

P

) to switch between pre/post fader.

M

M13/M14

,

M15/M16

switches

These are on/off switches for the signals that are sent

from the input channel to MIX buses 13–16. M13 and

14, and M15 and M16 are stereo pairs, and each pair is

turned on/off by one switch. Use the PRE switch (

P

)

to switch between pre/post fader.

N

M13/M14

,

M15/M16

mix level controls

These controls send the signal from the input channel

to MIX buses 13–16. When the control is in the “

▲

”

position, the level is nominal (0 dB). M13 and M14,

and M15 and M16 are stereo pairs, and the output

level of each pair is controlled by one knob. Use the

PRE switch (

P

) to switch between pre/post fader.

O

M13/M14

,

M15/M16

pan controls

These controls set the panning of the signals that are

sent from the input channel to MIX buses 13/14 or

MIX buses 15/16. When the control is in the center

position, an equal amount of signal will be sent to

both buses.

P

PRE

switches

These are pre-fader/post-fader switches for the signals

that are sent from the input channel to MIX buses 1–

16. Pre/post can be switched independently for each

group of MIX buses: 1–4, 5–8, 9–12, and 13–16. When

the switch is pressed ( ), the post-EG/pre-fader sig-

nal will be sent to the corresponding group of MIX

buses.

Note:

If these switches are off, no signal will be sent

to the corresponding MIX bus from this input

channel, regardless of the switch setting of the vari-

able/ﬁxed select section (page 13).

Note:

For MIX bus pairs for which the variable/ﬁx

select section (page 13) switch is set to FIX, the out-

put level which is sent from each input channel to

the bus will be ﬁxed, and therefore the mix level

control setting will have no effect.

from Ctrl Master

from VCA Master

ON/EDIT

CHECK ON

CONTROL

ST

L R

PFL

L R ON

MIX

(FIX)

MIX

(VARIABLE)

M8

M7

M6

M5

PRE

M4

M3

M2

8

7

2

1

PFL

DIRECT OUT

Internal Jumper

PRE

M15/

M16

M13/

M14

PAN

M12

M11

M10

M9

PRE

M1

PEAK

NOM

SIGNAL

ST

VCA

INSERT I/O

4 Stage EQ

EQHPF

HPF

PHANTOM

MASTER

+48V

Input

1-24/1-40

+48V

26dB

PAD

PAN

HA

GAIN

1 2 3 4 5 6 7 81 3 5 7 9

2 4 6 8

11 13 15

10 12 14 16

f

g

f

g

f

g

Q

f

g

Q

LO

LO-MID

HI-MID

HI

Control panel

8

Q

ST

(stereo) switch

When this switch is on, the signal of the input channel

will be sent to the (ST) stereo bus.

R

PAN

control

This sets the panning of the signal that is sent from the

input channel to the ST bus.

S

ON/EDIT

switch/

ON

,

CHECK

indicators

The function of this switch and these indicators will

depend on the mode of the M3000.

●

In normal mode

The ON/EDIT switch will turn on the input channel.

When on, the ON indicator will light. Channels which

are turned off will send no signal to the ST bus or the

MIX buses. However even in this case, you can use the

PFL switch (

W

) to monitor the channel from the

MONITOR OUT jacks or the PHONE jack.

●

In check mode

In check mode (page 33), you can use the CHECK

indicators to view the on/off status of each channel

stored in a scene before you actually recall the scene.

This is convenient when you wish to verify the status

of each channel before you recall a scene.

In check mode, you can also use the ON/EDIT

switches to change only the lit/dark status of the

CHECK indicators. (The actual on/off setting will not

be affected.) Use this when you wish to maintain the

current mix settings, and store partially modiﬁed set-

tings as a scene.

T

PEAK/NOM/SIGNAL

indicators

Three indicators show the level of the input channel

signal after it passes through the EQ.

• PEAK indicator

This will light when the signal exceeds the nominal

level by 18 dB.

• NOM (nominal) indicator

This will light when the signal reaches nominal level

(0 dB).

• SIGNAL indicator

This will light when the signal reaches 10 dB below the

nominal level.

ON/

EDIT

CHECK

ON

PEAK

NOM

SIGNAL

PFL

1

2

3

4

5

6

7

8

VCA

GROUP

10

5

0

5

10

20

30

40

50

60

ST

PAN

RL

R

V

Q

S

U

W

T

Control panel

9

U VCA GROUP select switches

These switches select the VCA master fader(s) which

will control the signal output level of this channel.

When you select a VCA group 1–8, the indicator

located at the left of each switch will light, and the

corresponding VCA master fader (VCA master section

3) will control the channel. It is possible to select two

or more VCA groups for one input channel, or to con-

trol two or more input channels by the same VCA

group.

●Channels for which a VCA group is selected

The signal output level of the channel can be con-

trolled both by the corresponding VCA master

fader(s) and by the channel fader (V). The settings of

all corresponding VCA master faders are summed

with the setting of the channel fader to specify the sig-

nal output level of that channel.

●Channels for which a VCA group is not selected

The signal output level of the channel can be con-

trolled only by the channel fader (V).

V Channel fader

This fader adjusts the signal output level of the input

channel. This fader will affect the level of the signal

that is sent to the ST bus and to the MIX buses (if the

PRE switch is off). If one or more VCA groups are

selected by the VCA GROUP select switches (U), the

signal output level of that channel will also be affected

by the corresponding VCA master fader(s).

W PFL (pre-fader listen) switch

When this switch is on ( ), the pre-fader/post-EQ

signal of this input channel will be sent to the PFL

bus, allowing it to be monitored from the MONITOR

OUT jacks or the PHONES jack.

Note: For details on VCA functions, refer to

page 38.

from Ctrl Master

from VCA Master

ON/EDIT

CHECK ON

CONTROL

ST

L R

PFL

L R ON

MIX

(FIX)

MIX

(VARIABLE)

M8

M7

M6

M5

PRE

M4

M3

M2

8

7

2

1

PFL

DIRECT OUT

Internal Jumper

PRE

M15/

M16

M13/

M14

PAN

M12

M11

M10

M9

PRE

M1

PEAK

NOM

SIGNAL

ST

VCA

INSERT I/O

4 Stage EQ

EQHPF

HPF

PHANTOM

MASTER

+48V

Input

1-24/1-40

+48V

26dB

PAD

PAN

HA

GAIN

1 2 3 4 5 6 7 81 3 5 7 9

2 4 6 8

11 13 15

10 12 14 16

f

g

f

g

f

g

Q

f

g

Q

LO

LO-MID

HI-MID

HI

Control panel

10

Stereo input channels

The M3000 provides four stereo input channels. Ste-

reo sound sources such as sub-mixers, effect proces-

sor, or CD players can be input to the INPUT A jacks

(XLR connectors) or INPUT B jacks (RCA phono

connectors) located on the rear panel.

A GAIN A control

This control adjusts the input sensitivity of the signal

that is input from the XLR connector INPUT A jack

(rear panel 4). The level range is +10~ –30 dB. When

the A/B select switch (3) is in the B position ( ),

this control will have no effect.

B GAIN B control

This control adjusts the input sensitivity of the signal

that is input from the RCA phono connector INPUT

B jack (rear panel 5). The level range is +10~ –20 dB.

When the A/B select switch (3) is in the A position

( ), this control will have no effect.

C A/B select switch

This switch selects the input jacks that the stereo input

channel will use. When the switch is in the upward

position ( ) the INPUT A jack can be used. When

the switch is in the downward position ( ) the

INPUT B jacks can be used.

D EQ controls

This is a four-band equalizer which allows ±15 dB of

boost/cut for each band. The HI-MID and LOW-MID

bands allow you to switch between two settings of Q

(steepness). The center frequency, Q values, and gain

range for each band is as follows.

E EQ switch

This switches the equalizer on/off. The equalizer is on

when the switch is pressed down ( ).

F M1–M8 switches

These switch on/off the signal which is sent from the

stereo input channel to MIX buses 1–8.

–30+10

+15–15

A

–20+10

B

GAIN

HI

A

B

+15–15

HI-

MID

+15–15

LO-

MID

+15–15

100

LO

EQ

PRE

M1

M2

M3

M4

M5

100

M6

100

M7

100

M8

100

PRE

M9

100

M10

100

M11

100

M14

BAL

M13

M12

M13/

M14

100

M16

BAL

M15

M15/

M16

100

A

B

C

E

M

I

L

M

G

F

D

G

H

J

K

Band

Center

frequency

Q Gain

HI 20 kHz 0.667

±15 dB

HI-MID 3 kHz 1.41/2.88

LO-MID 800 Hz 1.41/2.88

LO 50 Hz 0.667

Note: If these switches are off, no signal will be sent

to the corresponding MIX bus from this input

channel, regardless of the switch setting of the vari-

able/ﬁxed select section (page 13).

Control panel

11

G M1–M8 mix level controls

These controls combine the stereo signal from the ste-

reo input channel into a mono signal, and send it to

MIX buses 1–8. When the control is in the “▲” posi-

tion, the level is nominal (0 dB). Use the PRE switch

(M) to switch between pre/post fader.

H M9–M12 switches

These are on/off switches for the signals that are sent

from the stereo input channel to MIX buses 9–12.

I M9–M12 mix level controls

These controls combine the stereo signal from the ste-

reo input channel into a mono signal, and send it to

MIX buses 9–12. When the control is in the “▲” posi-

tion, the level is nominal (0 dB). Use the PRE switch

(M) to switch between pre/post fader.

J M13/M14, M15/M16 switches

These are on/off switches for the signals that are sent

from the stereo input channel to MIX buses 13–16.

M13 and 14, and M15 and M16 are stereo pairs, and

each pair is turned on/off by one switch.

K M13/M14, M15/M16 mix level controls

These controls send the stereo signal from the stereo

input channel to MIX buses 13/14, 15/16. When the

control is in the “▲” position, the level is nominal (0

dB). M13 and M14, and M15 and M16 are stereo

pairs, and the output level of each pair is controlled by

one knob. Use the PRE switch (P) to switch between

pre/post fader.

L M13/M14, M15/M16 BAL (balance) controls

These controls set the left/right balance of the signals

that are sent from the stereo input channel to MIX

buses 13/14 or MIX buses 15/16.

M PRE switches

These are pre-fader/post-fader switches for the signals

that are sent from the stereo input channel to the MIX

buses. Pre/post can be switched independently for

each group of MIX buses: 1–4, 5–8, 9–12, and 13–16.

When the switch is pressed ( ), the pre-fader/post-

EQ signal will be sent to the corresponding group of

MIX buses.

Note: For MIX bus pairs for which the variable/ﬁx

select section (page 13) switch is set to FIX, the out-

put level which is sent from each input channel to

the bus will be ﬁxed, and therefore the mix level

control setting will have no effect.

ST

L R

PFL

L R ON

MIX

(FIX)

MIX

(VARIABLE)

1 2 3 4 5 6 7 81 3 5 7 9

2 4 6 8

11 13 15

10 12 14 16

1

2

7

8

from VCA Master

CONTROL

ONCHECK

ON/EDIT

from Ctrl Master

B

A

M15

M16

HA

GAIN A GAIN A

BAL

M13

M14

BAL

PRE

M1

PRE

M9

M10

M11

M12

PFL

M2

M3

M4

PRE

M5

M6

M7

M8

BAL

VCA

ST CH

1-4

INPUT A

INPUT B

R

L

R

L

4 Stage EQ

HA

EQ

4 Stage EQ

VCA

ST

PEAK

NOM

SIGNAL

LO

LO-MID

HI-MID

HI

g

Q

g

Q

Control panel

12

N ST (stereo) switch

When this switch is on, the signal of the input channel

will be sent to the (ST) stereo bus.

O BAL (balance) control

This sets the left/right balance of the signal that is sent

from the input channel to the ST bus.

P ON/EDIT switch/ON, CHECK indicators

The function of this switch and these indicators will

depend on the mode of the M3000.

●In normal mode

The ON/EDIT switch will turn on the stereo input

channel. When on, the ON indicator will light. Chan-

nels which are turned off will send no signal to the ST

bus or the MIX buses. However even in this case, you

can use the PFL switch (T) to monitor the channel

from the MONITOR OUT jacks or the PHONE jack.

●In check mode

You can use the CHECK indicators to view the on/off

status of each channel stored in a scene before you

actually recall the scene. This is convenient when you

wish to verify the status of each channel before you

recall a scene.

In check mode, you can also use the ON/EDIT

switches to change only the lit/dark status of the

CHECK indicators. (The actual on/off setting will not

be affected.)

For details on Check mode, refer to page 33.

Q PEAK/NOM/SIGNAL indicators

Three indicators show the level of the stereo input

channel signal after it passes through the EQ.

• PEAK indicator

This will light when the sum of the L and R signals

exceeds the nominal level by 18 dB.

• NOM (nominal) indicator

This will light when the sum of the L and R signals

reaches nominal level (0 dB).

• SIGNAL indicator

This will light when the sum of the L and R signals

reaches 10 dB below the nominal level.

R VCA GROUP select switches

These switches select the VCA master fader(s) which

will control the signal output level of this stereo input

channel. When you select a VCA group 1–8, the indi-

cator located at the left of each switch will light, and

the corresponding VCA master fader (VCA master

section 3) will control the channel. It is possible to

select two or more VCA groups for one stereo input

channel, or to control two or more channels by the

same VCA group.

●Stereo input channels for which a VCA group is

selected

The signal output level of the channel can be con-

trolled both by the corresponding VCA master

fader(s) and by the channel fader (S).

●Stereo input channels for which a VCA group is

not selected

The signal output level of the stereo input channel can

be controlled only by the channel fader (S).

S Channel fader

This fader adjusts the signal output level of the stereo

input channel. This fader will affect the level of the

signal that is sent to the ST bus and to the MIX buses

(if the PRE switch is off). If one or more VCA groups

are selected by the VCA GROUP select switches (R),

the signal output level of that channel will also be

affected by the corresponding VCA master fader(s).

T PFL (pre-fader listen) switch

When this switch is on ( ), the pre-fader/post-EQ

signal of this stereo input channel will be sent to the

PFL bus, allowing it to be monitored from the MONI-

TOR OUT jacks or the PHONES jack.

ST

ON/

EDIT

PFL

CHECK

ON

PEAK

NOM

SIGNAL

BAL

RL

1

2

3

4

5

6

7

8

VCA

GROUP

10

5

0

5

10

20

30

40

50

60

O

S

N

P

R

T

Q

Note: For details on VCA functions, refer to

page 38.

Control panel

13

Variable/ﬁxed select section

The M3000’s GA (Group/Aux) diversity function

allows MIX buses 1–8 to function either as group

buses or as AUX buses. In this section, you can switch

each pair of MIX buses (1/2, 3/4, 5/6, 7/8) between

functioning as group buses or as AUX buses.

A Variable/ﬁxed select switches

These switches select whether the level of the signals

sent from the input channels to MIX buses 1–8 will be

ﬁxed (FIX) or variable (VARIABLE). From top to bot-

tom, these switch MIX buses 1/2, 3/4, 5/6 and 7/8.

●When FIX ( ) is selected

The corresponding pair of MIX buses (1/2, 3/4, 5/6, 7/

8) will function as a group bus, and the signal of the

MIX (FIX) bus will be output to the corresponding

mix channel. In this case, the settings of the mix level

controls M1–M8 (mono input channels J, stereo

input channels 7) will have no effect.

●When VARIABLE ( ) is selected

The corresponding pair of MIX buses (1/2, 3/4, 5/6, 7/

8) will function as an AUX bus, and the signal of the

MIX (VARIABLE) bus will be output to the corre-

sponding mix channel. In this case, the mix level con-

trols M1–M8 (mono input channels J, stereo input

channels 7) will take effect just as they are set.

+15–15

100

EQ

PRE

M1

M2

M3

M4

M5

100

M6

100

M7

100

M8

VARIABLE

FIX

+15–15

100

EQ

PRE

M1

M2

M3

M4

M5

100

M6

100

M7

100

M8

+15–15

100

EQ

PRE

M1

M2

M3

M4

M5

100

M6

100

M7

100

M8

+15–15

100

EQ

PRE

M1

M2

M3

M4

M5

100

M6

100

M7

100

M8

1

(SUB)(ST)

from INPUT

MIX 3-4, 5-6, 7-8: Same as MIX 1-2

MIX 2: Same as MIX 1

to Meter

VARIABLE

FIX

AFL

PFL

LRON

MAS

AFL

MAS

(MIX)

TO MATRIX

CONTROL

ONCHECK

ON/EDIT

MIX OUT 1

AFL

TO STEREO

PAN

TO MATRIX

MIX

INSERT

I/O

ST

RL

LR

MIX

(FIX)

MIX

(VARIABLE)

1 3 5 7 12345678

2468

9 111315

10 12 14 16

from Ctrl

Master

1357

2468

9 111315

10 12 14 16

LR

Control panel

14

Mix section

These output channels control the signals of MIX

buses 1–16. MIX buses 13/14 and 15/16 are controlled

as stereo pairs respectively. The signal that passes

through these output channels is output individually

from the MIX OUT 1–16 jacks (page 27), and can also

be sent to the MAS AFL bus, MAS PFL bus, ST bus,

and the matrix.

A TO MATRIX switches

When these switches are on ( ), the signal of the

corresponding MIX OUT will be sent to the matrix.

B PAN controls/BAL controls

These controls specify the pan (MIX OUT 1–12) or

left/right balance (MIX OUT 13–16) when the MIX

OUT signal is sent to the ST bus.

C TO STEREO switches

When these switches are on ( ), the signal of the

corresponding MIX OUT will be sent to the ST bus.

D ON/EDIT switches

The function of these switches and indicators will

depend on the mode of the M3000.

●In normal mode

The ON/EDIT switches will turn each MIX OUT on/

off. When on, the ON indicator will light. MIX OUTs

which are turned off will send no signal to the MIX

OUT 1–16 jacks, the MAS AFL bus, the ST bus or the

matrix. However even in this case, you can turn on the

AFL switch (6) to monitor the pre-fader signal from

the MONITOR OUT jacks or the PHONE jack.

●In check mode

You can use the CHECK indicators to view the on/off

status of each MIX OUT stored in a scene before you

actually recall the scene.

In check mode, you can also use the ON/EDIT

switches to change only the lit/dark status of the

CHECK indicators. (The actual on/off setting will not

be affected.)

For details on check mode, refer to page 33.

E Mix master faders

These faders adjust the output level of MIX OUT 1–

16. These faders affect the signal which is sent to the

MIX OUT 1–16 jacks, the MAS AFL bus, the ST bus,

and the matrix.

F AFL (after fader listen) switches

These switches allow the signals from MIX OUT to be

monitored from the MONITOR OUT jacks or

PHONES jack. When these switches are on ( ), the

pre-fader signal of the corresponding MIX bus will be

sent to the MAS PFL bus, and the post-fader signal

will be sent to the MAS AFL bus, allowing you to

monitor from the MONITOR OUT jacks or the

PHONES jacks. The signal of the MAS AFL bus can be

monitored when the MASTER PFL switch (page 19)

of the monitor section is off, and the signal of the

MAS PFL bus can be monitored when this switch is

on. However while even one of the PFL switches of the

input channels is on, the signal of the PFL bus will

take precedence, meaning that it will not be possible

to monitor MIX OUT.

MIX 13/14MIX 11/12 MIX 15/16

BAL

TO STEREO

TO MATRIXTO MATRIX

TO STEREO

L

R

PAN

L

R

PAN

L

R

AFLAFL

ON/EDITON/EDIT

CHECK

ON

CHECK

ON

10

5

0

5

10

20

40

BAL

TO STEREO

TO MATRIX

L

R

AFL

ON/EDIT

CHECK

ON

10

5

0

5

10

20

40

10

5

0

5

10

20

40

MIX 9/10

TO MATRIX

TO STEREO

PAN

L

R

PAN

L

R

AFL

ON/EDIT

CHECK

ON

10

5

0

5

10

20

40

MIX 7/8

TO MATRIX

TO STEREO

PAN

L

R

PAN

L

R

AFL

ON/EDIT

CHECK

ON

10

5

0

5

10

20

40

MIX 5/6

TO MATRIX

TO STEREO

PAN

L

R

PAN

L

R

AFL

ON/EDIT

CHECK

ON

10

5

0

5

10

20

40

MIX 3/4

TO MATRIX

TO STEREO

PAN

L

R

PAN

L

R

AFL

ON/EDIT

CHECK

ON

10

5

0

5

10

20

40

MIX 1/2

TO MATRIX

TO STEREO

PAN

L

R

PAN

L

R

AFL

ON/EDIT

CHECK

ON

10

5

0

5

10

20

40

A

D

E

F

C

B

Control panel

15

MIX buses 1–8

MIX buses 9–12

MIX buses 13–16

(SUB)(ST)

from INPUT

MIX 3-4, 5-6, 7-8: Same as MIX 1-2

MIX 2: Same as MIX 1

to Meter

VARIABLE

FIX

AFL

PFL

LRON

MAS

AFL

MAS

(MIX)

TO MATRIX

CONTROL

ONCHECK

ON/EDIT

MIX OUT 1

AFL

TO STEREO

PAN

TO MATRIX

MIX

INSERT

I/O

ST

RL

LR

MIX

(FIX)

MIX

(VARIABLE)

1 3 5 7 12345678

2468

9 111315

10 12 14 16

from Ctrl

Master

1357

2468

9 111315

10 12 14 16

LR

(SUB)(ST)

AFL

PFL

LRON

MAS

AFL

MAS

(MIX)

TO MATRIX

ST

RL

LR

MIX

(FIX)

MIX

(VARIABLE)

1 3 5 7 12345678

2468

9 111315

10 12 14 16

1357

2468

9111315

10 12 14 16

LR

from ST CH

from Ctrl Master

ON/EDIT

CHECK ON

CONTROL

MIX 10, 11, 12: Same as MIX 9

to Meter

TO MATRIX

PAN

TO STEREO

AFL

MIX OUT 9

MIX

INSERT

I/O

(SUB)(ST)

AFL

PFL

LRON

MAS

AFL

MAS

(MIX)

TO MATRIX

ST

RL

LR

MIX

(FIX)

MIX

(VARIABLE)

1 3 5 7 12345678

2468

9 111315

10 12 14 16

1357

2468

9111315

10 12 14 16

LR

from Ctrl Master

CONTROL

ONCHECK

ON/EDIT

MIX 15-16: Same as MIX 13-14

to Meter

AFL

TO MATRIX

BAL

TO STEREO

MIX OUT 14

MIX

INSERT

I/O

MIX

INSERT

I/O

MIX OUT 13

Control panel

16

VCA master fader section

The VCA master fader section allows the gain of input channels assigned to a VCA group to

be controlled as a whole by the corresponding VCA fader. The VCA group(s) to which each

input channel is assigned is speciﬁed by the VCA GROUP select switches (mono input

channels (U), stereo input channels R).

A VCA MUTE switches

When these switches are turned on (the indicator at

left will light), the VCA master fader (3) will be shut

down completely. At this time, the post-fader signal of

all input channels assigned to the corresponding VCA

group will be muted.

B NOMINAL indicators

These indicators will light when the corresponding

VCA master fader is in the nominal (0 dB) position.

In this position, the VCA master fader will not affect

the gain.

C VCA master faders

These faders control the gain of the input channels

assigned to the corresponding VCA group. If you wish

to use the VCA master faders, make sure that the rear

panel VCA MASTER/SLAVE select switch (page 28) is

set to the MASTER position.

STEREO A section

This section controls the signal that is output from the

rear panel ST OUT jacks (page 28). The signal level

which is sent from ST OUT A to the matrix is also

controlled by this section.

MIX 13/14MIX 11/12 MIX 15/16

NOMINALNOMINAL

VCA

MUTE

VCA

MUTE

5

0

5

10

20

30

40

50

60

10

5

0

5

10

20

30

40

50

60

10

NOMINAL

VCA

MUTE

5

0

5

10

20

30

40

50

60

10

MIX 9/10

NOMINAL

VCA

MUTE

5

0

5

10

20

30

40

50

60

10

MIX 7/8

NOMINAL

VCA

MUTE

5

0

5

10

20

30

40

50

60

10

MIX 5/6

NOMINAL

VCA

MUTE

5

0

5

10

20

30

40

50

60

10

MIX 3/4

NOMINAL

VCA

MUTE

5

0

5

10

20

30

40

50

60

10

MIX 1/2

NOMINAL

VCA

MUTE

5

0

5

10

20

30

40

50

60

10

A

B

C

(SUB)(ST)

ON

ON/EDIT

CHECK ON

CONTROL

to Meter

ON

AFL

TO MATRIX

AFL

PFL

LRON

MAS

AFL

MAS

LR

PFL

(MIX)

TO MATRIX

LEVEL

ST OUT B

L

R

ST

INSERT

I/O L

ST

INSERT

I/O R

R

L

ST OUT A

ST

RL

LR

1357

2468

9 111315

10 12 14 16

LR

to MONITOR OUT

to PHONES

Control panel

17

A TO MATRIX switch

When this switch is on ( ), the ST OUT A post-

fader signal is sent to the matrix.

B ON/EDIT switch

The function of this switch and indicator will depend

on the mode of the M3000.

●In normal mode

The ON/EDIT switch will turn ST OUT A on/off.

When on, the ON indicator will light. When off, no

signal will be sent to the ST OUT A jacks, MONITOR

OUT jacks, PHONES jack, MAS AFL bus, or the

matrix. However even in this case, you can turn on the

AFL switch (3) to monitor the pre-fader signal from

the MONITOR OUT jacks or the PHONE jack.

●In check mode

You can use the CHECK indicator to view the on/off

status of ST OUT A stored in a scene before you actu-

ally recall the scene.

In check mode, you can also use the ON/EDIT switch

to change only the lit/dark status of the CHECK indi-

cator. (The actual on/off setting will not be affected.)

C AFL switch

This switch allows the ST OUT A signal which is sent

to the ST OUT A jacks or to the matrix to be moni-

tored from the MONITOR OUT jacks or from the

PHONES jack. When this switch is on ( ), the pre-

fader signal will be sent to the MAS PFL bus and the

post-fader signal will be sent to the MAS AFL bus,

allowing you to monitor them from the MONITOR

OUT jacks or the PHONES jack.

When the master section MASTER PFL switch

(page 19) is off you can monitor the signal of the MAS

AFL bus, and when it is on you can monitor the signal

of the MAS PFL bus. However if even one of the PFL

switches of the input channels is turned on, the signal

of the PFL bus will take priority for monitoring, and it

will not be possible to monitor ST OUT A.

D ST (stereo) fader

This fader adjusts the ﬁnal output level of ST OUT A.

This fader affects the level of the signal which is sent

to the ST OUT A jacks, the MONITOR OUT jacks,

the PHONES jack, the MAS AFL bus, and the matrix.

10

5

0

5

10

20

30

40

50

60

STEREO A

TO MATRIX

ON/EDIT

AFL

CHECK

ON

STEREO A

A

D

C

B

Control panel

18

STEREO B section

This section controls the signal which is output from

the rear panel ST OUT B jacks (page 28)

A LEVEL control

This controls the output level of the signal which is

sent from the ST OUT B jacks. It does not affect the

signal which is output from the ST OUT A jacks.

When the control is in the “▲” position the level is

nominal (0 dB).

B ON switch

This is an on/off switch for the signal which is output

from the ST OUT B jacks. It does not affect the signal

which is output from the ST OUT A jacks. When this

switch is turned off, the indicator will go dark, and no

signal will be output from the ST OUT B jacks. How-

ever even in this case, the signal sourced before pass-

ing through the LEVEL control can be monitored

from the MONITOR OUT jacks or the PHONES jack

by turning on the AFL switch (3).

C AFL switch

This switch allows the signal which is sent from the ST

OUT B jacks to be monitored from the MONITOR

OUT jacks or PHONES jack. When this switch is on

( ) the signal before passing through the LEVEL

control will be sent to the MAS PFL bus and the signal

after passing through the LEVEL control will be sent

to the MAS AFL bus, and can be monitored from the

MONITOR OUT jacks or the PHONES jack.

If the master section MASTER PFL switch (page 19) is

off, the MAS AFL bus signal can be monitored. If this

switch is on, the MAS PFL bus signal will be moni-

tored. However if even one of the input channel PFL

switches are on, the PFL bus signal will take priority

for monitoring, and ST OUT B cannot be monitored.

Note: This section is not affected by the on/off

switching of scene memory.

STEREO B

ON

AFL

LEVEL

100

A

C

B

(SUB)(ST)

to Meter

ON

ON/EDIT

CHECK ON

CONTROL

ON

from

STEREO B R

CUE R

STEREO B L

CUE L

from

to Meter

INPUT

MASTER

ON

L+R

ON

BA

Phon

e

PHONES

2TR IN

2

1

1/2

BA

L

R

L

R

MASTER PFL

LEVEL

L

R

MON

I

OUT

AFL

TO MATRIX

AFL

PFL

LRON

MAS

AFL

MAS

LR

PFL

(MIX)

TO MATRIX

LEVEL

ST OUT B

L

R

ST

INSERT

I/O L

ST

INSERT

I/O R

R

L

ST OUT A

ST

RL

LR

STEREO B/CUE L

STEREO B/CUE R

1357

2468

9 111315

10 12 14 16

LR

Control panel

19

Monitor section

In this section you can select the signal which will be

monitored from the MONITOR OUT jacks and the

PHONES jack. The following signals can be selected

as monitor sources. Signal sources in priority group 1

can be selected at any time, and signal sources in pri-

ority group 2 can be selected only when no signal in

group 1 is selected.

Signals which can be selected as monitor

sources

A INPUT indicator

This indicator will light if even one of the input chan-

nel PFL switches are turned on.

B MASTER indicator

This indicator will light if even one of the AFL

switches of the mix section, STEREO A section, STE-

REO B section, or matrix section (page 24) are turned

on.

C MASTER PFL switch

This switch selects the master signal (the signal of

either the MAS AFL bus or the MAS PFL bus) which

will be monitored by the MONITOR jacks or

PHONES jack. When the MASTER PFL switch is on

( ) the signal of the MAS PFL bus will be moni-

tored. When this switch is off ( ), the signal of the

MAS AFL bus will be monitored.

D L+R switch

When this switch is on ( ), the monitor signal which

is output from the MONITOR OUT jacks and the

PHONES jack will be mixed to a monaural signal.

E 1/ 2 select switch

This switches between the two sets of 2TR IN jacks

located on the rear panel. When the switch is in the

upward position ( ) the 2TR IN 1 jacks are selected,

and when the switch is in the downward position

( ) the 2TR IN 2 jacks are selected.

F ON switch

This switch sends the input signal from the set of 2TR

IN jacks selected by the 1/2 select switch to the MON-

ITOR jacks and PHONES jack. When this switch is

pressed ( ), the input signal from the selected pair

of 2TR IN jacks will be sent to the MONITOR jacks

and PHONES jack.

Priority group 1

(can be selected at any time)

Priority group 2

(can be selected only when no

source of group 1 is selected)

• Mono input PFL

• Stereo input PFL

• MIX AFL

• ST bus (ST OUT A/B) AFL

• MATRIX AFL

• St OUT a

• 2TR IN

L+R

MASTER

PFL

2

1/

ON

INPUT

MASTER

2TR IN

C

D

E

F

A

B

Control panel

20

G LEVEL control

This control adjusts the level of the signal which is

output from the MONITOR OUT jacks. It does not

affect the PHONES jack.

H ON switch

This is an on/off switch for the signal which is output

from the MONITOR OUT jacks. When this is on, the

indicator located above the switch will light. This

switch does not affect the PHONES jack.

I PHONES (headphone) control

This control adjusts the level of the signal which is

output from the PHONES jack. It does not affect the

MONITOR OUT jacks.

J PHONES jack

A set of headphones can be connected to this jack for

monitoring.

PHONES

MONITOR

ON

100

LEVEL

100

G

I

J

H

to Meter

ON

ON/EDIT

CHECK ON

CONTROL

ON

from

STEREO B R

CUE R

STEREO B L

CUE L

from

to Meter

INPUT

MASTER

L+R

ON

BA

Phones

PHONES

2TR IN

2

1

1/2

BA

L

R

L

R

MASTER PFL

LEVEL

L

R

MONITOR

OUT

AFL

PFL

LRON

MAS

AFL

MAS

LR

PFL

ST

INSERT

I/O L

ST

INSERT

I/O R

R

L

ST OUT A

ST

RL

LR

STEREO B/CUE L

STEREO B/CUE R

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